NothinButAttitude

EXT. FAIRWINDS (BACKYARD) Emily quickly lights the candles on the cake. She then grabs it and rushes up to Paul with a big grin on her face. Emily: Happy birthday!! Paul laughs, but stops when he notices his quiet and now awkward guests watching on. CUT TO INT. FAIRWINDS (FOYER) Meg eases open the door and peers in. No one is there. Meg: Let's get this show on the road. The kicks open the door and drags in a drunken Ryder. Meg: My God you weren't joking when you said that you were a lightweight. On Meg dragging Ryder up the stairs, CUT TO INT. LAKEVIEW HOTEL (MONA LISA) Adrienne sits alone eating her dinner. In the B.G., Holden enters. Adrienne looks up from her plate from a second and gives a quick glance behind. Her and Holden eyes connect. A slight smile from both parties then Adrienne turns back around. On Adrienne intrigued, CUT TO INT. WALSH ESTATE (GUEST HOUSE) We hear the lock unlocking and in walks Luke. Luke: Noah! Noah, you here? Luke closes the door behind him. Luke: Guess he started at WOAK today. Luke sighs and places the grocery bag in armchair. On the coffee table lies a stack of mail, which Luke eyes. Exhausted, Luke drags himself over and plops down on the sofa before grabbing the mail. Luke: (going through mail) Bill . . . bill . . . Another bill . . . (sarcastically) Oh! A student loan for Noah! . . . bill . . . (stops on the last letter) Can't be? A closeup shot of a letter addressed to Luke from his old friend, Kevin Davis . . . FADE OUT FADE IN: INT. FAIRWINDS (PAUL & EMILY ROOM) We pan across the floor that is covered in clothes, the same clothes that Ryder was dressing until we come up to see Meg tucking him into the bed. Meg: (giddy) Paul is going to flip out when he sees you two in bed together! Meg digs into her purse and pulls out a small vial filled with something white. Meg: Now let's get this started. On Meg grinning, CUT TO EXT. FAIRWINDS (BACKYARD) Emily and Paul walk around the pool, arm in arm, while the party is back on. Seems as if the two are in their own world -- away from everyone else. Emily: Sorry about the party. Paul: It's fine. Emily: No! It wasn't. Paul: It was. Paul stops and pulls Emily close, staring into her eyes lovingly. Paul: It was. The awkward silence was a bit weird but it was fine. More than fine. It was perfect. Emily and Paul lean in for a kiss when, Henry (OC): Meg! You made it! Paul and Emily look over towards the door to see Meg standing in doorway. The sight of her makes Emily sick. CUT TO INT. MONA LISA Holden has now joined Adrienne. The two are enjoying themselves, laughing. Adrienne: . . .And my father caught Bradley hiding in my closet naked! Holden: (laughing) Gosh. . . that Brad was a mess. Adrienne: Yeah. He was. (hitting her) I still miss him. No other man has meant so much to me like Bradley. Don't think another will. . . Holden: I understand. Young love. We think that it'll stand the test of time but it doesn't. Reality sets in-- Adrienne: And people change. Just hate how things ended between us. . . how we never stayed in touch. Holden: Well I'm sure that Brad is looking down from Heaven and wishing the same. Adrienne: Yeah. . . Holden: (getting up) Well thanks for having dinner with me. Adrienne: (grabbing him by the hand) Wait! (pulling away) I mean, what about a night cap? A drink? How about it? Holden is a bit conflicted -- struggling between yes or no. Then, Holden: You know what . . . sure. Let's have that drink. CUT TO EXT. FAIRWINDS (BACKYARD) We come in on Lisa and John slow dancing together to Midnight Star’s Slow Jam. Lisa: Who would’ve thought that the two of us are having a good time at this party? John: I know right. John spins Lisa out and then back in towards him. Lisa: Just look at them. A shot of Meg and Emily exchanging words with Paul standing between the two, over it. Lisa: Young. . . miserable . . . John: That was us about 40 years ago. Lisa: Speak for yourself. That was 40 years ago for you. Ten years ago for me. Lisa and John share a laugh. John: Still the same Lisa. Lisa: Always. They continue dancing. Unbeknownst to the two, Lucinda watches on fuming from a far. Nearby, Mo and Casey are slow dancing too; however, Casey is distracted by something. Mo: Casey? Casey: Huh? Oh. Sorry. Mo: Are you still upset about Allison? I mean if you wanna go make up with her— Casey: I don’t. Trust me. That door is closed forever. . . (holding up Mo’s chin) . . .and a new one is open. Casey leans in and kisses Mo passionately. We move onto Jami and MJ dancing. Suddenly, Allison taps MJ on the shoulder. Allison: Can I cut in? MJ: Well— Before MJ can answer, Allison finds a way to edge Jami out the way and dance with MJ. Allison rests her head on MJ’s chest, closes her eyes, and smile. MJ glances over at Jami, who is in total disbelief, On a shot of Jami rolling her eyes, PAN TO Meg and Emily are still exchanging words. Paul still looks on. Emily: Who invited you? Meg: Barbara and Henry did. Is it a problem, Emily? Emily: Clearly it is. Meg: Why?! Emily: The way you’re dressed for starters. . . Meg: It’s a dress! Emily: Honey, you can’t kid a kidder. This stunt you’re pulling, I’ve done it a million times. Meg: Oh. . . we know. Paul: Ladies, c’mon. It’s my birthday. Can’t we put our differences aside for once? Plus, Eliza is here, Emily. She’d want both of her moms here. Emily nods in agreement while this statement sends a chill down Meg’s spine—not a good one, yet Meg feigns a smile. Meg: How about a drink then? Emily: Most definitely. Meg: Then I’ll go get them. Merlot? Emily: Ooo, yes. Meg: Be right back. Meg walks off for the refreshment table. Emily: At least little Miss. Cornfield knows her wines. Paul: Emily. . . Emily: Just saying. CLOSE UP Meg unscrews her vial and drops with white substance into Emily’s glass. Meg: Bi*ch. . . You can kiss Paul and my daughter goodbye. Meg grabs the glasses and heads back towards Paul and Emily. She hands Emily her glass first. Then Paul. Meg: To new beginnings? Emily: I don’t know about— Paul: (elbowing his wife) Yes, new beginnings. For Eliza. Emily: (sighs) Fine. Only for Eliza. The three clink their glasses together before Emily quickly downs her wine. Meg: (taking a sip) Jesus. You were thirsty, Emily. You didn’t leave a drop in the glass. Emily: It was much needed. Meg: (thought) Oh bi*ch whatever. What I need right now is for a bus to run you over; however, I’ll settle for something less. . . the demise of your marriage. . . Meg smiles at Emily. Emily is taken back by this and hesitant at first before smiling back. CUT TO INT. WALSH ESTATE (GUEST HOUSE) Luke sits on the couch reading the letter when Noah barges in with a grin on his face. Luke jumps up, hiding the letter in his back pocket. Noah: Baby, guess what? Luke: (walking over to him) What? Noah: Kim is thinking about giving me a show on WOAK—a show to air short films for local movie makers. How about that? Luke: Sounds wonderful. Noah hugs Luke tightly. On Luke feeling guilty as he holds a secret from Noah, CUT TO INT. LAKEVIEW (ADRIENNE’S ROOM) Holden and Adrienne are in the throes of passion—making love like never before. The two look like two animals in the wild attacking one another, feeding off one another’s energy. Adrienne: Oh Holden! Holden: Shh! KNOCK! KNOCK! Adrienne: (breathing heavily) Should we answer? Holden: Shh! The sweaty Holden nibbles on her lip before kissing her. Adrienne lets out a moan as the door, canceling out the sound of the door unlocking. . . Lily (OC): Excuse me! The guests have been complaining about the noise level. . . It’s Lily! Lily: . . .In here. . . Holden looks up to see Lily standing in the door way. Both he and Adrienne cover up. On a astounded and heartbroken Lily, CUT TO EXT. FAIRWINDS (BACKYARD) Paul and Meg stand off to the side in silence. Then, Meg: (looking around) Where did Emily go? Paul shrugs. Paul: Said she was going inside to take an Advil. She was developing a headache. Meg: Should you go and check on her? Paul glances at his watch. Paul: Maybe I should? Meg nods. Paul takes her advice and heads in. Meg: Ta-ta, Mrs. Ryan—or should I say Ms. Stewart now. Meg maniacally grins as we PAN OVER to Lucinda charging toward John and Lisa, who are still dancing. Lucinda: (clears throat) John! John and Lisa stop dancing. John: Lucinda, I didn’t know you were here. Lucinda: Of course you didn’t. John leans in to kiss Lucinda. She puts a hand up, blocking him. John: What? Lucinda storms off. John goes to go after her when Lisa grabs him by the arm, preventing him from going. Lisa: Let her go. John: I can’t. (kisses Lisa on the cheek) Thanks for the dance. Lisa: (smiles) Anytime. John rushes off to catch up to Lucinda. A shot of Lisa shaking her head in disbelief, CUT TO INT. EMILY & PAUL’S BEDROOM Paul bursts into the room to find Emily’s head in between Ryder’s legs—in his crotch region. To us, it is clear she is passed out but not to Paul. Paul: God d*mmit! Emily! Emily sits up, dazed and confused CUT TO INT. CARTER’S PENTHOUSE Carter opens the door and flicks on the light. What he sees brings a smile upon his face. Carter: Why hey there, Mr. Future Assistant District Attorney! We pan over to reveal. . . Scott Eldridge, Lisa’s estranged son!! He is sitting on the sofa. Scott: Hey there, partner. Just thinking of some ways we’re going to bring down my big brother and win the office. Carter and Scott share a laughter, and embrace each other in a friendly hug. FADE OUT COMING SOON: - Emily's world unravels and Meg enjoys it from a far - Ryder is onto Meg, but doesn’t rat her out - Tom files for custody of Daniel due to Emily’s actions - Allison decides to stick it to Mo through Jami - Aaron is reunited with the mysterious woman - Jack continues to unravel - Holden finds love - Luke reunites with an old friend - Barbara & Henry's love begins to wane - A Stenbeck comes to town - A Cory (AW) and a Whitney (EON) come to Oakdale - Bonnie returns to Oakdale & forms an alliance with Tom - Casey & MJ are let in on a secret - Lisa finds love, but Lucinda serves as the buffer - Carter becomes a thorn in John's side - A lost son returns home, joining a foe - Craig's vengeance puts Rosanna in peril

FADE IN: EXT. FAIRWINDS (BACKYARD) We open up on the calm, cool, and blue water of the pool; however, the party is anything but. Paul's staff is scattered about, frantic, and setting up his birthday party. Some are hanging balloons and banners. Some are setting up food. The cook is off to the side tending to the grill. One of the maids is off to the side discussing what genre of music to play with the DJ. Standing on the terrace, watching it all with a clip board in her hand is Emily. Emily: We gotta hurry! Paul will be here any second. (glancing at watch) Oh God. Where is Allison with the cake? Allison (OC): Right here. Stress no more. Allison crosses from inside the house onto the terrace bearing a cake. Emily sighs with relief. This is one less thing she has to worry about. Allison: Where do you want it? Emily: (pointing) Put it over there with the presents. Just shove them to the side and put the cake front and center. Allison: Got it. Anything else? Emily: Did you get the candles? Allison: Yes. Emily: Forty? Allison: (now agitated) Yes. Allison produces a candle with the numbers "4" and "0." She hands them Emily. Allison: Better than lighting forty candles. Emily hugs Allison before slightly pushing her in the direction of the table -- a nudge to get her moving. Emily: (to self) Now where is Barbara? She was supposed to be here. On Emily anxious, CUT TO INT. BLC Barbara sits at her desk. She turned away from the entrance as she is going over designs. Henry, donning a sly grin, slides into the room unbeknowest to her. He spins the chair towards him, grabs the designs from Barbara, and tosses them. Barbara: Henry! Henry: Hush, my love. Henry grabs Barbara and hoists her onto the desk, wrapping her legs around his waist. He begins to kiss her neck; however, we see that Barbara is not pleased by this love gesture, though she doesn't let Henry on. Barbara: Baby . . . Henry: (face buried into her neck) Yes. Barbara: Now is not the time for us to get it on. Henry: (pulling back) Why? Barbara: Umm . . . let's see . . . we have to attend Paul's birthday party. Henry: But that isn't for another 2 hours. Barbara: But I promised Emily I'd be there to help her. Henry: I doubt Emily Stewart needs any help. She's probably running a tight ship. Barbara: OK. But I also have to give the OK on these designs. Henry: OK . . . but why can't Carly or Lisa do it? Barbara: Because Queen is my line. That's the whole reason of us having three different, individual lines. Each vision is differ from the other. And you ought to know that vision is FAR differ from Lisa's and Carly's. Henry breaks away from their embrace and head for the door. Barbara: Hey! Where are you going? Henry: I'm going to head to the party and assist Emily, and leave you here to finish this up. Barbara: You didn't want to wait on me? Henry: No. You just finish this up, and I'll handle the party for you. Barbara: Thanks, honey. Henry: No problem. Barbara gets back to work as Henry watches her for second with a slight smile. He closes the door and his mood changes -- he's hurt from Barbara's rejection. Something more is going on . . . CUT TO INT. HUGHES HOME (GARAGE APT) His body wet and glistening, and donning nothing but a towel, Ryder opens the door to reveal a sultry Meg, who looks like sex on stilts with her skin tight red dress and high heels. Ryder: If looks could kill . . . Meg: I'd have tons of bodies in my tracks. Now aren't you going to invite me in? Ryder moves to the side, making way for Meg to enter. She seductively enters with every curve of her body switching. Ryder likes this. He closes the door. Ryder: Is Paul going to be alright with me bringing you as my date? Meg: Why would he? Paul and I have been divorced for awhile now. He's shacked up to Emily. Ryder: Yeah . . . but you are the mother of his child. Meg: And that's it! Meg walks up to Ryder and gently strokes her fingers against his abs. Meg: You aren't worried about Paul are you? Ryder: No -- I mean I just don't want to rock the boat. Meg: Don't worry about Paul. If he says anything rude, I'll check him. Now go get ready. Ryder grins and goes into the bathroom. Meg has a seat on the sofa. Meg: (calling out) What do you have to drink in here? Ryder (OC): Water. Some soda. I think I have beer or two. Meg: How about drink before we leave? Ryder: Sure. Their over in the fridge. Meg gets up and head to the fridge. She pulls out two beers and puts them on the counter. She glances around the corner before taking one of the beers and pouring half of it out into the sink. She then digs into her and pulls out a small bottle of Jack Daniels. She mixes it in with the beer and shakes it a little. Then she tosses the small bottle of Jack Daniels into the trash. Ryder then bends around the corner and Meg hands him the mixed beer. Meg: (toasting) To new beginnings. Ryder: To new beginnings. Ryder downs the drink. Meg sips on her and watches as he downs his. On Meg with a scheming smile, FADE OUT FADE IN: EXT. FAIRWINDS (BACKYARD) Allison and Emily stand by the table where the presents are, watching on as the party is jumping. Music is blaring and people are dancing. Emily is pleased with final product. Allison: (leaning over through the loud music) Paul is going to love this. Emily: Oh he better. Allison: I know he will. That man lights up at anything you do. Emily is touched by this revelation -- on the verge of crying. Emily: Really? Allison: Yes he does. I just hope to find love like you have . . . again. Emily: You will. Trust me. Don't give up on love. Allison: I won't. And I won't give up on Casey either. Emily and Allison share a smile when Casey enters with Monique on his arm. MJ has Jami on his. Allison's smile drops. CUT TO INT. WALSH MANOR (LIBRARY) Lucinda sits in an armchair sipping on tea. The fire in the fire place illuminates the room. John, passing by, peeks his head into the room. John: I thought you were going to the party with me. Lucinda: I am or I'll get a driver to drop you off and bring me later. John: Why? Lucinda: I have a date this afternoon. John: (joking) You cheating on me already? Lucinda: Oh darling, don't start. It's a business date with Carter Wallace. John rolls his eyes. Lucinda: What was that? John: What? Lucinda: You rolling your eyes. John: I just don't see why you're supporting that man. He's like a used car-salesman. He's shady. Lucinda: And who should I be supporting? Tom Hughes? John: I don't see why not. Lucinda: (sighs) Just because he's your son-in-law . . . John: That isn't the only reason. Lucinda: Then what other reason? May I remind you that the last time he was in office, he stepped down from his position because he was "bored." John: It's called a mid-life crisis. Lucinda: Yes . . . I guess you can call it that. Matthew, Lucinda's butler, escorts Carter into the room. Lucinda stands up to greet him, shaking his hand. Lucinda: Please have a seat, Mr. Wallace. Carter: Why thank you, Ms. Walsh. Carter has a seat in the armchair across from Lucinda's. Lucinda looks at John waiting for him to introduce himself. After a few seconds, he gives in. John: (shaking Carter's hand) John Dixon. I'm voting the opposition, who happens to be my son-in-law. Lucinda gasps. She is appalled. John: I'll see you at the party. John kisses Lucinda on the forehead and leaves. Carter: Such a nice man. Lucinda: Forgive him. Carter: No harm done. He's just one vote. One monkey doesn't stop the show. Lucinda: So true. (handing him a check) Now here are the first of many contributions to your campaign. Carter reaches for the check when Lucinda snatches it away quickly. Carter is confused by this action. Lucinda: Now you see . . . we have a problem. Carter: We do? Lucinda: Yes. Carter: OK. Please share what the problem is. Lucinda: Your infatuation with an uncouth she-beast by the name of Lisa Grimaldi. Carter: I don't-- Lucinda: Mr. Wallace, don't lie. If there is one thing I am good at, it's reading men. And when you see that woman, you melt into a puddle. Now if I am going to invest in your campaign, then I am going to need you to win. I don't toss away money for nothing. Lucinda hands him the check again. Lucinda: Don't cross me. Carter: I wouldn't dream of it. On a close shot of the two hands shaking, CUT TO EXT. FAIRWINDS The party is still going on, but we focus on Allison, who watches as Monique (dancing) back that a** up on Casey. Allison really becomes unnerved by this. Susan places a comforting hand on Allison's shoulder. Susan: Let it go. Allison: I can't. I won't. And I definetely won't let that wh*re have him. Monique comes off the dance and head to the table where Allison is standing, getting some juice. Allison: (to Mo) Loving this, huh? Mo: What? Allison: My sloppy seconds. Mo: Sloppy? I don't know if you'd associate Casey and sloppy together. Now you on the other hand . . . Susan: Hey you! Don't you dare insult my daughter! Casey, Jami, and MJ take notice and make their way over towards the table. So does Emily. Mo: Then tell that bi*ch to know her place. Casey: What is going on now? Mo: This stalker bi*ch is trying to stake her claim again. Allison: Stalker? I wasn't too much of a stalker because we were engaged. Mo: And?! You don't have him now. Emily: OK. What is going on? Casey: Your sister. Emily: You sure you and your posse aren't the problem. Casey: Oh I am sure. Allison: (to Casey) You're doing this to hurt me! Jami: (to Allison) And you're making a scene again! Chill out. He doesn't want you. Casey: Thank you! Emily: You know what, today is about is about my husband and if you all (pointing at Casey and his crew) are going to ruin it then leave. Barbara (OC): Is everything alright over here? Barbara joins the crowd. Emily: I want them out of here! Barbara: Emily . . . Suddenly, Paul emerges from the house. The crowd is silent and stunned to see him. Emily grabs the cake from the table and rushes over to Paul. Emily: Surprise!! On Paul not trying to laugh, FADE OUT COMING SOON: - Meg sets her plan in motion - Emily's world come crashing down in more than one way - Allison decides to stick it to Mo through Jami - Aaron is reunited with the mysterious woman - Jack continues to unravel - Holden finds love - Luke reunites with an old friend - Barbara & Henry's love begins to wane - A Stenbeck comes to town - A Cory (AW) and a Whitney (EON) come to Oakdale - Bonnie returns to Oakdale - Casey & MJ are let in on a secret - Lisa finds love, but Lucinda serves as the buffer - Carter becomes a thorn in John's side - A lost son returns home, joining a foe - Craig's vengeance puts Rosanna in peril

INT. HAWK'S APT BANG! BANG! Rusty (OC): Pa! Come open the door! Trista and Laurel stand frozen in place as Rusty still beats at the door. Rusty: Pa! You there? Don't make me kick the door down. Hawk rushes out the kitchen and ushers the two women into the kitchen before rushing back over to the door to let Rusty back in. Hawk: What?!!!! Rusty: What took you so long? Hawk: I was taking a nap, boy! Rusty brushes past Hawk, entering. Rusty: I heard yelling in here, Dad. Hawk: It was the TV. Rusty (not convinced) Yeah . . . Hawk: So you don't believe me now? Rusty: No. SMASH! Rusty and Hawk jump at the sound of glass hitting the ground. Rusty glances at Hawk. Rusty: You heard that? Hawk shakes his head "no." Now Rusty really isn't convinced. INT. KITCHEN Trista and Laurel, huddled against the door, turn to see that Rocky knocked a plate off the counter. On Rocky cringing, CUT TO INT. OLIVIA'S PENTHOUSE (LIVING ROOM) Olivia and Natalia, intertwined, lie on the sofa kissing each other passionately as they've just finished watching a movie. Then the sound of a key unlocking the door causes Olivia and Natalia to pull themselves together. The door opens to reveal . . . Rafe! Donning his army uniform, Rafe lugs in his bags. Rafe: Anyone home? The sound of Rafe's voice brings tears to Natalia's eyes. Rafe: Mom? Olivia? Emma? Anyone here? Natalia comes bending around the corner with tears streaming down her eyes. She rushes over to hug her son tightly. Olivia stands nearby watching with a warm smile, and CUT TO INT. SPAULDING MANOR (LIBRARY) Alan Michael stands near the desk with the phone to his ear. Bill, Lizzie, Beth, and James are nearby. Alan Michael: OK . . . Yes, Uncle Ed. I so appreciate it . . . I understand . . . (smiling) So glad to hear that . . . OK. OK. I'll see you in awhile . . . Love you too. Bye. Alan Michael hangs up the phone. He turns to face everyone, who are on the edge of their seats awaiting news. Alan Michael: Aunt Alex awake and on her way home! Lizzie: Oh my God! Alan Michael: They said that the stroke has caused her to loose a little feeling in her leg but some physical therapy will get her right back on track. Lizzie: Thank you, Lord. Lizzie and Bill hug each other. Beth: I have to call Phillip and deliver the good news to him. Alan Michael: You do that. I'm going to go talk to the staff and make sure that everything is in order for her return. Alan Michael goes to leave when he bumps into Caroline (Hope). Alan Michael quickly shoots an enthused look at her before exiting. This wounds Caroline but she quickly covers it up with a smile. Caroline: The cook wanted me to inform you that lunch will be ready in about thirty minutes. Lizzie: Thanks, Caroline. Caroline: No problem. Caroline goes to leave when, James: Caroline! Have you heard? Caroline turns back to hear what James has to say with curiosity. James: Aunt Alex is going to be fine. Caroline: She is! James: Yes. She's on her way home now. Caroline: Oh thank goodness. I have to go get the staff ready for her return. Bill: Oh don't worry about that. Alan Michael has that covered. Bill hands Caroline a flute glass containing champagne. She's hesitant about taking it. Lizzie: Take it, Caroline. We have to celebrate. Beth: (grabbing her glass) Yes. And we wouldn't've held out hope if wasn't for you. Caroline: (murmuring) Yes . . . hope . . . Bill: (forcefully putting the glass in her hand) Now drink. Caroline: But I can't, Mr. Lewis. I'm on the clock . . . James: (taking a sip of his drink) Who cares. You're off it at the moment. Now c'mon. You deserve it. Caroline (Hope) grins hesitantly before placing the glass against her lips, still struggling whether or not to drink, and CUT TO INT. BAUER HOUSE (KITCHEN) Michelle digs through her purse and produces a flask. Her face lights up at the sight of it. She starts to unscrew it and goes for a sip when the door opens and in walks Danny. Danny: Baby! I have a surprise for you! Michelle turns to face Danny while hiding the flask behind her back. Michelle: (forcing a smile) What? Danny signals someone to come in from outside. A few seconds later enters Pilar. The sight of her causes Michelle's face to drop. Pilar: Hey Michelle. Aren't you going to welcome me home? On Michelle forcing a smile back on her face again while slipping the flask back in her purse from behind, FADE OUT INT. REVA & JEFFERY (LIVING ROOM) The door flings open. Reva walks in, p*ssed off with Jeffery behind her. He slams the door. Reva: (facing him) How dare you? How dare you ask me to quit?! Jeffery: How dare I?! I think that I should be the one asking the questions! Reva: I can't believe you! I can't believe that you asked me to quit both of my jobs! Jeffery: I don't see why you can't! As a matter of fact, you don't even need to work! Reva: Say what? Jeffery: You don't need to work! I make plenty of money to take care of us all -- you, me, and Colin. You don't need a job at Lewis or the Beacon. Reva: (walking away) You sound real stupid. Jeffery: Oh no. Stupid is the last thing I am. Stupid is what I would be if I sat here and allowed you to continue to work beside Josh. Reva spins back around. She is in disbelief by what Jeffery just stated. Reva: Allowed? Honey, I've told you once and I'll say it again! No man tells Reva Shayne what to do! This moment of tension is broken up by Cassie entering. Cassie: Knock, knock! The door was open . . . Jeffery and Reva fail to notice or hear anything Cassie says as they still browbeat one another. Cassie quickly realizes that she has stumbled into something. Cassie: Um . . . maybe I should leave. Reva: (coming to) Oh no! You stay. C'mon. Reva rolls her eyes and heads into the kitchen. Cassie: (to Jeffery) Everything alright? Jeffery: No. But it will be and real soon. Cassie: OK . . . Reva: (OC) Cassie! Cassie: I better go. Jeffery: You better. Cassie heads into the kitchen. Jeffery whips out his phone and scrolls down his contacts until he comes upon Olivia. Jeffery: You won't quit, fine. I'll get you fired instead. (into phone) Olivia, it's Jeffery. Meet me at Towers in ten. Bye. On Jeffery exiting, CUT TO INT. BAUER HOUSE (KITCHEN) Picking up where we left off, Pilar makes her way over towards Michelle and hugs her. Pilar: So long since we've seen each other. Michelle: (mumbling) Not long enough. Pilar: What did you say? Michelle: I said "I agree." The two pull apart. Michelle: So what are you doing here in Springfield? Pilar: I got a job offer at the hospital and I decided to take it. Plus, it'd allow me to be near my family. Michelle: Umm hmm . . . So where are you staying? Danny: With one of her patients right now. However, I told her she could stay here when the physical therapy for her patient ceased, she could move back here. Michelle: Really? So now we've become a boarding house? Danny: Michelle, what's wrong? Michelle: Oh nothing. Nothing at all. Didn't know that we were taking in strays. Pilar moans. Danny glowers at Michelle. Pilar: (to Danny) Told you. (kissing him) I gotta go meet my patient. I'll see you around. Danny: Bye. Pilar exits. Danny looks at Michelle, upset and disappointed. Michelle: What? Danny walks out the room leaving Michelle alone and upset now too, CUT TO INT. SPAULDING MANOR (LIBRARY) With the glass pressed against her lips, Caroline (Hope) nearly downs the drink when Alan Michael, standing the doorway, takes notices. He rushes over and snatches the glass from her before tossing it against the wall. Everyone is astonished by his actions. Beth: Alan Michael! AM: What is she doing? Why is she drinking? James: We're celebrating. What is wrong with you? AM: She's on the clock! She's not supposed to be drinking! Lizzie: We told her she could have a drink! Stop overreacting. AM: I don't wanna hear it. (to Caroline) You come with me. NOW! Caroline nods and exits. Alan Michael goes to follow when Beth grabs him, stopping him. Beth: You better not even think about firing her. Alan Michael blows off Beth's warning and exits. On everyone worried about Caroline's fate, CUT TO INT. REVA & JEFFERY (KITCHEN) Cassie and Reva sit at the counter with a bottle of wine between the two. It is still apparent that Reva is ticked off. Cassie: Wow . . . Reva: Yep. He wants me to quit both jobs. Cassie: Well I'm not firing you, and I am not about to sever ties with Lewis. Reva: Glad to