Jump to content

Guiding Light Discussion Thread


Paul Raven

Recommended Posts

  • Members

I always felt they should have killed off Alan YEARS before.. I would have had Annie's last rampage..real CW version..be that Alan gets shot by accident...(kind of like they did with Dinah/Hart) or better..Annie IS married to Alan, Alex comes back to keep watch, Alan begins to see the light and Annie slowly poisons' Alan,  to manipulate him into signing things over , goes to far and kills him and that sets the manhunt final days of Annie is SF.) Alan was boring and doing the same crap over and over and it was time to Phillip/Amanda/AM to duke it out over Spaulding.  Seeing Phillip who railed against his father for years, be put in the position of making tough choices would have been more interesting then mooning over Harley or Beth. 

 

It was a great era.

Link to comment
Share on other sites

  • Replies 17.4k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

The only time I thought Reva was finally growing up and acting like an adult was during the 1989-1990 period where she had somewhat settled down with Josh, had Shayne, and dealt with a very real issue of post-partum depression.

I always figured that she never really dealt with her mental illness, and that would have been a better story to explore in the 90s/early 00s instead of the San Cristobel BS.

Link to comment
Share on other sites

  • Members

That would have been good and you know Kimmer would have loved it. It was always weird...she washes up on San Crud (from the Keyes??) and has amnesia, then gets a bump on the head and has amnesia again but somehow is able to function enough to get to Goshen....why was Reva constantly wiping out her memory?  

Link to comment
Share on other sites

  • Members

When Josh was created by Douglas Marland, I believe he came to Springfield alone.  Did Marland create Josh's back story of being the son of an wealthy Oklahoma oil family?  Or was that part created by Pam Long?  How soon after Josh's arrival were HB and Billy mentioned by name?  Were they mentioned by name while Marland was still writing? I believe Trish actually appeared while Marland was at GL, but please correct me if I'm wrong.  

The reason I ask is -- Pam Long always gets the blame for the prominence of the Lewis clan, but if Marland had already created the characters (even if off camera), then Long was really just bringing some of Marland's work forward.  Frankly, other than Josh and Trish, the Lewis family (with all their hippin' and hollerin") never seemed like characters Marland would have created, but it would be interesting to know.   

Link to comment
Share on other sites

  • Members

 

Trish came to town first, around June 1981. But she had been mentioned long before that. Vanessa was telling Sarah in therapy that Trish was married to Andy Norris, and that Andy had abused her. (Andy was dating Katie in Springfield, who was Sarah's assistant/nurse which nowadays would be putting Sarah in an awkward position) 

The Lewises as a family started getting mentioned around this time, HB and Billy by name, and they are supposedly coming to town during this time. A deal with Lewis Oil is also the focal point of Diane Ballard's machinations, as she blackmails Henry (with the knowledge he fathered Quinton) into pressing HB into terms more favorable to Spaulding before she's killed.

Josh came to town in October 1981. The backstory of Josh being hustled by Andy and Leslie Ann (aka Candy) for half a million was written by Marland. He created Josh as the black sheep of the family, where Long turned it around and made Billy into the screwup and Josh as more of the romantic loner.

The Lewises as a family aren't considered "loud" or "invasive" until Billy and Mindy show up in May 1983. Granted, I get the "loud" part. I think the invasive critcism is mostly a reaction to other vets getting written out and Reva's arrival when the show pushes her front and center.

Edited by P.J.
Link to comment
Share on other sites

  • Members

The Lewis Family under Marland probably would have been boring and devoid of any sort of life or personality.  It's a credit to Long that she managed to make the Lewis family distinctive and different then the Spauldings... and lord knows, she had a better handle on the Reardon's then Marland did.

Link to comment
Share on other sites

  • Members

1981 GL introduced the Lewis family from Oklahoma that owns an oil company and that was clearly Dallas influence. Douglas Marland created the Lewis family but Pamela Long expanded and elevated them to a core family.

Link to comment
Share on other sites

  • Members

I do wonder what Marland's plans for the family would have been. Neither Josh nor Trish give any Dallas vibes for me. Josh gives much more disaffected Californian vibes. I also don't remember Josh and Trish being nearly as close in what I've seen of that era (admittedly not a ton) as the Lewises became after Long arrived.

Edited by DRW50
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • https://x.com/MicheleValJean/status/1919575319146856657  
    • The penthouse was my favorite set... and it changed hands from Margo to Draper/April to Miles/Nicole then to just Miles... before he opted to give that beautiful place for that drab house with the even more drab Beth.  That was a jump the shark moment for me LOL
    • The storyline April and Draper are involved in during the summer/autumn of 1979 seems fairly "benign" but soon turns very serious.  April has a VERY intrusive, wealthy mother (Margo Huntington Dorn).  Margo knows that April and Draper (who've recently had a miscarriage and are theoretically never going to be able to conceive another baby) want to buy a house.  Margo hoodwinks them into buying a house they can't afford.  The house is listed at $100,000 (about $400,000 in today's dollars).  Margo pays the first $35,000 and leads Draper to believe the asking price of the house is $65,000 instead of $100,000.  If Draper finds out his meddling mother-in-law paid 1/3 of the cost of the home and tricked him, he'll be mad as hell.   Meanwhile, Draper has received a job offer from a prestigious New York law firm.  Margo pulls some strings and has the senior partner in the firm rescind the offer, to keep April in Monticello.  If Draper finds out about THAT, he'll be even angrier with Margo than he will be about the house trickery.  All of that is "bubbling under the surface" in the fall of 1979 but will be the next major story, as everything begins to spiral out of control.   Yep, you've got the Karrs and their very basic middle-class house, the Victorian-themed place where Miles and Nicole live, April and Draper's old craftsman house with the exposed beams, the Madisons & their Mission revival house, and Margo with her 1970s-chic penthouse.  Each of the sets is completely different.  And their budget was like zero, lol.  
    • It felt weird and out of place.  I get. While I agree with those on here that he's gotten better, it's still really bad. I'm not seeing the "good" acting some see...but I'll give him a B for being better than when he first started. There's potential. I'll leave it at that. 
    • It's like watching paint dry at a slow-ass pace. It's bad acting. Entirely. Excellent? With Claybon? Never. Ever. 

      Please register in order to view this content

    • Ah! Good to hear. Isn't it especially odd to think that house fictionally exists not far from the Karrs?  Or, that it was designed non-fictionally by the same person who designed April's place?
    • Good to know I'm not the only one who noticed that. Strange and awkward, and I don't know what they're doing with those fades.   -- Finally, had to laugh at how many Emmys this board passed out today.

      Please register in order to view this content

       
    • Not unless they live in an apartment complex. 

      Please register in order to view this content

    • That was bad. Product placement is fine, but not here, not now. Besides, no one carries their damn detergent to the living room.   Completely and utterly disagree. I thought Brandon Claybon was excellent today -- maybe his best performance since the show started. No recast needed.   Not unpopular with me. That didn't work. The montage was good, but 5 minutes of Amazing Grace? With all those verses? No. What kind of family breaks into a loud version of Amazing Grace after what just happened??? None. Anita's lecture to Leslie was great. Ending the show -- a really good episode with crackling dialogue -- like that was a mistake.  
    • Today, was a fantastic episode. I loved everything about, including Ainta singing, Amazing Grace. I love the family dynamic of the Dupree's so much. They remind me of my own family at times. Martin & Smitty have come leaps and bounds from where they  started. I genuinely felt a connection between them I can't wait to watch it deepen. Dana/Leslie/Sherry/Ana is a piece of work. Her speech at the Dupree's about her "concern" for Eva and then locking her out of their apartment??? She is pure evil, but I love it. I can't wait to see where the Eva/Kat story goes. There's so much potential there. As for Ted, I need to see Keith Robinson in the role before giving my true critique of Maurice Johnson.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy