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Edge of Night (EON) (No spoilers please)


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He did do it for the pay. He has stated in interviews that he was well paid for his work. I certainly have no problem with taking a job for money. We have all done it. I also respect his right to not hold the genre in high esteem. I do not agree with him, but it is his right to feel that way, though unfounded. He was lucky to have been on Edge, which was always well-written and the best working environment on daytime in the 70s. What does bother me is being so vocal about it. If one is an actor treated nicely by the production, for God's sake, take the money and keep your damn mouth shut. I have no problem with his acting, but he does come across as condescending and arrogant.
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I'm glad to hear the working environment was positive. There's such a great, friendly atmosphere in some of these episodes, and the actors really sell it (like the Deborah/Cliff scenes, which would have been creepy and weird with bad chemistry).



I didn't realize it had been a year.

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I always associate her name with Edge, especially considering the nature of her demise, but IMDB credits her with GL, her last soap role, so I suppose GL is the correct spot. How's that for a run-on sentence?

You must have seen a number of his Edge cast mates, as well personnel from other serials. Did you speak with any of them?

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That seems like a real, honest-to-God love triangle. I feel like I would have been satisfied with whichever outcome (Adam with Nicole, or Adam with Brandy) had I been watching.

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Wow! That's a side of Lawrence Hugo I never saw! I have such happy memories of Lawrence Hugo and Burt Douglas. I remember how Ron Christopher assisted Mike Karr in finding his kidnapped daughter Laurie Ann (then-Emily Prager). I do recall some outdoor location scenes...in a wooded area, when Ron discovered the cabin where Laurie Ann was being kept.

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      date: Friday, May 2 | Teresa Zimmerman, Judy Tate | Steven Williford The drama-rama is drama'ing! This is juicier than the freshest of fresh peaches picked right from its home. Deadbeat, finally able to get his frustrations out physically on someone; instead of it being Bradley, it's Dana. I love the unraveling of Dana's names (Leslie, Sherry, Anna, et al.). It's juicy. And look at Dr Carlton, chiming in. I love the way Anita and Dani fled to Nicole's side, and then Vernon trying to excuse everyone but "immediate family" (and I am sure Mona as well) from the room. Dana is coming undone. She really is. Her numerous ways of pronouncing "Teddy" to everyone. Oh, Nicole's collapse into a furious Anita hearing "lover" coming from Dana's mouth. BILL KNOWS SOMETHING! His all-too-casual non-denial shows he knew about something concerning the affair, and of course the child bride wants to know what it is. Love that Shanice visited Vanessa; I wonder what kind of friendship they may actually have. Well, now we know Bill's involvement, AND the bombshell has been dropped: Eva is [supposedly] Ted's daughter he thought Dana aborted. "Smarty Marty". Whew. Good name for Deadbeat. I appreciate Dani's anger and hurt being focused into anger and love for Nicole. Dana swishing her way out of the main part of the country club to her closet was everything. A soap villain sashaying her way from the havoc she's wrecked. I appreciate that both Anita and Vernon are assuring Mona is not to blame in this. She's an innocent in this. But her looks to Eva? Those could cut like a butter knife. Douglas knows Vanessa has cheated and is continuing to cheat. ARE WE ABOUT TO GET KATHERINE VERSUS TED?! Oh, this is going to be even juicier than I could have ever asked for. CAN PEOPLE STOP SITTING ON TABLES! IT'S SO ANNOYING! Dana's little daydream of talking to Nicole was everything; that's the "crazy" (a.k.a., mental illness). Billy boy, it's time for your turn in the hot seat. Stop rubbing toes and get your ass to the main house. Not Dana showing up at the Dupree home. Oh, what does she have planned next?! Whew... chile. General notes: Trisha Mann-Grant (Dana) gave an empowered performance in today's episode. She commanded the set that day. This is an Emmy-worthy supporting performance. Ambyr Michelle (Eva) is one that has really shown in the past few episodes; she's another young star in the making. She embodies Eva in every single sense. She brings the scripts to life through her craft. Maurice Johnson (Ted) brought nothing. I'm not surprised he was recast at this point. Keith D. Robinson would have rocked these scenes and actually presented something to the table.
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      I like that Andre is being nice to her
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