Jump to content

Another World Discussion Thread


Recommended Posts

  • Members

Arianne Muenker was more than adequate.  In fact, she was beloved by the fans as the third-generation "Matthews girl", complete with the blonde hair. She played Marianne's abortion storyline believably.  I can't imagine what Lemay had in mind for Marianne that he thought Muenker would have been unable to play. I loved Lemay's writing on AW, but his attitudes toward particular actors were, for the most part, ludicrous. 

Link to comment
Share on other sites

  • Replies 13.8k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

Has AM ever said anything about him? 

I thought a couple of things were boring, but overall, I enjoyed that year as well.

Agreed.

Judging from the clips that she posted, she seemed to have this good quality that made a lot of those scenes, especially the ones with Pat and Michael, look like we were watching a real family.

Link to comment
Share on other sites

  • Members

Lemay didn't seem to like any actor who was proud of his/her work on a soap opera.  I think he preferred performers who were at least somewhat ashamed of being on soap.  

He gave a lot of lip service to hiring actors from the theater, but mostly they were hired into minor and temporary roles.  For all of the big roles he cast (Liz, Iris, Mac, Theresa, Rose, Robert, etc.), he used former soap actors who also had experience in theater.  But I can't think of any of them (the major roles) that were cast with soap opera virgins.  Possibly Susan Harney as Alice. I don't think she had previous experience on a soap, but she was one of his weakest casting choices in my opinion.  

Link to comment
Share on other sites

  • Members

Yes, he really was as good as his reputation.  He wrote the show as a character-driven show, and wrote very weak (at times almost non existent) plots.  AW during Lemay's tenure was different from any other soap on the air.  He was so good at writing characters, I was absolutely hooked -- even though I complained because "nothing ever happened."  Lemay's characters seemed like real people who faced believable problems and had believable family drama.  There was also a lot of class conflict, as he had working-class, middle-class, and wealthy characters all on the front burner at the same time.  He was also very good at writing long-running tortured romances like Alice and Steve, Rachel and Mac, Lenore and Robert.

As much as I loved Lemay's work on AW, he was not perfect.  And I have no problem criticizing him, even though I loved him.   

Edited by Mona Kane Croft
Link to comment
Share on other sites

  • Members

I'm trying to watch slowly. 1 episode a day, since the episodes are limited in number. I've yet to encounter a boring spot...  but of course I'm still in August in the first available eps I have. 

Please register in order to view this content

Link to comment
Share on other sites

  • Members

Yup. I'm watching from these episodes. Loving the sound and picture quality. One of the biggest problems I have watching classic soaps is that sometimes the audio is so bad I can't hear what is being said. And since English is not even my second language... sometimes I have a problem following. And a soap opera without dialogue is not the experience I crave. But these episodes are pristine and I'm so thankful to the people that uploaded them. Sad that there were not more available. 

Link to comment
Share on other sites

  • Members

His professed reasons for liking one actor and disliking another don't seem to be consistent from.one case to the next so the only explanation seems to come down to personality. 

I was thinking about Lemay's comments about Eric Roberts' success post-AW and it occurred to me that it wasn't so surprising that an actor who has difficulty with the pace and limited rehearsal of soaps might still be brilliant in film or stage. Eric Roberts might never have adapted to soaps.

On a completely other topic, I was thinking about Jonathan Pryce as Reginald because it came into my mind that he couldn't be much older than Anna Stuart. And indeed when I looked it up she was born in 1948 and he was born in 1947. Of course John Considine isn't that much older -- born in 1935.    

Link to comment
Share on other sites

  • Members

Agreed. And I think Hugh Marlowe is another example of this.  Marlowe had been a mid-level movie star and had also done a lot of primetime TV guest shots. He was great in all of those movies and primetime series. But his work on Another World was, at times, borderline embarrassing.   Although he was lovable as Jim Matthews and he will always be my favorite Jim, he stuttered and stammered through his lines so badly I'm surprised the other actors didn't refuse to work with him.  To be honest, it appeared he didn't even attempt to learn his lines and was just phoning-in his performances.   Clearly Mr Marlowe, although an accomplished actor, was unable to adjust to the pace of daytime television -- despite his success in other genres of acting.   

Edited by Mona Kane Croft
Link to comment
Share on other sites

  • Members

While Muenker was no teenage Genie Francis (AM was not always up to the challenge of playing heavily dramatic scenes), she was indeed more than adequate. In fact, she was very likeable and often quite appealing. I'd say that she was the audience's favorite Marianne. 

Lemay's entrenched vitriol towards certain actors always came across as pathological to me.

