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AMC: Friday


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Well, I still want to string her up by her toes, and burn her at the stake if that counts for anything. LMAO :D Hey, that woman gave me David and Erica, twice...Josh or no Josh, a part of me will always be able to see past the crap, and remember the good. But if you told me tomorrow (and god I hope someone does, LOL) that she's gone, I'd the first to call the studios and sing "Hit the road Jack (changing some of the words) to her psychcotic a*s.

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Thanks, Jude.

What's funny about this is that I hate McT as much as anyone! Wasn't I the one that talked about all the “Jump the Shark” moments in the last 2 years? I’m just saying that I enjoy her writing usually during the first 2 years! But I guess I'm not allowed that opinion.......and neither is anyone else.

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As far as McT goes, I agree with Rugrat that Anna Cascio and Gordon Rayfield's work had improved by May 2003. They finally seemed to know what they were doing when they were fired.

McT was fine when she was wrapping up their storylines, but when it came time to create her own, she did what she always does: She bombed!

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Wow - I wake up this morning and this thread went from 1 page to 4!

Great reads - great remembrances of the show - and funny arguments.

First, JSF - you have a point with the "Zoe" and "she" thing. I don't know any TG's, but I wouldn't call one a 'she' when he isn't dressed like one...but I think Babe wanted to maybe stress that Zarf/Zoe is a TG.

As for Bianca, it's understandable for her to not believe Zarf at all, since she assumes (and he admitted, bc he was scared/upset) that it was all an act to get her in bed....so I doubt that she'd assume those drugs were estrogen shots.

As for Eden and Bianca - ITA with all of you - she's a good girl, but I can't help but love her....there is something about Eden's acting I guess.

As for the previous 'jumping the shark' moments - I really liked most of those moments. We knew Trevor wasn't going to come back, well I wouldn't accept a recast, so having Janet murder him and putting him in that freezer only made the cabin stuff way more entertaining and freaky. Also, it gave Amanda/CS a chance to shine. Plus I don't buy the fact that Janet wouldn't kill Trevor - when Janet and Trevor left PV, they were already fighting and not getting along - then we saw flashbacks of them arguing alot and screaming at each other. Well we all know Janet is CRAZY and she was at an all-time crazy during her return - so why not in her crazy little mind would putting Trevor in a freezer as 'timeout' be too ridiculous of an idea?

That moment when JR peed on Josh was a little erotic to me...call me crazy, but that 10 second moment was hardly 'jump the shark'.

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I appreciate that folks enjoyed the first part of McT's regime as is their right, but I cannot see a few months of decent story makes this whole regime worth it, by any means...not that anyone said that outright.

I see it more as the "torch", the "spark" that lit the fuse of the Auntie Meg's atomic bomb obliterating AMC. Being a lesbian fan gives you a whole different prism through which to looks at McHack'n'Sack 3.0 (admittedly not their was no unified lesbian opinion).

I can see nothing different from her very first story from the pattern we've seen over and over and over since then. Sensation! Promise then intrigue is created, folks sit up and pay attention then scattershot, tangetizing plot points until all meaning is lost. Rape=Love? Rape=Family Legacy? Regressive, ridiculous and insulting themes, imo.

Bianca is my favorite character and McT came out of the starting block aiming for the only lesbian in Daytime with both barrels blazing. Woe be the gay character for whom McT writes with utter and arrogant cluelessness.

I enjoyed the Kane Women dynamic, coming together, the development of Kinks even though Kinks came at the cost of/in lieu of any support for or even any communication with a gf for Bianca but Kendall was never without. Kinks were developing and could have continued to do so in lots of other ways.

And no I am not discounting the effects of rape, I am not talking about having sex, I am speaking of maintaining a partner or at least some developing communication. Showing how the rape affected them as a couple and how they find their way back...Bianca and Lena never had a single conversation about her rape. No therapy was shown until the next year(!) and only once or twice. That had to be thrown aside for BFF time with Maggie and Bianca's former gf shut out, talking to doors with no one around to hear her, having little Maggie Stone browbeating Lena at every turn and finally a suicide attempt.

Yes, I think starting with Michael's murder was an exciting time in some ways. Because McT knows how to devastate utterly and that's what she did to the audience with Bianca's rape. It sealed the emotional involvement with Michaeal's murder...Lather. Rinse. Repeat. for The Baby Switch. The actors really stepped it up, but a lot of folks were getting pretty cranky about how the murder reveal was drawn out.

