Jump to content

OLTL: The Prospect Park Era (old production thread)


Recommended Posts

  • Members

One of the things I love about OLTL is they didn't come up with some arbitrary "these are core characters and the audience doesn't care about these others" -- they kept as much of the cast as they could, and respected that everyone had fans. Rama also adds diversity and humor, and I'm glad they have Vimal on there too. Also as a new fan, I'm interested in all these characters on the show right now, in part because there's depth to them, pasts to them, that a new character would probably not be able to get as easily (although they did a good job with Jeffrey), even though I didn't see those pasts.

The question when you are deleting cast members shouldn't be, why do they need to stay, but why do they need to go?

Link to comment
Share on other sites

  • Replies 7.2k
  • Created
  • Last Reply
  • Members

I actually agree with you--and it's a refreshing change from the stale soap cliche of once any character becomes major, forcing some instant family connection to try to legitimize them. Ron C's time at OLTL was particularly awful with sudden revelations that characters were connected to older, often beloved characters who often were no longer even on the show anyway (ie Cutter and Alex), and from what we've heard one of his story ideas he had planned for the online version was doing this for a character to turn out to be David's son. A little of that kind of story goes a long way (especially when it becomes impossible to even follow--like the several years convulated mess of David's parentage.)

Link to comment
Share on other sites

  • Members

I think Josh Kelly stayed because he was hot and talented. Period. And that's all he needs to be. Same with Shenaz, who is vivacious and an audience favorite, as well as a very rarely seen ethnic minority on soaps. I enjoy the characters. Under RC Kelly made a meal out of some terrible stuff near the end. I think he's far more appealing now opposite MA.

The Alex thing I didn't mind. It could be picked up again.

Link to comment
Share on other sites

  • Members

The other day, I asked Josh Kelly on his facebook page if it will ever be explained how Alex Olanov (or someone else) got Cutter out of prison, and then returned to Llanview to get hired by Blair to manage and promote her new nightclub Shelter. He responded back to me yesterday saying that it will be explained in all due time, because the big characters has to have their stories told first.

Link to comment
Share on other sites

  • Members

The answer is they will never tell you. Ever. Embrace that now.

You continue to expect there to be an immediate pickup of all the things you liked about OLTL in 2011 - Cutter, Aubrey, Alex and their storyline. In reality, all of that is over and most of it was very unpopular. That's why it is not coming back. That show is over. The writers want a clean slate. Cutter has been re-envisioned as a club manager with a scoundrel side and dirty deeds in his past, and everything beyond that from his past is mostly irrelevant, unless someone like Alex returns in the future, and then they might mention his prison sentence. But you expecting all of that to be very important just like it would've been if the show had continued on January 16, 2012 is never going to happen.

Link to comment
Share on other sites

  • Members

You're full of B.S., Vee! JK said in an interview with MA that the reason why Cutter got out of prison will be explained, but he doesn't know when, and OLTL associate producer Jared Kaplan said the same thing, too!

Link to comment
Share on other sites

  • Members

I'm willing to bet you fifty dollars they were being polite about a viewer question and that it will be, at best, dismissed in a few lines of dialogue.

The point is that all those small things from the ABC show vis a vis Cutter (Alex aside) just are not that relevant. Especially the throwaway cliffhanger. Can you accept that they might just want a relatively clean slate and will not prioritize these things that you care about so much? Because the fact is they are not doing that, right now.

Link to comment
Share on other sites

  • Members

How do you know this will happen on the show? Unless you're a OLTL insider or work for the show, you don't know how the explanation of how Cutter got released from prison will be revealed on the show, so just get off my case already!

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I don't know if this will be useful. If it's not please scroll on by. If it is, great! This is Part 1 of 3.  Search For Tomorrow. (1977). Daytime TV Library Series No. 7.   Between 1975 and 1977, Daytime TV Magazine, the leading publication dedicated to US daytime programs, began a series of special editions dedicated specifically to one serial.  In early 1977, they released issue #7 which focused on the longest running serial at that time, “Search for Tomorrow”.   The publication contained interviews with key cast members and productions staff, such as the producers, directors, writer and costume designer.  It included a synopsis of the story from origin to that point, lots of pictures and a key item: What it took to make an episode of the show.   At the time, SFT was enjoying a revitalization after four years mediocre ratings.  The new producer, Mary-Ellis Bunim rose up the ranks from secretary to producer in late 1973.  Under her guidance, ratings jumped.  In the 1973-1974 ratings, “Search” placed 9th with a 7.7.  In the 1974-1975 season, it rose to a 4th with a 9.4.  At the time of this edition, it hovered around 5th with an 8.6 rating, winning its time period and coming in third of the five CBS soaps. Some of the questions posed were:             What did the title mean to the actors?             What is your opinion about the Emmys?             What character would they want to switch with?             Did the actors feel there was a bias against acting on a soap?             When did you start on the show?             What motivates your character? I will cover some here & some in other articles. Today I will cover how the show got on the air: The Show On The Air – Step by step how SFT got on the air in 1976. At the time, “Search for Tomorrow” was taped at the CBS Studio 51 & 54 on the lower West Side of Manhattan (probably the studio at W. 26th Street that was a later home to “Guiding Light”). 8:00 AM – The director of the day (there were three at the time), the production assistant and actors in the first act arrive.  Actors arrived based on the acts they were in between 8:00 AM and 9:45 AM and went to the rehearsal hall. 9:00 AM – Makeup artist and hair stylist arrive (there was one of each except for special episodes where full cast were part of the episode). 9:00 AM – Makeup artist and hair stylist arrive (there was one of each except for special episodes where full cast were part of the episode). 9:30 AM – Producer Mary-Ellis Bunim and Associate Producer Bob Getz arrive and go to their offices on the second floor. 9:45 AM – 10:15 AM – Director of the day checks sets in studio on the third floor. Actors begin make-up and hair sessions. 10:15 AM – 11:45 AM – This is the time for first rehearsal on set (called FAX) with cameras. Blocking and camera angles are perfected. 11:45 AM – 12:15 PM – First run-through in studio.  Producer and associate producer watch action in their office via CCTV.  Rough edges are smoothed out. 12:15 PM – 12:45 PM – Actors lunch break.  Notes made by producer and associate producer during run through are given to director in production office. 1:00 PM – 1:20 PM – Directors give notes to actors and studio personnel. Final touches to actors’ hair and make-up. 1:30 PM – 2:00 PM – Dress rehearsal.  Producers watch on CCTV and make final notes. 2:00 PM – 2:15 PM – Producers give final notes to directors in control room. 2:15 PM – 2:30 PM – Final notes given to actors and studio personnel by director. Notes on production elements (i.e., does liquor look real? Are props in assigned locations?) given by associate producer. 2:30 PM – 3:00 PM – Taping the episode. (SFT taped only two days before air). 3:00 PM – 3:15 PM – Tapes are checked.  If all is OK, cast is excused. Thus, “Search for Tomorrow” put on a show in LESS than SEVEN AND A HALF HOURS!  This time does not include the homework the actors and directors have to do before arriving at the studio.  Directors stated it took eight to twelve hours of homework for every episode they direct.  The producer has to spend time reading rough drafts and editing scripts, making notes for the writer, working on long-term story and character development. The associate producer spends outside office hours, organizing all facets of production elements and making sure they are all intact.  On a daily basis, auditions are held, attendance at script consultations and going over the following day’s schedule.  With luck, the producer can leave the studio between 6:00 and 7:00 PM. Written by DM James Fairbanks, Posted with permission. 
    • Please register in order to view this content

    • My take is that this is Audra manipulating Kyle. OC, it's not plausible that any of the things you mentioned could happen in months, much less days! Audra is a master at pushing people's buttons. Let's face it, Kyle isn't the brightest bulb thanks to Jack.  
    • And while I'm doing catch-up, it's good to see you did as well. And YES. This is how May Sweeps SHOULD be. A story climaxing. Another A story being built up as we did with the aftermath of the first A story climaxing. B plots being built up...actually moving and being interested in most of them...if not all. hehe. New story being started. And even the C plots are moving, too. 
    • It definitely did. Nothing major, but I clocked the minor changes too. Passions did something similar with its theme in the later years and people thought I was crazy, but the nuances are there if you're paying attention. 
    • What? A nice little mini-marathon of catching up before work.    YES, PLEASE. 
    • I guess they copied literally everything from that C&R scene, the dialogue etc 
    • And even then...you have to wait a couple of weeks to be sure he's actually dead.

      Please register in order to view this content

       
    • Apparently. lol.  Well you know I don't mind standing also with the cheese so  
    • I have nothing to add. Everything you said is on point, and I don't know whether to laugh hysterically at it or throw things at the television. I do know it's terrible soap opera.  
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy