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Y&R: Jill To Be Temporarily Recast

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I don't think it has anything to do with which writer wants to write for Jess or not. It's obvious that her contract cycle probably expired and they came to her with a new deal, which isn't out of the ordinary. Again, this is a business, people...

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I just want to know what the hell has Hogan Sheffer ever done to inspire an almost unheard of viewer loyalty that no matter what happens on shows that it can't be his fault.

Not just here but so many have said they believe he is the creative one behind the scenes and not MAB. And then other things as well.

I mean look at the man's track record. He has been on two shows besides Y&R - both shows with him as leader had terrible terrible records with story. The only time he is on a show that is good and people love the stories are when he has a strong co-writer. On ATWT with Culliton and on here with Maria Bell. The only time Days was any good when he was there was after Edward Scott came on.

Plus if anyone doesn't want to write for Jill it fits Sheffer's pattern more than anything. Except for very few older men and women (from their 50's on up) Sheffer never has written for them well. Look at what he did to Tom, Margo, Bob, Lisa, Kim, Lucinda and so many others at ATWT. The only way he could write for Barbara was turning her into a crazy woman. Then when he gets to Days all of a sudden all the older characters are backburnered which fans blamed on Corday.

I honestly don't think he has the power at Y&R to get rid of Jill, but if anyone thinks that the vets will get better treatment if they turned the reigns over to Sheffer they need to think again. If they did that you would hardly ever see Katherine again. And if you did it would be in a hospital bed. Jill would probably go psycho.

The man can be a good writer, but he needs to be right where he is at.

Where did this come from? Where has anyone brought up Sheffer in regards to Jess's issues?

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Uh, who brought up Hogan? :unsure: And I seriously doubt MAB, Rauch, or Sony would try and screw over Jess just because he doesn't want to write for her.

Haven't you heard? Every thread has to eventually lead to "Is Sheffer a good head writer or not?" ROFLMAO!!!!!

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Contract issues are always going to come up. I don't think the current regime has anything against Jess, as she's received the most airtime she's gotten in years.

With the production companies and networks making huge cuts, is anyone really surprised that some contracts would have to be renegotiated?

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Where did this come from? Where has anyone brought up Sheffer in regards to Jess's issues?

I have been reading it on several boards and then this statement by ClassicSoapFan made me think of all that I have been reading:

I think Hogan is the one with the more creative ideas than MAB

That along with the few other comments about the hate for MAB.

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Contract issues are always going to come up. I don't think the current regime has anything against Jess, as she's received the most airtime she's gotten in years.

With the production companies and networks making huge cuts, is anyone really surprised that some contracts would have to be renegotiated?

That's the same thing I said a few pages back. We all knew LAST YEAR that in 2009, there would be a lot of these cases coming up at ALL the soaps. I'm really not sure where the rage is coming from. We all were given plenty of time to prepare for the fact that just like any other industry, cuts would have to be made right now - and people could either agree, or leave. This isn't specific to Y&R, the Bells, the soap industry, or television in general. This is the world we live in now.

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Lets stick to Walton. I want to wake up tomorrow knowing everything worked out.

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Contract issues are always going to come up. I don't think the current regime has anything against Jess, as she's received the most airtime she's gotten in years.

With the production companies and networks making huge cuts, is anyone really surprised that some contracts would have to be renegotiated?

I'm not at all. I think we will see a lot more of it.

The last few months is the best I have enjoyed Jill in years. To me ever since Jill was make Kay's daughter, Jill has not been that great of a character at all. Jess has always delivered on what she was given, but Jill just never seemed important at all.

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That's the same thing I said a few pages back. We all knew LAST YEAR that in 2009, there would be a lot of these cases coming up at ALL the soaps. I'm really not sure where the rage is coming from. We all were given plenty of time to prepare for the fact that just like any other industry, cuts would have to be made right now - and people could either agree, or leave. This isn't specific to Y&R, the Bells, the soap industry, or television in general. This is the world we live in now.

I agree, I fully expect to hear more about these "tense" contract negotiations in the future. Not just from Y&R, all the shows, daytime and primetime.

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I agree, I fully expect to hear more about these "tense" contract negotiations in the future. Not just from Y&R, all the shows, daytime and primetime.

Any AMC or OLTL or B&B or ATWT fan who doesn't think they're in for this same thing with Lucci or Slezak or McCook or Hensley(s) at some point in the next year is in for a rude awakening.

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Any AMC or OLTL or B&B or ATWT fan who doesn't think they're in for this same thing with Lucci or Slezak or McCook or Hensley(s) at some point in the next year is in for a rude awakening.

Well, Lucci (and Knight and MacDonnell) recently re-signed with a huge paycut, so she's safe for however long her contract is for. The pay/guarantee cut has been very noticeable with Ray MacDonnell. He appeared fairly regularly last year (and I think was even in the top 5 one month), but he's been on only 3 times this year. That must have been some bare minimum contract he signed. I'm worried about Walt Willey. Rumors are already swirling about the little-used Slezak. It seems like Leslie Charleson escaped being forced to recurring by the skin of her teeth. She probably has a contract similar to MacDonnell's. ATWT is top heavy with contract vets, but we hardly see any of them. People like Scott Holmes, Fulton, Hastings and Hays must have doozies of bare-bones contracts. Any high-paying actor who's been on their show for any length of time is in danger of taking forced paycuts and drastic reductions on their guarantees. I guess we all thought actors on the Bell shows were immune from all of this. Don Diamont's firing and now this thing with Jess has been a rude awakening.

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Well, Lucci (and Knight and MacDonnell) recently re-signed with a huge paycut, so she's safe for however long her contract is for. The pay/guarantee cut has been very noticeable with Ray MacDonnell. He appeared fairly regularly last year (and I think was even in the top 5 one month), but he's been on only 3 times this year. That must have been some bare minimum contract he signed. I'm worried about Walt Willey. Rumors are already swirling about the little-used Slezak. It seems like Leslie Charleson escaped being forced to recurring by the skin of her teeth. She probably has a contract similar to MacDonnell's. ATWT is top heavy with contract vets, but we hardly see any of them. People like Scott Holmes, Fulton, Hastings and Hays must have doozies of bare-bones contracts. Any high-paying actor who's been on their show for any length of time is in danger of taking forced paycuts and drastic reductions on their guarantees. I guess we all thought actors on the Bell shows were immune from all of this. Don Diamont's firing and now this thing with Jess has been a rude awakening.

Agreed. And you're right about Lucci already taking the cut. I just used those names as examples pulled out of my ass. Just saying that we've been given plenty of notice to be ready - because any one of our favorites could go at a moment's notice.

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This just in:

Darcy Rose Byrnes at Y&R studios being fitted for a brown wig and smoking a cigarette.

She was overheard telling Maria Arena Bell that she would work for "dollies"...

Victoria Wyndham scowling and seen peeling out of the CBS parking lot..

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