My point is that I know she brought some folks back to AMC (though she did Not garner any fantabulous ratings from the rape or even Michael's murder) and that some folks liked what she brought storywise...but as a whole the audience was not yet accustomed to her special brand of gimmickry. I know I took a lot of hits here for criticism of her at the time....but for me the cost has NEVER been worth 1 arguably decent story in 3.5 years. Despite having several superficially identifiable stories, there was but one story "Torturing Bianca" for a good part of that time. It gave Eden lots of material (and I think in a lesser actor's hands, McT's work wouldn't have had the success it did), but it hurt Bianca, imo.

So in 3.5 years, for the only lesbian in Daytime, McT's brought her a very special episode and brutal rape laced with mind games about her sexuality, which broke up Biancca's groundbreaking relationship with Lena from whom Bianca walked away without ONE WORD of explanation, Follow-up with impregnation, the choice not to abort, the birth then stealing of that child, the driving to near/total insanity in grief and the destruction of Bianca's integrity by her acceptance of her babystealer. Not that I care to ever see them together, but she screwed over Bianca chances at a relationship with Maggie, too. And now, she brings back Bianca to "soul attraction" (with the complete ignorance of the physical component of romantic feelings, "confusion about her orientation") with a TG played by a male actor. No. Not happy with Megan's tenure. None of it.

I agree that the show was coming back into it's own later in RC era, but I enjoyed some not all of their material, bui the Micheal/Lena/Enchantment/Fusion stuff was great, imo. And modern in a way McT's mind can't comprehend. RC apparently decided to have Michaal become a rapist (though not Bianca's), and I didn't find that appealing or even smart either and I wouldn't have been happy no matter whom the unlucky victim was to be. But there's just something about soaps and rape...what the hell is it? *eyes Passions, too*

I don't know enough about her previous reigns to judge them, but it seems that McT only does her best work in the first 18-24 months because she's busy hacking the previous administration's storylines/setups/characters. Without what RC had established, McT couldn't have created the best of the crap of all the crap she's written in McT 3.0.

And I find it hysterical, in her darkening days, where desperation for ratings, buzz, sensation, ANYTHING to get folks back in, she's all back up in the Cambius mythos she did NOT create again, dragging Kenny out of the ether, semi-corporate story, Fusion-based, blah, blah...HACK!

I'd give up every single viewing experience I've had on AMC since McT took over, if a wish would take everything from July 2003 on away and we'd could start AMC anew a la Bobby Ewing on Dallas...as though McTravesty 3.0 never happened.

What have we really gained that couldn't have been achieved by less untalented, less clueless, less hackneyed, less laden with Freud-would-be-so-proud neuroses about parents, love, sex, gay people, TGs and bodily fluids writers. Nothing. If anything Fronsie or someone's been trying to reset the show back to his vision of early 2003. If only we hadn't had this terrible detour.

~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~

RR, I don't think it would be hard to write that any of the suspects for the SSK could have had Zach investigated to find out enough about his past to mindf*ck him with now, in order to frame him, or in some sort of revenge scheme. I mean most folks know he's a Cambius by birth. And, IIRC, Tad didn't have too much trouble finding out info. I think that aspect will be pretty easy to write in once McT decides who the SK actually is.

JonnyBoy could have accidentally poisoned Erin (maybe she picked up a pitcher of posion cocktails accidentally). Or it could be old issues come to the forefront. JonBoy could still be mad at Zach by some weird perception that Zach is against HeroBro Ryan! That's what set him off when he first arrived...Ryan deserved the world and anyone who got in his way was Eeeeeveeeeel to AngerBoy,

John's on my short list still.

Josh is my suprise dark horse.

Though she's set it up so probably 10 people could have done it.

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Oh I love reliving old AMC memories. I also agree with those of you that said middle 2003 beginning 2004 was good. I will always appreciate Megan for giving me Kinks much like she gave me Courtney/AJ on GH but overall her writing bombs. I personally think killing off Michael so soon was a mistake. While I had no wish to watch him torture Bianca and the Kane women endlessly, the show has'nt had a really good villian since. Except maybe Garrett the Dragon who they also killed off. Its sad but the villians on the show tend to be played by good actors who can give them layers in spite of the acting and the heroes played by poor ones who can't overcome it.

I came back to watch the show around May 2003 as well, I just loathed Chris Stamp and was so glad he was dead. I loved Anna/David and their losing Leora broke my heart. I just hate child-dying storylines. Its short-term story telling with no long-term forsight. Then we get these kids out of nowhere because they have wasted the generation that should have been created. Cough... Babe...Cough.

I loved the Kane women coming together to take down Michael. One thing I liked about DeVry's acting is he never played Michael as sympathetic. The guy was always a whining self-piting pig. I was glad Binks blew him away because he would have made it his life's mission to destroy her to get what he wanted. I liked that even though Kendall was still a mess, she was a tougher mess. I thought Susan's acting during the murder trial was the best I have ever seen from her. She gave me chills in the scenes with Myrtle after the dress ripping, and then when Bianca tells her she's still pregnant. I miss those days. It was'nt perfect soap but so much better than the current crap on the air.

I think the show really started going downhill around fight club. That was just so stupid I barely watched. Then sperm-gate and I turned out because pod Kendall showed up. Simone was the only highlight of that storyline. I barely watched after that because I was ffing through so much of the show.

I hated when Janet killed Trevor. As a Trevor/Natalie fan I was beyond pissed at what they did to him. I thought it was disgusting.

If I had to list all the moments I have hated since Megan took over I guess these would be it:

1. Babe offers to sleep with Jamie on NY's eve

2. Babe decides Miranda is better off with her and Jr

3. Ryan is given Cambias back after Miranda is declared dead

4. David choses Babe over Bianca.

5. Edmund turns into an ass

6. Fight Club

7. Sperm-gate

8. Ryan fakes his death and finds tumour boy.

9. The unaborted fetus. The worst plot in daytime history. What a slap in the face to longtime viewers.

10. Bianca is attracted to a physical male. Especially as she said before her rape hearing to Jack. Everyone knows I don't sleep with men- ever.

As for Babe lecturing Bianca. Please. Babe has no moral ground to lecture anyone. She kept Miranda for months after finding out who she was, committed bigamy, slept with a stranger her first night in town, ran off with her husband's brother and his kid, helped Jr cover up running over Amanda, and helped Jr get off for hurting Kendall. She also is encouraging Krystal to keep another baby lie and is actively leading on her lover. As for her accepting Bianca as gay. Babe accepts everyone because she does'nt care what they do or who they are. Unless they are trying to make her feel bad. Its her only criteria for judging anyone.

As soon as I read Babe was involved in this storyline I knew it was going to become all about her and how wonderful she is. As usual they dumb Bianca down to make this happen just like the babyswitch. Viewers can go from hating a character to liking them. I hated Amanda and grew to like her. But I saw the character change, and I am just not seeing that with Babe, there is no character growth going on, which is why I still hate her. And Ryan too for that matter.

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Okay, thanks, sweetie. But just to let you know, it was all tongue-in-cheek. If you think I take any of these anonymous, faceless opinions to heart and think it's actually my life's mission to affirm and condemn them, then... whoosh! :rolleyes: I don't know you people from a hole in the wall, so why is anything I say being taken to the utmost personal level?! But it's my fault. I keep forgetting not to judge others by myself. Not everybody is able to be detached from their arguments. I guess you can take the kid out of the high school debate team, but... yadda, yadda, yadda...

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I enjoyed and agreed with all that you posted, but I have to say that I strongly believe that Michael wasn't going to be a rapist under RC. Rumors had been going around slightly before the Lesbian Rape that Brian Frons was "sold" on McTavish's idea of the Kane Women's Legacy of Rape... and the Michael character was probably tweaked and twisted to fit the antagonist role in that "legacy."

The impression I got from RayCascio's Michael was that he had a heart which so desperately ached for his father's approval, which is what drove him to be such a shady businessman. That Michael seemed to operate on a more psychological basis -- not some dark man who would rape some young woman on a boarding house sofa.

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What I meant was yeah Kendall can forgive, but it's very out of character for her to forgive JR for almost killing her son and herself. She'll NEVER forgive Babe for what she did to Binks, why would she forgive JR for almost killing HER son?

Zach is the BOSS of the security guards watching Kendall, he hired them. I'd knock the drink out of the guy's hand too. They don't know who the killer is, and that coffee could have been spiked with anything.

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I don't know if I agree. What got McTavish her job back is that the plan was to have Kendall raped, but she suggested Bianca be raped instead and the whole way she was going to do it [Kane Women "Love Story," Kinks]. Now, that makes me doubt she was the one who was planning the initial rapist status of Michael. Anybody remember the "exact" date of her return. Wasn't is Michael attempting to rape Kendall when she went into his condo to steal files? And wasn't that in May? Because Michael was "taken down" initially in late May. Just looked it up, May 15, 2003: http://www.tvmegasite.net/day/amc/transcri...ns-05-15-03.htm

I'm guessing by the time I've posted this, smith will have already replied to this as well, maybe.

Oh man, amazing work from her particuarly pre-April 2004. And that scene was one of the tops. Kendall dress just ripped off. She goes to Kendall and Bianca before she leaves, and is all "I don't understand" and you sort of want her to reach out to Kendall, to comfort her, who in turn replies, "you'll never understand, Erica" and then as Erica walks out Kendall finally lets a sob out. Erica goes home in a daze subconciously knowing Bianca is the one pregnant with her rapists's baby...and looks in the mirror and....

Myrtle: You can erase all this from your mind, darling.

Erica: That's what I did when I was 14. I erased everything from my mind. I mean, it wasn't just that I told myself I wasn't pregnant. I really didn't know. I really didn't know. I mean, even when I would wake up in the mornings and I would just feel so sick to my stomach and I would notice that my body was changing, I just wouldn't let myself see. My mother saw, though. She finally saw what I was hiding from myself. She came into the bathroom one morning. She saw me standing there in front of the mirror. She saw a 14-year-old girl carrying a baby. And even when she told me, I didn't believe it. I never made that connection. But she kept after me, and I did finally believe. I did finally see. And then I screamed. I screamed for two days, Myrtle. Then, after that, I never said a word. I never said a word until that child was born, until that rapist's child was gone from my body, gone from my life.

Myrtle: Darling -- darling, sweetheart, stop this. The past is past. Now it's different. Michael's baby is gone.

Erica: Then why do I still feel like screaming?

I agree with whoever (Steve) said McTavish tied up R&C's story well (and I include the Michael murder story/Miranda pregnancy in that despite the dragging out, since they started the this guy is going to be a major S-O-B thing), but was very much more miss when it came to creating her own stories. To me May 2003 came close to perfect AMC, and if they hadn't gone for rape, it would have stayed that way, they could have kept Michael on for longer as a villain. That said, I don't mind rape storylines, I do think they're (rapes, that is) gimmicks though to avoid thinking stronger in terms of getting from point g to point h. But, at least at the time I don't think it was a distraction from actual lesbian life tactic (for Bianca) - I think McTavish as well as R&C (if that was actually them in May) were very interested in changing the dynamics with the Kane Women, and I think that's something so much of the audience wanted badly. It wasn't the most kosher way to go about it...

...sometimes I think what would have been if they never went the rape way. You pushed Bianca up to holy saint, and you made Kendall a major heroine in her anti-heroine crazy way (which I appreciated, she was still a bitch in heels, but what a sacrificing one) - what if everything was more subtle. I always come back to the fact that it was actually the choices after Michael was really put to rest that I didn't like versus the evolution created pre April-2004. So, I didn't really dislike much about the Rape/Pregnancy or Murder storyline pre-April 2004 (I did dislike how Ryan drilled himself into the role of Protector despite everybody's protest, as crazy as the plotting was, the women were doing it for themselves and I could have done without Ryan), I dislike the road taken after. They should have attempted to get Bianca back on the dating ball at that point not give her another "platonic" girl-on-girl relationship (Babe) and more tragedy for plot (dead baby, platonic girlfriend has stolen baby). Kendall shouldn't have been stalking loser Ryan at that point, she should have been plotting with David - and IMO it wasn't so much the rape storyline that had her character make a real shift, it was being used to prop Ryan's stories (Kendall would have never stood for a guy treating her like Ryan did and go kissing tail after him and/or his wife, save the early plot driven Michael stuff). Making Erica a showgirl and her father a rapist dealer? Ugh.

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MISS FIRECRACKER  Preacher Mann   1989    SHOCKER      Talk Show Guest   1989 CRAZY FROM THE HEART    1991      (Made for T. V.) CORRINA, CORRINA     Brent Witherspoon   1994 STAR TREK: GENERATIONS      Data   1994 JOURNEY'S END: THE SAGA OF STAR TREK: THE NEXT GENERATION   1994   (Made for T. V.) STAR TREK: RETURN OF THE NEXT GENERATION   1994 KINGFISH: A STORY OF HUEY P. LONG       1995    (Made for T. V.) PIE IN THE SKY    Upscale Guy    1995 PHENOMENON     Dr. Bob        1996 INDEPENDENCE DAY    Dr. Brakish Okun     1996    STAR TREK: FIRST CONTACT     Data      1996 TREKKIES     1997 OUT TO SEA    Gil Godwyn    1997 STAR TREK: INSURRECTION    Data   1998 SOUTH PARK: BIGGER, LONGER AND UNCUT    Conan O'Brien   (V) 1995 INTRODUCING DOROTHY DANDRIDGE    Earl Mills    1999    (Made for T. V.) GEPPETTO     Stromboli     2000     (Made for T. V.) DUDE, WHERE'S MY CAR?   Pierre     2000 HOLLYWOOD REMEMBERS WALTER MATTHAU    2001    (Made for T. V.) A GIRL THING   Bob    2001      (Made for T. V.) ASK ME NO QUESTIONS      2001     (Made for T. V.) THE PONDER HEART    Dorris Grabney  2001    (Made for T. V.) I AM SAM   Shoe Salesman    2001 THE MASTER OF DISGUISE   Devlin Bowman    2002 STAR TREK: NEMESIS    Data; B-4      2002 IDENTITY CRISIS: THE MAKING OF A MASTER    2003 AN UNEXPECTED LOVE    Brad     2003     (Made for T. V.) JACK        Vernon    2004    (Made for T. V.) THE AVIATOR   Robert Gross     2004 MATERIAL GIRLS    Tommy Katzenbach   2006 CAST OF CHARACTERS: THE MAKING OF MATERIAL GIRLS      2006 SUPERHERO MOVIE   Dr. Strom   2008 QUANTUM QUEST: A CASSINI SPACE ODYSSEY    Coach Mackey (V) 2010 STARDATE REVISITED: THE ORIGINS OF STAR TREK: THE NEXT GENERATION    2012 REUNIFICATION: 25 YEARS AFTER STAR TREK: THE NEXT GENERATION    2012 RESISTANCE IS FUTILE: ASSIMILATING STAR TREK: THE NEXT GENERATION    2013 STAR TREK: THE NEXT GENERATION: REGENERATION -- ENGAGING THE BORG    2013 RELATIVITY: THE FAMILY SAGA OF STAR TREK: THE NEXT GENERATION   2013 REQUIEM: A REMEMBRANCE OF STAR TREK: THE NEXT GENERATION     2013 STAR TREK: FROM ONE GENERATION TO THE NEXT     2013 BEYOND THE FIVE YEAR MISSION: THE EVOLUTION OF STAR TREK: THE NEXT GENERATION 2014 STAR TREK: THE NEXT GENERATION -- THE SKY'S THE LIMIT  THE ECLIPSE OF STAR TREK: THE NEXT GENERATION   2014 STAR TREK: THE NEXT GENERATION -- THE UNKNOWN POSSIBILITIES OF EXISTENCE: MAKING ALL GOOD THINGS...      2014 THE MIDNIGHT MAN     Ezekiel   2016 INDEPENDENCE DAY: RESURGENCE   Dr. Brakish Okun     2016 INDEPENDENCE DAY: A LEGACY SURGING FORWARD     Self; Dr. Brakish Okun    2016 ANOTHER DAY: THE MAKING OF INDEPENDENCE DAY: RESURGENCE    Self; Dr. Brakish Okun  2016 BRENTWOOD    Brent     2018 NEVER SURRENDER: A GALAXY QUEST DOCUMENTARY    Data   2019 STAR TREK: PICARD: THE IMAX LIVE SERIES FINALE EVENT    2023 Video Games STAR TREK: THE NEXT GENERATION -- A FINAL UNITY       Data     1995 CHRONOMASTER      Milo     1995 STAR TREK: GENERATIONS   Data     1997 STAR TREK: HIDDEN EVIL      Data    1999 STAR TREK: AWAY TEAM      Data   2001 STAR TREK: BRIDGE COMMANDER     Data   2002 FAMILY GUY: THE QUEST FOR STUFF     Data    2014 ELITE: DANGEROUS       Vega    2014 HCS   HOMEPACKS      2014 BROADWAY A HISTORY OF THE AMERICAN FILM    3/30/1978 - 4/16/1978      Hank SUNDAY IN THE PARK WITH GEORGE     5/2/1984 - 10/13/1985      Franz; Dennis THE THREE MUSKETEERS   11/11/1984 - 11/18/1984     Aramis BIG RIVER      4/25/1985 - 9/20/1987     Replacement -- The Duke  10/8/1985 - ??? 1776     8/19/1997 - 6/14/1998       John Adams     **** DRAMA DESK AWARD NOMINEE -- OUTSTANDING ACTOR IN A MUSICAL LIFE    (X)3      3/31/2003 - 6/29/2003      Hubert THEATER THE FAMILY PLAY 1 AND II    1975        Kil   Westside Theatre  Downstairs MARCO POLO       1976     Counselor 2     Marymount Manhattan Theatre LEAVE IT TO BEAVER IS DEAD   1979      Luke   New York Shakespeare Festival EMIGRES   1979     AA      Brooklyn Academy of Music THE SEAGULL  (World Premiere)    1980    Konstantin Treplev      Joseph Papp Public Theatre -- Newman Theater TABLE SETTINGS     1980      Older Son       Playwrights Horizons -- Judy Theater NO END OF BLAME    1981   Mr. Mik; Art Student; 2nd Male Nurse; 2nd Hungarian Soldier; 3rd Airman       Stage 73    MARVELOUS GRAY      1982     Electrician    Judith Anderson Theatre THE CHERRY ORCHARD    1983       Long Wharf Theater     New Haven, CTTHE PHILANTHROPIST      1983     John      Stage 73 SUNDAY IN THE PARK WITH GEORGE     1983   Jed; Franz  Playwrights Horizons -- Judy Theater LITTLE SHOP OF HORRORS   1983       Replacement -- Seymour Krelborn EVERY GOOD BOY DESERVES FAVOR      1992; 1993   Ivanov MAN OF LA MANCHA       2009      Don Quixote/ Miguel de Cervantes    Freud Playhouse at UCLA     Los Angeles, CA BOOK --    FAN-FICTION: A MEM-NOIR, INSPIRED BY TRUE EVENTS     October 2021 Family Ties Parents --     Sylvia Schwartz  and Jack Spiner    Step-father -- Sol Mintz Marriage --   Loree McBride      ???? - Present    1 Child -- Jackson Spiner   Before Brent Spiner was Famous There are many similarities between forensicators and Lt. Commander Data from Star Trek: The Next Generation. Both are highly intelligent, but rarely understood by the outside world. Both aim only to evolve, to be better than what they are. And both belong to the NFL. Data, who is actually Brent Spiner, was born February 2, 1949 in Houston, TX. He was the son of Sylvia, a corporate VP and Jack, a furniture store owner. When Jack suddenly died, Sylvia was left to raise infant Brent and his brother alone. She eventually remarried a man named Sol Mintz. Although Mintz adopted Brent, Brent changed his last name back to Spiner when he became a professional actor. Spiner attended Bellaire High School in Houston and was heavily involved in baseball and the drama club, in addition to being a member of the NFL. While on the speech team, he gained 143 points and even earned the title of Dramatic Interpretation Champion in at the 1967 National Tournament (the same year actress Shelley Long won Oratory). After his success in high school, Spiner moved on to the University of Houston and began performing in local theatre in Houston. Eventually he dropped out of college to move to New York City and try his acting luck there. While in New York, Spiner gained more stage acting experience, performing in several Broadway and Off-Broadway plays, including The Three Musketeers and Stephen Sondheim’s Sunday in the Park with George. In 1984, Spiner decided to try film acting and moved again, this time to LA, where he appeared in several pilots and made-for-TV movies. He then auditioned for the up-and-coming show Star Trek: The Next Generation. Spiner himself was never a fan of science fiction or of the original Star Trek, but figured the show would soon be cancelled and he desperately needed the money. Starting in 1987, Spiner played Data for 15 years, during the show’s 7 seasons and the four feature films that followed. Even when the show was cancelled in 1994, Spiner’s career as a performer barely paused. He is most remembered for his role in Independence Day as Dr. Okun, the somewhat awkward chief scientist of Area 51 who is attacked and killed by his alien subjects. He has also made appearances on Law & Order, Friends, Dude, Where’s My Car?, I Am Sam, and The Aviator. Spiner returned to the theatre and appeared in the Broadway revival 1776 as John Adams. Unlike most of his co-stars, Spiner is not very active in the Star Trek convention scene. He has made a few appearances, but overall his lack of interest in science fiction gets the best of him. However, he still regards Patrick Stewart and LeVar Burton as two of his best friends. One of the challenges forensicators face is finding the human element in their events; to not be robotic and detached, but simply themselves. It is this crucial element that separates the good from the great. As the character Data, Spiner sums up the NFL experience the best: “If being human is not simply a matter of being born flesh and blood – if it is instead a way of thinking, acting, and feeling, then I am hopeful that one day I will discover my own humanity. Until then…I will continue learning, changing, growing, and trying to become more than what I am.”   https://www.ign.com/articles/2002/12/09/an-interview-with-brent-spiner https://www.latimes.com/archives/la-xpm-1992-02-17-ca-1835-story.html https://www.discogs.com/artist/1224629-Brent-Spiner?srsltid=AfmBOorfw9Nl3EZ4fc-plhbgU3ng2bSQTruygkdJxZgsPquzQ6sBhCbj     Leslie Charleson    pg. 435   PILOTS/PROPOSALS ANOTHER APRIL      April Weston Moss   1974    (Made for T. V.)   Article including James Rebhorn, Catherine Cox and Peter Kluge -- all former daytime actors .https://www.wittenberg.edu/administration/universitycommunications/magazine/spring1999/curtaincalling
    • For anyone who missed the end of Friday June 6 due to news interruption, the last five minutes of every episode is uploaded to the official GH facebook late in the evening, usually around 11:30pm Eastern. Here's the end of that episode: https://www.facebook.com/generalhospital/videos/3649028845342563
    • Thanks so much for posting this. Since they had retconned Roger/Holly's relationship after his return as being "Roger was always in love with Holly" when it was actually the other way around, they kept up this narrative in this video. Understandable, but it still bugs me. Holly was never his "heart." That's baloney. He only married her to be in Christina's life and was screwing other women like Diane and Hillary the whole time. Peggy was truly the only woman that Roger ever loved, and even that wasn't a very healthy relationship. Holly only really fell out of love with Roger after she realized she loved Ed while they were divorcing. I'm glad he reminded people that the rape scenes were taped in a day. It's amazing what they accomplished with very little rehearsal. That scene still has great impact after all these years. And OMG, watching the scenes of Roger's return in comparison...the quality in the writing really nosedived. The stupid mask. (I love the way they joke about the mask at the end). Alan's insanely over-the-top reaction to his return when Roger had no hold against him anymore. Yikes, one of the worst things Long did while she was still writing the show, though I will cut her a break since she absolutely had a tough task bringing back a guy who fell off a cliff.
    •   Thanks! You reminded me I did not remember to add in the preemptions for the dark weeks, since those are not listed on the sortable charts, so these are the additional preemptions per newspaper listings and Vanderbilt News for the 1973-1978 dark weeks. I have added them in to the full lists above.   8/26/74-8/30/74 Another World Wednesday episode- 3:04PM (26 minutes) 8/26/74-8/30/74 Doctors Preempted Wednesday- Ford News Conference 8/26/74-8/30/74 Edge of Night Preempted Wednesday- Ford News Conference 12/22/75-12/26/75 As the World Turns Preempted Friday- Sun Bowl 12/22/75-12/26/75 Guiding Light Preempted Friday- Sun Bowl 12/22/75-12/26/75 Search for Tomorrow Preempted Friday- Sun Bowl 12/22/75-12/26/75 Young and the Restless Preempted Friday- Sun Bowl 8/22/77-8/26/77 Doctors Preempted Tuesday- Carter News Conference 8/22/77-8/26/77 Guiding Light Preempted Tuesday- Carter News Conference 8/22/77-8/26/77 One Life to Live Preempted Tuesday- Carter News Conference (possibly aired just 3-315PM) 4/24/78-4/28/78 Another World Preempted Tuesday- Carter News Conference 4/24/78-4/28/78 General Hospital Preempted Tuesday- Carter News Conference 4/24/78-4/28/78 Guiding Light Tuesday ep- 230-3PM (30 minutes) 6/26/78-6/30/78 Edge of Night Preempted Monday- Carter News Conference 12/25/78-12/29/78 Another World Preempted Monday- (Local Fill) & Fiesta Bowl 12/25/78-12/29/78 As the World Turns Preempted Monday- Peach Bowl 12/25/78-12/29/78 Guiding Light Preempted Monday- Peach Bowl
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