-
Recently Browsing 0 members
- No registered users viewing this page.
-
Recent Posts
-
I’m not speculating anything, but I admit, I’m getting a little worried about James Reynolds. -
I feel like this is what they're doing by creating lots of storylines but their biggest weakness for years is the inability to properly pace these stories and give resolution. A good example now would be the Gio story which has been simmering for months with very little movement. I went from not caring to being invested to not caring again because of how long it's taking for the secret to be revealed. One story like that would be fine but it seems like everything moves at this snails pace on GH. They need to do a better job of rotating the stories so everything isn't in that same treading water phase. -
By Contessa Donatella · Posted
However, those of us who watch DAYS have been spoiled. On Peacock there are no preemptions. Not for anything & not in or about any show. I read somewhere that we Baby Boomers in a way invented instant gratification but then we realized that it was not fast enough. -
The title track from the follow-up album Hot On the Trail is also co-written by Val Jean:Please register in order to view this content
-
By Robluvthebeach · Posted
I read an interview with Lenore Kasdorf and she had said was asked back to GL in 1987 but she turned it down but she said now with Michael (Roger) and Maureen (Holly) back, she would be more interested in returning. This had to be around 1989 and I think in SOD (more of a where are they now? type of article) -
.thumb.jpg.ce9e5b41e408ffdc4f147a5719363824.jpg)
Beyond what was listed, I think there are a few other moments early on - Nixon tested the waters of having a black female character in a larger supporting part on AW, helping to pave the way for Carla and Sadie on OLTL. Rachel/Ada is in some ways a template for Carla/Sadie, although Carla was much more tormented and her scheming was from preservation. Jordan Charney eventually arrived at OLTL after his AW success, although that was not duplicated. Doris Belack's success was, several times over. -
By vetsoapfan · Posted
Jonathan Kellerman has written 40 novels centered on the character of Alex Delaware, with the first being When the Bough Breaks from 1985. One of the aspects of the series which I find so appealing is that characters grow, evolve and change as time goes on. They act and react in a believable, human fashion. While each book tells one complete story, certain relationship threads can continue as the series evolves. Occasional references to the past (from previous novels) also make the readers feel like we know the characters intimately; that we are "living" with them through the years. Actor John Rubenstein (of the 1970s' TV series Family) narrates the audiobooks, and he is perfectly cast. I've never read or listened to an Alex Delaware story which I did not enjoy. -
This was me! I finally got caught up yesterday and even then, I still may wait until Friday to binge these two episodes. I find that I can watch GH in the background because the pacing is so slow but I must be able to devote my full attention to BTG because so much happens.
-
By Contessa Donatella · Posted
GH 4-29-25 At the Savoy with a packed house BODY SHOTS!!! https://www.instagram.com/p/DJGRyEaJBYm/ This one has legs. -
By Paul Raven · Posted
Article discussing the state of daytime in 1971. The 3 networks were competitive for the first time thus leading to the 'daytime wars' of the 70's, with shows cancelled, soaps expanding etc. The high drama of network daytime CBS, reigning champion of the dollar -profitable weekday schedule, faces toughest challenge in 13 years. Although CBS is virtually unchallenged as the ratings leader in nighttime, the picture in daytime, where CBS also leads, is as different as day from night. To begin with, costs of programing are much lower in daytime than in nighttime TV, and the profitability thus potentially higher. For this reason alone, network rivalry in this area is traditionally intense, although not so frequently subject to public view. This year, particularly, the developments in daytime programing are dramatic. It is the first time in 13 years that CBS has been threatened seriously. It continues in the leadership position, but both NBC and ABC are nipping at its heels; in the season to date, CBS is but three tenths of a percentage point ahead of NBC, and but two-thirds of a percentage point in front of ABC. Average ratings for network programing in the daytime periods (Monday - Friday, 10 a.m. -4:30 p.m. EST) this season stand at CBS 7.6, NBC 7.3 and ABC 7.0, giving CBS an edge of 4% above NBC and 9% over ABC. In the similar period of 1970, CBS's lead was more impressive: 8.4 vs. NBC's 6.9 and ABC's 5.9. It is necessary to go back 13 years to find an NBC daytime performance comparable to this year's -and only twice within that period has NBC showed up as well. In the 1958 -59 sea- son, CBS and NBC were in a tie-a 7.7 rating for each -while ABC was a poor third, just starting on its historic "Operation Daybreak" (in which ABC began the so- called scatter plan in daytime, with advertisers buying participations). ABC's rating then: 3.6. NBC again broke through in daytime in the 1961 -62 season: CBS 7.6, NBC 7.1 and ABC 4.1. In the intervening years, daytime television on the weekdays belonged to CBS. It was at perhaps the crest of its leadership in the 1965 -66 season. CBS then had a 4.5 percentage -point advantage over NBC (CBS 10.6, NBC 6.1 and ABC 4.7). CBS officials place the "big turn" in daytime in the 1962 -63 season with the catchy power of the Password game in the lineup. In that season, CBS came up with a three -percentage -point lead over NBC -CBS 9.2, NBC 6.2 and ABC 3.9. From then on it was CBS by a comfortable margin, season after season. ABC's daytime performance has followed the upward curve. While -as CBS officials readily concede -CBS had perhaps nowhere to go but down, ABC could experiment in its scheduling, and hopefully only go up. It did, but not immediately. After a steady climb, ABC's breakthrough occurred in the 1969 -70 season (CBS 9.2, NBC 7.1 and ABC 7.0) with the network gaining ground with its game show scheduling of such vehicles as Let's Make a Deal. Although ABC failed to hold that showing in the 1970 -71 season (CBS 8.9, NBC 7.6 and ABC 6.4), it is now performing at its best daytime level in history. ABC authorities say that network has been building for what might appear to be at least near parity in weekday programing. They cite Let's Make a Deal as having "started things up" with General Hospital and One Life to Live giving additional impetus to the movement. From ABC's point of view, the crucial change in daytime audiences occurred in 1969 when audience shares foretold a "big difference." The real improvement and change in daytime, they say, started in the third quarter of 1971. That followed a repositioning of two daytime staples -ironically Password, CBS's 1962 -63 vintage powerhouse, and Love, American Style. The former series was punched into a new spot in the schedule last spring: Love followed in the summer (the series is still strong in ABC's nighttime lineup). Although ABC executives speak guardedly of daytime audiences more on a level with those of CBS and NBC, the two challenged networks demur. ABC, they note, is nowhere near parity in daytime, although the improvement is admittedly impressive. For one thing, they contend, ABC does not program during the same hours as do NBC and CBS, and ABC carries one hour less than the other two networks in the daytime period. Moreover, they claim the hours that ABC does not program are those with least audience potential. (CBS and NBC start the schedule - excluding Today on NBC and Captain Kangaroo on CBS-at 10 a.m., take a hiatus for a half -hour at 1 p.m., return at 1:30 and program through to 4:30 p.m. ABC starts at 11:30 a.m., does not pause at 1 p.m. but continues through to 4:30.) ABC counters that not only are daytime clearances holding this season, they are actually showing improvement. In numbers, ABC is clearing an average 153 stations live (88.2% coverage) and an average 26 outlets delayed basis (4.4% coverage) for a total 179 stations representing a 92.6% coverage. Last season, clearances were 149 stations live (87.7% coverage), 27 on delays (4.4% ) for a total 176 stations representing a 92.1% coverage. NBC authorities state flatly that their network is in its "strongest daytime position in 10 years -since late 1961." They note how the margin has narrowed between NBC and CBS since last fall; assert NBC has invested money and time in daytime serials, while CBS's "are wearing thin" (the researchers at NBC point to a general lowering of share levels of CBS drama serials in 1971 vs. 1970). ABC's assessment agrees, and also emphasizes the drop in appeal of CBS's soaps, intimating a possible loss in "quality control." CBS, while not denying the declines in its soaps, refuses to accept the implication that the drama serial may be curtailed. (CBS has eight soaps compared with NBC's five and ABC's three). Four of CBS's shows are Procter & Gamble vehicles: As the World Turns, Search for Tomorrow, Guiding Light and Edge of Night. CBS authorities say you can be sure P &G as well as CBS programers are working on plans to strengthen their respective properties. CBS officials contend the drama serial not only is still well up in share (although off from prior years) at the network but continues as the most "flexible" among daytime entries. If a game show starts to plummet, they say, there's not much that can be done to "change" the format. With soaps, a fall -off in viewer interest can be countered by extensive changes in storyline and /or characters; a role can be written in or out of a script almost at will. CBS cites just such a turnaround accomplished with Love is a Many Splendored Thing. Fred Silverman, then in charge of daytime programing at CBS (and now in charge of the whole ball game), effected a series of changes until "only the title and the music were recognizable." The surgery worked. For years, CBS has been conscious of the adage that change for the sake of change, when the network is on top, entails needless risk. But the numbers have changed now and CBS must contend with the altered picture. "Everybody is ashamed of daytime," one CBS executive admits. Changes will be made. The first quick snip comes Dec. 20 when My Three Sons replaces The Beverly Hillbillies in the 10:30 -11 a.m. period. Hillbillies is one of three shows rated lowest on the CBS daytime schedule -the others are the seemingly tireless Lucy and Gomer Pyle (the latter, at least, considered by CBS officials as a candidate for cancellation.) Snips two, three and onward may be expected to follow in rapid succession.
-
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.