hear that. Jeffery is just going to have to build a bridge and get over it. Joshua is going to be in my life till the day I day. Cassie: Tell me about. I had to learn the hard way . . . This strikes a nerve with Reva. Maybe Jeffery might be right. Reva: Cassie . . . Cassie: Don't, Reva. Don't even think about it. And that was my bad for saying that. My situation is totally different from Jeffery's. Reva: But is it? Cassie: (grabbing Reva by her hands, consoling) It is. You two are just having a little fight that is going to blow over in the matter of hours. Trust me. Jeffery will forget all about this and it'll all be an afterthought. On Reva with a glimmer of hope in her eyes, CUT TO INT. TOWERS Jeffery sits at the bar, fiddling with phone. Olivia comes up to him, tapping him on the shoulder. Olivia: Hey you. What's up? Jeffery: I want you to fire Reva and I mean now. Olivia: What -- why?? Jeffery: Just do it. You'll thank me later. On Olivia confused by his request, CUT TO INT. HAWK'S APT Rusty starts to head for the kitchen with Hawk tailing behind him. Hawk: Rusty, wait! Rusty pushes the door open and enters into INT. KITCHEN where Trista, Rocky, and Laurel are at a loss of words. Rusty is now too at the sight of Laurel. Rusty: . . .Laurel? On Laurel nervous, CUT TO INT. THORNWAY ROAD Nola leads a blind folded Quint into the dusty, cobweb ridden house. Sheet covers cover the furniture -- it still has that eerie, gothic aura too it from the last time many of you saw it. Nola: Welcome home! Nola removes the blindfold from Quint's eyes. Quinton become verklempt by the sight of his old home -- his home filled with many memories. CUT TO INT. SPAULDING MANOR (HALL) Alan Michael: Are you crazy?! Caroline: What are you talking about? Alan Michael: The drink. The drink! You were about to guzzle down that drink. Caroline: No I wasn't. Alan Michael: Yes, you were. Caroline: You know what, I am about sick and tired of you reprimanding me. I am YOUR parent! Not the other way around! Alan Michael: And I am sick and tired of holding your secret! How about you confess the truth and tell everyone you're alive! Caroline: Because I am better off dead! You hear me! And it's gonna stay that way. Hope Bauer is dead. Alan Michael: Fine. But you're not staying here anymore. Caroline: What is that supposed to mean? Alan Michael: It means that you're fired! Caroline: What?! Alan Michael: Pack your bags and leave here, leave Springfield! And don't come back until you resume the role of my mother! Alan Michael storms off. Hope: Alan Michael! Hope chases after here. Suddenly, emerging from around the corner is India. She smiles as if she has won the lottery. India: Boy, oh boy. Looks like we have an intruder on our hands . . . On India grinning, CUT TO INT. SPAULDING MANOR (FOYER) The doorbell rings and Lizzie goes to open the door to find Pilar. Pilar: Hello. I'm here to see Ms. Alexandra Spaulding. I'm her new physical therapist. Lizzie is dumbstruck by Pilar's presence. Bill (OC): Lizzie, who is-- Bill pulls the door open to see Pilar. Pilar: Bill? Bill: Pilar . . . On this moment of awkwardness, FADE OUT COMING UP ON TGL: THE GUIDING LIGHT - Jason gain in ally in Leah - India blows the whistle in hopes of scoring points with Alan - Hope’s secret is revealed, with damaging effects. - Annie Dutton’s sister, Cynthia, comes to town - Nola reopens the Reardon Boarding House - Rafe finds love - Blake & Kevin clash over his dream - John Hu has ties to many of Springfield's women - Pilar returns home & wants Bill - Michelle continues to fall victim of the "Bauer Curse" - Tiara and Remy get closer - Rusty learns the truth about Trista - Cassie starts her search for her father - Laurel and Rick connect, but their past partners (Mel & Rusty) serve as a problem - Mel's pregnancy comes out - Alan gets J & Tom to do his bidding - Jeffery's jealousy continues to be problem, pushing Reva towards Josh - Julie Camaletti is returns to Springfield thanks to Edmund - One cousin falls for another cousin's spouse - Dinah gets a stalker - Dinah/Mallet/Shayne/Marina quad is shaken up - A pair of childhood friends fall into bed creating a scandal - The Diamondhead Organization strikes with Vanessa & Olivia being the victims - Billy finds love

INT. SPAULDING ENTERPRISES (HALL) Open up on Vanessa walking down the hallway with her face buried in some documents. J enters from a side door, and not noticing Vanessa, bumps into her. Vanessa: J? J: Hey, Aunt Vanessa. Vanessa: Honey, were you looking for me? J: Um . . . uh no. I was actually here to see Alan. Vanessa: Alan? On Vanessa desiring to know why, CUT TO INT. COMPANY Buzz comes from the kitchen with a plate and brings it Harley, who sips on her coffee. Buzz: Your order is here, my favorite customer. Harley: (laughs) Do you say that Frank and Rocky too? Buzz: (sitting across from her) No . . . Harley eyes him, letting him know that she knows otherwise. Buzz: Alright so I do. Harley: I thought so, and where is Rocky anyways? Buzz: Went somewhere with Trista. Harley: Hmm. . . interesting. Those two have gotten really close as of late. Buzz: They have. She really balances him, you know. She helps him with the Lillian situation. Harley: Glad to hear that. I'd hate to have to watch you choose between your happiness or Rocky's feelings. Buzz: True. Speaking of happiness, what about you? Harley stops taking a sip of her tea and glances at Buzz. Harley: Huh? Buzz: You heard me. What about your love life? Any new man that I should be grilling? Harley: No. Nor will there be. I think that I am done with love. QUICK FLASH Harley has a vision of a man, whose face we can't see, rubbing his hand against her cheek, lovingly. END FLASH Buzz: Aww c'mon, sweetheart. For all you know, your future husband could be the next thing to walk into that door. Buzz points at the entrance as the door swings open. In walks Alan Michael. Harley fixedly stares at Buzz, as he drops his head. CUT TO INT. HAWK'S APARTMENT Trista and Rocky enter bearing groceries. Rocky takes them off Trista's hands, as she removes her coat and hangs it up. Trista: Grandpa! We're here! Emerging from the kitchen swing door is Laurel. She is p*ssed off. Hawk creeps out behind her, nervous. Trista is befuddled. Laurel: Calling him Grandpa already? Trista: Mom, I can explain-- Laurel: You d*mn well better! What the h*ll are you doing here in Springfield! Trista, with hands on her hips, looks at her mother as if she is serious for asking such a dumb question, and CUT TO INT. TRAILER Reva still holds Josh by the face, forcing him to look into her eyes. Reva: What is it, Bud? What is going on? Just as Josh is about to divulge the truth, in walks Jeffery. Jeffery: Hey, Reva-- Reva lets go of Josh's face. Josh rises. He and Reva both look at Jeffery. Jeffery realizes he's walked into something. And on a tense, uncomfortable moment between this trio . . . FADE INTO INT. TRAILER Picking up where we left off -- a tense moment between these three. Jeffery: Am I interrupting something? Josh: No. Jeffery: You sure? Do I need to go back outside and wait for you two to finish? Reva: Jeffery! Josh: (overlapping) And here we go . . . Jeffery: Yes! Here we go with the two of you always together! Josh: And you always overreacting. Reva: (mediating) Joshua, hold on. Josh: No, Reva! It's clear that he doesn't trust you. (to Jeffery) What? You think we're sleeping together? Jeffery: Did I say that? Josh: Oh I'm sure it's on your mind. A beautiful, vibrant woman like Reva. Our history. The kids we share. We must be sleeping together!! Reva: Stop being facetious, Bud! Josh: (pointing out) See! See! She still calls me Bud! Oh we must be sleeping together! Jeffery: Shut up, Josh. . . Josh: Just get over it, Jeffery. Reva will never get me out of her system, and vice versa! You're just temporary. Reva: Joshua! Jeffery furiously grabs Josh by the collar of his shirt and shakes him. Jeffery: You son of a b*tch! You can take this job and shove it up you a**! Reva quits! Reva: I am doing what? Jeffery: You're quitting! Reva: I don't think so . No one tells Reva Shayne what to do. Not even you. On Jeffery stunned by Reva going against his wishes. CUT TO INT. SPAULDING ENTERPRISES (VANESSA'S OFFICE) Vanessa sits at her desk with J and Tom (too) sitting across from her. Vanessa: So what did Alan hire you for? Tom: Security. He wants us to protect him and his family. Vanessa: Well you're going to quit it, today. J & Tom: What!! Vanessa: You both heard me. You're quitting this job. Tom: Why? Vanessa: (to J) Because your father would ring my neck if I allowed you to work for Alan. (to Tom) And your parents aren't his biggest fans either. And I personally cannot allow it. Anyone that gets involved with Alan finds themselves in a world of trouble. J: Yet you work for him. Vanessa: That's different. I know how to handle Alan. Tom: And who says that we can't? We're just bodyguards, that's all. It's similar to being on the police force, which we use to do by the way. Vanessa: Do you know what for? From what? J: Something about something involving his missing nephew, Nick -- Alexandra. He feared she'd be the next target. Alan knocks on Vanessa's door, which is glass by the way. He signals the boy to come here. The boys prepare to get up when: Vanessa: Don't you move. I got this. They ease back down in their seats as Vanessa crosses over into INT. HALLWAY and she closes the door behind her and pulls Alan off the side, out of the view of J and Tom. Vanessa: What do you think you're doing? Alan: Getting my security. Now could you move? Alan gently moves Vanessa out the way, but she slides right back in front of him. Vanessa: You're going to fire them. Alan: I'm going to do what? Vanessa: I said fire them. Alan: If anyone is about to get a pink slip, it's not them. It's you. Vanessa: You couldn't get rid of me if you tried. You might fire me; however, I'll still have a seat on the board, and you know how persuasive I can be. Alan: What is the problem, Vanessa? Vanessa: You are the problem. I know you, Alan. The games that you play, the people that you use. I'm not going to allow you to use my nephew and his cousin to do your deeds. Alan: And what deeds would that be, Vanessa? Vanessa: You tell me. Suddenly, Tom and J lift Vanessa up and put her back into her office, closing the door. J: You ready, Mr. Spaulding. Alan: Yes. J, Tom, and Alan head down the wall. Vanessa rushes back into the hall, watching them. Vanessa: I'm not going to allow you to do this, Alan! Do you hear me?! (to self) I gotta call Quinton. On Vanessa rushing back into her office, CUT TO INT. HAWK'S APT (KITCHEN/LIVING ROOM) Rocky and Hawk stand by the door listening on as Trista and Laurel yell. Rocky: Should we break it up? Hawk: No, sir. This is long overdue. This needs to happen. Rocky and Hawk continue to listen on as, In the living room, Laurel and Trista square off. Laurel: You're coming home! Trista: I am home! Laurel: This is not your home! Trista: It is now! I have family here! Friends! A guy that I care for and happen to love! Rocky smiles as he still listens. Laurel: Oh please. You're too young to know what "love" is. Trista: Says who? You? Laurel: Yes, me! Trista: Just because your relationship with Dad went to h*ll in a handbasket doesn't mean mine will. Laurel: (calming down) Please listen to me . . . please. You don't wanna do this. Trista: Do what? Get to know my father. The same father that you swore up and down you'd introduce to me when I was 18. Guess what, I'm 18! Laurel: I know I said that, but-- Trista: But what? Why are you so against me knowing my family? Why? Laurel: I'm not! I just don't think that now is the time. Trista: Then when? A year? Two? Eighteen more? Laurel: I didn't say that. Trista: Then when? Laurel: Just not now. Trista: Well thank God I no longer have to take order from you. I'm grown. I can do as I please. Laurel: As long as a breath is in me, you'll do as I say! Trista: Not this time. Trista goes to walk away when Laurel grabs her by the arm. Laurel: We're going back to Atlanta! Trista: You are! Not me! Trista snatches away and heads towards the kitchen. Laurel: Trista! KNOCK! KNOCK! Rusty (OC): Hey, Dad? You home? What's going on in there? Laurel starts to panic. Trista grins. On the two exchanges glances, CUT TO INT. COURTHOUSE Leah, Rick, and Mel wait in lobby. An Assistant District Attorney taps Mel on the shoulder and signals her into the judges quarters. She and Rick get up and head into the judges quarters, leaving Leah alone. Bending around the corner with a ticket in his hand is Jason. He notices Leah sitting alone, solemn. Jason: Bingo . . . On Jason with a maniacal grin, CUT TO INT. COMPANY Alan Michael and Harley are now sitting together. Alan Michael holds a pad in hand, looking like he is trying to get something out of Harley. We enter mid convo: Harley: If this is so you can get a story for WSPR, you're not going to get it. AM: Aww c'mon, Harley. Why are you so tight lipped about the investigation? Harley: Because it is still on going. Don't you get that? AM: See . . . that's was the problem with your marriage. Harley: What? AM: You being so stubborn. One thing I use to hate about you. Harley: Like your smarmy ways? AM: That's the Spaulding in me. Harley: Oh I know. I was a Spaulding three times you know. AM: Oh I know, which is why out of some weird loyalty, you should tell me something. Anything about the bank robbery the other day. Any suspects? Evidence the department has stumble upon. Anything! Harley: No. I'm not telling you anything. AM: Fine. (joking) Just break my heart all over again. Harley: (laughing) Get a grip, Alan Michael. AM: Oh! You smiled! That's a first in a long time! Harley playfully smacks him on the arm. Harley: It has. . . thanks. AM: No problem. Now what about-- Harley: Don't even try it. On Harley and Alan Michael sharing a smile, CUT TO INT. PLANE A shot of a man's hand holding a picture of Harley. We pull back reveal that it is John Hu. John: Can't wait to see you again, beautiful. John kisses the picture and holds it close to his heart, and FADE OUT COMING UP ON TGL: THEGUIDINGLIGHT - Jason gain in ally in Leah - Rafe comes home - Blake & Kevin clash over his dream - John Hu has ties to many of Springfield's women - Pilar returns home & wants Bill - Michelle continues to fall victim of the "Bauer Curse" - Tiara and Remy get closer - Rusty learns the truth about Trista - Cassie starts her search for her father - Laurel and Rick connect, but their past partners (Mel & Rusty) serve as a problem - Mel's pregnancy comes out - Alan gets J & Tom to do his bidding - Jeffery's jealousy continues to be problem, pushing Reva towards Josh - Julie Camaletti is returns to Springfield thanks to Edmund - One cousin falls for another cousin's spouse - Dinah gets a stalker - Dinah/Mallet/Shayne/Marina quad is shaken up - A pair of childhood friends fall into bed creating a scandal - The Diamondhead Organization strikes with Vanessa & Olivia being the victims - Billy finds love

INT. JACK/CARLY (BEDROOM) We come in on Jack and Carly lying in bed asleep. Carly lies peacefully. A close up shot on Jack, who tosses and turns (without managing to awaken Carly). Voice: Jack . . .! Jack . . .! Jack awakens to see Deloris standing at the foot of the bed. She has a glowing aura about her -- it's apparent that she's an apparition. Jack: Mom! Deloris: Jack . . .! Jack . . .! Help me! Deloris holds her hands out to Jack, who tries to reaches her but can't as she seems to get farther and father away from him. Jack: Mom! Wait, what is it? Deloris: Jack . . .! Deloris points to his badge that sits on the nightstand. Jack glances at it and now at Deloris again, who has blood on her white gown. Deloris touches the blood and looks at it before showing her now bloody hands to Jack. Deloris: Help me . . . Jack: I don't know what you are saying? Mom! . . . Mom! Deloris lets out a piercing scream, and Jack awakens, drench in sweat and breathing heavily. Carly wakes up too. Carly: Jack? Honey, you alright? Jack looks over at his badge on the nightstand. A shot of the badge and then a shot of Jack wiping the sweat, clearly shaken, FADE TO FADE IN INT. JACK/CARLY (DINING ROOM) Jack sits at the table eating his food. Carly, still worried, walks over and pours more juice into his glass. Carly eyes him, looking for answer, then Jack: What? Carly: You tell me. Jack: I have no idea what you're talking about. Carly: Last night. You waking me up. How about starting there? Jack: I . . . I just had a bad dream. Carly grabs a seat next to him. Carly: Care to share? Jack flashes back to his mother holding her bloody hands out to him for help. Jack: What are you, a dream interpreter now? Carly: Did I say I was? Jack: No. Carly: OK then. I was just worried as you woke up like you've seen a ghost or something. Jack: Carly . . . We hear Baby Nora cry in the background. Carly: Hold that thought. Carly gets up and starts up the stairs. Jack: No need. I have to head to the station. Carly: Jack! Jack: Carly, the baby! Carly: Ugh! Carly exits up the stairs. Jack grabs his badge and heads for the door, and opens it, nearly colliding into JJ, still in his pajamas. He has a stack of mail in his hands. Jack: What are you doing up this early? JJ: Uh . . . Thought I'd get the mail. Jack reaches for the mail and JJ snatches away. JJ : No, Dad! Jack: JJ, give the mail. JJ: (seeing badge in Jack's hand) Aren't you running late? Jack: Yeah. Just give the mail to your mom. JJ: I will. Jack runs off. JJ closes the door and quickly goes through the mail until the gets to a letter from his school. He rips it opens to see it's another letter informing them that JJ has been expelled. JJ: (mumbling) Mom and Dad are going to kill me. Parker (OC): They sure are . . . JJ nearly jumps out of his skin. He turns to see Parker standing behind him at the bottom of the stairs, grinning. JJ: You are just loving this, aren't you? Parker: Yep. If you'd just tell Mom and Dad-- JJ: I'm not telling them anything and neither are you! Parker, still donning a grin, walks over to JJ and takes the rest of the mail. Parker: Of course not. I enjoy watching you squirm anyways. JJ: Don't you have something better to do like pine over Liberty? Parker: Shut up! Carly (OC): Boys! JJ hides the letter behind his back. Carly comes downstairs holding Nora. Carly: Boys, can you watch Nora today for me? Parker: Can't. I have SAT prep today, but JJ can. JJ: What?! Parker tugs at the letter behind JJ's back, reminding him that he could always feed his brother to the wolves. JJ, knowing he's in a predicament, caves in. JJ: I'll do it. Carly: Thanks, JJ. Don't worry as Sage will be home around 2:00 after cheerleading camp is over. (notices mail) Is that it? JJ: (eyeing Parker) Yeah . . . That's it. Carly takes the mail and heads into the kitchen, while handing Nora to Parker. Parker: Don't test me, JJ. On JJ at his wits end, CUT TO INT. MONA LISA Lucinda and Luke are seated, having breakfast. Coming in mid convo: Lucinda: I can't believe that you didn't want to come stay at the house with me and John, darling. Luke: Well you know that Noah is back in town. Lucinda: He could've stayed there too. There are plenty of rooms. Luke: Seeing as out relationship is back on, I doubt we'd want to be apart if you know what I mean. Lucinda: I don't. Luke: Then I think we should stay here for now. Lucinda: Why? Luke: Well Mom and Lisa gave us a discount-- Lucinda: Ooo. . . that woman! I should've known. Luke: Grandma, calm down. Lucinda: I should've known that she was one who convinced you stay here. I think she has out for me. Luke: I think you're just being delusional. Lucinda: Oh please, darling. The woman has wanted John ever since he moved back to Oakdale and got back with me. Luke: I seriously doubt that a glamorous woman like Lisa would want John. Lucinda: Glamorous? (tuts) That old bag. . . Lucinda takes a sip of her tea. Lisa (OC): Luke! Ole' Lucy girl! Lucinda nearly chokes on her tea. Lisa advances towards their table. Lisa: Morning. You guys enjoying the breakfast? Lucinda: I was until you arrived. Luke: Well I think it's lovely. . . Lisa ignores what Luke said as her attention (well claws) is focused on Lucinda. Lisa: Guess that Midol I handed you a few weeks didn't help. Oh! My bad! I fail to forget that you're OLE LUCY not young Lucy. You must be going through menopause . . . Lucinda: Excuse me! How dare you?! Luke: You guys. . . Lucinda: (to Luke) Hush, Darling. (to Lisa) You are trash, lady. And I use the word "lady" very loosely when it comes to you. Lisa laughs. Lisa: Is that all you got? Lucinda: I've barely begun with you. Carter (OC): Ms. Walsh? Mrs. Grimaldi? I didn't know you two knew each other. Lisa and Lucinda to see Carter standing behind them. Lisa: Carter! Lucinda: (off what Lisa said) Carter?! You already calling the man by his first name? Carter: Oh that's fine. We're all the same age here. Lisa: I don't know about that. . . Maybe WE are but that thing there . . . (pointing to Lucinda) . . . she's definitely a century or two. Luke covers his mouth to prevent from laughing. Carter smiles, amused, but even more impressed by Lisa's sassy personality. Lucinda: Mr. Wallace, you'll have to excuse this she-beast. She is as crass as they come. Please have a seat. Carter: (eyeing Lisa) Nothing wrong with being a little crass. Lisa looks back Carter, seductively. She likes this man. She wants to know more about him . . . Lucinda: (clear throat) Honey, that stunt you're trying to pull is tired. Just like you are. Now if you'll please excuse us, as I am funding Mr. Wallace's campaign, and go fetch us so more coffee . . . Lucinda hands Lisa the empty tea kettle. A smug grin comes across to Lucinda's face. Lucinda: Be a good hostess. OK, darling? Lisa: Go fetch you're own d*mn coffee. And while you're doing that, go get those crow's feet check out. Like a tree's rings, they're telling your age, Lucy. Lucinda gasps. Lucy tosses her hair and sashays off. Lucinda: (to Luke, touching her eyes) Is it that bad? On Luke searching for something to say, CUT TO INT. OAKDALE POLICE DEPARTMENT Margo peeks out of her office when Jack enters. Margo: Jack! Jack turns as Margo signals him to come into her office. INT. MARGO'S OFFICE Jack: What's up? Margo: I thought that you would want to see this. Margo hands him a paper. Jack: What is it? Margo: Something about your mother's death. I thought you'd want to look at it. Jack reads the paper. He then looks at Margo not believing a word of what is on the paper. Jack: Overdose . . .? (handing back to Margo) This has to be a mistake. Margo: It isn't. I spoke the the Chief of Police, and he wanted me to tell you that your mother's death was no accident. They're are officially declaring your mother's death as a murder, Jack. Jack: But the hospital staff . . . I--I talked to them all of the time. They all loved my mother. Margo: Well they are saying that there is no way that your mother could've been injected that much insulin. Not by a staff member anyways. This was intentional. Jack: What about her log? Her visitors log? Margo: They said they're looking into it . . . Jack's mind starts to wander off -- he's again picturing his mother holding her bloody hands out to him for help. Margo: Jack . . . Jack: (coming to) Sorry. Margo: You alright. Jack: I will be. Excuse me, Margo. Margo nods, giving him the OK. Jack excuses himself and closes the door behind him. His knees nearly buckling from underneath him, Jack leans up against the wall and starts to sob. Jack: What the h*ll is going on? Murder? Jack looks down at his badge, clipped to his belt. Jack: Is this what you were trying to tell me? Jack wipes the tears from his eyes and turns to see a vision of his mother advancing towards him, bloody. She is holding hands out to him for help. Deloris: Jack . . .! Jack . . .! On Jack nearly losing it, FADE OUT

INT. WOAK (EDITING ROOM) Luke and Noah lie nude, intertwined on the floor, asleep. Luke, head lying on Noah’s sweaty, glistening chest awakens and gently kisses Noah’s nipples before working his way up to his neck. Luke: (between kisses) Time to wake up. Noah grins as he enjoys this moment of ecstasy. Luke kisses his neck. Noah: You know you’re hitting my hot spot. Luke: I know. And thank you. I needed that badly. Noah: I could tell. Luke kisses Noah and the lips and then gets up, putting his clothes back on. Noah: What are you doing? Luke: I have work to do. These videos won’t edit themselves. Noah: Then I’ll help you. Now lie back down. Luke: You do realize that the janitor will be on duty soon. He does check this room. I doubt he wants to see me getting my back broke. Noah: So. Who cares? Luke: I do. Now how long are you going to be in town? Noah: As long as you’re here. Luke: (taken back) W-what? Noah: I told you that I’m not about to lose you again. Noah grabs Luke by the neck and pulls him in for a deep, passionate kiss—so hot it could melt the paint off the walls. CUT TO EXT. SNYDER FARM Carly and Jack, dressed nicely in black, holding hands, head to the porch. Their kids tag close by followed by Janet, Dusty, Holden, Emma, and Aaron. Emma: C’mon, kids. Let’s go inside. I have some homemade ice cream in the icebox. Emma heads inside with JJ, Parker, and Sage, who is carrying baby Nora. Carly looks at Jack, who eyes are puffy red. It’s apparent that he’s been crying. Carly takes a Kleenex from her purse and wipes his face. Janet: I’m so sorry about Deloris, Jack. She was so nice to me when I was dating Brad. Jack: Thanks, Janet. I just wish that I gotten closer to her over the years . . . allowed the kids to get close to her. Holden: What’s done is done. Don’t live with regrets, Jack. Carly: Yes, baby. Holden is right. You and Deloris didn’t have the best relationship, but now you must find a way to put things at peace. Jack: You’re right. (looks around) Where’s Aaron? Holden: Where is he? Everyone looks around for Aaron. Holden catches Aaron sitting on a tree stump nearby. Something is bothering Aaron and Holden wants to know. Holden: Excuse me, guys. Holden departs from the crowd. Jack: (wiping tears) So glad to see you two getting along. Carly: Say what? Jack: You heard me. Both you and Janet have been a real help to me the past few weeks. Janet: (placing hand on Carly’s shoulder) We have to get along seeing as we’ll be working together. Carly scowls at the thought of working with Janet but doesn’t allow either one of them to see it. Woman’s Voice: Jack! Jack turns to see an old friend standing behind him. She’s also dressed nicely. ANNOUNCER: The role of ADRIENNE POINTDEXTER is being played by Noelle Beck. Adrienne advances towards a stunned Jack and wraps her arms around him. Jack, a first for today, laughs and hugs her. Carly: (to Janet) Umm . . . who is she? Janet: Adrienne Pointdexter . . . On Janet not too pleased to see her, FADE OUT FADE IN INT. JAVA Mo and Allison still stare each other down as Jami watches on, still sipping her tea. Mo: Once again, can I help you? Allison: You can. Stay away from Casey. Mo: Excuse me, b*tch? Allison: Did I stutter? Mo: You better hope you did, heffa. Allison: Or what? Mo: (to Jami) Oooo! Did this b*tch just challenge La Diva?! Mo grabs the butter knife off the table and swipes it Allison, who dodges being cut by the blade. Everyone in the room is paying full attention to this altercation. Mo: Don’t get sliced up in here, Blondie! Jami gets up and stands between the two. Jami: Put the knife down, Mo! Allison: Yeah. You better listen to her before you get hurt with that knife, you hood rat. Mo: Hood rat? Girl stop. Would a hood rat ever look as glamorous as La Diva? Dressed to nines in Chanel, and sporting red bottoms? I think not. Allison: Who is “La Diva?” Mo: Me. Allison bursts into laughter. Mo tries to make a go for Allison but Jami prevents her. Meanwhile, Casey & MJ make their way into the restaurant and up to the women. Casey: What’s going on? Mo: This mess you were involved with decided to take it upon herself and warn me about talking to you. Casey: What? Allison! Allison: Casey, I’m not about to let you get involved with an unsavory character. Jami: Unsavory character? You don’t even know her. Mo: You better get this b*tch, Casey! Before I coat this wall with red—HER BLOOD! Casey: (to Allison) Who are you to talk? Ex-porn star. . . Mo: Porn star?! I knew there was something real gutter butt about you girl! Casey: . . . Serial adulteress. You’re the only one that’s unsavory. Hurt, Allison storms out of the restaurant. Casey turns to Mo, who is still disturbed by the entire ordeal. Casey: I am so— Mo: No. Don’t. It’s not your fault. Some people just don’t know when to let go. Casey: Yeah . . . (noticing Jami) Oh! You must be the new intern that MJ is always talking about. Mo glances at Jami with a “I told you so” grin. Meanwhile, MJ blushes as he is embarrassed. Jami: (awkwardly) I guess so. . . (shaking Casey’s hand) Jami Sartell, by the way. Mo: Well since we all know each other, I had an idea. . . Jami: Monique . . . Mo: (ignoring her) How about a double date? Me and Casey. MJ and Jami. How about it? Casey: I think it’s an excellent idea. How about tomorrow? Jami: I think I’m on— Mo: (silencing her) She’s all for it. You pick the time and place. Casey: Will do. Mo smiles as she drags a bewildered Jami out, and CUT TO EXT. SNYDER FARM Picking up where we left off with Jack, Carly, Janet, and Adrienne . . . Adrienne: Oh my God. It’s been so long since I’ve seen you, Jack. You look great! Jack: (blushing) Thanks. Carly clears her throat, gaining Jack’s attention. Jack: Oh—this is my wife, Adrienne. (pulling Carly next to him) Carly, this Adrienne. She use to go out with Brad back in high school. Carly: Oh really? (pointing to Janet) I thought she did? Adrienne glances back and finally acknowledges Janet. She cuts her eyes at her and goes back to ignoring her. Janet: Adrienne . . . you look nice after all these years. Adrienne: So do you . . . and your child bearing hips. Jack’s jaw drops. Janet laughs slightly as it’s on for her. Carly watches on enthused as once again, she is drama free. Janet: Well that’s because I’ve been able to get a man to have kids with me. Adrienne: Is that so? I heard that Brad didn’t even know about your first bundle of joy, and Jack here was supposedly the father of the second, but wasn’t. Still sluttin’ around, huh, Juicy? Carly: Oh wow. . . Janet: I can still see that you’re jealous. Let me give you something else to hate about (show wedding ring) I’m married. Adrienne: Really? Who was brave enough to do that? Janet: His name is Dusty Donovan. Adrienne: And he didn’t flee in the opposite direction? That’s shocking. Honey, just because he put a ring on your finger doesn’t change your spots. You might need H and O to spell housewife, but you’ll never be one. Carly: Did she just call you a h*?! (nudging Janet) You gonna let her call you out? Jack: Carly! (to Janet & Adrienne) Now c’mon now you two . . . Brad would not want you two fighting. Carly: Oh please. Brad would’ve enjoyed this. Well the old Brad would’ve. Adrienne: Jack, no worries. I just came to pay my respects seeing as I wasn’t able to make Brad’s funeral. Janet: I don’t know why. Deloris hated you. Carly: (to Adrienne) You too?! Girl, she hated me— Jack: Carly! Carly: I’m gonna just go into the kitchen. Jack: You do that. Carly heads into the house. Adrienne: Regardless of how your mother felt, I respected her, Jack. Janet: (tuts) So fake. Adrienne scowls at Janet for second, then Adrienne: I just wanna let you know that I’ll be in town for a few days. Jack: Sounds great. Where will you be staying? Adrienne: The Lakeview. Jack: Wonderful. Just stop by and see me, Carly, and the kids before you leave. Adrienne: Will do. Adrienne kisses Jack on the cheek. Adrienne: So good to see you again. Janet: Goodbye! Adrienne flicks Janet “the bird” and walks off. Holden walks over and rejoins Janet and Jack. Holden: Who was that? Jack: An old friend of mine and Brad. Janet: A hater. Holden: Alright. . . Jack: How’s Aaron? Holden: Not good. The funeral is causing him to worry about Julie—you know with her being sick and all. Jack: Yeah . . . Holden: I told him to take a walk. I hope he’ll be alright. CUT TO EXT. OUTSKIRTS OF THE FARM Aaron walks down the dirt road, in deep thought when all of a sudden a car speed down the road towards him. Aaron notices it and rolls out of the way. The car stops and a woman steps out. Woman: You alright?! Aaron gets up and dusts himself off. Aaron: Not so much. My life just flashed before my eyes. Why are speeding down this road anyways?! Woman: I said that I’m sorry. Aaron: You ought to be. You could’ve killed someone. Woman: Look. . . I’m just trying to get to Oakdale. Aaron: Well you’re almost there. Just outside of it. Woman: Good. Do you need a ride back to wear you’re going? Aaron: No. I’ll be fine. Just don’t try and kill me again. The young woman get back into the car and speeds off with a cloud of dust to follow. Aaron: Who is she? And on Aaron curious who the young woman is and why she is in a rush, FADE OUT

INT. BAUER KITCHEN Open up on Michelle fixing lunches for the kids, and then Danny comes down the stairs. Danny: The kids aren’t down here yet? Michelle: No. (then) Hope! Robbie! Hurry up! Danny: I’m gonna be late if they don’t hurry up. Michelle: For what? Danny: Michelle, the debate! You don’t remember? Michelle: (covering) Oh—oh yeah. It just slipped my mind. Danny: OK . . . You’re going to be there, right? Michelle: I wouldn’t miss it for the world. Danny: Good. Danny kisses Michelle on the lips. Danny: Tell them I’m in the car. Michelle nods. Danny exits. Michelle: (irritated) KIDS! Hope and Robbie run down the stairs, backpacks and all. Michelle: What took you so long! Robbie: Hope, hogging the bathroom again. Hope: You liar! Michelle rubs her head as she in real pain. Michelle: I don’t wanna hear it. Just go! The kids grab their lunch and head for the door. Hope keeps going; however, Robbie stops, noticing something is wrong. Robbie: You alright. Michelle: I’m fine. Just go before you make your father late. Robbie: OK . . . I love you, Mom. Michelle: Umm hmm. Wounded by Michelle not returning her love, Robbie exits. Michelle: (sighs) I thought they’d never leave. Michelle pulls a flask out of her pocket, unscrews it, and has a swig of the gin inside of the flask. She takes a deep breath as this drink soothes her—or so she thinks. . . CUT TO INT. TOWERS J reads the paper while Tom stuffs his face with food. Tom notices J hasn’t touched anything on his plate. Tom: You gonna eat that? J: (lowering paper) Eat what? Tom: (pointing at pancakes) That. J: Go ahead. Tom takes the pancakes off his plate and starts to eat them. J: There is seriously no one hiring in this town. I’m regretting sticking around. Tom: I don’t know why you just don’t join Springfield PD. I mean you— J: You know what I don’t want to join the force. I don’t why you’d even bring that up! Tom notices that J is agitated by his suggestion, and possible hurt. He better ease the pain . . . Tom: Sorry. J: No. I’m sorry. I shouldn’t’ve snapped on you. Tom: It’s fine. Alan steps off the elevator and passes them when, J: I don’t know if we are going to work in this town. I mean no one is hiring with our qualifications. Alan stops dead in his tracks to realize that he may have found two young bucks to assist him. He steps up to them. Alan: You two looking for work? J: Yeah. Why? Alan: Because I just might be hiring . . . On Alan smiling (and up to something), CUT TO EXT/INT. TRAILER Dylan enters into the onsite trailer, as Josh looks over the mail. Dylan: Morning, Uncle Josh. Josh: Morning, Dylan. You’ve seen Reva? Dylan: Not yet. You sure she’s isn’t in the hotel with Cassie. Josh: No. Just talked to Cassie. She hasn’t seen her either. Dylan: She probably overslept. Josh: Maybe. I’m just wondering why she’s been allowing the mail to accumulate over time. Dylan: Well she can’t be in two places at once. I mean she’s doing secretarial work with us and with the Beacon. Plus Colin—she’s got a handful. Josh: You’re right. Still going through the mail, Josh reaches a package that reads “FOR JOSHUA LEWIS”. He opens it up to pull out a unmarked CD. A note falls out of the envelope too. Josh unfolds the note that reads “Press Play.” Josh: Who sent this? Dylan: (looks over) Don’t know. What does the note say? Josh: Press play. Dylan: You think it was a CD that Reva might’ve burned? Josh: Let’s see. Josh pops the CD into his computer and presses play. A song starts to play. Josh: What is this? Dylan: Never heard this song in my life. Suddenly, Billy comes in and at the sound of the music, starts dancing. Billy: Morning! You guys are jamming in here! Josh: Did you send this to me? Billy: No. Why would I send you a CD when I have one of those fancy things . . . (searching) What is it called? Dylan: An I-Pod? Billy: Yeah! But whoever it sent this to you has great taste! The Beach Boys! Josh: This is the Beach Boys? Billy: Yeah! You don’t remember this song? Josh: I’m not a real big Beach Boys fan. Billy: Oh. Well you always had sucky taste when it came to music. Josh: Ha. Ha. Very funny. Josh continues to go through the mail. Dylan: Well what’s the name of the song, Dad? Billy: Diamond Head, boy! I’mma have to get Billy boy to send you my I-Pod playlist. Dylan and Billy laugh, but something doesn’t sit right with Josh. Josh: (thought) Diamond Head?! The song ends when the computer starts to spark and going into flames. Billy: What the— Josh: Everybody watch out! Josh grabs the extinguisher and puts the flame out. Billy and Dylan let the windows up to let out the smoke. Reva (OC): What is going on here? Josh turns to see Reva standing in the door. Reva: I asked you all a question— (noticing computer) My computer! Reva rushes over and examines what use to be her computer. Reva: Who did this? Josh: (murmurs) You tell me . . . On Josh bothered, CUT TO INT. TRAILER – MOMENTS LATER It’s just Josh and Reva sitting in the trailer, alone. Josh sits at his desk, still bothered yet hiding it as he works on blueprints. Reva drops her computer into the trash and turns to Josh. Reva: Thanks a lot, Joshua. Josh: (still working) I said sorry. Reva: Well it’s not like a lot of work is going to get done today. Josh ignores her. Reva: Joshua! Josh spins around to face Reva. Josh: What?! Reva: What’s wrong with you?! Josh: Nothing. Reva: Clearly there is something wrong with you. Josh: I’m just agitated. Reva: I see that. Josh: This whole place could’ve burned down if it wasn’t for that crap PC, Reva! I told you get a Mac! Reva: Oh don’t blame my computer, or what use to be! You shouldn’t’ve been on my computer! Josh: Even if I wasn’t on your computer, it would’ve still caught fire. This trailer could’ve caught fire had we not had a fire extinguisher in here! We could’ve lost blueprints and contracts worth millions. Billy, Dylan, and I could’ve died! And— Reva: It would’ve been your fault. No one told you to stick a CD in my PC. Josh turns away. Josh: Just get a Mac, OK? Reva: If I get one, you’re gonna buy it! Josh: (waving, dismissing) Fine. Reva spins Josh’s chair around, facing her again. Reva: Something is wrong, Bud. What is it? Josh: (not looking in her eyes) Nothing. Reva grabs Josh by the face, forcing him to look in her eyes. Reva: Tell me, Bud. What’s wrong? CUT TO INT. BAUER’S HOUSE (DANNY & MICHELLE ROOM) Michelle is passed out on the bed with the flask lying nearby. We hear the door slam from downstairs, as does Michelle. Michelle jumps up and looks at the clock. Damn! She’s missed Danny’s rally. She rushes grabs the flask and places it back into her pocket before she rushes into the INT. BATHROOM where Michelle grabs the bottle of mouthwash and gargles then spits to kill the smell of alcohol on her breath. Noticing her eyes are red, she douses water in her face then sticks her head underneath the sink to wet it. She turns the shower on for a bit, hot enough to create a fog—as if she’s been doing something. She then snags a towel from nearby and wraps it around her hair. Danny then barges into the room, mad. Danny: Michelle! Michelle peeks out the bathroom. Michelle: Baby, I am so sorry. Danny: Start explaining. Michelle: I got so wrapped up with the electric company, and arguing with them over our bill amount. Danny: Why? Michelle: It’s too much, Danny! We don’t use that much electricity. Danny: But you could’ve done that later on. Michelle: Oh no. This matter needed to be handled now! Danny: So you’re worried about an electric bill instead of my rally? Michelle: No!! I just realized when I got the phone with them that you’re rally started, so I rushed to take a shower, and get ready when— (turning on the tears) Danny, I am so sorry! I’m just so overwhelmed with moving back here and Aunt Meta’s death . . . Danny takes Michelle into his arms, holding her tightly. Danny: Sshh. It’s fine. I understand. Michelle: Trust me . . . I was rushing to get there. Danny: It’s just one of many. Michelle: I swear! I— Danny: (reassuring her) Don’t. You’ll make the next one. OK? Michelle nods. Danny kisses her on the forehead. He then sits on the bed and takes off his shoes. Michelle: (wiping away tears) It would probably be awkward for me to ask how did it go? Danny: No it wouldn’t and it went great. Would’ve been better if you were there. But next time. Michelle feels bad, as Danny turns on the INSERT – TV With a commercial of Doris about to run. VOICE: How do you like your mayor? A shot of a piece of raw meat. VOICE: Do you want a mayor with a mob past? A mob momma? A shot of Carmen then a shot of Danny pops up on the screen with a big red X over his face. VOICE: Or how about a mayor that is so backwoods that they wouldn’t even know how to spell politics? A shot of the Shayne/Lewis clans, photo-shopped to look like hicks. Then a shot of Rusty across with Danny’s with a big black X over his face. VOICE: No because you want the best WOMAN for the job—that woman being Doris Wolfe. . . Doris walks in the middle with her hands on her hips, tossing her hair with the wind blowing. Doris: The baddest b*tch! If you reelect me, the job will get done! Well done! How do you like your mayor? A end shot of Doris smiling then taking a bite out of a piece of well-done steak. VOICE: This message was paid for by Doris Wolfe and the USDA. END OF COMMERCIAL On Danny and Michelle speechless, CUT TO INT. HAWK’S APT A knock at the door. Hawk rushes to the door. Hawk: Who is it? Female Voice: Laurel! Hawk opens the door to reveal Laurel Tucker, Trista’s mother. ANNOUNCER: The role of Laurel Tucker is being played by Robin Christopher. Laurel: Where is she, Hawk? Where is Trista? On Hawk surprised to see Laurel, CUT TO INT. HOSPITAL (SWITZERLAND) A pair of designer shoes, worn by a man, enter inside a room and walk up to bed. He sits next to the bed and we reveal John Hu. ANNOUNCER: The role of John Hu is being played by Stephen Nichols. John: The plan is going accordingly. By the time you come to again, our dynasty will be built. We will rule over the drug game in America like I have in Europe. Sleep tight, my love. John leans over to kiss a comatose Carmen on the forehead before he turns and leaves. On a slight grin starting to form on Carmen’s face, FADE OUT

Thanks! And don't worry Cassie's not a Spaulding but when he comes, he's going to stir up trouble. And don't worry about Alan, he has a lot coming up for him too. Possibly another unknown child too . . .

So enjoying the Allen/Nicole/Reginald story. Can't wait see where it is going to go next!

EXT. TOWN SQUARE We come in on a shot of one of Tom's political posters being taped onto Fashions. We follow Casey, who taped the poster, to pull back and reveal a crowd of denizens and media surrounding Tom, who is standing at a podium giving a speech. Lisa and Margo stand close by, gleaming. Tom: If I am reelected as District Attorney, I promise to clean up crime here in Oakdale. No more will you have to worry about crime rates raising because they won't with me in office. Reporter#1: I may be getting a little personal, but will you possibly being reelected have any effect on marriage to Commissioner Hughes? Tom: Doubt it. We'll be working side by side. Not the first time we've done it. Tom looks back and smiles at Margo. She recipocates. Emily (OC): Mr. Hughes, will you become bored with the position like you did last time? Tom: No . . . (realizing) Emily . . . Lisa: Oh no. Emily pushes her way to the front of the crowd. She holds out her tape recorder. Emily: I just want to jog your memory along with these people. Last time you were DA, you stepped down, correct? Tom: (annoyed) Yes. Emily: You declared at that time that you were over law, correct? Tom: Yes, I was but-- Emily: Now you do understand why the people of Oakdale would be a bit skeptical about you stepping into the position again, do you? Tom is at a loss of words. Margo facepalms while Lisa shakes her head in disgust. Tom: Yes. I would. Reporter#3: Seeing as Ms. Stewart-- Emily: Mrs. Ryan . . . Reporter#3: My apologies. Seeing as Mrs. Ryan is here and brought this up, wasn't this also around the time that you worked for her, which lead to you have a child out of wedlock with her? Tom: Yes, but-- Voice (OC): OK. OK. That's enough. You guys are taking all the fun out of an election for me. Everyone turns to the side to see Carter Wallace, Tom's competition, standing with a big grin on his face. Lisa: (to Margo) Who is he? Margo: The competition. Lisa: (intrigued) Oh. On Carter waving and smiling for the flashing camera like a true politician would, CUT TO EXT. TOWN SQUARE We pick up where we left off. Carter moves through the crowd and makes his way onto the podium to join Tom but not before he and Lisa exchange glances--chemistry exploding. He joyfully pats Tom on the back, playing up the crowd. Tom is fuming once again, as he doesn't appreciate Carter taking over his event. Carter: Oakdale! Crowd: YEAH! Margo elbows Lisa, who joined in. Then shoots a look at her letting her know to no participate. Carter: Are you ready sick of these half a**ed young bucks promising you one thing, but doing the other?! Crowd: YES! Carter: Are you tired of your streets not being safe for your children because of fear of gangs and pedophiles?! Crowd: YES! Carter: Are you tired of these so called cops (glances back at Margo) not doing their jobs to the best of their abilities?! Crowd: YES! Carter: Then vote for me because I promise you, unlike my competition, (pats Tom again) that I'll clean Oakdale up. I'll send a shockwave, a message that will have criminals fleeing this town. Our streets will safe again for children to run and play. I'll work with the Mayor and Commissioner, yet call them out when they aren't serving you . . . (points at everyone) Serving you! Vote for Carter Wallace, the OG that'll set Oakdale free. The crowd goes into an uproar of cheers. Carter basks in the cheers and looks over at Tom. Carter shrugs his shoulders, letting him know that the game is on, before basking in the cheers again. Meanwhile, Lisa watches on intrigued. Charismatic, sexy, and hands on -- a man that Lisa needs, a man that Lisa wants. CUT TO INT. JAVA Mo sits off to the side going over some papers when Casey, exhausted, enters with flyers. Mo looks up and likes what she sees. Mo: D*mn. Talk about needing some of that cream in my coffee. Mo has to get his attention. But how? She walks up the counter playing clumsy and bumps into Casey, thus causing his flyers to fall all on the floor. Mo: (a bit over the top) Oh my God! How clumsy of me! Casey: No problem. Mo kneels down to help him. While helping, she takes a whiff of Casey, unbeknowest to him, and smiles. Mo: (thought) Damn he smells good. A bit musty but that's because he's been working hard. Ain't nothing sexy like a man that's been working hard and he still smells good a little. Axe. Yes, axe. I recognize that smell anywhere. His sexy behind can drop the axe on-- Casey: Hey. Mo snaps out of it. Casey: Thanks. Mo: (tossing her long mane--well weave, seductively) No problem. (extending hand) I'm Monique, by the way. Casey: (shaking her hand) Casey. Casey Hughes. Mo: (in a daze) Casey . . . Casey Hughes. (hits her) Hughes?! Casey: Yeah. Is that a problem? Mo: (laughing it off) Oh no. Just threw me off. Don't mind me. Casey: (smiling) No. Tell me what's so funny? Mo: Umm . . . (searching) That's the name of the doctor I met yesterday when I was Oakdale Memorial. Casey: Oh. Which one? Mo: (in though) Damn what's his name??? (then) Bob! Casey: That's my Grandfather. Mo: Oh is it? Such a nice man. I can see where you get your good looks from. Casey: (bashfully) Thanks. The two share a laugh when Allison enters. She instantly cues in on the two laughing and does not like it, CUT TO INT. SKIDZ A shot of Meg bent over on the pool table. She's about to go for her shot as Ryder sits back and watches the view, which he likes. Meg takes the shot and jumps up and down screaming. Meg: I win! Ryder: Yeah. You did. Meg places the stick on the table and heads back over to the bar. Ryder follows. Meg: I'm so glad that you joined me for quick game. But I wanna apologize-- Ryder: No worries. Apology accepted. Meg: Thanks. I've just had a hard time adjusting to sharing Eliza with that bit-- I mean Emily. Ryder: Understandable. My birth mom went through a similar situation. Having to share me with my other mom who raised me. . . I feel your pain. Meg: Glad someone understands. . . Now what do you want to drink? Ryder: Oh no. Don't think so. Too early and I'm a bit of lightweight. Meg grins at this revelation. Meg: I find that hard to believe. Ryder: I am. Two drinks and I am out. Meg: Oh really? From beer? Ryder: No. Beer is fine. It's the hard liquors that do me in. Meg: I think they do us all in. On Meg grinning like a chessire cat, CUT TO INT. JAVA Mo is back at her table, alone and glowing when Jami enters. Mo waves her down. Then Jami joins Mo. Jami: Sorry I'm late. I was helping MJ with some lab work. Mo: Mmm hmm. You and this MJ-cat are getting real close. Jami: We're just friends and collagues. Mo: Whatever, boo. Jami: So what have you been up too, little Miss. Fashion Designer? Mo: Running errands. Filing papers. On the edge of killing your cousin. Jami: Who? (leaning in) Barbara? Mo: Yes. Talk about a Class A b*tch. That heffa got me working like I'm Kizzy off Roots. Slavery is over. Jami: Mo! Mo: She is. I respect her but she needs to get her back broke more often. Hubby ain't hittin' it right. Jami pops Mo. Mo: What?! (laughing) Could be that or she's going through menopause. Jami gasps. The two then burst into laughter. Jami: So you've been slaving all day? I find that hard to believe seeing as you were grinning when I walked in. Something else is going on. Mo: Well I met this guy . . . Jami: Go on. Mo: He is so fine. Jami: And? Mo: He's a SAWB. Jami: A what???? Mo: Keep up, sweetie. A sexy a** white boy. I thought American boys were on that racial hangup mess. I guess they've finally evolved like the European boys, and learned to appreciate dark chocolate. Jami rolls her eyes. Mo is well known for her wacky acronoyms. Jami: (sighs) Did I need to know that? What next? You wanna tell me his blood type? Mo: (mumbling) Nawl. I'm sure it's no differ from yours. . . Jami: Huh? Mo: I said, don't hate because I'm getting some cream in my coffee girl. Mo playfully pops Jami hands, yet quickly hesitantly laughs when she isn't looking. Jami: Me? Hatin'? Never. I only congratulate. Mo: Glad to hear that because you need to congratulate me now. Jami: For what? Mo: Because that SAWB is your cousin. Jami: What???!!!! Mo: You said you don't hate! Jami: I'm not hating! But my cousin? Which one?! Mo: (grinning) Casey. Jami: Hold on, what a sec--wasn't he engaged? My Aunt Frannie mentioned it to my mom. Mo: Not anymore. I asked him if he was seeing someone and he said he's newly single. Guess homegirl messed up. But I should thank her if I get the chance to meet her. That boy might be my future hubby and father of the kids. We're going out on a date real soon. Maybe we can double date? You and MJ. Me and Casey. I hope he ain't a scrub . . . Mo is tapped on the shoulder. She turns to see Allison standing behind her. Mo: Can I help you? Allison: Yes. I've been watching you since I've arrived and I noticed you getting cozy with my ex-fiance. Jami: (to Mo) Oh! Looks like your wish came true. Jami takes a sip of her tea. Mo shoots a look at Jami before her looking back at Allison. The two stare each other down. CUT TO INT. WOAK (EDITING ROOM) Luke is going over tapes when he hears a knock at the door. Luke: Who is it? No answer. Luke: (sighs) You guys, I'm not in the mood today. Luke opens the door and there is Noah. Noah charges at Luke and grabs him, kissing him passionately. Luke pushes him away. Luke: Noah, what are you doing here and what are you doing? Noah: I said I'd wait for you but not anymore. I'm here to take what's mine. Luke: What? Noah pulls Luke into a passionate kiss again. Noah hoist Luke onto the table, knocking over some tapes. Luke: (while Noah kisses his neck) I broke up with you. Noah: And now we're making up. Noah wraps Luke's legs around him and kisses him. Luke gives in and goes along as he needs to sweat his edges out after the strenous few weeks he's had. Oh what the h*ll. Then, Luke: (pushing him away) What about Kim? Noah: She was leaving when I came in. We're here all alone. Luke: OK. Well what about condom? Noah digs into his pocket to reveal a magnum. Luke grins. Noah wraps Luke's legs around him and picks him up, slamming him into the wall and they continue to touch, kiss, lick, moan, groan, and . . . CUT TO EXT. TOWN SQUARE The crowd has cleared away leaving only a few people, who are cleaning up, along with Tom, Margo, Lisa, Emily, and Carter (nearby). Tom: (to Emily) I cannot believe you! Lisa: I can. I knew she'd never change her spots. And people thought Paul could clean her up . . . Lisa tuts. Emily: I was reporting. You ought to know all about that, Tom. You were once a reporter with me when you were having a mid-life crisis. Margo: But most reporters have some form of integrity. Emily: And the ones that do are the ones complaining about newspapers not selling. I don't have that issue. The Intruder is always sold out. Recession my a**. Lisa: A two bit, talentless wh*re. Emily: You'd know, granny. The people in this town thought the same about you once upon a time. Lisa goes to slap Emily but Margo steps in dragging her away. Tom: This stunt you just pulled could ruin me! Emily: Tom, I gotta sell stories. I have a child to feed. Tom: And I'm starting to second guess whether or not I should've agreed to shared custody. Lisa: You shouldn't've! Emily: Oh, you'd say that! Seeing as you had no problem keeping Tom away from his father! Lisa: You trailer trash . . . Margo: Enough! You two stop it. You're giving Carter more ammo. (points) See! They all look over to see Carter smiling and waving. Tom: (to Carter) Loving this, huh? Carter: (joining them) Actually, I don't. Family quarrels are normal. Plus the info you all are spewing is old news. If I am going to sling mud, it is going to be something that isn't well-known. But I can tell I won't even have to resort to that. You'll do yourself in, Hughes. (pointing to Emily) Or she will. Carter exits but not before exchanging a smile with Lisa. Tom: Emily! You better reel it in! Emily: I'm doing my job! Tom: Then find something else to write about! If you print one article about me or anyone in my family, you'll wish you would have never slept with me all those years ago! Tom, Margo, and Lisa exit. Emily: Trust me, I do. On a shot of Emily, frustrated but fearful of what Tom might do, FADE OUT

INT. CARRIAGE HOUSE (DINAH'S) Jason lies on the sofa peacefully. All of sudden a pillow bashes him in the head. He jumps up to see Dinah, furious, holding the pillow. Jason: What was that for?! Dinah: I can't believe you. Jason: I know you aren't about to read me the riot act, Dinah. Dinah: No. But I am going to save you from yourself. Take it from me, you don't wanna do this, Jason. Jason rolls his eyes. He grabs his pillow and blanket and starts to storm off. Dinah: (grabbing him) Where are you going? Jason: Anywhere but here. Dinah: Well you won't get too far. Jason: Think again. Jason rushes upstairs. On Dinah over it, INT. COMPANY Kevin sips on a cup of coffee, reading the paper when James comes in. Kevin looks up and sees him. With a deep sigh, he buries his face back into the paper. James takes notice and makes his way over to Kevin, James: Where is he? Kevin: Who? James: Jason. Kevin: Not here. James: Then tell me where he is. Kevin: I don't know where he is! If I did, I sure as h*ll wouldn't tell you. And don't you have better things to worry about? Does Ms. Spaulding ring a bell? James: My aunt is fine, but I want to know where your brother is. Kevin: For what? So you can get in his face? So you can threaten him? Punch him? You're wasting your time. James: He threatened my father-- Kevin: SO WHAT! Phillip is a big boy and he took it well last night. It's not like he expected Jason to come back to town showering him with hugs and kisses. Rick enters. This argument catches his attention. James: So you think this is OK? You think it is OK for him go to around and threaten people? Kevin: It was an empty threat. James: I doubt it. Knowing your family's track record . . . Kevin: Oh don't forget, COUSIN, we're related. Now could you just back off?! Give Jason some time and he'll come around. I understand what my brother is feeling. I just know how to let things go. He doesn't. James: Then maybe I can help him . . . Kevin: Maybe you're the one that needs help, and I should help you. Kevin rises up and faces off with James. Rick rushes over, driving a wedge between the two. Rick: No! No! No! You guys! Chill out. James: I'm going to find to him and let him know no one threatens my dad. Rick: James! James storms out. Kevin plops back down in the seat, livid. Rick: You alright? Kevin: No! Rick: Let me get you-- Kevin: How about you leave me alone? This problem wouldn't be going on if it wasn't for you and Phillip. Kevin goes back to drinking his coffee. On Rick, hurt, INT. WSPR Blake stands on her going over her notes with a director. Reginald sits behind the news desk getting his makeup done. Beth enter. Beth: Blake! Blake: (stunned) Beth. Hey. What are you doing here? Beth: I came to see you. Blake: (to director) Give me a second. (on director exiting) What's up? Beth: Your son. Blake: Case closed. Blake walks off but a determined Beth follows her. Beth: You can't ignore me, Blake. Blake: Watch me. Beth: Blake! Blake stops and turns to face Beth. Reginald watches on from a distance. Blake: I'm not discussing my son with you of all people. Beth: Well he needs to be held accountable for his actions. Blake: A threat? A little threat? Does Phillip know you're here? Beth: No . . . Blake: I thought so. Because Phillip seemed fine last night. But I should expect this from you of all people. Poor little Beth taking things and make them larger than life. Beth: Look . . . my family is already underneath enough stress as it is. We don't need more added. Blake: My son, a twenty year old, adding stress to all of you? Beth, get a life. Beth: Blake, I'm not-- Reginald (OC): Blake! (approaching them) We need to meet in my dressing room. Blake: For what? Reginald: To go over the stories we're covering. Blake: That's for amateurs. I don't need to go over anything. I already know what I am going say. Reginald: (grabbing Blake's arm) Blake, let's go. Blake: Unhand me. Reginald: (dragging her away, whispering) You'll thank me later. Blake: (realizing what he's doing) Oh. OK. On Blake and Reginald walking away from Beth INT. JESSUP FARM We enter on Cassie and Reva mid conversation. Cassie is washing dishes while Reva is sitting at the table with a glass of wine. Reva: I couldn't believe it myself. Cassie: Well did you guys take a DNA test? You know, to make sure? Reva: No need. Pop said he took one years ago when Trista was born just to make sure. She's definitely a Shayne. Cassie: (pondering then, back to washing) Rusty is a father. Oh boy . . . Reva: Tell me about it. I couldn't believe it myself. Cassie: Must be fulfilling for her to finally be able to have a big family that everyone dreams about. Reva: (joking) I'm not sure you can put the Shaynes and dream family together. Cassie: (laughing) Reva, I'm being honest. (then, seriously) I can sympathize. Wasn't too long ago I was the stray that came into a large family. Reva takes notices that this effecting Cassie. She puts down her glass. Reva: Cassie, what's going on? Cassie: Reva . . . I found it so odd when you came over and told me about Trista. Especially since I've been thinking about finding my paternal father also. Reva: What? Why--I mean why now? Cassie: To be fulfilled. Reva: But you are fulfilled. You have me, Josh, the kids, your kids, Pa, Rusty, Roxie, Johnny-- Cassie: But I don't know who my father is. And won't be fulfilled myself until I do. Reva: But what about Hawk? I mean he is a father to you. Cassie: He has been, still is, and always will be. But I still need to know, Reva. There so many other factors too. Reva: OK. You want to find your father then I say we do it. Cassie: (overwhelmed) Y-you wanna help me? Reva: H*ll yeah. We're sisters. Your problem is my problem. Cassie puts the plate down on the counter and walks over and hugs Reva. INT. BEACON HOTEL (LOBBY) Jason enters with his luggage and approaches the desk where Olivia stands sorting the mail. Olivia: Can I help you? Jason: Yeah. I need a room for awhile. Olivia: OK. (checks computer, then) The suites are all booked. Jason: That's fine. I just need a room for me. Olivia: Alright. How many nights? Jason: I don't know -- a week? Olivia: $785 Jason: $785!! Are you crazy? Olivia: You do see that this is an upscale hotel. Jason: Do you have student discount then? Olivia: No. You could always go down the street to the Springfield Inn. I know for a week you'll get a room for week for about $200. Jason: Sounds better than here. Olivia: Go ahead. You'll enjoy the roommates too. Jason: Roommates? Olivia: Yes. The roaches and rats. Jason: (handing her his card) Here! Olivia: Debit or credit. Jason: It's a credit card. Can't you read? Olivia shoots Jason a look then proceeds with swiping his card. After some time, Olivia looks up with the stink eye. Jason: What now? Olivia: (handing him his card) It declined. Jason sighs and hands her another card. Olivia swipes it, types, waits, then. . . Olivia: Declined. Jason: What the f- . . . Here. (hands another card) Use this one. Olivia: This better work because I have things to do. Jason: Just swipe the card. Olivia swipes the card then smiles. She hands him a key. Olivia: Congrats. (looks at his card) . . . Jason Marler? (hits her) Blake's Jason? Jason: (dully) In the flesh. Olivia: Oh you have grown. Jason: Well did you expect me to stay a child forever? Jason takes his card and starts to walk off when, James (OC): Hey, Marler! Jason turns and is socked in the face. He hits the ground. Olivia: Hey! James! (coming from behind the counter) This is not boxing ring! Jason gets up, wiping the blood from his nose. He laughs as this amuses him. Jason: Nice try, silver spoon, but you hit like a b*tch . . . James raises his hand another and Olivia comes between the two. Olivia: James! What the h*ll are you doing? James: Taking care of business. Olivia: Well not in my hotel. I'm calling Phillip! Olivia rushes off into her office. Jason: Did daddy send you to do his bidding? James: Don't threaten my father again. Jason: Don't threaten your father? Don't threaten your father?! Your father is lucky I gave him the heads up. Something he didn't give my father. James: Give it up. Your father's death was an accident! Jason: Accident my a**! Jason punches James in the face sending him to the floor. Jason climbs on top of James, hitting him two more times in the face. James, now bloodied, flips Jason off of him and socks Jason in the face. Phillip (OC): Hey! Hey! Phillip rushes in with Dinah and Kevin behind him. Dinah: Stop them! Phillip pries the two bloodied young men apart, but not before Jason socks him in the nose. Jason: That's was just that first strike, Phillip! Olivia comes from the back. Olivia: (to Jason) You can't stay here! Nope. Jason: I didn't want to stay in this establishment anyways. You ole' wh*re! And you better refund my money or you won't need Lewis Construction to remodel because I'll tear it down for free! Olivia gasps. Dinah: (shaking Jason) Enough! Get your stuff and go to the car. Jason picks up his stuff, then Jason: Round one, Spauldings. Remember, I might be a Marler but I'm a Thorpe too. Jason exits. James: (examining Phillip's face) You alright? Phillip: No! You wanna know why?! James: Dad, I'm-- Phillip: I don't wanna hear it! You should've left Jason alone! James: He threatened you! Phillip: Do you know how many times in my life I've been threatened?! It's not the first and won't be the last! (to Dinah) I'm so sorry. DInah: Yeah. So am I. Dinah walks off. Phillip: Kevin . . . Kevin: Save it. Just prepare yourself for the tidal wave you've created. Kevin walks off, leaving Phillip to realize that his past actions are now about to have even more consequences, and FADE OUT. http://www.youtube.com/watch?v=mKZEgIi2Les

INT. LA MAISON ROSE – DAY – LIVING ROOM Roseanna sits on the sofa donning a silk robe, glasses, and hair tied up in a bun. Though she is dressed comfortably, she is determined. Roseanna: (on phone) Yes . . . I want as many flowers and candles as you can fit in there and I want it to look nice . . . Now how much is that? (jots down something) . . . That’s perfectly fine. You can bill my account. Craig walks in dressed in a nice tuxedo. All the life is sucked from him—he himself seems dead. Roseanna: (whispering, in phone) Just have it done, OK? Roseanna hangs up the phone and focuses her attention to Craig, who looks out window, in a glazed reverie. Roseanna: Craig . . . Craig: You don’t have to put up a front. I know what you are doing. Roseanna: I don’t know what you’re talking— Craig: The funeral. I know that you’ve been up all night planning it. You didn’t have to. Roseanna: But I wanted too. Craig: (slight smile, then) Why are you so nice to me? After everything I have done to you over the years? Roseanna eases over to Craig and places a hand on his shoulder for comfort. Roseanna: Because I’ve learned that everyone deserves a second chance. Craig: But this is like my one-thousandth chance with you. My fourth chance to be a father and I just keep blowing it. (to Roseanna with tears in his eyes) I’m cursed. I have to be. First Bryant’s death, Lucy won’t even talk to me, Dusty practically has more rights to Johnny than me, and now Gabriel is dead. This must be my comeuppance. Roseanna: You’re talking crazy. Craig: I beg to differ. (moves to sofa and sits) Maybe this is God telling me that I suck as a father—that I don’t deserve to be one. If that is the message he is trying to convey then dammit, I have heard him loud and clear! On Craig burying his hands in his face, completely destroyed, FADE OUT INT. TOM/MARGO COTTAGE Margo stands at the stove cooking. Tom sits on the sofa going over some files when Casey descends downstairs trying to fix his tie. Casey: Are you sure about this, Mom? Margo: About . . .? Casey: The funeral, Mom. Are you sure we should go? Margo walks over and starts to fix Casey’s tie. Margo: Why wouldn’t we go? Casey: Because Uncle Craig hates us. Margo: Us, no. Just me, and I thinking about it, I totally understand why he would feel that way. Tom: Oh c’mon, Margo! You not believing that crap that Craig spewed a week ago, are you? Margo: Actually I am, Tom, and he is right. I’ve sucked as a sister. I’ve done nothing but scold and berate him time and time again when I should’ve been there for him . . . Margo finishes fixing Casey tie and goes back to cooking. Margo: Sad part is he’s always there for me when I don’t need him to be. Always. Margo wipes the tears from her eyes. Casey comes overs wraps his arms around his mother. Margo: Just seeing him in pain all over again over the loss of another child—it just makes me wanna go back in time and do things differently. The doorbell rings. Tom: I’ll get it. Tom heads to the door and opens it revealing Katie with Jacob, Chris, Lyla, Cricket, Ernie, Billy, and Suzie. Margo: Oh, Momma! Margo runs over to Lyla and collapses in her arms. And on Lyla consoling her daughter, CUT TO INT. BLC We open up on an article from The Intruder that reads: MONTGOMERTY’S FALLEN SON PUT TO REST TODAY We pull back to see the article is being read by Barbara. The takes a sip of her coffee and closes the article—understanding the pain Craig is going through. Suddenly, Mo struts in with a file in hand and cell to her ear. Mo: (on phone) Oh thank you for the drink last night. It was much appreciated! . . . Alright, Alonso— Barbara snatches the phone away from her. Barbara: What do you think you are doing? Mo: Umm . . . talking. Barbara: I don’t think so, missy! You were supposed to be here thirty minutes ago. Mo: (brushing past Barbara) I got stuck in traffic. Barbara: (following her) I don’t believe you. The two enter into the INT. BREAK ROOM where Mo grabs a mug out the cabinet and flicks on the coffee machine. Barbara: You do realize that you work for me! Barbara snatches the mug away from Mo, leaving her shocked yet amused too. Barbara: I will not accept you being late. Do you understand me? Mo: (taking the mug back) Whatever, Babs. Barbara: I beg your pardon? Mo: Look, Babs, can I have a second to breathe? I mean I’ve been working here for two weeks and you’ve been working me like a slave on a plantation. Lisa and Carly don’t work me as much as you do. Barbara: You do realize that— Mo: I am intern, I know, I know. You let me know every day. (handing her the file) Here! I did what you asked now could you back off? Barbara is about to have a comeback when, Paul (O.C): Mom! Barbara: In here, Paul! (to Mo) You better be lucky . . . Paul enters. Paul: Mom, hey. Paul kisses Barbara. Paul: Monique, how are you this morning. Mo: Doing great, Paul. Barbara: It’s Mr. Ryan to you. Paul: But I told her to call me Paul. Barbara: But she works for me and when is on the clock— The phone rings in the B.G. Mo brushes past Barbara to exit. Barbara: (stunned) Did she just—? Paul laughs. Paul: Looks like you’ve met your match. Barbara: (leaning in close) Well don’t tell her that. I’ll end up having to strangle that girl in here. (beat) But what brings you here? Paul: Craig . . . Barbara: Oh, Paul! Paul: Don’t worry. I’m not going to do anything drastic today. Barbara: I doubt that. Paul: I swear I won’t go anywhere near him. Barbara: And Emily? Paul: She’s at home busy with Daniel. I think that Gabriel’s death has had an effect on her. Barbara: Good. I don’t want anyone near that church giving Craig a reason to blame us for his losses. Paul: But does he not have a reason to blame us? Barbara: Huh? Paul: I mean all of his losses have resulted because of us. He blamed Jennifer for Bryant’s death, your entire marriage to him— Barbara: . . . Is something I’d like to forget . . . Paul: Fine. And it didn’t help that I’d later come back and take both Meg and Roseanna away from him. Followed by Dusty getting custody of Johnny . . . I mean thinking about it— Barbara: Don’t! Craig’s misery is his own doing, and I do feel sorry him; however, it is no one’s fault but his. Don’t sit here and beat yourself up over Gabriel’s death, Paul. It was an accident. Paul: Craig doesn’t see it that way and I don’t blame him. Barbara: When has Craig Montgomery been known to think rationally? Never is the answer. Just let it go, Paul. Barbara exits. Paul: But I can’t . . . On Paul feeling guilty, INT. OAKDALE MEMORIAL (NURSE STATION) Jami goes over some files. A few moments later, MJ comes up behind her, placing a hand on her shoulder. MJ: You alright? Jami: Yeah. Why? MJ: I’m just wondering seeing as you took his death very hard. Jami: Well it was totally unprofessional. MJ: It’s fine. We’re human. Jami: Yeah, but I should’ve held it together. (beat) It just hit me so hard to hear that Gabriel and Craig recently reunited after all those years of not knowing each other, and finally developing a relationship only to . . . Jami becomes overwhelmed again, and MJ draws her in, hugging her. MJ: I understand. Makes me appreciate my relationship with my parents and family . . . Don’t know what I’d do if I was in that situation. Jami: (mutters) Tell me about it. CUT TO INT. LA MAISON ROSE – LIVING ROOM It is after the funeral and the Montgomery/Peretti clan (Craig, Lyla, Margo, Tom, Katie, Casey, Lucy, Chris, Cricket, Ernie, Billy, Suzie, and Roseanna) are all scattered about. Craig sits off to the side, isolated, still reeling from what just happened. Lyla approaches her wounded son bearing a cup of tea and eases down next to him. Craig: What? Lyla: Drink this. Craig: I don’t want it. Lyla: It’ll soothe you. Craig: (tuts) If I need anything, it is a d*mn drink. Something strong. Something that is going to put me out of my misery. Lyla: Trust me, this tea can put you out of your misery too if you drink it. Craig takes the glass and guzzles it down before handing the glass back to Lyla. Craig: There. You happy? Lyla: Craig . . . Craig: You know what, why are you bothering me? As a matter of fact, why are you even here? (standing up, loudly) Why the h*ll are any of you here? Why? The room gets silent watching Craig. They are all on edge. Craig: I’m being serious, why is anyone here with the exception of Roseanna? Why? Huh, Lucy? Lucy is at a loss for words. Craig: I mean you wanted to be as far away from me as possible. Why come back? Same applies to you too, Cricket. You got your happy ending with Ernie and kids. Why pop your head back in Oakdale? I haven’t heard from you in YEARS. Why show up now? Did Mom make you come? Cricket lowers her head, embarrassed. Craig: And Margo and Katie, you two are just as bad. At least Cricket and Lucy had the decency to actually put space in between us, so it would be easier for them not to claim me. You two never acknowledge me unless you need something, or you want to scold me. Otherwise, I am dead to you. Katie: That’s not true! Lyla: Katie, hush! Let him speak. Craig: Tell ‘em, Mom! Let me speak! Today is about me and MY SON! . . . MY SON! NO ONE ELSE! HE WAS NOTHING TO ALL OF YOU! JUST HOW YOU ALL TREAT ME! Craig goes for the exit when Manly, Roseanna’s butler, bearing a floral reef, collides into him. Craig: D*mmit, Manly! Watch out! Manly: But Mr. Montgomery, this was for you. Manly hands him the card. Craig reads it aloud: Craig: To the Montgomery family: We send our condolences for your loss. Sincerely, WorldWide Enterprises, Lucinda Walsh and Paul Ryan . . . ARGGH!!! Craig rips the reef up, tossing everywhere. Craig: Loss . . . LOSS! Oh! You and Paul will loss when I am done with you, Lucinda, you old, shriveled up b*tch! On Craig, enraged FADE OUT

INT. OAKDALE MEMORIAL (WAITING AREA) Roseanna, Liberty, Luke, and Katie wait patiently with somber looks written on their faces. Meanwhile, Craig, off to the side, leans against the wall—clearly destroyed. Liberty: (jumping up) I can’t sit here anymore I need answers and now! Katie: And we’ll get them. (pulling her down) But until then we need to sit and be patient. Liberty: But I can’t. I can’t! (on the verge of crying) I can’t bear to lose Gabriel too! Not after Dad, I can’t. Katie holds Liberty as she sobs. Craig, over it, walks off. Roseanna gets up and chases after him. Luke: (shaking his head) This is all my fault. . . Katie: No it isn’t. It’s no one’s fault. Just an accident and Gabe will pull through just fine. On Katie struggling to believe her own advice, CUT TO EXT. OAKDALE MEMORIAL (ROOFTOP) Roseanna slowly ease up to Craig with tears falling from his eyes as he gazes at the view of Oakdale. Roseanna reaches out to touch him but pulls away, unsure. Craig: No words of encouragement are going to help me, Roseanna. Roseanna: I know. . . Craig: (facing her, snappy) Then why are you up here?! Roseanna: Because you don’t need to be alone. Not at this time. Craig: Yeah I do. I need space to think, to process this. I haven’t felt like this since— Roseanna: Since Bryant? Craig: Yeah. Roseanna: Well Gabe is not dead and for we know, he might pull through this. Craig: He better or I’m going to make Paul and Lucinda pay. . . With fury and hatred taking over Craig, INT. OAKDALE MEMORIAL (SHOWER/LOCKEROOM) Jami puts on the top of her scrubs when MJ, shirtless, comes around the corner. Jami smiles at him. MJ: What? Jami: Nothing. I just didn’t expect to see you half naked so soon. MJ: (joking, covering his nipples) Then stop looking! Jami burst into laughter when Chris bursts in. MJ quickly puts on his shirt and Jami ties her hair back and the two stand up looking at Chris. Chris: Is he here yet? MJ: Who? Chris: Dr. Wyatt? MJ: Not that I know of. Suddenly, the three hear a woman moaning from the shower. Suspicious, Chris storms over to the shower, with MJ and Jami following, and opens the door to reveal DR. STEPHEN WYATT having sex with another female doctor. Off the woman screaming, Chris: What the h*ll is going on? The female doctor grabs the only towel and rushes out the shower. Stephen covers his male parts with his hands and embarrassed, smiles. Stephen: Hey, Chris. Longtime since we’ve last seen each other. But not like this. . . Chris: Pig. Stephen: You'd know. Chris slams the shower door. Chris: And so you know, you’re needed in the emergency room. (to Jami & MJ) C’mon you two. Jami, Chris, and MJ exit. Then Stephen peeks out of the shower and waves at the female doctor. She rushes back into the shower and the close the door. She tosses the towel over the shower, and on a shot of the towel lying on the floor and them laughing in the background, CUT TO INT. FAIRWINDS (FOYER) Emily rushes in to find Paul grabbing the mail off the table. He notices something is wrong by the look on her face. Paul: What happened? Emily: If you answered by phone calls you’d know. Paul: My phone died on the way home. Now what’s wrong? Emily: You didn’t hear? Paul: Hear what? Emily: (grabbing his hand) Let’s have a seat. Paul: (snatching away) How about you just tell me what happened? Is it Meg again? Emily: . . .No. Paul: Then what is it? Spill it. Emily: It’s Gabriel. He was in an accident on one of the back roads. Paul: What?! Emily: Yeah— Distraught, Paul runs past her, exiting and leaving the door open. Emily: Paul! Paul, come back! On Emily looking out the door distressed, CUT TO INT. CARLY/JACK (LIVING ROOM) Open up on Carly standing the with a phone to ear. Jack and the kids, consoling him, sit nearby. Carly: Alright. Thanks for calling me Roseanna and keep me update. Carly hangs up the phone and turns to Jack, anxious. Jack: (noticing her expression) What now? Carly: Umm. . . it’s was Roseanna. She’s at the hospital. JJ: Is she OK?! Carly: Yes. She’s fine. But Gabriel isn’t. He was in an accident on one of the back roads near Route 66. Parker jumps up and grabs his coat. Carly: Where are you going? Parker: To find Liberty and let her know. Carly: But— Parker exits. Carly: . . .she already knows. Carly sighs, and CUT TO INT. OAKDALE MEMORIAL (WAITING AREA) Tom, Casey, & Margo, Dusty & Janet (with Johnny & Lorenzo), Holden, and Lily have joined everyone. We pick up with Luke, Holden, and Lily, who sit off to the side. Holden: Have you been checked out? Luke: For what? Nothing is wrong with me. Holden: But you still need to get checked out. Luke: Well until I hear that Gabriel is alright, I am not moving from this spot. Lily: I just don’t know why you didn’t let your father and I know that you were coming home, and where is Noah? Luke: (agitated) Mom. . . Holden: Maybe we need to give him some space, Lily. Luke: Please! Lily storms off and Holden gets up and chases after her. INT. HALLWAY - CONTINUOUS Holden: Lily! Stop! Lily: (stops) What?! Holden: Why are you acting like this? Lily: Because I’m sick of being treated by a second rate citizen in this family. First, you and now Luke is giving me attitude. I’m sick of it! Holden: You’re being over the top. Lily turns to storm off again when she notices Craig and Roseanna, arm in arm coming down the hallway. It’s apparent that something wrong. Lily: Craig? What’s wrong? Craig grabs Lily by the hand and leads her back into the INT. WAITING ROOM Everyone looks up at Craig, waiting to hear from him. Craig: I, umm. . . I. . . Craig, crying, looks to Roseanna for help. Roseanna: It’s time to say our goodbyes. Liberty: (jumping up, hysterical) Goodbye?! What are you talking about? Is Gabriel dying? Roseanna nods. Liberty: No! Lily hugs Craig. Lily: I’m so sorry. Craig: Feel sorry for Gabriel. Not me. Something catches Craig’s attention—it’s Paul. Hold on eye contact between the two, CUT TO INT. OAKDALE MEMORIAL (GABRIEL’S ROOM) Gabriel lies on the bed, motionless. Bob stands next to him, check his vitals on the machine. Jami then quietly eases in. Jami: Dr. Hughes. Bob: (turning) Hey. Is there something wrong? Jami: No. Just came to see if you needed any help. Bob: Sadly, there is nothing you or I can do. Jami joins Bob and looks at Gabriel. Jami: He’s so young and full of life. The youth always dies young. Bob: Sadly, they do. Sucks because he was finally settling into Oakdale and gaining the home he always wanted. Boy was finally reunited with his father. This strikes home for Jami. Jami: He didn’t know his father? Bob: Nope. But that’s life. You’re finally happy and life throws us all a cruel twist of fate. (sighs) I just can’t imagine how Craig is feeling. Jami: Craig. . .? Bob: His father. Sadly, his eldest son passed away in a car accident many years ago. Talk about history repeating itself. Jami: Yeah. I guess. Bob: I just couldn’t imagine being in Craig or anyone out there shoes. Having someone come into your life and all of sudden leave like that! (snaps his fingers) I don’t know if I could handle it. Jami nearly cracks when MJ bursts in. MJ: We need your help. Craig and Paul are fighting in the waiting room. Bob: Was security called? MJ: Yes, sir. Bob: (handing Jami the chart) Stay here. Bob and MJ exit. On Jami overwhelmed with guilt and sorrow, CUT TO INT. WAITING ROOM The room is in an uproar as Craig has Paul pinned down on the floor, punching him repeatedly. Holden and Casey manage to pull Craig off as Tom and Dusty help a bloody Paul up. John and Chris stand in between the two parties, serving as barriers. Craig: You b*stard I could kill you and that old b*tch, Lucinda. Lily: Craig! Craig: Sorry, Lily, but your mother has brought this upon herself. Margo: Craig, it was an accident. Craig: Oh shut the h*ll up, Margo. Your dumb a** always take everyone else’s side but MINE! YOUR BROTHER! YOUR FLESH AND BLOOD! Craig breaks free from Holden and Casey’s grip. Craig: No one in here cares about me or my son—no one but Roseanna, Johnny, and Liberty! The rest of you are just posers. Phonies! Katie: That’s not tr— Craig: Shut up, Katie. You’re just like Margo! A fairweather sister! When you need me, you come running but any other time I am like dirt beneath your feet. I am nothing to you! Katie starts to tear up. Roseanna: Craig, let’s go. Craig: Hold on, sweetheart, let me deliver these last fatal blows. (to Paul) You’ve robbed me just that b*tch of a sister of yours robbed me of Bryant. Chris and John hold back Dusty and Paul as they both now rowdy by Craig’s last insult. Craig: But why I am not surprised. You’re Barbara Ryan’s seed. Misery follows her everywhere she goes, and now it has rubbed off on you as well. Paul: I think you got that backwards, buddy. Misery follows YOU everywhere. Craig: Maybe. . .but not after today. For now on, I’ll be the one issuing out the misery. He was gone but now he is back—old, bitter, angry Craig is back! He’s back! Craig takes Roseanna by the hand and walks off. Paul: He’s back? Has he ever left? (to Margo) Aren’t you going to arrest him? Margo: For once, no. And you aren’t going to press charges either. Paul: He just beat me senseless, and cursed everyone out in here! Lily: He’s in pain. Dusty: But that doesn’t have a right for him to bring up Jennifer. Luke: Who gives a d*mn! What about Gabriel! What about him! I don’t know why I came back here. First Reid and now Gabriel—I can’t deal with this! Luke runs off. PRESS PLAY PRESS PLAY MONTAGE INT. GABRIEL’S ROOM – Bob switches off the life-support machine. Bob walks out as we notice Liberty sits next to his bed. Liberty opens up a letter from Gabriel addressed to her and a ring falls out the envelope into her hand. Seeing this, she crawls into the bed, crying. She kisses him on the lips and places the engagement ring on her hand before resting her head on his chest. Meanwhile, Parker watches on from outside, saddened. INT. LOCKER ROOM – Jami sits alone on in one of the showers, and pulls out a photo of Bob & Kim that she lifted off her mother. She holds the photo close to her heart and starts to sob uncontrollably. INT. FAIRWINDS – Emily sits alone on the sofa when she hears the door. She rushes to see its Paul with a patched up nose. She runs over and inspects his face, and he sways her away before walking off, leaving Emily hurt. INT. JACK/CARLY—Jack lies in the bed, destroyed by the news of his mother’s death. Carly crawls into bed, wiping the tears from Jack’s face before cuddling with him. EXT. GRAVEYARD – While Janet stands back watching, Dusty, with Johnny, goes and places some flowers on Jennifer’s grave. Dusty holds his son tightly. Suddenly, Katie & Chris appear. Chris stands back as Katie goes and does the same as Dusty, placing flowers on Brad’s grave. John emerges with his own flowers and walks over and kneels down, placing flowers on Little Johnny’s (his son with Barbara) grave. We get a nearby shot of Bryant’s grave, which is near Little Johnny’s grave. John plucks off a flower and places it on his grave. INT. WALSH ESTATE – Lily barges in, hysterical, falling into Lucinda’s arms. Lucinda consoles her. INT. CAR – Holden drives around, looking concerned as he looks for Luke. He comes to a train track and notices Luke’s car parked off to the side. He then notices Luke, in a grief stricken daze, staring as a train goes down the track. Holden realizes this is the same place where Reid was killed. He gets out and puts his arms around his son, who collapses in his arm, in tears. INT. GABRIEL’S ROOM – Craig & Roseanna return to see a nurse pull a sheet over Gabriel’s face before wheeling him out. Not being able to take it, Craig’s kneels buckle and he falls to the floor, crying uncontrollably. Roseanna sits beside him and holds him tightly. As Craig buries his face in Roseanna’s chest, crying, FADE OUT COMING UP - Gabriel's funeral takes place - Mo makes an enemy at BLC - Clark, Henry's sister, comes to town with ties to Mo & Jami - Craig reverts back to his old ways and unintentionally hurts Roseanna in the process - Meg uses Ryder to break up Paul & Emily - Noah returns - Jack holds a funeral for his mother, which brings an old girlfriend of Brad's to town with all her baggage - Holden finds love and it isn't with Lily - Someone unexpectedly learns about Jami's secret - Tom's competition, Carter, comes to town with some unexpected help, and with his eyes on Lisa SN: I leave to go abroad next Saturday for London but don't let that prevent you from commenting, suggesting, and reading all the other great blogs on SON. When I return, the WORLD will keep on spinning. Hope you all enjoy. Feedback is much appreciated!