Jump to content

ALL: Suspense Music


Recommended Posts

  • Members

I absolutely love the "suspense" music in soaps. It really adds to the moment usually. I wish I had soundbytes of some of the best, but I don't.

I really love the music that DAYS uses sometimes. They use it every now and then and they used it all the time during the SSK story-- but there was this loud burst of music that would like sink down (okay, it's hard to explain).

I also love the OLTL music that they use now (and used ALL the time for Margaret) with very soft whisper-like music and then high-pitched screams in between.

Link to comment
Share on other sites

  • Replies 25
  • Created
  • Last Reply
  • Members

I actually think that shows today underestimate the value of SILENCE. Take a look at some of the classic moments in daytime--Ed and Maureen's final confrontation, Karen Wolek on the stand--you don't hear anything except for the dialouge and I think that is far more powerful than anything any synthesiser can create. We all know it's supposed to be suspenseful, why do we need music to tell us how to feel?

In terms of actual scores, there is this one score on GL that they used during the Annie story. Annie was stalking Reva outside her house with a pair of gardening sheers and there was this eerie music that I love. The last time I heard it was in 2002 briefly during the Tory storyline. I also LOVED whenever GL would use the theme song "Hold on to Love" to score important scenes.

Link to comment
Share on other sites

  • Members

Y&R is tops... their music enhances a scene like no other. You can hear it, without it drowning out the actors. It's there, but you don't realize it. Dramatic, but not cheesy.

From the bits I've seen of ATWT, they have really good suspense music, as well.

Silence is really overrated -- it's golden. I saw 'em giving examples on SoapNet of what scenes look like with background music and without, and in most cases, I actually preferred the scenes WITHOUT the cheesy music. If the writing and the acting is there, it'll sell itself.

The rest, I either can't remember enough to comment or they suck.

Days has really gone down the shitter when it comes to musical scores. In the 90's, all the music was good -- from the suspense themes to the romantic themes. Who remembers the creepy "flute" sound from the possession music? Nowadays, the music sounds like something from a Disney cartoon soundtrack... like it doesn't take itself seriously. It almost feels chastising, like the show is poking fun at itself through the music despite the fact that the STORIES are taking themselves seriously now. It's a really conflicting contrast. It's also way too loud, and used way too often. There's only one 'suspense' theme that I currently like, and even that one is losing its effect.

Anyone remember the creepy "Nursery Rhyme" tune that would play on GL during the Nursery Rhyme Stalker storyline? Looooved that.

Link to comment
Share on other sites

  • Members

When it comes to scores, Days had great music from 1981 to 1990. When something drmatic happened, you could always count on the music to be top notch, and on point. Y&R's music is the only other that comes to mind, but now it doesn't get used anymore, especially at the end of every episode, because the ending credits have been removed and it just fades to black.

Y&R had a piece of music that sounded so gothic that they would use when something very dire would happenat the end of one of their episodes, and it's a shamethat this and other pieces of music are no longer used.

Link to comment
Share on other sites

  • Members

I really do not like it. I think it's "soapy" and that if the soaps shut off the BGM a little more often (like ATWT in the 80s) it would be a lot more like primetime. To me it gives off a cheesy soap vibe that probably turns off non-soapies. If I were an EP one of my first acts would be to significantly reduce the BGM track.

Link to comment
Share on other sites

  • Members

Y&R of course is the best, but AMC and OLTl are the absolute worst. On OLTL it's very heavy handed and cheesy. I remember how obnoxious it sounded during Todd's execution and just made everything seem like a parody. Then AMC's music (and sets, waredrobe, etc.) just seem so cheap. It's like they don't even try.

I know this will be unpopular, but I do like DAYS' music. It's different, but I think it's a perfect fit for the show. I also like the fade out at the end...

Link to comment
Share on other sites

  • Members

ITA.

Loved the music back then, I just hate Days' music now, it's utter crap. Including the suspense stuff, I often find myself wishing, as indicated above, that they'd just leave it silent, because the crap music they put on only makes me laugh or cry, alternately, depending on whether or not I have it in me that day to make light of a crappy situation.

Link to comment
Share on other sites

  • Members

I like a lot of the background music from today's soaps.

LOVE Reilly DAYS I era music. That added so much suspense to the show. The Aremid cues were fun and creepy too.

Unpopular, but I like PASSIONS's background music with the exception of a few pieces. My favorite PASSIONS cue is the one that they play with the little guitar beats in it during "scheming" scenes.

GH/PC used to have really good cues until JFP took over. They still have good music cues, but they aren't nearly as good when Martin Davich was working with them(does he still work for GH now?).

B&B's musical cues are so outdated, but I enjoy them anyway.

Link to comment
Share on other sites

  • Members

OLTL had some great suspense music for a time. It was very "film noir-ish" (Mitch Period)

Love pretty much all of Y&R's music and Passions used to do well with the supernatural stuff.

DAYS has it's moments too, better lately but great in the 80's and 90's. I miss AW. Sometimes its music would make my heart race because it was so well suited to the story no matter how bad.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I think all the suits are fit too tight, except for Jon Lindstrom's. DC lawyers/doctors are not all LA fashion elites. Yes, maybe Tomas would have a more modern cut to his suit, but an established guy like Bill wouldn't go around looking like that lonely button on his jacket was ready to explode constantly.
    • I do think there's room for optimism, especially with Amazon making enough new episodes to last until December. There's still time for the various players to get their ducks in a row. Guess we'll know soon enough! 
    • I do agree it's better to just have people pop back into town. I never understood why Roger needed a mask on an island, when neither Fletcher or Alex would've known who he was. And the vine...sigh. Couldn't he have just been sent crashing through a window or something?
    • When the announcement was first made, I did wonder if other plans were in the works. I guess we can always keep hoping, especially as the show has a small core cast.
    • @chrismlAbout Lisa, agree to disagree. Actually at the time she was the only thing my partner & I disagreed about. Naturally she was Team Vicky while I was steadfast as Team Lisa.  About John & twin paternity, I think that like the 3 pillows was a transitory idea someone had that no one else agreed with. More of the attempt to accommodate Philece. About MJ, co-sign, 100% agree, if there were more degrees I would claim them. About Wally & Felicia, always a fan. Mitch? Eh, take or leave. Although I do agree that WGE is a really striking man. Who have I left out? I don't know so that's all I got.
    • RIP Wayne Lewis.

      Please register in order to view this content

      (he sings near the end of the episode) https://deadline.com/2025/06/wayne-lewis-dead-atlantic-starr-founder-singer-1236426870/
    • Dallas peaked early, IMO. Maybe not a fair statement as I’m still making my way through the first half of its run, but I think it’s hard to argue to point that S3 into S4 was its high point. Back to Knots. Wrapping up “And Never Brought to Mind.” Greg’s introduction kinda took me by surprise. I low-key dreaded his arrival bc I know he very quickly gets to the center of the show, but even though they wasted no time connecting him with Mac, Abby, Gary, and Karen, it still feels like a gradual intro. The juxtaposition of the ending of the Chip story with the heating up Abby’s plotting is quite symbolic of the changes the show was going through. I absolutely cannot imagine Kenny and Ginger having any part in any of this. Yall, the Gary/Val piano theme that they pull out from time to time is my FAVORITE. I find myself humming it constantly.
    • Bloodshed is inevitable now. It’s another reason I’m glad Black people aren’t getting involved in these protests. As awful as this is, I keep reminding myself that 54 percent of Latino men voted for Trump. These people were put in harm’s way by members of their own communities and sometimes even members of their own families. Too many people decided to touch the stove.
    • Maybe I'm still in denial, but nothing about Neighbours' ongoing social media output gives the vibe of a show that's ending. In today's 'Roundup' video, Alan Fletcher referenced that production finishes in five weeks, but in all the show's posts the cast are as jovial and lighthearted as ever. Remarkably so for people who are about to lose their jobs.    Perhaps they're just putting a brave face on things, and I know they approached the previous axing with a positive attitude. Maybe putting an upbeat face on things is a collective way of showing potential backers that there's still life in the show? Or is it possible that they already know the show has been saved, and we'll get an announcement next month when filming wraps and the show 'rests'?   Does any of that make sense?!
    • A very good week for male eye candy on GH. New Michael is beautiful, Curtis's arms looked great in that polo shirt, Cody looks even more handsome with his new haircut AND we got Marco in swim shorts rocking his lovely bod and chest fur. 

      Please register in order to view this content

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy