A Soap Opera Museum: What would you put in it?
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Watching the cult of Fetterman collapse is one of the few political bright spots for me. The best part is watching all the people who built him up now decide they want to tear him down. I'll be fascinated to see how this ends for him. https://buckscountybeacon.com/2025/05/pennsylvanias-democratic-senator-john-fetterman-raises-alarms-with-outburst-at-meeting-with-union-officials/Please register in order to view this content
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Long ago, this Rachel fan channel uploaded a number of clips of Rachel with Felicia during the alcoholism story, and this one in particular stands out for me.Please register in order to view this content
And then you have this scene, which is the dark mirror of the above, especially the final moment: By the late '80s, especially after Wallingford's death, those times were gone, and Donna Swajeski added further misery to Felicia with the Gold Street backstory. Luckily, after a bit of time the show found a good framing for this new twist on Felicia. The stories with finding and losing a love from her past, learning that a woman she hated was the daughter she'd spent years searching for, sinking into alcoholism, they all fit into the type of material suited for the '40s and '50s screen goddesses. When Dano tried some of this old weepy type of material when she went back to ABC, it mostly fell flat, as the atmosphere wasn't the same and her character always felt shoehorned in. It worked perfectly at this period on AW because you had Iris, you had Rachel, you had Donna - you had a number of tough-but-vulnerable women of a certain age, most of them grandmothers by this point, but still trying to find love, find themselves. This is what AW could have had earlier if they hadn't dumped Pat and Alice, but better late than never. This is an approach you saw more often on British soaps than on US soaps, which for a number of years respected women in that age group. Both UK and US soaps have done away with this, both countries having the ladies devolve into perpetual ingenues (with added doses of endlessly self-aware camp in the UK) or just being shipped off entirely. You could even see that on AW with the treatment of Iris (shipped off, never to be mentioned again, too old to return), Donna (repeatedly humiliated and crippled), Felicia (regressed into degrading herself with married John), Rachel (mother to newborn twins, put into lengthy periods of trauma through her new relationship with Carl). -
By VelekaCarruthers · Posted
I'm of a certain age where I caught some of Upton's final year and it was not great but Jean Holloway was worse. All I remember is Bambi, Bambi, Bambi! -
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By Contessa Donatella · Posted
Yes, of course, all of those servants added to the overall picture at AW & also people had relationships with those servants! I like it when Anita asks after one of the servants at the club, how their children are doing & like that. -
Great scenes between Marlena and EJ today. Paula and Jeanne are making EJ have more depth than Ron had during his long drawn out tenure. -
By Contessa Donatella · Posted
Might as well say it, Minority opinion, granted, but I like Joss & I'm okay with this WSB story & i hope that Emma will be their next recruit & she & Joss can be partners. -
Thanks again @Paul Raven The Arlene/Ben/Betsy triangle is one I wish I could see for myself as on paper it doesn't tend to excite me but I can see how well-constructed it was. I wish I could see the Rick/Meg relationship too, although I wish they'd had him genuinely fall for Meg after he gets together with Cal. The whole Brooke/Deacon/Bridget story on B&B was horribly damaging to Brooke as a character but it was dramatically very sound because I could completely believe Deacon would fall for messy and vulnerable Brooke after finally settling down with the more docile Bridget.
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