I don't know how much faith we can put into shows with relatively stable writing staffs anymore. As the ones with little hirings and firings are also in the crapper. But I guess nothing makes much sense these days.

I can believe that -- actually, I am shocked that AMC has been relatively stable these last six months under Pratt.

I am not worried one bit about Y&R because the quality of the show isn't ruined, IMO.

But letting Salmons go was stupid; her scripts were great.

But since she's out, she should go to OLTL, they're in need of a good scriptwriter, right?

I was about to be selfish and say that if she's a good scriptwriter then bring her over to AMC -- but you're right. Out of the three ABCD shows, OLTL is in serious need of another good scriptwriter besides Aida Croal. AMC at least has Hall, Cohen, and Patrick.

SPEAKING OF AMC (y'all know whenever it starts getting Y&R heavy in here, I do my best to re-route this bus from Genoa City back to Pine Valley)

I just wish AMC could get a new script editor, get rid of Rebecca Taylor once and for all and quit starting stories only to drop them.

I just wish AMC could get a new script editor, get rid of Rebecca Taylor once and for all and quit starting stories only to drop them.

Amen! Why Taylor still has a job is beyond me.

But since she's out, she should go to OLTL, they're in need of a good scriptwriter, right?

Or return to GL, but I'm unsure whether she has a good relationship with HW's there. The last time she was there was under Taggart and Co if I'm correct.

OLTL is in need of good scrpt writers though. Somehow I don't think anything is going to change for the better with TPTB there.

GH:

- Michael Conforti back listed as Associate Head Writer on March 5

Casiello said his first episode airs late April. They surely waited a long time after they hired him.

Casiello said his first episode airs late April. They surely waited a long time after they hired him.

Maybe they've written episodes far in advance, I don't know Y&R's taping schedule anymore. Episodes used to be written a full month before they aired, it seems like it's a month and a half now.

Yeah, it's probably about eight or nine weeks before air, which I think is normal for a soap. That "writing-a-month-before-air" was what happened under LML, hence the insane turnaround time we've heard about for that time period. I guess when you've got such a large team of writers, it's easier to get back ahead of the game. LOL!

And perhaps Casiello has already been fired?

Edited March 6, 200916 yr by Sylph

And perhaps Casiello has already been fired?

With Maria's track record, it could just happen.

But he just recently reported about his work on Y&R, so I doubt he was.

And perhaps Casiello has already been fired?

Schadenfreude?

I wish him a long and happy run.

Deveney Kelly directed for Y&R again today. Why don't they just bring back Kathryn Foster!!! Come on!!

Casiello said his first episode airs late April. They surely waited a long time after they hired him.

Sometimes when writers get hired, they dont' start writing. Remember Amanda Beall who started like almost 2 months after she was hired. Lisa Connor and Tom also started weeks after their hiring.

I think Y&R is about 9-10 weeks ahead in breakdowns. But that's nothing compared to OLTL - I think their breakdowns are like 4 months ahead. LOL

Schadenfreude?

I wish him a long and happy run.

Actually, Mark, it might well be the case given the state of affairs at Y&R. Also, how come you like him when he said himself he wasn't really a fit for Genoa City?

Actually, Mark, it might well be the case given the state of affairs at Y&R. Also, how come you like him when he said himself he wasn't really a fit for Genoa City?

I like Casiello as a blogger, which is the context in which I met him. During his writing stints at OLTL, ATWT and Days, even during his time at AW, I didn't really watch the show. So I cannot comment him on a writer.

I did watch Y&R during his time there. While he said he wasn't a fit, my understanding was "a fit with LML's team"...not necessarily the show. I actually WELCOMED one of the stories he broke down (Devon's deafness), because I thought we were getting a plausible, mainstream deaf character. (Little did I know they would essentially wipe that story out, since Devon does NOT play like a real deaf man. I speak from experience).

As a writer for Y&R, I'll evaluate based on what I see. But he'll also get the benefit of the doubt from me, because he has shared his passion for the genre. And, given his trial period, if he's not a good fit this time, he'll leave the gig before I even notice . But I hope for him, and for the genre that needs people who care, that he is a terrific and long-lasting fit, and everyone benefits from the association.

Beth Milstein wrote the breakdown for Monday's Y&R. Teresa Zimmerman wrote the script. I like her stuff a lot. Is she on contract? Is Beth?

Beth Milstein wrote the breakdown for Monday's Y&R. Teresa Zimmerman wrote the script. I like her stuff a lot. Is she on contract? Is Beth?

I didn't see a breakdown writer credited for Monday's US episode. Beth Milstein is the Script Editor, not a breakdown writer. Teresa Zimmerman is on a trial run right now, who knows if she'll be picked up when her trial period is over.

I assume the breakdown was written by Marla Kanelos or Natalie Minardi Slater for Monday's US episode.

Edited March 9, 200916 yr by Y&RWorldTurner