Jump to content

Recommended Posts

  • Members
Posted

Imagine that your favorite of the 4 current soaps was not renewed and given only 6 more months to wrap up its storylines. How would you want them to spend those final six months? Would you kill off any characters? Bring back any past characters? Pair off any currently estranged characters? 

  • Replies 11
  • Created
  • Last Reply

Top Posters In This Topic

  • Members
Posted (edited)

GH - Sonny has to pull off one big heist to go legit, almost ends up in jail, gets off last minute, marries Brenda

Carly & Jason end up together, Show ends with Luke & Laura remarrying after some final adventure plot.

Edited by ironlion
  • Members
Posted

It's interesting; Luke and Laura are one of those couples who've broken up so many times (and for such good reasons) that I'm not sure if I'd actually want to see them together again. I felt the same way about Josh and Reva at the end of GL. I knew that the show in a sense HAD to end with them together to appease the fans who still had fond memories of 1980s Josh/Reva. But I felt like the show had done such a good job in the late 2000s of delineating exactly why Josh/Reva were a toxic coupling that I really wanted to see her end up with Jeffrey instead. It's the same with Laura; I'd be much happier if she ended up with someone who respected her more, like Kevin. 

  • Members
Posted

I would hate it if Luke and Laura ended up back together. Laura being apart from him and happy is one of the few good things on the show. I would like to see Lucky back though, if the show were ending. 

  • Members
Posted

Frankly, I don't think soaps need to wrap everything up in a neat bow - I understand fans wanting closure for their favorite characters, but I l don't mind the idea of a serialized drama "living on" even if we won't get to see what happens next.

So, if that means Sonny and Brenda's car exploring as they leave for their honeymoon, so be it.

Please register in order to view this content

 At least the fans have the satisfaction of knowing they were married again at the time. 

  • Members
Posted (edited)

Rough Ideas: 

Either B&B or Y&R ends and select characters get absorbed into the remaining show.

Alternate rough idea:

Lauren's now drug addicted son Fen gets mixed up with the wrong crowd and causes Victor another another brain injury during a group robbery of the Newman ranch. A disguised Sheila becomes Victor's  nurse and manipulates him into cheating on Nikki. Her end-goal being to marry & kill Victor to take his fortune or eventually get plastic surgery to look like her disguise and remain Mrs. Newman. Ashley is suspicious. Nikki files for divorce and turns to Jack. $Bill Spencer & Jack Abbott team up to split control of Newman enterprises between Jabot & Spencer Publications while Victor's on the mend. Bill goes on a rampage, betrays Jack and acquires controlling interest.

Michael's consuming career and Fen's troubles leads Lauren to spend time with $Bill. Sheila returns and vengefully drugs Lauren & Bill into thinking they slept together. The "affair" comes out. Michael separates from Lauren who then attempts a relationship with Bill. Michael gets his late 90s era edge back and vengefully becomes the Newman attorney in their fight to regain the company. Lauren leaves Bill during his rampage. The truth about the "affair" is exposed. Lauren uncovers Sheila's double life as Victor's nurse girlfriend but Sheila reverse blackmails her with evidence of Fen's involvement in the robbery.  Lauren & Sheila go into all out war one last time.

A recovered Victor, Jack, & Victoria (re-casted with Heather Tom) team up to get NE back into Newman family control. Victoria permanently becomes CEO, Victor retires, and finally makes peace with Jack. Sheila's double life is exposed. Fenn helps the cops take down the other robbers and gets rehab and probation.  Michael & Lauren reunite. Sheila gets life in prison where she finally turns over a new leaf. 

MAYBE: Victor ends up with Ashley & Nikki stays with Jack. But so much time has been invested on Victor and Nikki it would feel odd for them to not be endgame. 

Dina Mergeron's lookalike sister (played by Marla Adams) comes to town and does battle with Jill over business. This feud is compounded by Lookalike Dina's daughter dating Billy. End the feud at the engagement party...something like that. 

 

Edited by ironlion
  • Members
Posted

I think one of the final major storylines for Y&R should be Victor's passing.

Make his inheritance a battle royale between his four kids, pulling in all characters, bringing back all kinds of characters - for his funeral, a la Asa - and then during the skirmishes.
It is momentous enough to be the focus of the end of the show and Victor has had enough hands in enough pots over the years that it can easily be an umbrella story.
And you can write in some closure for some characters: Jack finally accepting he will never beat Victory and feeling liberated from it, Nikki reflecting on who she is other than Victor's wife. Have Devon someone get involved and hint at the end he is on the way to being the next business tycoon etc.

To be fair, I think this is how the story should go when it sadly happens but I don't trust the writers to know how to write the kind of all-encompassing massive story that lasts a year that the fallout of Victor's death would need to be.


I bet Days would end on a Bob Newhart massive twist. Maybe all that has happened in Salem forever was all an illusion a la Melaswen or something and have a hologrammed Stefano toast with MarDevil and laugh looking at what they pulled off. Or something

  • Members
Posted

Yes, I was thinking the same thing! Kill Victor off a few months before the end of the show so you could play out the "battle for Newman" drama with the kids. There would be all kinds of opportunities for organic drama there; maybe Jack would start to console Nikki, which would anger Nick. And then Phyllis would be with Nick, but would also be territorial over Jack and thus would clash with Nikki.

I think they'd also need to give Jill some kind of big storyline, but I'm not sure what that would be.   

  • Members
Posted

Unpopular opinion but, as terrible as Victor has gotten in the past decade, if he goes the show goes even further down. I would rather them try to soften The Mushtashe than kill him off.

  • Members
Posted

As much as I love B&B and Y&R I couldn’t care less how they wrap up those two coz nothings happening anyway that much right now.

Shick reunion would be great though in the end!

Days? I mean what could u do with a show that seems quiet lost anyway. Maybe the devil could kill them all off. 
 

GH: Sonny and Carly or Sonny and Brenda happy ending. Everything’s better than a Nina/Mike-Sonny pairing!

I would bring back some vets from the past ofc but just needed ones like Lucky, Frisco, Brenda, Luke (but not for Laura though.) 
I would try to tie some loose ends up but would still let some left behind for our imagination like it’s back on the next day or Monday. 
 

I really would love for Michael Corinthos after annoying the hell out of me for the last decade to take over Sonny’s business in the final episode! 

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Week ending March 5 1978 Second season shows are tested CBS finishes first week in March with stronger than usual 1 9.5, but not enough to beat ABC The prime -time ratings pattern continued to hold steady for the week ended March 5, and attention increasingly turns to second season entries as the networks probe one another's weaknesses or cover their own. As usual, ABC -TV won the week, scoring a 20.5 average rating. But CBS -TV was closer than usual with a 19.5 average garnered with the help of several strong specials and movies in addition to some of its dependable series regulars. NBC followed its habit of plummeting when its "évent "entries failed. In this case it was the miniseries, Loose Change, which scored only 24 and 22 shares on Monday and Tuesday, leaving the network with a 16.9 average rating for the week. Looking at new series and new time slots, ABC's Six Million Dollar Man on Monday (8 -9 p.m. NYT) continued to falter with a 22 share, while What's Happening, in its new slot on Saturday (8 -9 p.m.), also remained shaky with a 23 share. Starsky and Hutch is still healthy with a 38 share in its new slot following Charlie's Angels on Wednesday, and How the West Was Won also had a 38 on Sunday (8 -9 p.m.). Against West CBS's Rhoda and On Our Own came in poorly for the second week in a row of face to face competition, with each pulling 25 shares after a 41 share lead in from 60 Minutes. ABC's special two -hour presentation of the upcoming series tryout, Having Babies, scored a 27 share on Friday (9 -11 p.m.) against strong competition from both the other networks (the movie "Ski Lift to Death" on CBS and Rockford Files and Quincy on NBC). For CBS, its new Monday night leadoffs, Good Times and Baby I'm Back, scored so -so 27 and 28 shares respectively. But the second half of the night had its best performance since the new line -up came in- M *A*S *Hwith a 45, One Day at a Time with a 41 and Lou Grant with a 36. Celebrity Challenge of the Sexes and Shields and Yarnell showed no signs of reviving on Tuesday, with 16 shares each, but the new Tuesday movie slot held up with a 41 share from Clint Eastwood's "Magnum Force." The network's entire Saturday line up continued to limp in, as Bob Newhart Tony Randall, The Jeffersons, Maude and Kojak all scored sub 30 shares (with the exception of Newhart's 29, in fact, all scored sub -25 shares). NBC premiered its new Chuck Barris Rah Rah Show on Tuesday (8 -9 p.m.),when it pulled a 24 share. The second episode of Quark had a 27, three points down from its premiere. There might be the temptation to conclude that the 29 share turned in by the National Love, Sex and Marriage Test on Sunday (9:30 -10 p.m.) proves the appetite for "sophisticated" subject matter is not insatiable after all, except that its competition was not only CBS's strong comedy block but also ABC's rerun of "The Way We Were," which pulled a 35 share. Of NBC's other midseason entries -CPO Sharkey, Black Sheep Squadron, James at 16 and Class of '65 -CPO Sharkey turned in the highest score of the week, a 27.   *NBC were in dire straits at this point relying on movies and specials which could hit or bomb in equal measure.  Fred Silverman had his work cut out for him when he arrived that Summer. He favored sitcoms and series as the schedule's foundation and NBC had no sitcoms to build on and few solid series. He also had a big backlog of specials/mini series that had been committed to air. Also NBC had a long standing relationship with Universal so he was forced to work with that studio. He struggled to get quality producers on board as they were either tied into deals with ABC/CBS or were wary of having their shows on the 3rd rated network. He still felt variety had a place on the schedule however and that lead to duds like Susan Anton, The Big Show and Pink Lady and Jeff.
    • Please register in order to view this content

       
    • I spent years hoping we would get an oral history like the OLTL book, but it’s too late now with so many having passed away.
    • It’s also strange that it was Monica! I just don’t think of her as the staring off into space type of woman! I watched a bunch of other clips and stuff from random 1978 and 1979 episodes. I’m so used to seeing movement from Monty’s era, especially the early part, that this really is a cool relic. Pretty soon you have scenes start at the new nurses station, the elevators opening and doctors walking to the desk to get their messages from Jessie or Bobbie. People often walk towards doors while taking coats on or off, many Webber house scenes start or end with someone walking up the stairs. This episode is even more static than some of the way earlier ones I have seen, where you would have Steve or Jessie at least going from the old school nurses desk to the medicine room, Steve’s office, etc. That bland dialogue is very much like what they have now. The show picks up a lot of personality. Knowing what we know about David Hamilton and how that really started to get the ball rolling as far as viewers you really see just how vital Lesley and especially Laura were to get things moving for them. They focused on the right characters to get fast results. The show now could learn a thing or two from this.
    • It won't allow me to watch it via the link; I am only able to watch it with the app.
    • Just finished the Goldfinch. Read it in 4-5 days... and it's a huuuuge book. Well... I would rate the first 500 pages a solid 10 out of 10... but then the next 300 were kind of a letdown... so the overall impression is something like - 7/10. It's just very hard to give something a full 10 after reading A little life.  Still... loved it immensely and would probably re-read it in the future. There is a movie adaptation... starring Nicole Kidman... that I haven't seen. 
    • I realize I harp on this, but I think he spending is relevant.  She's not just buying new wigs. She's building a mansion, she's funding a sports complex, she's paying for operations for people she doesn't know, she's caring for Peaches, she's buying apartments. We saw ?her get ONE check for ONE million dollars. That's it. I may be wrong, but I thought they said she'd get a payment every 6 months. Regardless, she could not rule the roost on $1M, and the show is not doing a good job there. Pretending that doesn't matter? I can't do that.  All they had to do was add a couple lines about payouts and payments.  In other news, I would love to know just how much Anita was putting into that trust as well as what investment got her what has to be an incredible return.

      Please register in order to view this content

       
    • I'm honestly surprised Nikki and Victor have not divorced yet... maybe their brief opening of the marriage did something for them. 

      Please register in order to view this content

    • It reminded me of what the Pollocks got away with all the time on THE DOCTORS: long ass flashbacks that don't really add anything to the scene except time.  Because, if you remove the flashback, what's left?  Monica finishes packing Alan's suitcase.  The end. Oh, well.  At least I got to see a young Patricia Elliott (ex-Renee, OLTL) in that Aim toothpaste commercial (not to mention, a shirtless James O'Sullivan (ex-Jeff, AMC; ex-Pete, OLTL; ex-Jerry, SOMERSET) in the commercial for One-a-Day vitamins, lol).
    • Well, I can't help but think it would've been written different with CB still there
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy