Jump to content

As The World Turns Discussion Thread


edgeofnik

Recommended Posts

  • Members

Thanks for the clips..(though You Tube has been stopping in the middle of the clips for some reason.)

The John coming to see Kim at the Stewart house scene is almost repeated when he comes to see Dee at the Stewart house when David dies. (they are both outside of the Stewart house and both Dee and Kim are talking to someone else when he walks up) I wonder if Marland did that on purpsose?

That guy wasnt Beau and both Annie and Dee were BORING actresses. Melinda was a live wire and would have been more interesting if she stayed. But the Dobson's were intent on obscuring the Hughes in favor of the Stewarts for some reason who I felt all of them were "mopey."

The scene were Nancy answers the phone, Wagner is so natural its like she was talking to someone. They should never have gotten rid of Nancy and Chris..the Dobson's (and Bunim, RIP) sucked!

Link to comment
Share on other sites

  • Replies 17.1k
  • Created
  • Last Reply

Top Posters In This Topic

  • DRW50

    2971

  • DramatistDreamer

    1958

  • Soapsuds

    1716

  • P.J.

    823

Top Posters In This Topic

Posted Images

  • Members

Yes, that's Tom. That's Tom Tammi in the role.

I thought the funeral was oddly, eerily silent. Maybe I'm just used to the modern way of things, with lines and asides cut into the scenes. They all looked grumpy to me. Except of course Kim, who's giving the most stoned version of a smile I've ever seen.

Link to comment
Share on other sites

  • Members

I remember when they had Holden's last fake funeral and it was looked so sparse and empty.

At least we got to see some genuine somberness here, although I couldn't quite connect emotionally (I did when Kim remembered his wedding vows).

I kept thinking about when David died, and Chris, and how we didn't see much of the actual funeral (we may have with David - I can't remember).

Link to comment
Share on other sites

  • Members

It wasn't that it was just silent that bugged me though---it's that no one was even touching during the funeral. As if the director glued everyone's ass to the seat so they wouldn't ruin his camera angles or something. You'd think either Kim or Ellen would be trying to comfort Betsy.

Link to comment
Share on other sites

  • Members

Out of context, it does look odd by contemporary standards, but consider this. No one knew about Dan's terminal illness. He was a beloved character to many. One day he was there; the next he was gone. Perhaps one reason for the solemnness and coldness of the ceremony was to convey the shock the community felt. The community was stunned. Not enough time had passed for other characters to register the types of emotions more commonly seen when death is not quite so unexpected.

Character reactions were the domain of the director, and I can imagine the lack of intimacy was intentional. He wanted the audience to feel unnerved, to experience in a small way the trauma Oakdale citizens felt. In those days, it was about character more so than plot. I also feel this is a reason for Betsy and Kim being separated. Betsy had only learned a short time earlier that Dan was her father, not her uncle. Having lost both of her fathers in the exact same manner was too much for her to bear emotionally. This is evidenced in the scene in which Kate attempts to cheer her up with the offer of cake, and Betsy pulls away, adamant that no one else knows what she is feeling.

Yes, it was a different approach than many soaps would have taken, over the top with emotion and tears, but it seems right in the context of this soap, its characters, and stories.

Link to comment
Share on other sites

  • Members

You made me LOL, Carl, with the "last fake funeral" comment. However, it is also a very incisive statement. The producers knew he was not dead. The audience knew he was not dead, It was the second time in less than ten years that the same story had been done with the same character. The producers probably thought "why bother with a significant funeral?" It was pointless, yet another problem for far too many contemporary soaps.

Link to comment
Share on other sites

  • Members

Well, I had forgotten Betsy had just learned Dan was her father---but WASP or not, I expected more emotion than Kim's borderline creepy beatific smile. At least David managed to looked pissed off at his son's death.

And props that they used "Look to This Day", or whatever the poem is.

Edited by P.J.
Link to comment
Share on other sites

  • Members

I'm not entirely sure whether they were setting Kim up as repressing her emotions and breaking down later on, or if they were just trying to show serenity. I thought her emotion in her scene with Bob was very genuine.

I always want to know how viewers at that point in time felt about Kim and Bob. If they wanted them to be together, or if they still thought it was wrong. I've always wondered if one of the reasons Kim and Bob never really had popular relationships with people in the 80s was because of viewers wanting them together, or if it was just other things (the Nick story seems a little OOC for Kim, and most of Bob's love interests seemed to suck).

Link to comment
Share on other sites

  • Members

I was shocked that they even had a funeral the last time, as we'd gone through this before and it was obvious he'd be back soon. I remember just being thrilled to see Seth again, as he was one of my favorite characters.

I liked the idea of showing an actual church, even if it was completely empty, but it just didn't work. I wish that ATWT and GL had been able to try that approach with a much bigger budget, and without a hack like Goutman.

Link to comment
Share on other sites

  • Members

Who was that girl that Tom and Barbara were looking after? What was wrong with that Tom (he seemed kind cute in a cheesy 70s way) that the Dobson's dumped him for the future troll like Deas? I mean,if they wanted him why didn't they just make a new character, the hippie lawyer in town, instead of grafting in onto clean cut upright Tom?

The pace is so different at that time, the scenes last long and I expected a kind of Marland thing were Melinda would bump into Annie on the way out. I like the talk with Kim and David, it was natural and real, seemed more so then the rest of the clip, but that might have been because of Hays and Forsthy that the younger actors couldnt pull off.

And DAMN Annie, your brother was just put in the ground, and your hot and heavy for sex????

Link to comment
Share on other sites

  • Members

He's a little wooden.

Is that the prostitute Tom had a story with?

The pace is very slow and stiff, although like you said, some of the actors make that sing.

I just don't care for this Annie at all. I'm not sure what they were going for, especially the affair storyline. I guess they wanted her to be hurt before she realized her true love for Jeff. She mostly just seems awkward.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I feel like the lawsuit storyline was resolved quickly because the show didn’t want to spring for more sets.
    • It's been a while, but we have seen the foyer to Bill and Hayley's house as well as the exterior entrance to their house. The foyer was first seen in the premiere episode when Hayley met Vanessa at the house.
    • There's still a year or two before Larkin arrives. Joel is there already. EON does noticeably youthify, although I think they carry it off. Admittedly I haven't seen most of the Jody stories, which from what people here have said aren't great.
    • I don't mind the actor who plays Brian. He's fine. The problem for me is that Paige seems so wishy wishy. She doesn't seem to have much of a personality at this point so I don't see why Brian would be so besotted with her. She just lurches from one trauma to the next. Granted, it's only been a month, but she's not as vibrant as April or even Deborah who has had minimal screen time by this point.  I do worry about the influence of GH on the show since I'm in fall of 1979 and characters have conversations and there's not the drive to "youthify" the show. However, I think Marceau (sp?) is gone. He was given a rather tame sendoff. How long was the actor on the show? I hope this is not a sign of things to come. I worry the show is setting up a murder mystery around one of my favorite characters and I will be mightily annoyed. I also noticed in recent Search for Tomorrow episodes uploaded to YT that the actors playing Logan and Eliot showed up. I don't watch the show but they were in the screencaps. When does Larkin Malloy show up or has he already left? Joel Crothers hasn't shown up either unless I've blinked and missed him.
    • Dr Linden. She treated Vanessa's drug addiction (although Vanessa seemed to forget that by Henry's suicide attempt) , and she's mentioned during Reva's PPD. Although I can't recall if she's actually shown right off the top of my head. She probably was temporarily shelved when Sonni was a therapist (between her crazy times) And I think Billy sees her after he falls off the wagon after Reva's death.
    • Kinda agree. I have some issues with the sets. Nicole's living room is bland-looks like a display home. Bill and Hayley's is too small and basically hideous. And neither of them have a front door/entrance or staircase. People just appear from the corridor. Those green accents  at Uptown are way too much. Also,Naomi and Vanessa not having an office or a home .
    • Thanks @Paul Raven  That Grainger story always reads like hog-wild melodrama, not very similar to the more subtle stories for Rita in her last few years. I wonder how Lenore played the material.
    • More from 1976 Lynn, apparently making every effort to overcome her alcoholism, accepts a baby-sitting job. However, when the baby starts crying, Lynn begins to get nervous and takes one drink, then another. By the time Bruce and Van arrive home, Lynn is on the floor, ineffectually trying to find the doctor’s number, sure the baby is ill. When the mother arrives; she vows to let everyone know what goes on in the mayor’s house.Bruce insists that Lynn has to go, but Van, learning that Lynn can’t remember drinking the cooking sherry, calls Joe to report Lynn’s blackouts. Joe wants her institutionalized but gives in to Van’ s pleas that Lynn needs loving attention. Eddie has sent some of Felicia’s work to a New |York gallery owner and reports to Charles that Lisa Cooper wants to exhibit Felicia’s work. Charles refuses to tell her this and later admits he feels he has “cowed”her attention because of his being confined to a wheelchair. What Charles doesn’t say is: that he’s plagued with fears she’ll leave him for another man. Felicia is exuberant as she starts painting again. She tells Charles how she feels about it, but, jealous of anyone or anything that takes attention from him, Charles tries to undermine her confidence. Eddie finally professes his love for her. He will be happy to step forward if she will only let Be and admit that they belong together. Charles tries to stop Felicia’s ‘trip to New York by making her doubt her own work, and when that fails, he finds business reasons at his bookshop to keep Di, his ex-wife, who is running it for him, from accompanying her. Felicia finally decides it’s not going to work and tells Eddie they might as well call it off. Instead, he arranges for Lisa Cooper to come to Rosehill. Charles is rude and insulting to Lisa when she arrives at the house to view Felicia’s work, and his derogatory remarks about shady gallery dealings prompt Lisa to tell Eddie that living in such an atmosphere could permanently stunt an artist’s development; if Felicia is subjected to this indefinitely, it’s not even worth Lisa’s while to take her on as a client. Felicia finally decides she can’t be torn apart any longer and must accede to Charles’s demands. She tells Eddie her career is over and she won’t paint any more, breaks down in his arms, crying bitterly, then pulls away, unwilling to acknowledge that her feelings for him are deeper than she dare face. Charles is delighted when she prepares to dispose of her art supplies, insisting everything will be fine once she has accepted that this part of her life is over. But she cannot do it. She promises him that he can set the limits and terms, but she must paint. Arlene discovers that her mother is planning to avoid the surgery she needs, and the accompanying medical bills, by leaving Rosehill and moving in with her sister Dorothy out west. Arlene manages to prevent this by calling her aunt and telling her the truth about Carrie’s condition. Dr. Tom Crawford has been footing the costs of Carrie’s presurgery tests, but Arlene knows that Carrie won’t like this. So she tells Carrie that David Hart, the son of Meg’s late husband, the former mayor, has heard about their plight and forwarded the money as a gesture of friendship, to be repaid when possible. To convince Carrie that she does indeed have the money, Arlene asks Ray to just lend it to her for a few hours, so she can convince Carrie and then immediately return it. Ray instructs her to get dressed for a night on the town and takes her, out implying that the money will be waiting at the end of the evening. When Ian Russell happens to join them, Arlene doesn’t suspect anything is afoot, but when e Ray suddenly leaves, she becomes furious, realizing what he’s done. But she finds Mr: Russell a distinguished and cultured man, and decides there’s no harm in having a drink. After cocktails and stimulating conversation, Ian suggests that they go to his place, and Arlene agrees. But when they get there, Ian matter of factly suggests that they skip the preliminaries and get on with it. Ian is embarrassed and annoyed to discover that Arlene is not a professional call girl and that Ray didn’t explain to her the purpose of their |meeting. He is apologetic and solicitous, until Arlene, explaining why Ray felt he could pull this on her, mentions her sick mother in need of an operation. Ian starts to laugh at this overworked standard line, and a livid Arlene storms out of his apartment. Thinking it over, Ian decides he’s more intrigued with Arlene than he is annoyed at Ray, and calls Ray for her telephone number. But Arlene is not delighted to hear from him, and he has to use a good deal of soothing charm before she agrees to have dinner with him at one of the better local restaurants.During dinner Ian again apologizes for his mistake, and he gives Arlene a diamond pendant as a token of his gratitude for her forgiving him. Ray arrives to interrupt an otherwise enjoyable evening with a business matter, and quietly reminds Arlene that Ian is his customer and she’s not to cut herself in with him. At home, Arlene examines the pendant and is convinced that it’s genuine. She hides it in her dresser drawer, unable to bring herself to show it to her mother.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy