Jump to content

GH: Classic Thread


Max

Recommended Posts

  • Members

She has said before that she started working on a book but realized it was nothing but a collection of jobs and trauma until she got married and started a family. She had no life beyond her career before that, and her career had been traumatic in her younger days when she became famous. She loved the actual work, but the fame part mixed with the isolation of being so young really did a number on her.

As far as a spark- when they first came back she had it. They didn’t really stop writing anything but Luke loves danger until after her second maternity leave. That last year or so of Labine Laura was more neglected than Luke because Luke had stronger ties to the only story they were telling-Stone dying and how the community responded to that.

Back then I had only seen a handful of Luke and Laura scenes before the return. Now that I have seen more of their original run, I think Guza leaned into more of the younger, very troubled Laura. And Labine didn’t. 

Link to comment
Share on other sites

  • Replies 7.4k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

When Genie left GH she signed with CBS and got Bare Essence min series. I don't think anything else came of that.

Perhaps CBS just signed her for the publicity and weren't all that interested.

Then when the Bare Essence series bombed it was probably a rude awakening to the realities of the primetime biz.

I can't remember who it was but an actress commented that it was limos to the studio, fashion shoots,(keep any clothes you like,darling) catered lunches etc as their series was launched, but once it tanked she had to pay for a cab home.

'

Link to comment
Share on other sites

  • Members

 

I think its the modern ---sometimes down for anything ---GH fans that liked their loved story. Longtime fans and the more discerning (I hate how superior and pretentious that sounded) weren't  going for it. 

Franco did too much. He got Michael raped in prison, implied that he raped Sam I front of Jason, was a serial killer and committed other acts mentioned in this chat. He was too far gone to be redeemed. 

The biggest insult was Franco getting Michael raped in prison then rewriting history to say he meant for the rapist to protect Michael.

I think the latter was done clear the way for him to have a relationship with Carly. 

But I think Franco and Carly were only a couple so Roger Howard and Laura wright could be together, to and rekindle Carly's romance with Todd who had to be written off when ABC lost the rights to OLTL.

Edited by Planet Soap
Link to comment
Share on other sites

  • Members

She had horrible material with that Reese nonsense and Carly's breakdown.  Carly was very weak during this period and not very likeable.  We can argue if Carly's ever been likeable, but I think you get my point.

I also think Kari Wuhrer and JB look a lot alike (at least with their styling back then) and I personally would get them confused sometimes because I was watching very casually during that period.  That's probably a me problem though.

Link to comment
Share on other sites

  • Members

I don't know.  Reese's story is so weird that I think she had plastic surgery at some point.  She basically had a million backstories even before she was Carly's high school bff.   I read Reese's GH wiki a few months ago and had no idea what I was reading lol.  It was crazy ride.

I would suspect if the show didn't secure LW from GL Carly would have been written off.  Not forever, but until GH could find the right person.  JB was never meant to be permanent IMO.  I do think Mo actually defended her and seemed to like her though. 

Link to comment
Share on other sites

  • Members

Yeah.

I still can see people seeing JB lining up more with Carly than LW.  At least TB's Carly.  LW is Carly to me now, but it took me a long time to get used to her in the role.  I wouldn't be sad if GH reached out to SJB and had her take over again.  Obviously, they would never.

Link to comment
Share on other sites

  • Members

I don’t know. Jill Farren Phelps has a history of miscast recasts. I actually do think this was supposed to be more than a placeholder. If she was a placeholder, then that was twice in a row that Phelps temp cast Carly, which shows me she would have been fine to eliminate the character. Both SJB and IIRC Tamara were speaking up about the story more than women are allowed to on a JFP show, and both exited without much love for her as producer.

Laura Wright feels like an example of someone better being free at the exact right moment, and ABC wanted her.

Link to comment
Share on other sites

  • Members

I’m with @titan1978 I think JFP was dead serious about making JB work in the role but it was just never gonna happen. I remember the last ditch effort too when they lightened her hair and started having her do more press interviews to try and sway the audience but they were still brutal to her.

