Jump to content

ALL: General Retro Soap Discussion


Recommended Posts

  • Replies 248
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

This is so true. I'd also point to Dark Shadows which has held up for audiences even today. They obviously didn't have much in terms of budget but it didn't matter. They were largely successful at everything they did because they had creative people in charge who knew what they were doing.

Link to comment
Share on other sites

  • Members

Nostalgia notwithstanding, there were many things that happened on those sets that could only be called embarrassing. Many amusing stories are told about those sets & that very low tech. Those people were making it up as they went. A very similar thing to what we've been discussing. And, a similar result.

Link to comment
Share on other sites

  • Members

I'd say there was plenty of wonkiness on Dark Shadows. My all-time favorite would be when Kate Jackson was gagged, the gag clearly came untied, and she had to hold it in her mouth with her teeth as the sides were flapping away.

It just didn't really matter because the cast and writing did enough to make you care and they also took a lot of chances, going all across time, had all kinds of horror content, etc. 

That wasn't the case with GL's last few years (some might say they had horror content, admittedly).

Link to comment
Share on other sites

  • Members

Of course there were accidents, as there were on all of the soaps that were live or live-to-tape but overall I think Dark Shadows does hold up well from a production standpoint. Especially the Black and White episodes which I feel added to the atmosphere and hid some of the imperfections.

It's not just Dark Shadows but I think all of the soaps from the 60s and 70s hold up incredibly well.

Link to comment
Share on other sites

  • Members

DS' black and white run does hold up well. I don't think the show suited color. Only in the last year do they finally begin dressing the ladies for color. 

I think most of them hold up, although we've not seen a great deal. I know Denise Alexander talked about how dated GH was in production (as mentioned on here by some fans), and you can see that is the case from what's available.

Link to comment
Share on other sites

  • Members

Dark Shadows has lasted over 50 years in syndication and on streaming despite no successful revivals or reboots, and despite (and perhaps somewhat because of) its wonky budget, FX and onscreen production foibles. Any fan of the show (including several of us here) knows its issues very well.

As DRW points out, Peapack GL cannot say the same. It's because they couldn't put story or characters across the same way. Though I do think a better GL deserves a shot on the air today.

 

Edited by Vee
Link to comment
Share on other sites

  • Members

The thing is you can hear "given their circumstances" and, of course that is only fair. However, I do not see such latitude given to more contemporary instances. To sum up, people tend to go easy on shows from the past but go hard on newer shows. DS & GL are perfect examples of this.

Here, I would completely disagree. What you're talking about basically is how much love was put into the effort. Neither Jami or Otalia would be what they are without a ton of love. Those two stories were stellar.

Link to comment
Share on other sites

  • Members

As I've said in the past, part of the joy of watching DS is simply watching the cast and crew get through each episode by the skin of their teeth.  It wasn't live, but it was taped as if it was, and as a result, it is exhilarating.

Link to comment
Share on other sites

  • Members

I think the number of revivals or near-revivals they had is a show of their success (and even though I wasn't a big fan, the primetime version probably would have stayed on longer if not for the Gulf War preemptions).

Edited by DRW50
Link to comment
Share on other sites

  • Members

Yes, that's why my post explicitly said above that there were no successful revivals or reboots. And despite that it has remained in the public consciousness popular in syndication and streaming, unlike what has become of GL. And that's at least partly because it was so seat of your pants production-wise.

Link to comment
Share on other sites

  • Members

I loved it as well...NBC screwed up by having it on a Friday night, but it was NBC's big demo winner despite the total audience, the expense of the show was too much.  I do think it might have had no where  to go as it burned so much story in its first half season, it should have been a miniseries. I wonder where you can stream it as it does kind of "end" (Vicki back in the present, safe but knowing Barnabas's secret.)

And of course it had our own Ellen Wheeler in her most demanding role, as poor Phyllis, waking up just to face a fate that most GL fans would like to send her to! (kidding..I wish no harm on anyone!)

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I 100% agree but I think this is due to how the show is structured. It's a one family show which means there are no people in her age range that could be used as friends or contemporaries of her. The show definitely needs a second main family. I am glad someone finally said this. Especially now that the cast is gelling in their roles, he stands out like a sore thumb. No energy, no chemistry with anybody. He is just there.  I thought that was odd as well! The previous scene would've worked better as a tag for the credits.
    • That's the one and only Carrie Nye (Mrs. Dick Cavett) as Susan Piper, a deadly realtor. I don't want to spoil a lot if you ever want to see those episodes. She returns as another character in 2003. I think Grant has aged well and he always did a good job at being ripped without going too far, but he was never entirely my cup of tea either. I did think John Bolger was hot.
    • Totally agree. KKL looks great! It makes the Widge groveling so bizarre. Brooke needs to leave FC and with $B's/Liam's funding launch a rival fashion house with Hope, Rick, Katie and a secret designer. The best scenario is that Rick has been absent because he's been with very much alive C2, who is revealed on the runway as the secret designer. It'll never happen because B&B is comfortable just focusing on FC and the Forresters Marones v. Logans. But it'd been so much more interesting if the Spencers/Logans united.
    • Please register in order to view this content

       
    • Haha that scarf thing did go on a bit too long, very odd. And what a young Rick!  I know this is an unpopular opinion, but I just never got the physical appeal of Grant Aleksander, but he's definitely a great actor. Who is the older lady around the 8:30 mark, and also ends the episode, alone and in pain? She seems like a really interesting character. I love the smoky voice and sultry, snaky vibe she seems to have.
    • I can't remember exactly but I think she lives in or is part of the cottage story with Carrie. Carrie poisons her in this episode.  I forgot Teresa was on the show. (I see that AI is insisting she wasn't - well they're wrong) Poor Maeve. I can how even she had her limits. 
    • It pisses me off that the other Duprees are making this incident all about them as well. They are playing a family of victims, acting as if Ted cheated on all of them. They should be supportive, but not like this. I have a family that makes anything that happens to me personally all about them, and seeing the same thing on TV is rage-inducing.
    • There are the makings of good Emmy reels in these past couple of episodes, but the industry is still going to favor even the most mediocre stories and performances on the older soaps. And with the pressure from the government over race I can see the academy shutting out Beyond The Gates to avoid criticism from the administration and the far right media.
    • oh, definitely! It's too bad she hit the start of a rough transition period for the show. She shines, but she's stuck with bad story and some (if not exactly bad) not great co-stars.  Uh, who did Maureen O'Sullivan play? (Sigh--and only if I'd understood exactly who and how wonderful Teresa Wright was in '86) God, the summer of '84 was literally one event after another. Kim's outfit alone must've been worth a small fortune. And poor Maeve. She looks so uncomfortable. Rebecca Hollen told a story on Locher Room where Maeve dropped the f-bomb during the shooting of it. For some reason, she wasn't being listened to, and had just had enough. As a producer, I would've been holding my breath as my pregnant actress kept walking around strange and undoubtably uneven sets in that long skirt.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy