Jump to content

The Doctors


Recommended Posts

  • Replies 5k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

Yes, I was on the edge of my seat too. At first I thought Rico was going to give in and kiss Julie, but when he left and she started up the stairs,I figured something bad was going happen when she saw Greta with her collection. 

You are so right about the music. It really makes the scene.  That's what's missing from today's soaps. The only daytime soap that I bother to watch  sometimes is TBATB and they play muzak in the background. The scenes are nowhere as compelling as these. 

Link to comment
Share on other sites

  • Members

Meg Mundy tribute. Hope Retro keeps airing TD when Meg appears.

https://classictvhistory.wordpress.com/2016/01/29/obituary-meg-mundy-1915-2016/

Meg Mundy, an actress with extensive film and theater credits who earned her greatest fame late in her career as a soap opera villainess, died on January 12 in an assisted living facility in the Bronx, according to her only son, Sotos Yannopoulos.  Mundy’s death came eight days after her 101st birthday.

A multi-talented beauty from a musical family, London-born Mundy was a soloist with the New York Philharmonic and a chorus girl in several Broadway shows in the late thirties.  When Mundy was 19, the legendary modeling agent John Robert Powers told her that she was no beauty, “but I bet you photograph well.”  Regal, almost icy – “in looks, she suggests a cross between Jeanne Eagels and Jessica Tandy (which isn’t bad looking),” wrote George Jean Nathan – Mundy had the kind of classy air that was perfect for formalwear and fashion magazines.  She became one of Manhattan’s most busiest models during the forties – mainly for Vogue, although Look put Mundy and Lisa Fonssagrives, aligned in aPersona-esque pose, on its January 6, 1948 cover.  Steichen, Horst, Irving Penn, and Richard Avedon all photographed her.

Mundy’s second husband (out of four) was Marc Daniels, who after their divorce would move to Hollywood and direct for I Love Lucy and Star Trek.  Daniels taught returning veterans at the American Theatre Wing, which created a useful workshopping opportunity for his wife – the vets needed female actors to play opposite, and Mundy was a regular volunteer.  In 1942, when they met, Daniels was an actor taking voice lessons from Mundy’s mother; but his influence as he turned toward teaching and directing (“Marc taught me all I know,” she told Look, in the paternalistic parlance of 1948) helped to revive Mundy’s theatrical aspirations.

After a short run in the Garson Kanin-directed How I Wonder (1947), Mundy played the title role in Sartre’s The Respectful Prostitute (1948), which started Off-Broadway and moved uptown to the Cort.  Critics didn’t know what to make of the play, but Mundy got great notices: “Meg Mundy gives a performance that ranks with the best acting of the season,” wrote Brooks Atkinson.  “Her Lizzie is hard but human – rasping, angry, bewildered, metallic.”  Mundy’s stage career peaked with the female lead in Sidney Kingsley’s Detective Story (1949-1950); it ran for a year and a half, but Lee Grant, in a supporting role, stole the show, and the movie version replaced Mundy and her leading man, Ralph Bellamy, with Eleanor Parker and Kirk Douglas.

Amidst out-of-town theater jobs and the occasional cabaret engagement (“Miss Mundy is lovely to look at, but she seems rather out of place – sort of like Queen Mary on a roller coaster,” the New York Herald-Tribune wrote of a 1950 performance at the Blue Angel), Mundy was a go-to leading lady in live television.  She acted opposite Daniels in the 1948 pilot That’s Our Sherman (as in Hiram Sherman), and he directed her in segments of CBS’s Nash Airflyte Theatre and The Ford Theatre Hour, including a 1950 version of “Little Women” in which Mundy played Jo.  The latter was a family affair (Daniels’s brother, Ellis Marcus, adapted the novel) as well as an unlikely A Streetcar Named Desirereunion: Kim Hunter and Karl Malden, respectively, played Meg and Friedrich Bhaer.  Daniels recalled later that Beth’s canary wouldn’t sing during rehearsals but hit its cue during the broadcast, and praised Mundy’s “miraculous quick thinking in following an emergency on the air cut” for length.

Tales

Suspense

Mundy with Sidney Blackmer in Tales of Tomorrow (“The Dark Angel,” 1951) and Ray Walston (!) in Suspense (“Goodbye New York,” circa 1949)

As with any survey of a live television star’s career, there are tantalizing highlights, too many of them lost.  In January 1950, she played the Barbara Stanwyck part in Sorry, Wrong Number, telecast by CBS as a one-off color test.  (“Miss Mundy’s ‘neurotic’ bed is a vivid green satin job,” reported The Washington Post.)   Mundy reunited with Detective Story co-stars Lee Grant for a Playwrights ’56 and Ralph Bellamy for a 1954 U.S. Steel Hour, “Fearful Decision” (which was restaged live a year later, with the same cast).  Mundy played Amelia Earhart on Omnibus, and starred in The Alcoa Hour’s 1957 “colorcast” of The Animal Kingdom with Robert Preston.  Few of her early television performances were filmed – in 1954, nearing forty, Mundy had a son with her third husband, opera director Dino Yannopoulos, and was reluctant to follow television’s migration to Los Angeles – but Alfred Hitchcock brought her west for “Mr. Blanchard’s Secret,” an odd sort-of send-up of Rear Window that he tossed off for his anthology.  In 1961, on the cusp of a long hiatus, Mundy played Dennis Hopper’s domineering mother in a memorable Naked City – conspiring with director Elliot Silverstein to push the Oedipal aspect to outrageous levels, Mundy’s interplay with Hopper was deliciously icky.

Blanchard

Mundy and Dayton Lummis in Alfred Hitchcock Presents (“Mr. Blanchard’s Secret,” 1956)

By the sixties, Mundy was semi-retired from acting and working as a stylist and a fashion editor for Vogue and later Mademoiselle.  (For a time, she also owned a boutique in Connecticut with another daytime star, The Secret Storm’s Lori March.)  Then a former agent brought her back for a showy role in a soap opera: that of Mona Aldrich (later Croft) in The Doctors, a mother-in-law from hell who schemed to break up the marriage of her son, Steve (David O’Brien), one of the show’s protagonists.  Soap Opera Digest called her “the Katharine Hepburn of daytime.”  Mundy played the role for almost a decade, starting around 1973, but The Doctors killed her off (with Bubonic plague) shortly before it reached its finish line in 1982.

The Doctors role opened the door for some juicy movie parts – as Ryan O’Neal’s mother inOliver’s Story and Mary Tyler Moore’s mother in Ordinary People, plus Eyes of Laura MarsThe Bell Jar, and Fatal Attraction.  Back on Broadway in the eighties, she was Blythe Danner’s mother in The Philadelphia Story and played word games with Jason Robards and Elizabeth Wilson in You Can’t Take It With You.  Law and Order beckoned twice, but Mundy’s swan song came in daytime – as late as 2001 (when she was eighty-five), the actress was recurring as a Hungarian matron on All My Children.

Naked

Mundy with Dennis Hopper in Naked City (“Shoes For Vinnie Winford,” 1961)

 

Edited by Paul Raven
Link to comment
Share on other sites

  • Members

It is still Cobert but I think he'll be gone soon. I believe I recall someone saying that the music was changed to Score Productions in late 1970. In one of this week's episode, one of the music cues was definitely one of the Dark Shadows tracks, not just shades of his DS work. I think the music cue appeared during a nightmare Althea was having.

Link to comment
Share on other sites

  • Members

Rita Lakin's memoir'The Only Girl in the Room' has been published and there is a video on her website where she briefly mentions 'The Doctors'.She says that Orin Tovrov, creator of TD held a cattle call of writers in LA and Rita accepted the job as headwriter,She thought she would oversee a team of writers and have time to enjoy NY culture and her parents were there and could spend time with her grandchildren etc.She then found out she had to churn out a script a day and wasn't getting any assistance.She didn't know at the time that the ratings were going up each week.She says it was a nightmare.She gives the impression that she only spent 5 weeks,but I think she means she only spent 5 weeks in NY before returning to LA and working from there.

Hopefully she goes into more detail in the book.She did manage to get Rick Edelstein as co headwriter for her second year and did make a lot of money from that gig. I wonder if she has any interest in seeing her work on the show.

Go to ritalakin.com to watch the interview.

Edited by Paul Raven
Link to comment
Share on other sites

  • Members

Thanks for the link to the video. It sounds like her experience with TD is one she'd rather forget. Though it's kind of understandable, considering she was told she'd be a head writer when in reality she was to be the only writer. Getting Edelstein as a co-writer the next year must have been an incredible relief for her. Despite the seemingly impossible workload, her solo scripts remained strong, at least based on what Retro showed.

Link to comment
Share on other sites

  • Members

Nice seeing a feature on our "original" cast up there. I'm pretty sure all of Liz's dreams came true.

I need to get back into watching this. I've basically missed two whole years, but it looks like conversation here tapered off big time once they got into late 1969. Since they put the show on the lineup, I've been waiting for Nancy Barrett's debut, which should be coming up soon.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I did notice a decline in the quality of the performers being cast once Betty R vacated/retired from her position. We would have been spared from the nightmares of some of the castings that dominated the show in the last decade or so of the soap. JFP was an example of someone, no matter the gender, who had no business being in the position they were in.
    • If Betty Rea was the casting director, why was so much of GL during JFP's reign cast by her? Walker, Deas, Crampton, Lando, etc. JFP takes credit for Dusay as well. What is the point of having a casting director, if you don't let her do her job? What happened when Rea left? 
    • So much on here slips my mind but this is the first I remember hearing of Peterson's passing. Very sad. Nell was a thankless role, clearly set up for a cheating storyline with Frank, but Peterson did her best.  Betty Rea Rea was the casting director for the soap opera “Guiding Light” from 1970 to 1996 and simultaneously the casting director for “As the World Turns” from 1979 to 1983.
    • Sorry, just one more post on the Thorntons. How did Ruth and Edna feel about each other prior to Tad dating Dotty?
    • I can't remember exactly but I think it may be 1995 as Jake was trying to hide from a loan shark.
    • I also wonder if it was considered controversial at the time to show a morally corrupt doctor?(another character troupe for Agnes Nixon, the upstanding male citizen who is hiding secrets back at home) Up until the early 1970s, prime-time would very rarely tell stories about the private lives of doctors, because advertisers tended to shy away from such content. @robbwolff -- so is this wrong that Ruth dated David before marrying Joe?  Dr. David Thornton is a fictional character from the ABC daytime soap opera All My Children, portrayed by Paul Gleason from 1976 to 1978.  He was introduced as a respected physician in Pine Valley, presenting himself as a widower to his colleagues at the hospital. This facade, however, concealed a darker truth: his wife, Edna Thornton, was alive, and he was leading a double life. David’s character is defined by manipulation and secrecy, as he maintained a carefully curated public image while engaging in deceitful and criminal behavior in his personal life. His relationships were marked by control and betrayal, particularly in his marriage to Edna and his romantic entanglements with other women. David’s charm and professional status allowed him to navigate Pine Valley’s social circles, but his actions revealed a calculating and ruthless nature. Career David was a doctor at Pine Valley Hospital, where he was well-regarded by his peers for his medical expertise. His professional life provided him with a veneer of respectability, which he exploited to mask his personal misdeeds. However, his career was not a central focus of his storyline; instead, it served as a backdrop to his personal schemes. His position at the hospital gave him access to resources, such as the drug digitalis, which he later used in his attempt to murder his wife. David’s professional life unraveled as his criminal actions came to light, tarnishing his reputation in the medical community. Personal Relationships and Family David’s family and romantic relationships were fraught with tension and deception, shaping much of his narrative arc: Edna Thornton (Wife): David was married to Edna Thornton, with whom he had a daughter, Dottie. To his colleagues, he claimed Edna was deceased, allowing him to pursue other relationships without suspicion. In reality, David was plotting to kill Edna, motivated by his desire to be free of her and possibly to gain financial or personal freedom. He began poisoning her with digitalis, a heart medication, which caused her to experience heart pains. Edna was unaware of David’s true intentions until after his death, when the truth about his poisoning scheme was revealed. Dottie Thornton (Daughter): David and Edna’s daughter, Dottie Thornton, was a significant character in All My Children. Portrayed by Dawn Marie Boyle (1977–1980) and later Tasia Valenza (1982–1986), Dottie was raised primarily by Edna. David’s neglectful and manipulative behavior extended to his daughter, as he showed little genuine care for her well-being. Dottie’s life was impacted by her father’s actions, particularly after his death, when Edna became a wealthy widow. Dottie later married Thaddeus “Tad” Martin in 1985, though their marriage ended in divorce in 1986, and she suffered the loss of an unborn child with Tad. Ruth Parker (Fiancée, 1976): David was engaged to Ruth Parker in 1976, furthering his pattern of deceit since he was still married to Edna. His engagement to Ruth, who was also involved with Jeff Martin, highlighted David’s willingness to manipulate romantic partners for his own gain. The engagement did not lead to marriage, as David’s true intentions and double life began to surface. Christina “Chris” Karras (Lover, 1978): In 1978, David began a romantic relationship with Dr. Christina “Chris” Karras, a fellow physician. This affair added another layer of complexity to his web of lies, as Chris was unaware of his marriage to Edna and his poisoning scheme. After David’s death, Chris was initially accused of his murder due to their relationship and her access to medical resources. However, Jeff Martin’s investigation cleared her name by proving David’s death was caused by his own actions. Parents: David’s parents are unnamed in the source material, and both are noted as deceased. No further details are provided about their influence on his life or their role in his backstory. Death David Thornton’s death in 1978 was a dramatic and fitting conclusion to his villainous arc, brought about by his own treachery. Intent on killing Edna to escape their marriage, David had been secretly administering digitalis to her, causing her heart issues. In a twist of fate, their daughter, Dottie, innocently switched Edna’s drink with David’s during one of his poisoning attempts. Unaware that the drink was laced with a lethal dose of digitalis, David consumed it and suffered a fatal heart attack. His death was initially investigated as a possible murder, with Chris Karras as the prime suspect due to her relationship with David and her medical knowledge. However, Dr. Jeff Martin conducted a toxicology screen on David’s body, which revealed that the digitalis poisoning was the cause of both Edna’s heart pains and David’s death. This evidence exonerated Chris and exposed David’s plan to kill his wife, cementing his legacy as a tragic and self-destructive figure. Impact and Legacy David Thornton’s storyline, though relatively short-lived (1976–1978), was impactful due to its intensity and the ripple effects on other characters. His death left Edna a wealthy widow, altering her and Dottie’s circumstances and setting the stage for further drama, including Edna’s manipulation by conman Ray Gardner. David’s actions also strained relationships among other Pine Valley residents, particularly through his engagement to Ruth Parker and affair with Chris Karras, which intersected with Jeff Martin’s storyline. His character exemplified the classic soap opera archetype of a charming yet duplicitous villain whose downfall is precipitated by his own hubris. Additional Notes Portrayal: Paul Gleason’s performance as David Thornton brought a compelling intensity to the role, making the character memorable despite his brief tenure. Gleason’s ability to portray both charm and menace suited David’s dual nature as a respected doctor and a scheming husband. Storyline Context: David’s arc occurred during the early years of All My Children, a period when the show focused on intricate personal dramas and moral dilemmas. His poisoning plot and double life were emblematic of the show’s penchant for high-stakes interpersonal conflict. Lack of Additional Family Details: Beyond Edna and Dottie, no other family members (such as siblings or extended relatives) are mentioned in the source material, limiting the scope of his familial connections. Conclusion Dr. David Thornton was a multifaceted antagonist in All My Children, whose life was marked by professional success, personal deception, and a fatal miscalculation. As a doctor, he wielded authority and respect, but his secret plan to murder his wife, Edna, revealed a cold and calculating core. His relationships with Edna, Dottie, Ruth Parker, and Chris Karras were defined by manipulation, and his death by accidental self-poisoning was a poetic end to his schemes. David’s legacy in Pine Valley lived on through Edna’s newfound wealth and Dottie’s subsequent storylines, making him a pivotal figure in the show’s early narrative. His story remains a classic example of soap opera drama, blending betrayal, tragedy, and retribution.
    • The only blonde I see is one of the actual women staring at first & then screaming & running later.  DAYS: Vivian's manservant Ivan is in a long curly red wig. 

      Please register in order to view this content

      Y&R: long straight black wig is the actor Peter Barton whose character name I am blanking on.   
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy