For daytime soaps, it’s kinda up to us to preserve the genre. Can’t hope for the deep pockets to do anything. A small group of dedicated fans has done a lot to make material available on the biggest “streaming service” of them all: YouTube.
Like everyone, I’d like more episodes to be unearthed and uploaded to different places (hopefully with the owners preserving copies in the event of inevitable purges), but there’s already more material up from the soaps than I can watch alongside other life obligations and the gazillion movies and TV series I still want to see. More material than I’d want to watch if I’m being honest. There’s just not enough hours in the day.
Soaps have been excellent at times, but except for periods when these were exceptional (and perhaps even then in a few cases), there’s a lot of filler and repetition, as they were crafted for homemakers whose attention was divided. The hourlong push only made things worse. Ambient TV is certainty a thing and primetime shows are padded, but they are relatively low-commitment. Soaps feel like overwhelming projects to get into UNLESS you have a really compelling reason to dip into them, like family members or peers watching. (Game of Thrones was dense but so many people were watching or had read the GRRM novels and others wanted to know what the hell they were talking about).
The stigmas of soaps have lessened but only the genre has been outright forgotten. “Oh that show’s still on?!?!” has become more a common refrain. When popular soap figures like Jackie Zeman pass away, you get a boost in conversation from nostalgic fans, but there is no connection between lapsed fans’ temporary chatter and the show as it’s existed for the 20-30 years. There’s no clamor to see how the show handles Bobbie. “Bobbie was still on GH?” would probably be most people’s first question. Understandably so: the shows have been garbage for a long time and they are literally all “filler,” scheduled to fill holes in daytime with a loyal yet aging viewership.
The soap I find most easily bingeable is The Edge of Night. It hits a sweet spot between plot-driven and forward momentum/suspense and a strong sense of who the characters are even without having watched, and the arcs feel very clear. It’s also somewhat “dark” and has a timeless feel, and it wasn’t super earnest or domestic. As we’ve said throughout the years, it’s ripe for a reboot. The IP means nothing to most youngish people but there will always be an audience for a solid crime drama.