Please register in order to view this content

Mona Kane Croft said it well: Harding Lemay's work was excellent (particularly during the first few years), and he certainly deserved all the kudos he received as a writer. If only his acerbic personality and gratuitously mean commentary didn't get in the way, LOL.

When he was first cast, I thought Marlowe would do fine. The stammering and line-flubbing were not terribly obvious or distracting. Cut to a few years later, and he was often painful to watch. I'd even hold my breath at times, watching him try to stumble through scenes. According to Harding Lemay, Marlowe blamed it on Virginia Dwyer, but even if HM did make those comments to HL, it was BS. Marlowe had  issues no matter whom he was performing with, and the problems actually got worse after Dwyer was fired.

Link to comment
Share on other sites

  • Members

Those Another World episodes from August 1980 to November 1981 were originally posted by P&G back in 2007 and 2008 on the AOL Classic Soap Channel. Sad that that venture didn't last longer or that P&G didn't initially choose Hulu back then for uploading their old classic soap episodes 

Please register in order to view this content

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • How did I never notice how tall Colton was?

      Please register in order to view this content

    • They didn't need to have some slutty gay dude as their representation. Just a 'normal' guy getting involved with another guy or two (or three). Just like the straight characters. Thinking about it, they missed the boat by not having a few other single charcters at the beginning. Maybe Naomi or Ashley could be shown meeting Derek/Jacob and  we could follow their romance. Too many characters were coupled up at the start. As a tattoo hater I was surprised to see Tomas so inked. Don't find it attractive or sexy. I'm surprised an actor would do that as it's definitely a statement and may not be appropriate for some roles. Suppose they can cover if necessary. I didn't buy Kat being all girly and then paying off Darius to get into Eva's room. Way too cliche. She should have just come along when the housekeeping was leaving and breezed in saying it was her room. And her smug looks in the hotel room and 'Now I've got you!!' talks to herself at Orphey Gene's...no.  
    • Omg I was so annoyed. Like girl calm down. Coming on way too strong. Omg I forgot about this

      Please register in order to view this content

    • I thought it got stale before Jocks death lol. His death picked things back up for me.
    • 1976 Pt 5 Tony is summoned to the reading of the will in the Llanfair library,as he’s a principal in the will. He tells Joe there’s not a chance of coming to terms with Dorian, as he is sure she brought about Victor’s death by torturing him emotionally when he was her helpless prisoner after his stroke. Ironically, Chapin hand delivers to Viki a letter her father wrote before his stroke, praising Dorian and asking Viki to befriend and support his widow when he was no longer there. Viki feels a responsibility to her father’s wishes and vows to try with Dorian. Victor’s will leaves the expected amounts to members of his family and staff, with the lion’s share of his stock and property going to Dorian. Victor’s will explains that his son Tony expressed the desire that he not be “bought from the grave,” and, in keeping with his son’s wishes, the only bequest to him is the knowledge of his father’s love and respect. Tony is deeply moved. Dorian’s first attempt to use her new power is the recommendation of Peter as head of the Merideth Lord Wolek hospital wing, claiming that naming Larry would be virtual nepotism. Peter, who has devoted considerable time and effort to helping Jenny get over Tim’s death with gentle, affectionate support, is happy at this suggestion, but Jenny points out Dorian is merely using him to hurt Larry. Viki disregards Dorian’s ingenuous assurances that she’s not trying to wield her new power but is merely putting Peter up for consideration for a future opportunity, if not this one, and tells her she won’t be able to fulfill her father’s desire that they be friends unless Dorian stops interfering. Larry, fully understanding Dorian’s personal motives, warns her he’s going to fight for the appointment no matter what. Realizing that she has made a tactical error, Dorian announces that she won’t even attend the board meeting but will give her proxy to Jim. She admits to Matt McAllister, still her confidant, that this was humiliating, but it was a necessary protective tactic. Dorian manages to win her next round at Joe’s office when, after he praises her decision to yield on appointing Peter, she expresses concern for Viki “at a time like this.” Joe, of course, jumps on her words, and Dorian, pretending great distress at having mentioned something she shouldn’t have, is “forced” to explain that she knew about the congenital heart condition Megan had and that any child of Joe’s is likely to inherit it. She overheard the doctors discussing it at the time of the accident, she continues, and naturally assumed that Joe already knew.  Joe arranges a meeting at home with Viki and asks her how she could live a lie like this; how she could go through their lives as if everything were fine while every moment was a lie. He is further upset when, in trying to explain that it was out of her love for him that she kept the truth from him, she mentions that Jim and Larry also know but Cathy still hasn’t been told. Viki tells Joe that Dorian deliberately told him this way to hurt their marriage, and she is very upset when he starts toward the door, pleading that they have always talked things out in the past. Joe coolly points out that she didn’t do that when she learned about Megan and continues out the door.  A tearful Viki is shaken and when Joe later returns, having spent several hours in a bar drinking only soft drinks,she breaks down, crying that she was convinced he’d left her. Joe assures her they can get through this despite everything, because their relation is based on love and mutual respect. 
    • If you think about it, DALLAS and DYNASTY grew stale right about the same time, even if the ratings were slow to reflect that.  FC and KL, on the other hand, tried to stay fresh, but KL was way more successful at it, I think, than FC.  (That [!@#$%^&*] with The Thirteen does not hold up well, lol).
    • GH 1976 Pt 8 Heather takes advantage of the situation by asking Jeff to come and look at Tommy. She uses sympathy, compassion, and her own feminine wiles, together with his misery and his pills, to lure him into bed. Later, sober, he apologizes. Learning from Pearson that Monica has seen a divorce lawyer, Jeff confronts her, and she insists it’s a lie. Avoiding his attempts to kiss her, she musses her hair and tears her blouse, then rushes to Rick’s, claiming that she can’t stay with that maniac any longer. They wind up in Rick’s bed, and after making love he confesses he always loved her. Rick replies to her question of whether he wants to marry her by saying he has to talk to Jeff. Monica insists that Jeff not bear any pressure from their problems. As she leaves, Rick gives her a key to his apartment. Jeff, having spent the night drinking, misses his surgical assignment, and Steve, informing him that his personal life can’t interfere with his profession, puts him on suspension. Rick can’t persuade Steve to reverse his decision, but Mark, sensing what’s at the heart of Jeff’s problem, convinces Steve to lift Jeff’s suspension and transfer him to Mark’s service. Rick asks for his key back, telling Monica they can’t do anything as long as she’s under Jeff’s roof. So she has a duplicate made and moves into intern’s quarters, explaining that Jeff’s violence drove her out. She tells Jeff she needs privacy to work things out, and tells Rick Jeff wanted her out. Thinking that this is the preliminary to a divorce, Rick tells her she can come to his place. In New York, Leslie’s abortion is delayed by a mix-up in scheduling, and she calls Terri to commiserate. Rick overhears Terri’s conversation and forces the whole story from her. He flies to New York to stop Leslie, feeling responsible for pointing out how evil Cam was, and arrives to find that she has decided she can’t deny her child the right to live. Monica, meanwhile, expecting that Rick will be home, uses her key to let herself into his apartment and is shocked to find Mark there; knowing that Mark was uncomfortable at the hotel, Rick offered Mark use of the apartment in his absence. Monica is upset to learn that Rick is in New York with Leslie, and Mark doesn’t know why. Mark does advise Monica to play fair with Jeff, but she resents his interference. The next day, while covering for Leslie at the clinic, Monica discovers Leslie’s lab test report and jumps to the conclusion that the baby is Rick’s. When Rick and Leslie return, Monica wastes no time in accusing him. He is dismayed to see that she is still as suspicious and possessive as she was before he went to Africa, and points out that her making a duplicate  key proves she hasn’t changed. Terri encourages Leslie to see Rick in a romantic light and then suggests to Rick that Leslie is interested in him. Rick likes this idea and tells Mark he’s growing ‘unwilling to cope with Monica’s unreasonable demands. But Monica immediately recognizes the threat Leslie represents and decides to attack. She goes to Leslie and tells her flatly that she and Rick are having an affair and he’s her exclusive property. Leslie, who realizes she has been falling in love with Rick, is hurt, and Rick is mystified when he feels Leslie pulling away from him. Monica’s big moment comes when she brings Rick a housewarming gift and seduces him into letting her stay overnight. She is in the bedroom when Leslie stops by to apologize for refusing his dates, and makes a dramatic entrance into the living room draped in Rick’s bathrobe. Leslie turns and runs out. Rick later informs her he’s disappointed in her, because she prejudged Monica and him rather than giving him the benefit of the doubt. Heather tries to arrange another tryst with Jeff, but he replies that he still loves his wife. Heather decides there’s only one way to get Jeff to be pregnant with his child. She manages to overhear Monica putting Jeff down by telling him he no longer turns her on and should look for someone he does. Heather goes to Jeff and tells him that she heard Monica and that she is the one he’s looking for. She manages to get him into bed again, and sweetly assures him this is right. She then sets the stage for future meetings. Steve, meanwhile, offers to help Monica and Jeff work out their problems. Jeff is willing, but Monica turns the idea down. Instead, she presses Terri to convince Jeff to end the marriage. Terri now knows that Monica isn’t a good wife for Jeff and promises to try. But Jeff makes it clear to Monica that he still loves her and won’t let her go. She is bitter and upset, as she has already implied to Rick that she will soon be free. Audrey is upset to find that Florence Andrews has been inquiring about Tommy and herself. She goes to Florence’s home and finds she’s away now. Florence has gone down to Mexico to sign a sworn statement that she purchased a false death certificate for Tom, to protect his son after his wrongful conviction. Tom, learning from her that Steve and Audrey are to be married and Steve is planning to adopt Tommy, tells  Florence not to do anything, as there’s still no assurance that he’ll ever get out. But the judge does accept the statement, and, ironically, on the day that Steve  and Audrey are married, Tom is released from prison.
    • 1976 Pt 12 Final part Laurie agrees with Stuart that Peggy is rushing into marriage to prove that the rape didn’t ruin her life.  She points out that the only way Peg can be sure is to make love with Jack before the wedding. Stuart admits she’s right but points out that he can’t suggest that to Peggy. As the wedding approaches, Peg seems happy that Jack’s become close to the family. However, her happiness is shattered by a nightmare in which her loving bridegroom turns into a leering Ron Becker, forcing her to cancel the wedding. Jack reassures her he’ll wait as long as it takes, and Chris confides that she and Snapper didn’t consummate their marriage on their wedding night because of her own rape experience, but Peggy tells Chris she might never be ready.  Despite her desire to keep Karen as her own daughter, Chris helps a police artist create a sketch of Nancy so it can be printed in the newspaper as part of a search for her. When the attempt proves fruitless, however, Chris asks Greg to file application for permanent custody of the child. Greg points out that adoption is the only way to prevent Ron from returning and claiming the child, and that it will take quite a while. Meanwhile, a nurse in the psychiatric ward sees a resemblance  between the newspaper drawing and her autistic patient, Mrs. Jackson, but since “Fran” doesn’t respond to the name Nancy and no one else sees the similarity, she fears she’s mistaken. Jill is horrified to overhear Kay, when brihging baby Phillip a Christmas gift, telling the child she remembers the night he was conceived. Kay has to then admit to Jill she saw her with Phillip in the bunkhouse that night. Jill is aghast to realize that Kay new the truth all along and put her through such agony in spite of it, denying her baby his father’s name. Lance tells Laurie they’ll marry on Valentine’s Day. He laughs that it’s corny but agrees, secretly wishing it were sooner, as Vanessa has vowed to prevent it. Indeed, Vanessa makes an unprecedented venture out of the house to visit Brad, telling him to rebuff any advance Leslie might make to him, as she’s reaching out to him only from a sense of duty. But Laurie then makes a concerted effort to reach Vanessa. Without being sure why she’s trying so hard, she tries to assure the woman she’s not losing Lance and she, Laurie, will help her find a plastic surgeon somewhere who can help her. Grudgingly, Vanessa seems to be reconsidering her view of Laurie, and Laurie is delighted when Lance offers her a choice between two diamond necklaces, explaining that her preference will be Vanessa’s Christmas gift. Learning from Les about Brad’s blindness, Stuart tells Brad he could have turned Leslie away only out of great love. Knowing that Les is going to see Brad again, Laurie warns him not to bring the baby into their discussion, as Leslie will come back only she’s convinced he loves her, not for the babies sake. Leslie finds Brad disheveled and sloppy, and proceeds to straighten the apartment, stating that she can't respect him if he lets himself go. Realizing that neither Brad nor Les will make the first move, Laurie hurries things along by refusing to help Brad with his grooming, saying he should ask his wife. Then, having learned  that Brad offered Les the use of their piano, Laurie untunes the Brooks' piano forcing Leslie to accept his offer. By refusing to cater to his  blindness, Les manages to get Brad to stop wallowing in pity, and by the time Leslie’s Christmas braille message of her love and her need for him arrives, they are husband and wife again Lance takes Laurie on a business trip on New Year's Eve, and tells her, on board his plane, she won't be  won't be able to call him “Mr. All Talk and No action” after tonight. When Laurie protests that waited this long and will continue to wait until married, Lance delights her by instructing his pilot to land in Las Vegas, where they are married immediately.
    • Yeah, not sure why Jack and Jen didn’t rush to Marlena - or even Carrie - to offer their condolences. A few flashbacks would've been a nice touch too. Instead, we got a whole episode of them talking about Chad and Abby? Come on. On the bright side, I loved Anna’s scenes with Marlena and Carrie - sweet and heartfelt, felt like a real 80s throwback.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy