Jump to content

AMC: Pratt Is History...


Recommended Posts

  • Replies 270
  • Created
  • Last Reply
  • Members

Okay. I found it soulless and lacking identity because the show was so obviously written by corporate mandate, to push some head honcho's "big idea" regardless of whether it fit the program, and nothing else. Brian Frons came to ABC in fall 2002, and his big plan for AMC: Turn it into Sex and the City. Fusion, women together, regardless of whether they had any place together in stories before, hot sexy guys, the Sexiest Man contest, etc. And teens. And nothing else. And that's what we got: Boyd! Carlos! Michael! Aidan! Henry! Even Kenny, who I swear acted like he had Downs' Syndrome! Love them, you must love them! These jackasses, save Aidan, were all introduced en masse, promoted as a group, and then seeded among the eligible, ravenous ladies. Meanwhile, all the new teens sprouted up from out of nowhere as well, especially the fake-ass JR and Joni and Laurie, and suddenly, just like with the Sexy Men of 2003, we were expected to follow their exploits 24-7. Greenlee was all about Carlos, Kendall was all about balding Michael (pre-villain turn), Maria was all about Aidan, Maggie suddenly wanted Henry, Boyd floated around, and so on and so on.

This was astounding in that this huge newbie spread and sharp change in story focus has, IMO, never been done before outside of ATWT under Black/Stern, and never done since, with such a lack of interest in subtlety, context, or integration into the show. It was literally like a totally different, plastic program overnight. It did not resemble AMC. It was corporate and alien. And it fell apart very fast.

Megan McTavish's work has a soullessness to it; I boycotted her AMC when she raped Bianca and did not come back until she was gone. But that's about nasty, vicious writing, not something without any real point of view whatsoever. The latter is what I call 'lack of soul,' whereas Megan not only knew AMC, but knew how she wanted to hurt it, or in her view, help it.

Link to comment
Share on other sites

  • Members

You won't like my answers, but I guess maybe it was more how the stories were told? This is very vague I admit, but it didn't feel like AMC when I watched--it felt like something else (and yes even at its worse the apst few years AMC has felt more like AMC to me then it did then). I liked someof the comedy (lysistrata) but that was it--otherwise it felt liek the storytelling was very surface (and yeah maybe that was good compared to the way McTavish tended to like to wallow in somethings).

Link to comment
Share on other sites

  • Members

At one point most of those Frons's Sexiest Men dudes, particularly Boyd and Michael, were pretty much shareware.

And let's not forget that Simone initially came on as "dark, mysterious Latina spoiler for Hayley and Mateo, #12." IIRC she only became goofy, man-crazy Simone overnight when Frons took over and needed a "Samantha" for his SATC ripoff girls. I grew to like Simone, but I'm just saying. That character shift is one of the only things about that era that worked. I'm hard-pressed to name much else, save perhaps Reggie and Joni, which was dumb luck. Pretty sure Cascio and Rayfield brought Reggie on, and at the time he was so shoehorned, like, 'hey, I just watched a Diff'rent Strokes marathon, let's give the old white guy a black kid! What is the old guy's name again? Josh?' And then Ellen Bethea was storming around the sets with crazy hair glaring at Jack saying things like, "Reggie is a troubled young man."

Link to comment
Share on other sites

  • Members

At the time I was very annoyed at Trey leaving, and Reggie turning him in after he helped Reggie. Then he was just forgotten. There was no reason to be annoyed, I guess, since Trey had done a lot of bad things, but I couldn't help it.

Did they have any plans for the Bethea character?

I didn't think the show was extremely bad, just very amateurishly written. I think it was a very earnest effort to completely remake AMC, not too far off from Pratt, but not as ugly or nasty as his tenure, so you could see more of the good points. With more time they could have found their footing, but I can see why people say it wasn't like AMC. I wish they'd had a co-head writer who had history with AMC and some ability.

Link to comment
Share on other sites

  • Members

Greenlee, Kendall, Mia, Liza & Annie had Ryan

Greenlee, Kendall, Mia, Di, Erin & Annie had Aidan

Greenlee, Mia, Amanda & Liza had Jake

Simone, Mia & Randi had Frankie

Kendall, Babe & Amanda had JR

Liza, Simone & Di had Tad

Dani, Babe & Greenlee had Josh

Kendall & Simone had Ethan

Kendall & Simone had Boyd

Kendall & Amanda had Jonathan

Babe & Amanda had Jamie

Link to comment
Share on other sites

  • Members

I didn't like how Trey disappeared either.

I think I pretty much agree with your assessment (i'm not sure why they thought AMC needed such a remake though--though it had been having some tough times). *sudden flashback to the awful Saved by the Bell type scene with Liza and Adam and JR and that girl with the alcoholic dad sitting by eachother in a tiny movie theatre* I don't see that much similarity though with the mess of Pratt--he largely has been using established characters and initially made some effort to center the families, etc.

I agree with Vee, one thing that did work was making Simone a flake (though I liked that McTavish centered her a bit even if she didn't know what else to do with her)--Culliton having her first be a sexy seductress spy or whatever, and then someone who was CONSTANTLY crying. Some of the humour under Rayfield did work.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Agreed. The Emmys next year are gonna be a pretty tough competition and I hope we get a Days sweep lol  Not only does Deidre deserve a nomination for these last few weeks, but I also think Paul Telfer, Raven Bowens, Carson Boatman, Dan Feuerriegel and Alison Sweeney have good chances as well.
    • It’s not about a lack of faith and trust in MVJ, it’s about a a lack of faith and trust in Ron Carlivati, who I think can be very sneaky and manipulative when he wants to be.  And, all that “He’s just a breakdown writer” talk never changed my mind about anything, because at Days, it was “just a breakdown writer” that gave us some of the worst episodes I’ve ever seen. 
    • Please register in order to view this content

       
    • Please register in order to view this content

       
    • Please register in order to view this content

       
    • Please register in order to view this content

         
    • @TaoboiI ran into Dani’s favorite party planner again tonight

      Please register in order to view this content

    • I think they’re desperately trying to cover his awful tattoos. But anyway them being unable to style short kings properly has been a major pet peeve of mine for a while now.  I honestly don’t understand what some people expect from actors to even begin considering them for recognition. Let’s be real—awards mostly mean that an actor is respected by their peers and has some level of cultural relevance. Actual judgment on the acting itself? That’s often secondary—highly subjective and shaped by the times. I completely agree on both points. If you’re an actor or a dancer you shouldn’t get any tattoos (sorry not sorry). Tomas’ tattoos are ugly too. And regarding the couples- you’re completely right. These writers are unable to write romance.   Further comments: - Kat cannot be this dumb to keep tampering with evidence over and over again. And I’m officially not a fan of the actress—every time she’s in a scene with Leslie, she doesn’t seem intimidated at all. She plays it like comic relief, which is just too much, especially when paired with Leslie’s histrionics and over-the-top antics. Leslie is older, dangerous, and has literally been portrayed as homicidal—Kat should be at least a little scared. • I also didn’t like Kat playing damsel in distress with the hotel manager. It gave off the same weird energy as Dani with the cop. I would’ve much preferred the version Paul Raven suggested, with her sneaking in through housekeeping. • And yes, Dani again accused Hayley of faking the pregnancy—this time even specifying she might be using a pillow under her shirt. (No fake miscarriage being mentioned) I stand by my take: this is ridiculous writing. No one in the real world—except us, the chronically online soap watchers—would even think of such a conspiracy theory. Haley is no Beyoncé. • What in the world was Chelsea wearing in her hair the other day? And this whole thing with Madison is beyond cringe. Chelsea’s coming off as needy and toxic—basically like every other Dupree. • I’m glad the casino storyline is moving forward, but it’s still boring as hell. Honestly, I’d be so here for a plot twist where Vanessa and Doug take Joey out. • The direction and editing lately have been rough. Abrupt cuts, weird pacing… something just feels off overall. There’s a strange uneasiness to how it’s all coming together. • And finally: Tomas is too much of a saint. Where are the messy sluts when you need them? (Vanessa doesn’t count.)
    • I was watching some August 1987 episodes and they brought back so many memories. I had some thoughts: Lisa and Jamie were so dull. Lisa was such a nothing character. It boggles my mind that so much story was centered around her in such a short amount of time. Joanna Going is a talented actress, but the material was just not there.  It was so good to see Wallingford and Mitch again. I know there was talk about Felicia a while back, but these episodes reminded me how integral Felicia was for the show.  Sally Spencer was done so dirty. She is turning in superb performances in an icky storyline. I wish she had stuck around longer. She has chemistry with everyone. The McKinnons should have lasted longer. Spencer had some strong stuff with Stephen Schnetzer and Mary Alexander. AW waster such a talented actress by getting rid of her. Justice for Cheryl too. I also missed Ed Fry when he left. Sandra Ferguson was a star from the moment she came on. She was charismatic and just popped. She had immediate chemistry with RKK and blended in well with Wyndham and Watson. I'd forgotten about the teenage Matthew.  I have no memory of Peggy Lazarus. She must not have lasted long. Was the original plan for John that he was going to turn out to be the twins' real father?      
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy