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According to the French Santa Barbara site the Andrades had a house in the early episodes. I thought I remembered scenes in their home. The Andrade house -
I always wondered if the Andrades lived at the Capwell Mansion? Certainly they could've had a living room in their space or wherever they went on days off. But, I felt like it was never clear whether Santana visited Rosa when Kelly and Eden were young, or if she actually lived in the servant's quarters (one hopes modern developers have found a euphemism for that space). I always imagined that Rosa, Santana, and Reuben lived with CC up until Channing was murdered, and then they found their own place because the kids were mostly over 18 (and Santana was pregnant). I like the idea of Rueban and CC being close until Santana got pregnant. And then Reuben would've hated the adoption of Brandon. Which would have meant he hated CC, and would've only continued to work for him to try to get info on whatever happened to his grandson. With regard Ava Lazar, having recently rewatched the pilot for the millionth time, I find her captivating to watch, but her line delivery is so dull. -
I liked the original 4 family set up. The families were all different from each other and were intertwined. They should have been given equal airtime. I felt that Lockridges were perfectly cast with the exception of Laken. She should have been quickly recast. I liked all 4 of the actors cast as the Andrades and wish they would have been given better writing. I really thought Ava Lazar (Santana) would have been one of the breakout stars if she had not been replaced. My only issue with the casting of the Perkins family was Robert Alan Browne as John and as much as I liked Mark Arnold he was the wrong actor to recast Joe Perkins. And of course it was ridiculous how badly they screwed up the casting of CC. The other Capwells were well cast.
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This late 1976 stuff doesn't sound as bad as it has in other versions I've read (weekly recaps from Jon-Michael Reed and SOD synopses). I am surprised that there is a variation of Ian - Meg - Arlene - Tom playing out this late in the game, but it doesn't sound half bad. Ian's involvement with Beaver Ridge and how it impacts Rick and Cal's future also intrigued me more than I expected. Even the Carrie - Betsy connection having Carrie watch Suzanne while Ben is visiting was a nice surprise. I feel like this all falls apart pretty quickly with the arrival of Mia Marriott, Michael Blake, and a slew of other half baked characters under Upton. -
By Vanguardian53 · Posted
Too bad she ended up on Y&R. Actress Valarie Pettiford might've been "Sharon" because she sings too and does it pretty well.Please register in order to view this content
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@NothinButAttitude thanks for sharing the rough draft. I had bought "Shadows on the Wall" from Kathryn Leigh Scott's website probably 20+ years ago. It's a fascinating read into a very different version of what the show could have been.
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@Efulton That's the quote I was refering to. In the bible, at almost the beginning, Rueben and C.C. were compared as being similar as two fathers wanting everything for their children, or something along those lines. I do think the Andrades were intended to have more of a role, but they never even garnered a family set (just Santana's apartment). In 1991, they added the Capwell kitchen which seemed to be a domestic space for Rosa, but clearly not solely Rosa's. I feel like I remember Rosa confronting Santana about her feelings for C.C. being an attempt to recreate her grand fantasy with Channing, Jr. in the kitchen, but more likely that was the bedroom Santana was redecorating (C.C.'s master suite) utilizing the designsshe had envisioned for herself and Channing, Jr.
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On the French Santa Barbara site Ismael Carlo did not hold back about how he felt about the Dobsons. http://santabarbara-online.com/index2.htm How did you start in Santa Barbara ? My recollection is that I auditioned for the role. After a couple of weeks of contract negotiations I was told that all was in order and that I would start work in a couple of weeks or so. But that's when the sh*t hit the fan. In her high petulant way she (Bridget Dobson) commenced to tell me how all her South American workers were beholding to her. How she treated them, "like children". I said to her, "I'm not a child". She got upset and started to cry. I told her that if she did not want me on the show, all she had to do was break the contract and pay me. It never happened. The Dobsons, who were the producers, where a pair of what you would call in your country aristocrats in their minds. I almost quit just before I started. But like any actor at the time I stuck it out all because of the work. I don't think I will ever sell my soul again. I was also able to perform with the lead actor and director in a production of his: Romeo & Juliet. I played Papa Capulet.
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It's kismet – I was just thinking about Azure C the other day and revisited some of the press from that era. Reading it now, it’s undeniably cringeworthy how often the articles emphasized that the actress was a cisgender woman. It wasn’t framed as a critique of The City for not casting a trans actress—it felt more like a reassurance to viewers that, yes, the storyline involved transgender themes, but they weren’t actually going to show anything. ABC ran an ad in TV Guide that teased that Azure would confess her past – that she “was once a he” – to her love interest Bernardo (similar to the onscreen headline in their tabloid). Rather than focusing on thoughtful representation, the press framed the twist as a dramatic surprise for audiences, to capitalize on shock value. It was clearly not treated like other social issues had been on ABC Daytime. They were usually more respectful, and pedantic toward the audience, where this was just about revealing a secret. Of course, the irony is that the only actual protests came from GLAAD over ABC's ignorance, rather than anyone from the right, as they had feared.
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Having seen what Long did with Mason and Julia on SB, I can't see Long ever being able to write a fun/lightweight story for Nola and Quint.
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