Jump to content

Recommended Posts

  • Members
Posted (edited)

Most of the prestige dramas that have been successful in recent years have had some sort of serialized structure; audiences are open to that, but on a limited episode format it seems. 

Edited by BetterForgotten
  • Replies 3.7k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members
Posted

I've read on some other boards that the show will return from season 1 in mid september. Not confirmed info, but just sharing what I read. I do hope it's true.

  • Members
Posted

I am loving watching the repeats on Plex! I just wish it was on-demand versus having to watch whatever episode they have playing at the time. But, I was beginning to think the episodes would never be streamed at all!

  • Members
Posted (edited)

Watching towards the end of Season 10 I forgot how WTF Abby’s final story and exit  with that creepy Ted was before she left along with the final end of Lotus Point, although her scenes with Karen were great as well as her final scene with Brian in the limo.
 

What did you all think of Abby’s strange exit story? 

Poor Brian will get left behind in LA and have to enroll at West Beverly Hills High the following year

Please register in order to view this content

Poor Val straddled with Danny I hate seeing that knowing what’s going to happen next.

Good to see Paula though for sure as I really enjoyed the character in Season 11. She was a great character and written off too soon, I hope I can catch her very memorable exit episode.

I don’t recall much happening with Gary and the mystery woman after he gets off the hook for Jill’s suicide. I seem to recall they have a brief romp and then poof she’s gone.

Looking forward to at least seeing some of S11 particularly Linda’s arrival and the whole triangle between Eric and Michael before Steve Shawn’s tragic demise. I was always glad we at least had a makeup scene between the two brothers in Shaw’s last episode he did before his death.

Edited by soapfan770
  • Members
Posted

There was also the framing of Olivia's boyfriend for drug trafficking which I thought was out of character. Despite being a villainess, I believe Abby loved her children and was for the most part a good mother to them.

I'll always maintain that Knots Landing was effectively over when Abby left and Donna Mills was smart to walk away when she did.

Hahaha, you are killing me. Brian leaves with Abby and we don't see him again for the rest of the regular series.

  • Members
Posted

Sigh. All the three Lorimar soaps lost their major iconic leading actress at the end of the 88-89 season I’m at least glad in Mills’ case she left on her own accord and terms. 

It’s interesting all three Lorimar soaps also ended out on quiet finales for a change (Sue Ellen’s movie on Dallas, Richard waiting for his arrest on FC, and Paige left standing in the rain on Knots) yet David Paulsen let Dynasty end the season and the 80’s in a blaze of glory with everyone except Sammy Jo in peril.

Please register in order to view this content

  • Members
Posted

Budget mode kicked in plus the trifecta of suck at Lorimar (Leonard Katzman, Michael Filerman, Les Moonves) decided that the long-time female cast members were more expendable than the long-time male cast members.

Joan Van Ark left by her own choice in Fall 1992. That left Michele Lee as the only long-time female cast member in the final season and she took a pay cut to appear in all episodes of the final season.

  • Members
Posted (edited)

I think they are, just not in the traditional way. Young people, some of them anyway, go down hours and hours of rabbit holes on tiktok or Youtube. Just as religion has been replaced for many by causes or by worshipping celebrities, soaps have been replaced by a four hour video about the Star Wars hotel.

I will always believe there is a play in American culture for soaps in some format. They just have to figure out that format. My own belief is going back to the 15 minute format might be a good idea.

Of any of the primetime soaps of years past, Knots may be the one that could most succeed today because it wasn't tied to one character or moment. A found family element, along with a focus on buying or renting a home in a period where many can't do so, could generate interest, along with compelling characters and plots.

 

Edited by DRW50
  • Members
Posted

I'm not sure why people keep saying that serialized dramas don't work - one of the biggest success story of recent years have been Yellowstone, which is basically a western soap opera. 

  • Members
Posted

Could be true. "Sisters" should take about five days to air through, "Falcon Crest" around nine-ten days. So assuming these shows are the only ones airing on the Primetime Soaps by WB channel, it would track. 

  • Members
Posted

In the season that Constance McCashin and Julie Harris were let go, there were five female regulars and three male. So it’s not surprising that it would be the women who were let go during that season if there were budget cuts, especially since one was older and serving a different purpose than the rest of the regular cast.  Lilimae was there mostly to serve as a Greek chorus; she wasn’t a romantic lead. As much as I liked her, if someone had to go, it made sense that it was her.

Of the regular cast members to appear in the opening credits: Alec Baldwin, Tonya Crowe, Julie Harris, James Houghton, Kim Lankford, Claudia Lonow, Constance McCashin, John Pleshette, and Doug Sheehan all were let go, as opposed to leaving of their own volition. Four men and five women. It’s hard for me to see that they targeted the women over the men especially since the women almost always slightly outnumbered the men in terms of regular cast. The only one you can really argue is controversial is McCashin. I do agree that it was a different story on Dallas.

The regular cast breakdown by the numbers, by season:

  • Season 1: Four women; four men
  • Season 2: Five women; four men
  • Season 3: Four women; four men
  • Season 4: Five women; five men
  • Season 5: Six women; four men
  • Seasons 6 and 7: Six women; five men
  • Season 8: Five women; four men
  • Season 9: Five women; three men to start, then 3 and 3
  • Season 10: Five women; three men
  • Season 11: Four women; four men
  • Season 12: Four women; five men
  • Season 13: Six women; four men
  • Season 14: Five women; three men

 

  • Members
Posted

Unfortunately, if they were going to cut people in season nine due to budget concerns, both Laura and Lillimae made sense - McCashin and Harris probably earnt a fair amount of money due to their seniority on the show, but both Laura's and Lillimae's roles had diminished through the years. 

Laura had essentially played second-fiddle to Greg since season six at least and Lillimae was mostly used as a talk-to to Val. I can see why both characters ended up on the chopping block as I can't see who else they'd cut to significantly down the budget. Sheehan had already been sent away in the season 8. 

I'm really not sure who else I'd cut except Ben, Lillimae and Laura tbh if I was forced to make cuts.

  • Members
Posted

BTW, I’m not trying to claim there wasn’t sexism at Lorimar. Leonard Katzman of “Dallas” clearly cut the women first: Charlene Tilton, Linda Gray, Susan Howard. Victoria Principal was paid about half was Patrick Duffy was paid during their final season together on the show (he got a huge raise to return). Which was patently ridiculous. She was willing to stay for salary parity with him and the producers not only declined it, but released a statement saying she was let go. Victoria is not one to put up with that kind of crap and she and her lawyers forced them to retract their statement.

BTW, Les Moonves, was only in charge of Lorimar’s TV movies and miniseries in 1987, when McCashin and Harris were let go. It’s unlikely that he had a hand in that decision. David Jacobs and Michael Filerman were given a budget to produce the show, and it was likely their choice who to cut.

 

  • Members
Posted

Also on Falcon Crest. If Jane Wyman hadn't returned for the final three episodes, it would have ended with no long-time female cast members left.

It's quite telling that Dallas final season had none of their long-time female cast members in the main cast. I also think budget mode lead to a salary cap and the bulk of Dallas salary budget went to Larry Hagman and Patrick Duffy.

Les Moonves was promoted to Head of Creative Affairs in 1988 and became President of Lorimar in 1990, so his rise at Lorimar overlaps with the salary dumping of the long-time female cast members and the hiring of sweet young things on the cheap across all three shows. We all know his notorious "when I got to CBS" comment so I wouldn't be surprised at all if he had a similar sentiment about his time at Lorimar.

  • Members
Posted

 

I do think Abby's final season story was out of character for her.  I noticed that Donna Mills really leaned into her facial expressions in order to give Abby some depth and humanity.

During the Ted/Abby scenes in the final few episodes, I took note of Abby's facial expressions.. and you could see there was fear on her face as Ted was confessing.  I think Donna Mills did that to show that even though Abby was expressing that a line had been crossed, she still wanted to show that Abby knew lines were being crossed by her facial expressions.

Same with the final scene between Abby/Olivia where you saw Abby's expression after leaving Olivia's apartment.. where she felt sorrow/sadness after cutting her daughter off.   I think she did the right thing cutting Olivia off, and I also like that her early working class life was mentioned.  It showed that Abby didn't want her daughter to struggle like she had, but realized deep down that Olivia needed to struggle in order to understand what she was saying.

I did like the final exchange between Greg/Abby where they both realized that their 'marriage' lacked communication.  Even though he and Paige were good together.. his true love was Laura.

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I did not care, just clarifying that was the discussion point. If there are ice cream bars in Statesville I am sure there is a full spa
    • Seeing Peter Bergman (Jack) and Melody Thomas Scott (Nikki) act opposite each other really makes me mad that their short-lived reunion in 2012 was just that... short-lived. I've always loved the Jack/Nikki pairing.
    • No.  I recall there was also a mention about how distracting it was EOB's Gwen wasn't wearing nail polish as well.  That it was someone's pet peeve. And, yes, the fact characters can have a manicure in prison is the wildest continuity issue here.
    • Can anyone remember Mary Ellen Stuart's run as Jenny? I'm trying to fill in the cracks for missing stuff that we overlooked.  Bulletpoints:  * Dated Ross * Rusty's police partner * Directly responsible for Dinah coming forward about George Stewart (Cam's father)
    • But that's not weird... nail polish is allowed in prisons via commissary. Same with general makeup, haircuts, and hair colouring products.
    • This is DAYS, the show that said you could brainwash anyone with simple kitchen appliances.  An actor's nail polish or lack thereof should be the least of our concerns, lol.
    • It was not that she wasn't wearing nail polish, it is that she managed to get a manicure in prison
    • "We're Knot Done Yet": the name of this lovely podcast AND what JVA tells her plastic surgeon at every appointment. In other news, Michele Lee is reminding me more and more of my old music teacher from elementary school, and I couldn't STAND that bitch.
    • I apologize if this has been covered already, but does anyone know whether Douglas Marland was HW'ing by that point?  If he was, then I see what he meant when he said (in so many words) that he had inherited a mess when he started at GH.  Aside from Alan and Monica, none of that material seems very promising.  The story with Mark Dante and the Corbins is the wrong kind of predictable (y'know, the kind where you know what's going to happen, but you just don't give a crap?), the stuff with Scotty and Laura is cute but toothless, I don't know WHAT the hell Gina and Steve Carlson's character are arguing about and Rick Webber has to be the dumbest man alive not to see David Hamilton twirling his invisible moustache over how to make a killing off Lamont Corbin's declining health.  (By the way, "LAMONT CORBIN"?  What is this, "The Shadow"?  And "Corbin Limited" sounds like some jive I'd hear over on Y&R.) In a way, it's kind of like watching today's GH, right down to the dialogue that's serviceable and pushes plot along but says nothing about the characters' inner lives.
    • It absolutely was; the narrative was there, and they followed it promptly. Maybe that's back when women had babies at young ages?!?!?
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy