Jump to content

As The World Turns Discussion Thread


edgeofnik

Recommended Posts

  • Replies 17.1k
  • Created
  • Last Reply

Top Posters In This Topic

  • DRW50

    2970

  • DramatistDreamer

    1958

  • Soapsuds

    1716

  • P.J.

    823

Top Posters In This Topic

Posted Images

  • Members

It's ironic that the ratings for atwt started dropping after the week of the episode provided by @DRW50. The ratings never recovered until FMB became EP. It's unfortunate that she made two costly mistakes and LB writing became stale which led to falling ratings again.

Richard Culliton was HW at the time.  He started off well in 95 but his stories fizzled too.

Link to comment
Share on other sites

  • Members

I'm not familiar with As the World Turns before the Marland years, but did they do a better job with 1980s trends compared to their CBS P&G sister GL?

Dallas influence - James Stenbeck introduced as the new villain. In the JR Ewing and His Copies thread, James Stenbeck was not mentioned so maybe he wasn't cut from the JR mold.

Dynasty influence - wealthy widow Lucinda Walsh runs her late husband's business

Supercouples - Holden/Lily during the Marland years, not sure who would fit before the Marland years.

Action/adventure - not sure what would apply here

 

Link to comment
Share on other sites

  • Members

^

This.

 

Carly (early on) struck me as someone who would've wanted a man with some status and money behind his name. I got her initially wanting Mike to do one on Rosanna, but after Carly bedded him, she should've easily moved onto her next conquest while dangling the affair over Mike's head until he spilled the beans himself. 

 

Carly and Molly, who came from poor backgrounds really strayed from the soap vixen role, which was typically to marry up. Instead, it seemed like they settled for the lower or middle class men just to p*ss off their heiress rivals. 

Link to comment
Share on other sites

  • Members

I think Maura West's pregnancy and decision to leave closed most of those chapters for Carly in her first run. If she had stayed I think they may have paired her with Scott, who wasn't rich, but was also consumed with financial schemes. 

When Carly returned, they did try to paint her as going after money, and even tried to set up her endgame as being with another schemer (Brad #3), but the stories were just poorly told, unpleasant, and the attempts at contrasting her with a "good" girl didn't work because Maura West blew Annie Parisse out of the water. 

Molly was a case of casting an actress who was just not suited for the types of stories you mention. Lesli Kay was too fragile and broken to ever play a vixen. 

Link to comment
Share on other sites

  • Members

All I'll say is that when I first took a real look at ATWT as a teen in the late '90s (I had vague memories of the '80s years my babysitter watched as well as of classic Y&R, but I got invested via the ABC soaps around '93), the show was nothing but weird men lusting after Ellen Dolan's Margo who was presented as a love goddess (and I like Dolan now but I'm sorry, she was not that) and scene after scene of Carly and Molly, usually together. They looked exactly the same with these severe lesbian haircuts except for their hair color. They behaved exactly the same. They were constantly 'you go girl!'ing each other or high-fiving and complaining about everyone else. They were a matching set. I was bored to tears by both of them and could not understand their purpose.

It took me years to take interest in either Maura or Lesli Kay after that.

Edited by Vee
Link to comment
Share on other sites

  • Members

A few days late but thanks for the tag @DRW50!
 

As far as the Tom and Margo scenes go this is the beginning of Margo’s PTSD which basically we would end up seeing Margo act crazy for the next two, three years or so.

Cullinton had a strong 1995, I wonder why it fizzled and he was let go. What gets me is why P&G even hired Stern & Black. Having rewatched Falcon Crest sure their early work was alright, but their returned to write and produce the show’s Season 8 (1988-89) was an unmitigated disaster, and history would repeat itself in 1996 

 

Might be a controversial opinion but at the time I actually preferred Sheffer’s ATWT at least 2000-2003 to what occurred in the FMB era and at least under Goutman/Laiman. 1997 started of promising but ended up almost as bad as 1996, and 1998-99 was sloppy. As much as I enjoyed Molly later on, those first couple years were rough as she was literally everywhere roaming the show aimlessly, even dating Andy at one point. The less said about Julia and Katie during these years the better. 

@Vee mentioned haircuts during the FMB era, I will have to say at one point West and KMH seemed to have the exact same hair cut as well at the height of the scheming as well I had to to a double take a couple of times. Maybe that was someone’s idolized idea of an vixen?

At least in first couple of Sheffer years at least was highly entertained compared to Lethal Laiman’s tenure, it really wasn’t was until the rapes of Jack and Jessica I found myself feeling offended by Hogan.

Edited by soapfan770
Link to comment
Share on other sites

  • Members

Not surprised at all if that’s the case as he would have known them from his Lorimar days and with the duo fresh off their USA/Playboy channel show it perfectly fit in with what CBS was trying to do to its entire network at the time. 
 
The following year the show made the same mistake again by the hiring 90210’s Jessica Klein, who was just as bad as Stern & Black. 
 

With a good EP (and an easing on micromanagement) Labine may have done well at ATWT. I hated what became of her GL tenure. 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I know some of y'all really like Brooke Kerr, and so I've tried to give her a shot, despite her frequent flat line readings and distracted "did I leave the front door unlocked?" facial expressions. But lord, she is so bad at playing a tough-talking badass that I was actually rooting for Brad today to spill the beans to Drew. 
    • Googling does tend to ruin it.  For those of us who were teens in the late 1970s and early 1980s, you can't imagine how much fun it was to watch the show in the afternoons.  (It came on right after school.)  There weren't any "spoilers" at the time.  We would always try to anticipate how each crime and each mystery would be resolved, and we were ALWAYS wrong, because the stories are filled with so many weird twists and turns.   The head writer (Henry Slesar) and his dialogue writer (Steve Lehrman) invariably toss genuine clues directly into your face in the most unlikely ways, but then they provide a host of "red herrings" to completely confuse you and send you off on the wrong path.  Once the story reaches its conclusion, all you can think is Why didn't I figure that out weeks ago?  lol
    • Does the vault have the original scene and not the short flashback?
    • I appreciate that you are using AI with the knowledge of it's limitations. Some posters take everything it produces as fact.
    • And of course Mama Ru herself appeared on All My Children.
    • The Saturday 8pm slot usually had the lowest rating of the NBC 4 sitcom lineup for some reason. NBC let Saturday night fizzle, They used 9.30 pm to launch 227 and Amen, both of which moved to earlier in the evening but they  kept Empty Nest following GG for several seasons.  Empty Nest should have moved to 8pm with their strongest new sitcom at 9.30, anticipating that GG would eventually falter. Instead they left them there and stretching the sitcom pool too thinly on other nights. When Grand talk over at 9.30 Thurs maybe Night Court and Wings could have been used on Saturday.
    • @Maxim Great to see your mini-reviews again. There are a number of clips on Youtube of Janice's slow mental breakdown, especially as we go into January 1980. Christine Jones is just superb. She played the hell out of that role. Something which isn't referenced as much later on is how Mitch pushed Janice's doubts and mental instability for his own ends...until suddenly he didn't want to anymore (I guess he caught on with the audience and the show became wary). I don't want to post a bunch of clips, but this one has a very good confrontation between Rachel and Janice.

      Please register in order to view this content

      This has a good scene around 7 minutes in where you can see Janice struggling internally with her need to identify herself so much by the men around her, all of which helps lead to her crackup.  
    • It really made Oscar the Doorman seem like an imbecile.   I think the show's unusual format & subject manner is what makes EON often seem less "dated" and "old-fashioned" than other shows from that time period.  It never attempted to be especially "trendy" or "modern" -- and its film noir style is pretty timeless.  
    • Dallas, Dynasty, Knots and Falcon Crest all had good runs but by 85 they had seen better days. I think they were a victim of the format. After several seasons seeing the same characters front and center viewers were bored. What was once fascinating grew predictable. JR, Alexis etc had to be front and center and after a while their schemes and shtick grew repetitive. JR remarrying Sue Ellen, Alexis constantly trying to get he better of Blake etc Unlike daytime, there wasn't the flexibility to bring in other stories and characters and maybe let the likes JR go backburner. That same mentality also invaded daytime with characters like  Sonny and Victor still peddling the same stuff after decades. I guess the same could be said for MSW eg every week Jessica encounters a crime and solves it,but I think viewers come to that format with a different mindset.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy