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OLTL: Discussion for the week December 28


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I actually strongly dislike Nick because of how he reads his lines too--gay or not. Where did I ever say youhad to accept anygay storyline? I actually think one reason the often ridiculousness of Kish works is because of solid acting--it's not in the writing. Take a step back and look at what you're typing--YOU'RE the one making assumptions here.

Sorry I guess I misread you when you said: "

That's really offensive.

Like REALLY offensive.

It's also indicative that the support for racial/gender/sexual minorities only exists one way"

:S

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OLTL has clearly presented Kish as a progressive love story & while it's wonderful to see one group of minorities experience some success it's down right hilarious to see the dismissive & snide way certain members of that group & TPTB treat other minority groups.

You're the one that needs to take a step back.

You're the one making things personal when it doesn't have to be.

It IS offensive but it's also the truth.

If you choose to take that personally that's you but no amount of "I have A Black friend" or "Half my family is Black" will make up for it.

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I don't think Destiny losing a shot at Matthew because Shenell Edmonds can't deliver is in any way comparable to Todd re-raping Marty. I think that's ludicrous.

Are there unfair double standards for minority actors on soaps? Absolutely. Do networks treat them and their storylines differently? Oh, yes. But I think OLTL is and has been the least objectionable for quite some time. And no one calling for Rachel to ditch chair-tossin' Greg and get another love interest, be he white, black or neon, has been fingered as racist. They wanted Rachel away from Greg because that [!@#$%^&*] was embarrassing and dragged the character down. Same thing with Cristian and Vanessa Montez earlier this year. Same thing with Destiny now. Would it be better if there was not the ugly metatext of white Dani and black Destiny, absolutely. But none of us can help that. And the fact is, KM and EA have a spark and SE and EA don't. She couldn't even cry today. Why wasn't this handled by OLTL months ago? Why wasn't she recast? Then we could have blamed the old daytime double standard of black vs. white. But all I see today with Shenell Edmonds is not color, but rather a bad actor who couldn't cut it and is getting cut. I also think people have definitely responded more favorably to Matthew and Dani in a fraction of the time, which tells you something about Edmonds since she has had way more time to make this work.

Making this a gay vs. black thing is tired, too. I mean, you're never going to see me advocate for Nicholas Rodriguez getting a frontburner story. I know he can't cut it.

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Sorry I bhonestly misread your intentions--I thought you assumed I was white, and gay and had zero compassion,understanding or interest in anything connected to racial matters or racism. So I felt bringing up the point that I'm mixed race was relevant--and I still do. But I really didn't intend to make it personal--I wasn't trying to write off any problems with a simple "some of my best friends are" comment--I felt I do have some slight first hand knowledge of it and I did feel that it played a part in the argument. Where did feel it got personal was your dismisal of me having any understanding or sensitivity to the issue because of who you assumed I am and being some how lopped in with some group out there of narrow minded gays. Still I do kinda resent that you seem to feel I or any gay person is at fault because some gay people somewhere feel that racism is no longer an issue or a problem and only their cause related to sexuality had any importance. And re-reading what you wrote now that I know you didn't mean anything remotely personal about it or weren't amking any assumptions on my own race, I admit I don't really get what you meant at all.

I still think they should recast Destiny :)

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I'll let Eric handle that quote job.

It's not as though I am advocating for Easton and co. to keep their jobs or frontburner status while dumping Edmonds, either. I can't stand them. But I can walk and chew gum at the same time, if you take my meaning. I can do both. I think both Rachel and Layla have had more presence and intelligent story on a soap canvas this year than maybe any other soap out there, excepting certain "special cases" like Lily on Y&R (a whole other kettle of fish) and Randi on AMC, who everyone despises. And everyone on those shows in those stories orbits those two women, or you have Jesse playing Ryan and Zach's coachman and Angie as David's foil. But those characters like Randi and Lily don't work - OLTL's black women do. Unfortunately, Greg and Destiny don't. Which is why they should be recast.

And if you think AMC has not been toying with Frank and blindingly-white Madison North because of complaints about Vasi, I think you're dreaming. The issue is not why are these young leads of color not being given more advantages and chances to succeed or fail, it's why have they not been replaced with more competent actors of color by now. I said the same things about other young actors of all race or creed. Bad acting is bad acting is bad acting. I don't find Shenell E. anywhere near as offensive as Jessica Morris, but with a story like this where you have a potentially excellent interracial love triangle, it's too irresponsible to have someone so green playing the African-American teen.

But that, too, is part of the double standard in daytime. Like it or not we all know the actors of color only get so many chances compared to their white counterparts' countless opportunities to fail. So if you're gonna make it work, you gotta get it the first or second time. SE can't.

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Rewriting the scenes to make it as if Matthew never had romantic interest in Destiny at all, that he was totally oblivious to her feelings when he wasn't & that he's clearly oblivious to his attraction to The Miracle Child isn't offensive?

Then having Shaun give Destiny a condescending speech about how she should accept the scraps Matthew chooses to give her because it's more important for her to sacrifice her self respect for a friend who can't even be bothered to defend her against a shrieking harpy nevertheless return her romantic interest?

I don't think it's ludicrous at all & though Shenell may suck as an actress the way the horrible way the ugly underlying issues are being treated reinforce that.

I did too UNTIL it became clear that they were never going to be anything more than token window dressing & treated with disdain.

The same effort that has been made for Sky has NOT been made for Greg. Terrell is a bad actor but TPTB haven't even TRIED to give him a life outside of Matt's story.

His relationship with Rachel was played almost entirely off screen as soon as Shaun learned the truth about Greg/Rachel except when Matt/Dani needed babysitting or Tea needed propping.

If Rachel were to get another shot at romance with a minority character/actor or a fair shot at one with a Caucasian one it would be one thing but a character with her history & connections has been reduced to a Tea/Todd cheerleader.

But we can.

Matthew could be paired with anyone but the way the existing issues of race & body type are being treated smacks of condescension & snide derision.

Shenell's acting isn't the point & recasting won't help because if Shenell WERE that bad TPTB would have recast by now but they haven't & they won't.

They'll just ignore it like they way they did Tarty & act like they aren't making the offensively direct statements that they are.

The luxury of being "color blind" which is a fallacy in of itself is a privilege not afforded to everyone.

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"Shenell's acting isn't the point & recasting won't help because if Shenell WERE that bad TPTB would have recast by now but they haven't & they won't."

But it is at least some of the point. So by your logic anyone who thinks she's a bad actor is wrong because if she truly were so bad TPTB would have recasted and they haven't? HUH? I said she's a crap actor and I want her replaced. I never ever said that there aren't other issuesplaying into this re race and other things OLTL should do differently--just simply that I think she's currently the worse major actor on the show and for me to care about her character at all they need to hire someone else.

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I have never once said Shenell is Angela Bassett or couldn't be recast but the issues remain the same & it's annoying not to be able to discuss them because the end result will always be the same.

Now who's making assumptions?

The problem I have is that one minority group is making progress while other groups are being regressed at an alarming degree & the best the group making progress can do is sarcastic barbs & dismissive shoulder shrugs.

Especially when one of the main groups regressing horribly is the one the progressive group largely patterns itself after.

But it is what it is & it's always gonna be that way so there's no point in being surprised anymore.

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Matthew showed what could be interpreted as romantic interest in Destiny - or maybe just teenaged awkwardness - in like five scenes over the past year. The occasional accidental touch, the almost-kiss at the wedding. That was about it as far as I can recall. As for Destiny and Matthew's friendship being preserved, I see OLTL doing that in a way to salvage her role on the canvas in some fashion, whether she finds love elsewhere (which I suspect she will with some recurring player or another) or remains a talk-to. And no, I don't think that's all she should get. But it also doesn't indicate her being callously discarded by the show.

But Destiny hasn't sacrificed her self-respect. The fact is Matthew just isn't that into her. He could have been if they'd recast.

Most likely because they realized it was time to backburner his ass after Chairfest '09. And I can't blame them, really.

She barely has scenes with Tea or Todd; the majority of her work today is with Sky, Nora, Bo and Matthew, as well as the Evanses. Before that, there was also a lot of Cole. As for Rachel's future,

Maybe not. But I can't see a compelling reason for Shenell Edmonds to be paired with Eddie Alderson given her current level of ability.

Oh, calm down. I didn't call you anything. "That quote job." As in quoting posts. As in, Dee's which make a number of assumption about how gay fans are viewing the story with Destiny - which raises the nasty spectre of a big ol' wacky gay vs. black POV debate.

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    • All caught up on this week's episodes. Deidre Hall has done the best work of her career with this series of episodes. That is her tribute to Drake. Every acting choice has been perfect. From her reaction the moment John flatlined, to her snapping at Abe and Paulina (what a smart, realistic writing choice), to her grief playing the text message over and over. Josh Taylor did the best work of his career in the scene with Kayla telling him John had died. Everything about his facial expression, voice, pronunciation, everything was so different from what he usually does. He was overcome with the emotion of it and any of his acting tics disappeared. Peter Reckell and Kristian Alfonso were great. One thing I noticed with the flashbacks of John/Marlena and Bo/Hope is that Bo and Hope are constantly smiling at each other. The chemistry those two have cannot be faked. It's clear the writing team decided to clean up Bo and Hope and give fans a happy ending for them, neatly wrapped up in a bow. The juxtaposition of Bo and Hope reclaiming their happiness thanks to John, while Marlena is dealt life's harshest blow from John's sacrifice, was another great writing choice. Marlena even saying that to Eric, that she is paying for Bo's recovery with John's life, was such smart writing. Susan Seaforth Hayes was used very effectively between the two storylines. I really enjoyed the scene of Kate talking to Philip, calmly stating that she will make Xander pay. Overall, the show should be lining these episodes up for the Emmys and Deidre should be carefully choosing her scenes for her own reel. She deserves a Best Actress Emmy for this work. The first time I have felt that way about her work. Peter Reckell should submit himself for Guest for the scenes where he found out Victor is dead because he was genuinely heartbreaking. Josh Taylor should throw his name down for Supporting Actor for his scenes. The show deserves a Writing and Best Show for what they've done with the episodes around John and Bo. It was heavy stuff and I feel for the actors. I am so impressed with what they did.
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    • Thanks so much for posting this. Since they had retconned Roger/Holly's relationship after his return as being "Roger was always in love with Holly" when it was actually the other way around, they kept up this narrative in this video. Understandable, but it still bugs me. Holly was never his "heart." That's baloney. He only married her to be in Christina's life and was screwing other women like Diane and Hillary the whole time. Peggy was truly the only woman that Roger ever loved, and even that wasn't a very healthy relationship. Holly only really fell out of love with Roger after she realized she loved Ed while they were divorcing. I'm glad he reminded people that the rape scenes were taped in a day. It's amazing what they accomplished with very little rehearsal. That scene still has great impact after all these years. And OMG, watching the scenes of Roger's return in comparison...the quality in the writing really nosedived. The stupid mask. (I love the way they joke about the mask at the end). Alan's insanely over-the-top reaction to his return when Roger had no hold against him anymore. Yikes, one of the worst things Long did while she was still writing the show, though I will cut her a break since she absolutely had a tough task bringing back a guy who fell off a cliff.
    •   Thanks! You reminded me I did not remember to add in the preemptions for the dark weeks, since those are not listed on the sortable charts, so these are the additional preemptions per newspaper listings and Vanderbilt News for the 1973-1978 dark weeks. I have added them in to the full lists above.   8/26/74-8/30/74 Another World Wednesday episode- 3:04PM (26 minutes) 8/26/74-8/30/74 Doctors Preempted Wednesday- Ford News Conference 8/26/74-8/30/74 Edge of Night Preempted Wednesday- Ford News Conference 12/22/75-12/26/75 As the World Turns Preempted Friday- Sun Bowl 12/22/75-12/26/75 Guiding Light Preempted Friday- Sun Bowl 12/22/75-12/26/75 Search for Tomorrow Preempted Friday- Sun Bowl 12/22/75-12/26/75 Young and the Restless Preempted Friday- Sun Bowl 8/22/77-8/26/77 Doctors Preempted Tuesday- Carter News Conference 8/22/77-8/26/77 Guiding Light Preempted Tuesday- Carter News Conference 8/22/77-8/26/77 One Life to Live Preempted Tuesday- Carter News Conference (possibly aired just 3-315PM) 4/24/78-4/28/78 Another World Preempted Tuesday- Carter News Conference 4/24/78-4/28/78 General Hospital Preempted Tuesday- Carter News Conference 4/24/78-4/28/78 Guiding Light Tuesday ep- 230-3PM (30 minutes) 6/26/78-6/30/78 Edge of Night Preempted Monday- Carter News Conference 12/25/78-12/29/78 Another World Preempted Monday- (Local Fill) & Fiesta Bowl 12/25/78-12/29/78 As the World Turns Preempted Monday- Peach Bowl 12/25/78-12/29/78 Guiding Light Preempted Monday- Peach Bowl
    • Breakdown writers can pitch stories and obviously they have influence over what is included in the breakdown but MVJ is the final decision maker. It depends on the faith you have in MVJ if you feel Carlivati is going to be a problem. I don't think a throwaway having a book author named after him is a sign he's taken over the show. Most people didn't even catch the reference.
    • Tamara Tunie reading that damn letter is exactly why I wish this show had more experienced actors.
    • BETH CORRELL'S FRIEND

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              CATHERINE COX        Also Credited as Catherine Carpenter; Catherine Carpenter Cox                      12/13/1950 - Present THE EDGE OF NIGHT     Billie Schumann   1984 THE GUIDING LIGHT     Unknown Role     Unknown Year LOVING         Unknown Role     Unknown Year AS THE WORLD TURNS     Phyllis Leonard    Unknown Year ANOTHER WORLD     Nurse Margaret     6/29/1990 and STARS IN THE HOUSE     Self    2021 Appeared in two episodes of LAW AND ORDER  (2002; 2006) and an episode of THE COSBY SHOW (1990). PILOTS/PROPOSALS FOUR IN LOVE      Pam        1980  CBS     movies BUNKO      Cat     2007 TENDERNESS      Bowling Waitress     2009 BROADWAY MUSIC IS     12/20/1976 - 12/26/1976        Viola   **** DRAMA DESK AWARD NOMINEE -- OUTSTANDING ACTRESS IN A MUSICAL WHOOPEE!      2/14/1979 - 8/12/1979    Harriet Underwood OKLAHOMA!   12/13/1979 - 8/24/1980    Replacement -- Ado Annie Carnes   July 1980 - ???? 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    • Oh wow. After reading your post, I realized that they had "Carl Ivati" in the script AGAIN yesterday June 6.    Eva said she was reading his latest, and Tomas said "Work's been so busy, I haven't had time to get into his new series". Then Eva proceeds to tell him that "the first book is called 'Mercy and Goodness' and it's all about how the couple first met and how they got separated".   She goes on and on about how great it is. And she says she has the book in her hotel room if he wants to borrow it. She says it has twists and turns. And meanwhile Kat is snooping in Eva's room to look for the helmet and gloves, and finds the book and dismisses it as "basic". I saw that whole scene -- but I wasn't paying attention to the name of the author.  And when Tomas said the name, I heard it in his accent so I didn't hear "carlivati".  II was mainly trying to see if the acting had improved with the actor playing Tomas, and I think he has improved somewhat.   I only see it when typed out. So they had several scenes yesterday about a "Carl Ivati" book?  Barf! Well at least Kat had the good sense to dismiss it as "basic". Ron Carlivati wrote the breakdown yesterday!   Featuring himself in it! Addressing to the collective "you" whoever you may be: Some of you, months ago, said Oh Ron is only doing breakdowns.  The story comes from MVJ, so he won't influence things, you said. May 27 started it, with Christopher Dunn breakdown and Lynn Martin script. But they didn't need to continue it June 6 with Carlivati breakdown and Jazmen Darnell Brown script.
    • I was completely lost. But it is wonderful that it exists. I didn't really know Robert Mandan had done soaps...well, besides SOAP.
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