Jump to content

What is it that you want?


Recommended Posts

  • Members

I've been checking some comments in the ratings thread and this one from SteveFrame came out:

Steve is hardly alone in this and I wish, I really do, I felt the same.

But I just can't escape the thought: why do we want something awful, something that always disappoints or angers to continue? Because hope is the last to die and they just might improve? What makes us think the quality might improve when God only knows how many examples of the exact opposite we've witnessed in recent years? Things either don't change, change to slowly or just plain worsen.

I want them to continue, I do, I like soaps, I always did and probably always will, but at the same time (this is all brimike's fault, he and his dilemmas :P) I do not want to see an hour worth of absolutely unwatchable cr*p — whether it's the terrible, terrible B&B closely followed by the mob infested, dark, nasty, misanthropic GH or a soap no one seems to be watching (ATWT)... Or any of the other ones. I know that once they're gone, they're gone. For the foreseeable future.

So how do you feel? Honestly. Will you follow them until the end? Do you really believe it's the end? The deep breath before the plunge? Are you hopeful something will improve? Or are you perhaps content with what you're getting and trying to find the good in a sea of bad stuff?

Not intended to be a pretentious thread, but if someone feels the need to wreck it, OK.

Link to comment
Share on other sites

  • Replies 22
  • Created
  • Last Reply
  • Members

LOL! My dilemmas? :)

I don't think this is pretentious at all. I do think the Internet has given way to a certain amount of schadenfreude when it comes to soaps. We've discussed that here before. And I do think it goes overboard sometimes.

I can only speak for myself, but I will continue to watch... and complain... and occasionally praise... and complain again... until they go off. And yeah, a certain part of me will find a little enjoyment in shows that I see caving to their own hubris going down in the ratings. But I guess I have a different outlook on it because I don't have a Nielsen box. I would probably have an entirely different perspective if I did. But since I know that what I watch or don't watch has absolutely ZERO effect on the fate of these shows, I tend to have a little more freedom in terms of what I watch to enjoy, what I watch to make fun of, and how freely I talk about what I want and don't want. Right now, for all of its flaws, I continue to be entertained by both the good on soaps (very little), the bad on soaps (a lot more), and the lively discussions with the people on here, all of whom I think are pretty freaking cool. It's a nice hobby on the side, and it's satisfying to me - the whole experience: praising, bitching and dissecting. And when it goes, it will go, and I will miss it.

But if I had a Nielsen box, I would absolutely feel a larger sense of responsibility (even though I'm just one box in THOUSANDS), and being the big TV geek that I am, I would be much more careful about what I watch, and the reasons WHY I watch it. I wouldn't want to reward crappy writing and producing just because it's a habit, and I'm obligated to.

But since I'm not a Nielsen family, there is a certain amount of entertainment from jumping into a OLTL thread (just as an example) and bitching about how awful a character Stacy is after I've watched that day's episode. Or whether or not Gloria should still be on Y&R. There's a satisfaction I get from watching a show, and then logging in. And I'll continue to do it, as long as I don't have a Nielsen box, and there are people willing to do the same online.

Link to comment
Share on other sites

  • Members

I have absolutely no idea. :mellow: I mean, I obviously like something. Sometimes that's a storyline, sometimes a performer I follow, sometimes it's the attachment, sometimes you see a glimmer of hope. Sometimes you read a spoiler and you're interested how things will develop. Sometimes you want to see where's the bottom. Lots of reasons.

Link to comment
Share on other sites

  • Members

I don't want to see this genre die out, but at the rate of how things are going (especially when it's very clear to me that it's TIIC that are slowly, but surely destroying it themselves) hope (and at many times denial) is all that we as a viewing audience has to hold onto.

Even during the 70's and 80's (and one or two times in the 90's) of soaps being cancelled, we had new soaps being produced. Now, I don't think that production companies and networks (cable and/or tv) are willing to take the chance in creating new soaps for the next generation.

I know that some new viewers get annoyed when posters talk about the "golden years of soaps", but I truly feel that those years are long gone. It's not even based on networks and production companies coming up with new production values or ways of reaching out to a "younger and more wanted" demographic. It's about the storylines and writing. You can put crap into a shiny new bag. It's still crap and we're not willing to keep quiet about it anymore.

Link to comment
Share on other sites

  • Members

You're not seriously going to do this again.