I know when Laura Wright originally met with Frons it was about getting her on one of the NY soaps and then pivoted to Carly afterward. If Kari Wuher hadn’t got pregnant they probably would have left Carly in the mental hospital for a few years and kept Reese as the new female lead instead of recasting again.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I guess RTPP looked worse because it followed Another World, but it's a shame they didn't give it more time especially considering how the shows that were put on following it fared.
    • Please register in order to view this content

    • Durkin was awful. The writing did her no favors, but she was all wrong for the part, lacking the mix of mystery, steeliness, sorrow and hesitancy that defined Victoria. I still have the awful memory of Adam lugging her around like a rag doll. She looked much more like one of the Blue Whale dancing extras than Victoria. And her voice... Maybe I am too harsh. With that said, Curtis didn't seem as bothered. I see from a fan review mentioning Barnabas & Company that Durkin was asked to return for Victoria's final episodes and declined as she had a Christmas trip to Europe with her husband planned and wasn't interested in just a few appearances.  I refuse to believe Victoria actually died during the Leviathan storyline. If Barnabas and Angelique could come back 8 times, she could come back a few.
    • It's a shame she only appeared in three episodes for the purpose of being written out - I thought she was quite good in the little we saw. I liked her vibe better than Durkin that never seemed to quite capture Victoria as a character.
    • He did a lot of romance novel covers, so that might've just been enough for them to get their panties in a twist.
    • Pre-TGIF, ABC most successful 1980s Friday 8 pm comedy I'd say was Webster. Full House wasn't a hit its first two seasons but it started showing growth in its third season which overlapped with the launch of TGIF. Funny thing is, Full House became a Top 10 show with the 1991/92 move to Tuesday.
    • Oakland Tribune, 14 July 1985   AW is another show with Schenkel at helm By Connie Passalacqua For the most part, dictators of South American banana republics enjoy better reputations than executive producers of daytime soap operas. Total authority is vested in these producers, who can kill off a character (thus firing an actor) with a stroke of a pen, or completely change life in his or her soap opera dominion (both in its fictional locale and backstage at the studio) on any kind of whim.  Most rule despotically, inspiring fear in their actors and writers. Which inevitably surfaces on the screen and subtracts from a show's quality. Then there's Stephen Schenkel who became executive producer of Another World last fall. He's been described by one of his actresses as "a teddy bear." He has noticeably improved the show, mostly because his natural warmth encourages backstage cohesiveness, and he believes in personally nurturing his staff and cast. 'I like to be supportive', he said.' I like to generate a certain amount of enthusiasm. I love actors and writers and technical people. And I like to laugh..  ' Schenkel said that most of the factors that have led to the shows improved ratings existed before he took over. There were well defined characters, outstanding writers and excellent production values, he explains. 'These things were in place but needed to be stimulated. There wasn't a lot of excitement. What really was missing was an adequate story. We added Gillian Spencer as a writer. (she also plays Daisy on All My Children), who's wonderful, and it just coalesced. The writers energy and commitment to the show began to give it an emotional intensity and some real passion within the characters." Schenkel, a former ABC programming executive who helped develop Ryan's Hope, is a strong believer in stressing romantic and comedy elements in soap operas. AW is also one of the only soaps with an established group of comic characters, including Wallingford (Brent Collins) and Lily Mason (Jackee , Harry). Schenkel raves about the talents of all his actors, and even has something good to say about the Brooklyn location of the shows studio, which most of his Manhattan-oriented staff loathe. I like the people here. I like to walk down the street and feel their energies, he said. He also violateda soap opera no-no, ' inviting actors and writers to the same party. "Everyone got to know one another, he said. And I didn't get any complaints about actors ' begging for story lines, he said. 
    • Since it's pride month.

      Please register in order to view this content

         
    • National City Star-News, 5 May 1977 TV topics by Peter Blazi Lear’s ‘All that Glitters’—doesn’t The best thing that can be said about Norman Lear’s newest soap opera“All That Glitters” is that it comes on so late at night most people will miss it. Role reversal is supposed to be the big draw, with women the breadwinners, mainly executives of a huge conglomerate. The men either fuss with the housework or fidget at the office as secretaries to their bawdy bosses. A female fantasyland? I doubt it. While the role reversal idea has some possibilities, the show pushes too hard for laughs and winds up with raucous females and effete males. A confident, independent woman is indeed a sight to behold and attract, but femininity need not be sacrificed. Unlike Lear’s “Mary Hartman, Mary Hartman,” "Glitters” doesn’t, but you’ve got to give him credit for trying. Today’s experimental comedy is what tomorrow’s hits are made of. Better luck next time, Norman. (“All That Glitters” can be seen weekday evenings at 11 p.m. on Channel 6.) .
    • Actually Kim Zimmer got six weeks off to test the waters for pilot season in L.A. - she said later she went on many auditions and got one offer for a sitcom, but she would one of many in an ensemble. She turned it down, because it wasn't worth leaving Guiding Light for a supporting role on a sitcom. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy