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You are not. I'm so happy that this storyline for Anita is finally showing movement. -
A shame that Santa Barbara lost the Andrades but I wonder what the Dobsons had in mind for them. From what I know of the Joe/Kelly situation, they didn't seem to know what to do with the Perkins. I don't think McConnell in particular gets enough acclaim for what she added to the show. The Dobsons (from what I know of the show) didn't seem to know what to do with Augusta. This was especially true on their second go around but that was also Rauch getting back at her, so who knows? -
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Thanks. Some of that sounds even heavier into crime than EON was at that point, although I guess you still had the Vickie/Julian romance and Heather losing her baby. The biggest difference is probably the comfort characters at EON, like Nancy and Mike. Oh, now I think I remember a little about the raciness. Was there something about toes? Considering the short time he was at OLTL, I'm not sure if moving made a big difference for Jameson, but I guess it still helped moving to a show that was seen as being revived around that point. Thanks. I'm sure there are other options listed in Paul's proposed soaps thread, but Lovers & Friends was so hurriedly thrown together it gives the impression NBC was just desperate, flying blind. They took for granted the audience Somerset had in that timeslot. I wonder if one more year might have mattered...probably not, but you always wonder, as that whole thing ended up leading to even more headaches and bad decisions for NBC Daytime. What I might have done is consider moving some AW characters over to Somerset. Trying to figure out who I'd choose...definitely not Iris. -
When the show debuted, Louise Sorel came on like gangbusters. But then in the fifth week, they introduced Lionel, and her star power dimmed. Unfortunately her character became more of a jealous, shrewish wife. Lionel came on like gangbusters after the earthquake, especially in December 1984, but unfortunately after that, they had his character in jail for 2 months, which dimmed his star power. I'm watching late February 1985, and Mason is still dull as dirt. His character hasn't come alive yet. The show is really doing a good job with the Kelly/ Peter stuff, mostly due to the performances. It's too bad they couldn't make Peter this interesting from the beginning. -
5-14 Well, I'm glad I went back and started from Wednesday. I remember watching and reading the comments here. I figured that perhaps rather than what soaps usually do...have an episode focused on other plots while the A story has a day off and is in the background aka Thursdays typically...this show just did it on Wednesday. I still liked it because I'm such a biased Jazmen fan. And I like how the episode continued the various threads from the fallout from the SilkPress/Eva reveal (Eva v Kat being the standout and Eva's continued attempts to find her landing as she is in pariah phase), but I think the problem I found with it was that outside of the above, the show decided not to focus on any B plot, either so the stories outside of the above were C plots. I like Dani and Andre. I like what they are. I like how it has been a slow burn in the background. But of course, at some point it will come out or they will hit the next phase in their story. I have liked that you can see Dani still being herself, but Andre's influence is clear...like when she took his advice and basically parroted him to Pamela a few weeks ago. And she was actually defending her man basically here. And their pillow talk...mmm. They have such chemistry and such built in drama. And well-paced for a C plot. No story is good without some twists and near misses, so I was happy to see that Nicole...even with her dealing with her own feelings which was cool to keep the SilkPress storyline alive...almost figured it out. Yeah, near miss...always lets you know how invested you are.
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And I've said it before, but it's not like the writers can truly go to the well for the Dani/Bill/Hayley story right now. So for now, they can only be developed/explored through individual storylines. Dani has Andre and her growing business. Bill with the trembling hand as well as messing with the Martin/Smitty marriage seem to be his. So Hayley for now is the weak link. She so needs her own storyline. I thought she would continue to try to fight for her place in the community. She still might. But right now, her just following Bill around like an insecure puppy ain't it. And she is still talking about that honeymoon? Ha! I like the June storyline so far. It's something different. And we know I like the good guy/good girl couple of Jacob and Naomi. Because soaps still need good guys. And I'm not sure where it's going...though I love all of you all's theories about it. And that picture...another clue. Everything with Eva the Pariah is giving old school soap, and I love it. Cuz any villain/vixen/anti-heroine has to go through that uphill battle of being accepted when they fall or their schemes are exposed. And she is straight underdog. And I like how realistic it has been so far with some people being able to move forward with her and people being against her for what she did. Unlike some soaps *cough*Y&R*cough* It feels like it could go in any direction and that just feels exciting. And we still have so much plot to play. Laura's accident. SilkPress clearly won't go down without a fight. The rivalry between Eva and Kat. The potential split in opinions on Eva within the Dupree house...especially given what a lot of us think in terms of if Eva is a twin or was switched or something else entirely. And everyone is acting their butts off. And if they aren't, they are definitely growing into it. So far...it's all good. Loved dinner at the Martin/Smitty household. I liked they even kept the C plot with Ty mildly going. And I'm a sucker for a montage involving makeovers and/or hair. Of course, I have to mention the best (for me) C plot of all right now...ANITA!!! Great to see she's finally getting a story slowwwwwly going. Okay, perhaps even too slow for me. lol. But it has been building. But now to see it moving. To get some good solo Vernon/Anita scenes to see their chemistry on display. And then the coda with the phone call...so Sharon ain't happy with her. Can't...and I do mean CAN'T...wait to see how it develops. -
By Contessa Donatella · Posted
DAYS OF OUR LIVES 10-1-1976 Doug & Julie's wedding #1 Taped on 9-16-1976, Episode #2740 -
By Contessa Donatella · Posted
I have just uploaded 91 mp3 files, audio only, radio episodes of Guiding Light. https://archive.org/details/guiding-light-ep-0857 Guiding Light Radio Episodes For many years Guiding Light was broadcast on radio. These are some of those episodes, audio only, of course. They are mp3 files. -
By Contessa Donatella · Posted
I don't know if this will be useful. If it's not please scroll on by. If it is, great! This is Part 1 of 3. Search For Tomorrow. (1977). Daytime TV Library Series No. 7. Between 1975 and 1977, Daytime TV Magazine, the leading publication dedicated to US daytime programs, began a series of special editions dedicated specifically to one serial. In early 1977, they released issue #7 which focused on the longest running serial at that time, “Search for Tomorrow”. The publication contained interviews with key cast members and productions staff, such as the producers, directors, writer and costume designer. It included a synopsis of the story from origin to that point, lots of pictures and a key item: What it took to make an episode of the show. At the time, SFT was enjoying a revitalization after four years mediocre ratings. The new producer, Mary-Ellis Bunim rose up the ranks from secretary to producer in late 1973. Under her guidance, ratings jumped. In the 1973-1974 ratings, “Search” placed 9th with a 7.7. In the 1974-1975 season, it rose to a 4th with a 9.4. At the time of this edition, it hovered around 5th with an 8.6 rating, winning its time period and coming in third of the five CBS soaps. Some of the questions posed were: What did the title mean to the actors? What is your opinion about the Emmys? What character would they want to switch with? Did the actors feel there was a bias against acting on a soap? When did you start on the show? What motivates your character? I will cover some here & some in other articles. Today I will cover how the show got on the air: The Show On The Air – Step by step how SFT got on the air in 1976. At the time, “Search for Tomorrow” was taped at the CBS Studio 51 & 54 on the lower West Side of Manhattan (probably the studio at W. 26th Street that was a later home to “Guiding Light”). 8:00 AM – The director of the day (there were three at the time), the production assistant and actors in the first act arrive. Actors arrived based on the acts they were in between 8:00 AM and 9:45 AM and went to the rehearsal hall. 9:00 AM – Makeup artist and hair stylist arrive (there was one of each except for special episodes where full cast were part of the episode). 9:00 AM – Makeup artist and hair stylist arrive (there was one of each except for special episodes where full cast were part of the episode). 9:30 AM – Producer Mary-Ellis Bunim and Associate Producer Bob Getz arrive and go to their offices on the second floor. 9:45 AM – 10:15 AM – Director of the day checks sets in studio on the third floor. Actors begin make-up and hair sessions. 10:15 AM – 11:45 AM – This is the time for first rehearsal on set (called FAX) with cameras. Blocking and camera angles are perfected. 11:45 AM – 12:15 PM – First run-through in studio. Producer and associate producer watch action in their office via CCTV. Rough edges are smoothed out. 12:15 PM – 12:45 PM – Actors lunch break. Notes made by producer and associate producer during run through are given to director in production office. 1:00 PM – 1:20 PM – Directors give notes to actors and studio personnel. Final touches to actors’ hair and make-up. 1:30 PM – 2:00 PM – Dress rehearsal. Producers watch on CCTV and make final notes. 2:00 PM – 2:15 PM – Producers give final notes to directors in control room. 2:15 PM – 2:30 PM – Final notes given to actors and studio personnel by director. Notes on production elements (i.e., does liquor look real? Are props in assigned locations?) given by associate producer. 2:30 PM – 3:00 PM – Taping the episode. (SFT taped only two days before air). 3:00 PM – 3:15 PM – Tapes are checked. If all is OK, cast is excused. Thus, “Search for Tomorrow” put on a show in LESS than SEVEN AND A HALF HOURS! This time does not include the homework the actors and directors have to do before arriving at the studio. Directors stated it took eight to twelve hours of homework for every episode they direct. The producer has to spend time reading rough drafts and editing scripts, making notes for the writer, working on long-term story and character development. The associate producer spends outside office hours, organizing all facets of production elements and making sure they are all intact. On a daily basis, auditions are held, attendance at script consultations and going over the following day’s schedule. With luck, the producer can leave the studio between 6:00 and 7:00 PM. Written by DM James Fairbanks, Posted with permission. -
By LostinHarmony · Posted
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My take is that this is Audra manipulating Kyle. OC, it's not plausible that any of the things you mentioned could happen in months, much less days! Audra is a master at pushing people's buttons. Let's face it, Kyle isn't the brightest bulb thanks to Jack.
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