Playing along, for a moment. The obvious answer for me is, despite the declining business and trying times, I think there is still good work to be done in difficult conditions, and always hope. If there was a universal consensus of hipster nihilism, then this board and the threads and commentary about actual shows that you see around you would not exist. Different people clearly enjoy Y&R or B&B or DAYS or even GL or OLTL, or even AMC or God forbid GH. People find stories, characters, couples, ideas they enjoy, and their feelings have value. So to attempt to render an absolute judgment about these shows' quality or lack thereof - which is what you always do to further your strawman argument - is a pointless endeavour doomed to failure, since you can't thought-police the entire audience.

As bad as the soaps are, your choice of the same repetitious soapbox over and over to explain to us why we are all secretly in denial is far less creative. I am amused, however, that you basically asked the same question you have yet to answer me about.

Link to comment
Share on other sites

  • Members

This is like watching pundits on CNN try to forecast what the economy's gonna be like in 6 months or postulate on what Obama's next move will be based on the reports released to the media by his spokesmen.

It drives me crazy. Hate it or love it but don't sit worrying about what's gonna happen.

Link to comment
Share on other sites

  • Members

I still watch because, contrary to popular belief, I don't think they're the as bad as people make them out to be. Are they different from what they were 10 years ago or 20 years ago or 30 years ago? Yeah. Do I wish that most of these shows would get back to their roots and do what they were created to do? Yes. But does that take away from the things that I do enjoy on some of the shows? It shouldn't, and for me, it doesn't (most of the time).

Simply put, my #1 reason for watching anything on TV is to be entertained. If they can keep me interested, I will watch. If I lose interest, I will not watch. There's no point in analyzing it anymore.

Link to comment
Share on other sites

  • Members

Top 5:

1. I want Guiding Light to find a new home.

2. I want Otalia to be a full-fledged romantic couple.

3. I want Phillip/Beth and Josh/Reva to reunite.

4. I want Bill/Lizzie to find some happiness.

5. I want people to give GL a chance and stop treating it like a punching bag because it's really improved in 2009.

Link to comment
Share on other sites

  • Members

What is it that you want? Sylph to work....You better work Sylph!!! :lol: And FINALLY answer Vee's question! :P http://www.youtube.com/watch?v=aY0ILbj31Ww&hl=en&fs=1 type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344">

Link to comment
Share on other sites

  • Members

Ideally I want TPTB of each soap to take its own characters seriously again. I think ALL characters have been diluted to the point where they are:

1. Interchangeable.

2. Difficult for actors to justify anymore.

3. Viewed no longer as characters, but as vehicles to push executive agendas and overhyped actors.

Soaps used to be an ensemble piece, about a cast and a fictitious community, but somewhere in the 90s, they became like the old hollywood star system, actors landing contracts and being given any vehicle an executive could throw together to show over and over again why this actor has "it".

So if soaps really sat down and decided WHO characters were and focused on THAT... I think things could change.

That was the question posed in the title, but the thread and body of the initial post itself leans more toward the usual "why the hell do you still watch this garbage" fare.

I still watch to study it. At this point I don't expect it to get better, and the ratings are reflecting just what I expected it to. The bottom (GL) drops out, the rest sort of start to meet on one ratings plateau (1.8) with a weekly variance on upper and lower echelons, with B&B hovering at a not-so-distant second, and Y&R remaining at the top, but plummeting relative to the rest of the soaps.

I watch for storyline dynamics. What relationships this plot point is designed to affect, and what dynamics are actually explored. Missed opportunities, on-target explorations, etc. What do they get right, what do they get wrong, in terms of what I feel soaps should be. It's a study in character dynamics. It's still the best one, at a five-day-a-week rhythm. You can't get that day-in, day-out character dynamic study anywhere else. It's still fascinating to watch a show get it right for about a month, and then watch it all go to hell in a handbasket for 8 months, what they recognize as a failure (OLTL's Vanessa) and what they refuse to recognize as failure (OLTL's Stacy). You wonder the whys of it all, and listen to idle gossip from people who probably don't really know and ultimately... it really doesn't matter.

Soaps will live, but I'm resigning myself to them dying, in this format, at least, because for years now it hasn't been what I originally fell in love with.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Don't forget Carrie, who as Carrie2 was screwing everything in pants, and PPD Reva, who to either get back at Josh for his supposed affair with Vanessa (or just to prove she's more desirable than Van) tries to screw half the male population.
    • Post-production isn't exactly akin to sweeping the floors, but it makes more sense given her CV.  And, it would invalidate any concerns that she has an undo influence on the creative process, as opposed to visual and sound design of the show.  In fact, given her interests, it makes sense that she would want to consult and see the impact of newer technology in a post-production facility.  I could only imagine how much has changed in sound technology since she worked on SB, and that might be intriguing to utilize. As well as their impending move (not as soon as B&B, but we all know it will happen) and helping set up post-production at the new facility. 
    • The last five or so episodes of season 8 after the Jean Hackney story ended were pretty strong with the Laura/Val friendship breakdown, Ben's PTSD with Val trying to help him, and the start of Jill realizing that Val was as much of a threat to her happiness with Gary as Abby was. I always thought that the Jean Hackney story should have ended at mid season at the latest... and then deal with the fall-out because seeing Ben/Val switch roles with Ben in mental decline instead of Val would have been interesting to explore.  And seeing Val and Laura's friendship suffer also was interesting and should have been explored especially with Karen caught in the middle and Abby both intrigued and amused at the conflict that she didn't cause. However, season 8 was the only Latham run season where Val was well written.  
    • Well, she's not in there sweeping the floors at the end of the night, and you don't bring in an award-winning producer to just sit on their backsides (or hey, maybe you do!). Again, without knowing the specific capacity she's in there working as⏤and it seems as if we are not going to at the present time⏤it's hard to speculate/discuss. I would interpret she's in a role that either would not require being credited, or she's, as others have speculated, is back and not receiving credit for the work she's done. That'd be like saying, per the WGA, all writers must be credited, but as we've seen by those who've worked as fi-core, they don't always receive credit. 

      Please register in order to view this content

       And, if my research is correct, per the DGA, you can request not to be credited for work you do. I could only assume the same would be for the PGA, as well.
    • When Anita read Barbara's letter, it started out with the viewers hearing it in Barbara's voice as Anita read silently. And then Anita saying the next portion aloud while Barbara's voice continued simultaneously. And then ending with Anita alone saying the last part aloud. Excerpt from interview  (link to full interview) The rest may be spoilerish -- Only the nonspoiler part here: I love the idea of reading that letter,” shares Tunie. “And at one point in the script, I think it said that my voice joined her, and [Anita] started reciting the letter from memory because [she] memorized this letter. I suggested to Steve Williford, our director, ‘What if it’s like that moment in Hamilton when Hamilton is writing the resignation letter to George Washington, and then he starts saying it too, and then Hamilton’s voice fades away, and then it’s all George. What if we do something like that?’ And he was like, ‘Oh, my God! I just got chills. Let’s do it!’ So, we did it.” I understood that it worked really well, so I’m really happy about that.”  
    • I think MVJ and Guza made a good team in the launching of the soap, and I'm hoping that the rotation of all stories and characters is maintained once he officially departs from the credits. And so far, Ron C's breakdowns have been decent... but they pop only when he's paired with a good script writer like Jazmin.   I hope once Guza leaves officially... that MVJ is able to reign in Ron C and the dread Jamey G.
    • I read that, but my interpretation was that she is uncredited because it is in a non-production capacity.  In others words, she's not secretly producing, or writing, as some had speculated prior to the confirmation. Her likeliest position would be in a post-production consultant capacity. I assume we agree on this?
    • Errol already confirmed she is back at Y&R and in a non-producing role; this alludes to she is not credited for the role she has.
    • I don't think Lisa served a purpose after the serial killer storyline. The writers never gave her anything to do but be Vicky's nemesis. Joanna Going deserved better. Another example of a character taking over the show and then the writers not having a longterm plan for the character.  Exhibit B: Sally Spencer. Such a missed opportunity. It really angers me how they misused her. She could sing and act and they just threw her away in that sexist nonsense storyline. Once the story was over, they wrote her off. The McKinnons should have lasted for years. I will give the show credit for how they introduced Sandra Ferguson as Amanda. I thought it was expertly done. She comes in and she immediately connected to RKK's Sam. She has chemistry with Matthew and she has realistic conversations with MAc and Rachel. That's how it is done. 
    • Great points, and it has not completely vanished. Leslie on Beyond the Gates fits the trope (she's still not over that Ted lovin' two decades later), though I will say there does seem to be an effort to make her more complex.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy