Errol

Two months since the passing of Billy Miller (“All My Children,” “General Hospital” and “The Young and the Restless”), the late actor’s family and friends have set up a permanent scholarship endowment at the University of Texas at Austin to help radio/television and film undergraduate students with financial need. Born William John Miller II, Billy was an avid movie buff, earning his bachelor’s degree in radio and television in 2002 at the University of Texas at Austin. He passed away in September, surrendering his life to bipolar depression, which he struggled with his whole life. The three-time Daytime Emmy Award-winning actor was just 43 years old. “I hope BJ is remembered for the kind-hearted, silly, funny, goofy, generous, beautiful soul that he was,” said Miller’s sister, Megan Hubbell. “His megawatt smile, deep belly laugh and gorgeous mug were gifts on screen, but his true self was a bright light that will be carried with us forever.” The William John Miller II “Billy Miller” Memorial Scholarship raises funds in the late actor’s honor while paying tribute to his legacy of life and love of acting. He is said to have had a secret passion for acting after beginning a love affair with movies starting in the 1980s, specifically after seeing his first film in theaters, “E.T: The Extra-Terrestrial.” Actor Billy Miller (CBS’s The Young and the Restless) discusses winning the Daytime Emmy Award for Outstanding Lead Actor on THE TALK, Monday, June 23, 2014 (© 2014) Photo by Lisette M. Azar/CBS Miller, who first made a name for himself in daytime playing Richie Novak on “All My Children,” went on to receive five Daytime Emmy Award Award nominations for his portrayal of Billy Abbott on “The Young and the Restless,” ultimately taking home three statues including two for Supporting Actor (2010, 2013) and one for Lead Actor (2015). After his time on “The Young and the Restless,” Miller joined “General Hospital” in 2016, first as Jason Morgan and then later as Drew Cain when it was revealed that Drew was actually Jason’s twin brother. “We want something positive to be held in his name in perpetuity through the University he loved,” Hubbell said. “He would be honored to know that even in death, he can help someone else realize their dreams.” Born in Tulsa, Oklahoma, and raised in Grand Prairie, Texas, Miller was one of just 20 students accepted into the University of Texas at Austin’s prestigious production sequence program in radio/television and film. He originally joined the school in the zoology program before switching. UT was reportedly Miller’s first choice, even though he had several options presented to him post-high school. Academy Award winning Director Francis Ford Coppola (third from left) on the set of CBS’s THE YOUNG AND THE RESTLESS, Daytime’s #1 Drama, with (from left) actors Peter Bergman, Jess Walton, Executive Producer Jill Farren Phelps and actor Billy Miller. (© 2013) Photo by Lisette M. Azar/CBS “I always admired the guts it took to go after a dream in Hollywood that so many people tried to discourage,” Hubbell said of her brother’s storied career, which included appearances in such shows as “Suits,” “Ray Donovan,” “Castle” and “NCIS,” among others. “He heard, ‘You’ll never make it’ more times than I care to count, but he used those comments as fuel and said, ‘Watch me.’” In a statement released a few days after his passing, Miller’s mother, Patricia Miller, said, “I want to personally thank the many fans & personal friends for the overwhelming amount of love, prayers & condolences sent to me and my family on the devastating death of my beautiful son BJ — Billy Miller. He fought a long hard valiant battle with bipolar depression for years. He did everything he could to control the disease. He loved his family, his friends and his fans but in the end the disease won the fight and he surrendered his life.” “BJ would want anyone struggling with intrusive thoughts to seek professional help,” said Hubbell, encouraging people to take stock of their mental health. “Do not suffer in silence or try to muscle through on your own. Mental health is vitally important and shouldn’t be spoken about in silos behind closed doors but rather in open forums with open arms. Shame has no place in the discussion to seek help.” Click here to donate to the William John Miller II “Billy Miller” Memorial Scholarship. This scholarship helps radio/television and film undergraduates in memory of William “Billy” John Miller II. Donation amounts can be customized and given one-time, monthly, or annually. Note: The post Billy Miller: Permanent Scholarship Endowment Set Up in Memory of Late Actor at the University of Texas appeared first on the Soap Opera Network website. Read More

For the first time since 1982, CBS will become the broadcast home of the Golden Globe Awards, with “The 81st Annual Golden Globe Awards” scheduled to air on the network on Sunday, January 7, 2024. NBC last aired the awards show in January 2023. Nominations for the Golden Globes will be announced on Monday, December 11. The Golden Globe Awards, often called Hollywood’s “Best Party of the Year,” is one of the biggest nights on the calendar for live viewing. It is also the largest awards show in the world to celebrate the best in film and television. This year’s show boasts two newly added awards categories: Cinematic and Box Office Achievement and Best Stand-Up Comedian on Television. Courtesy of CBS In announcing the deal on Friday, the network noted that the awards ceremony “will have the most powerful lead-in audience, airing directly following an ‘NFL on CBS’ Sunday doubleheader.” The three-hour show will be broadcast live coast to coast, from 8:00-11:00 p.m. ET and 5:00-8:00 p.m. PT on CBS. Stations in the Pacific time zone that air the event live will also rebroadcast the entire Golden Globe Awards telecast in primetime immediately following the live presentation. In addition to the live broadcast on the network, the televised ceremony will be available both live and On Demand on Paramount+*. The Golden Globes helps expand CBS’s awards show offerings, including the Grammy Awards, the Daytime Emmy Awards, the Tony Awards, and the CMT Music Awards, among other specials the network airs annually. “Live entertainment and sports have been, and will always be, a hallmark of CBS, and the Globes adds an exciting new dimension to our first quarter schedule this year,” said George Cheeks, president and chief executive officer of CBS. “The January timing also provides the added benefit of yet another signature platform to promote the return of CBS’ new primetime schedule in February.” “We’re so proud to bring the Golden Globes to CBS to celebrate 81 years of awards show history,” said Jay Penske, CEO, chairman and founder of Penske Media and owner of Dick Clark Productions. “CBS has demonstrated an impressive 30-year commitment to the Grammys and been instrumental to their long-term success. In CBS, we found an ideal partner who understands the value of live entertainment programming and whose multiplatform distribution model is reflective of how global audiences choose to consume content today.” “In an age when audiences are viewing content on their own schedules, we are delighted to bring the Golden Globes to viewers globally through CBS’ robust platforms,” said Helen Hoehne, president of the Golden Globes. “Audiences will have the ability to enjoy our show live and On Demand. We cannot wait to reveal the magic of what will be our most unforgettable show yet.” Produced and owned by Dick Clark Productions, the Golden Globe Awards are viewed in more than 185 countries worldwide. In June, Dick Clark Productions and Eldrige announced that they had acquired all the Golden Globes’ assets, rights, and properties from the Hollywood Foreign Press Association (HFPA), formally dissolving the long-running organization and its membership for more commercial opportunities. Founded in 1943 by a group of foreign journalists covering Hollywood amid the horror of World War II, the HFPA sought to shine a light on Tinseltown to revive a world-weary from the war. Like many American icons, the HFPA had run its course and was dissolved in favor of a new Golden Globes corporate entity with the expertise and dynamic new leadership to tackle the 21st Century. Dick Clark himself first began producing the Globes in 1983, and that tradition continues via his eponymous Dick Clark Productions, which serves as the production partner for the Globes. Ernst & Young continues to count the ballots to ensure the integrity of the vote. Note*: Paramount+ with SHOWTIME subscribers will have access to stream live via the live feed of their local CBS affiliate on the service and On Demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to On Demand the day after the special airs. Note: The post The Golden Globe Awards Returning to CBS for the First Time Since 1982; Nominations to Be Announced in December appeared first on the Soap Opera Network website. Read More

Technically speaking, yes, you are correct. That is a spoiler. However, I personally do not consider casting announcements as a "spoiler," specifically when the news is revealed by the show itself and plastered across several websites and publications, including mainstream outlets. I did not intend to reveal anything when I posted, but what I said fit into the context of this post, especially in reference to AI use and the General Hospital mention of Laura Wright being inserted into a flashback. My apologies if my post spoiled anything for anyone who reads this thread.

With Cole returning, Y&R could do something similar with Amelia Heinle as Victoria. Ethically, of course. It would also depend on whether the Net Code contract allows for something like this since it is different from the TV/theatrical one that was just agreed upon (pending ratification by members) by SAG and directly includes things related to AI.

Allegedly, that was the case. However, Chris Engen did issue a statement on the matter about a week after it was reported he walked off the set. Here's more of what he said: https://www.soapoperanetwork.com/2009/05/chris-engen-issues-statement-on-myspace I want to point out that there is a difference between being hired with the knowledge you're playing a certain type of character vs. that character doing something you never expected, specifically romantically. Not saying I am second guessing Chris' statement. Still, Adam Newman, up until that point, didn't ever do something like that until Michael Muhney took over the role (not talking about Muhney personally, just his portrayal of the character as written).

IMO, writers should not give characters medical conditions that should always impact the character's traits and abilities, such as Robin with HIV or Nikki with MS. Other than curable diseases, they should only give a character something if it moves a storyline and will have to follow through. Otherwise, it is disrespectful to the viewer dealing with the matter in real life as they see a character doing things they can't do themselves. Just sayin'.

Agree with your agreement. I'll keep my mouth shut on elaborating but we are thinking similarly.

The uploading of copywritten material is not allowed for obvious reasons.

Yes, she didn't "originate" the role. I mistakenly just wrote what CBS gave in their press release. The role was first introduced in 1971 played by two different actresses. However, once departing in 1972, the character didn't appear again until 1978 with Zenk in the role. Therefore, she "originated" who we know to be Barbara Ryan vs. the previous portrayals.

The CBS license fee is more valuable than any international production fees B&B takes in. CBS helps pay the production costs. The international fees just pays for excess food. Let's not think otherwise. GH could go to streaming, I agree. It is ABC.com's top-viewed show and top-viewed page overall. Y&R despite the lack of online buzz does quite well on streaming. It might get a budget cut when CBS announces a potentially two or more season pickup in the next few months but it's going nowhere. It and The Price is Right will be the last shows standing on what is left of CBS Daytime.

Passions had already been shipped off to DirecTV which had way more subscribers than it does now. There was a time, I believe, NBC had published episodes of the show on NBC.com but I don't remember it exactly. I doubt Peacock, which itself isn't a success, would have helped. I do think they could still do a reboot on Peacock with how much it costs them to have DAYS but the difference is NBC half-owned the show which means they'd have to put more of their own money into the budget. It would also take someone with power or whispering skills to get the thought working into the big bosses heads. Guiding Light could have survived a few more years but the Peapack nonsense would have to have been scrapped sooner rather than later. Some web series have better productions and I'm talking early iterations of web series. That said, Paramount+ couldn't save it no more than SoapCity.com with its pay per episode plot could. Sadly.

A full month after All My Children's final air date, GH was not too far above what it is doing now: https://www.soapoperanetwork.com/2011/11/ratings-all-soaps-up-in-women-18-49-demo Total Viewers 1. Y&R 4,467,000 (-12,000/-411,000) 2. B&B 3,180,000 (+113,000/+72,000) 3. OLTL 2,562,000 (-31,000/+217,0000) 4. GH 2,373,000 (+56,000/+91,000) 5. DAYS 2,351,000 (-42,000/-73,000) That said, the show SPIKED in 2013. Again, I can't pinpoint why. Same for all three remaining soaps. https://www.soapoperanetwork.com/2013/05/ratings-all-soaps-rebound-from-terrible-week-2 Total Viewers 1. Y&R 4,339,000 (+8,000/+20,000) 2. B&B 3,255,000 (+87,000/+193,000) 3. GH 2,566,000 (+115,000/+124,000) 4. DAYS 2,443,000 (+47,000/+9,000) The only thing that has drastically changed, and this applies to all shows on broadcast television (and even cable, too) are the demos. Fewer and fewer younger people are watching.

With the exception of Y&R, all three remaining soaps are basically doing figures similar to their performances 10 years ago. In fact, B&B is still doing numbers in the range of its then series low in Total Viewers all the way back in 2011!!! https://www.soapoperanetwork.com/2011/02/ratings-bb-hits-new-lows-in-viewers 1. Y&R 5,117,000 (-216,000/-123,000) 2. B&B 2,950,000 (-254,000/-317,000) <—– new low 3. OLTL 2,692,000 (-158,000/same) 4. GH 2,671,000 (-222,000/-215,000) 5. DAYS 2,630,000 (-400,000/-695,000) 6. AMC 2,570,000 (-83,000/-401,0000)

Other than a big bump for the shows in 2013 (not sure why), I'd say that AMC would be in the 1.6-1.7 million range with OLTL around 1.8-1.9, or even over 2 million based on GH occupying its slot since September 2012 and it having the better ratings. Of course, OLTL didn't always do better than GH so it could also be doing AMC numbers based on my sample. GL I hate to say would probably still have gotten canceled, but would be in the range of The Talk while ATWT would be in the 1.4-1.5 range. I'm basing this on how they were doing at the time of cancellation relative to what programs are doing now. Passions would definitely have been canceled as it was doing what DAYS was doing prior to its move to Peacock. Which means it would likely have been under a million viewers.

Sigh. I miss soaps so much!!!! Why oh why, can't some network executive wake up and realize that only soaps will thrive in today's markets? The second highest-rated talk show (syndication) is Kelly Clarkson with just 1.3 million viewers. GH, B&B and Y&R get over 2 million DAILY. Back on topic: You're right, that is the same theme, but a very small snippet. Only a true soap fan could catch it. I still want them to go back to the old one. The CGI used in the current one is a mess.

It's a CBS promo. They probably asked their cast to share it on their social channels. From the outset, it sounds like music from the As The World Turns theme without being the literal theme (copyright) to tie in her role on that show to her new one on The Young and the Restless to hopefully woo in lapsed soap viewers.

I agree. These messages should be posted on THEIR Instagram. Not his. A dead person can't speak for themselves so no one should be using said dead person's social media once their thoughts and voice gets silenced forever. That sounds morbid, I know, but that's my opinion. That said, again, my main issue is the person isn't identifying themselves. Other than the previous post, we still didn't know officially who was posting on his supposed behalf.

For the first time since 1999, actor J. Eddie Peck will reprise his role as Cole Howard on “The Young and the Restless” when the character reunites with ex-wife Victoria Newman (Amelia Heinle) later this month. Originating the role of Cole on the daytime drama series in 1993, Peck made a name for himself in Hollywood starting in the early 1980s when he appeared in such shows as “Wildside,” “Knight Rider,” Murder, She Wrote,” “Cheers,” “Dynasty” and “Dallas.” In fact, before joining “The Young and the Restless,” Peck had a starring role on “Days of our Lives” playing Howard “Hawk” Hawkins from 1991-1992. He later appeared in multiple seasons of the ABC Family drama “Kyle XY” and most recently co-starred in the 2016 movie “Divorce Texas Style.” Photo by Sonja Flemming/CBS After departing “The Young and the Restless” in 1999, Peck ended up in Pine Valley as Dr. Jake Martin on “All My Children.” During his three years on the show, the actor ironically played opposite Heinle, who at the time was on the ABC soap as Mia Saunders. During Peck’s original run on “The Young and the Restless,” the role of Victoria Newman was played by Heather Tom, who currently stars as Katie Logan on “The Bold and the Beautiful.” At press time, CBS only noted that Victoria has a surprise reunion with her ex-husband and that Peck will begin airing sometime later this month. However, based on photos from his upcoming return, Soap Opera Network has learned that fans can expect Cole to pop back on screen just in time for Thanksgiving festivities. When Cole was last seen in Genoa City, he had taken a professorship at Oxford. Prior to his departure, the character was a ranch hand and novelist whose love interests included both Victoria and Ashley Abbott, who at the time had been played by Shari Shattuck before Eileen Davidson ultimately returned to the role in March 1999. Note: The post J. Eddie Peck Returns to ‘The Young and the Restless’ as Cole Howard for the First Time Since 1999 appeared first on the Soap Opera Network website. Read More

Personally, I thought Victoria and Ryan were HOT HOT HOT! Cole, while hot himself, was a bore with Victoria. I couldn't wait for Victoria to cheat on him with Ryan. I HATED when they killed Ryan off. Scott Reeves can still get it today!!!!

February 4, 1993 Description: Ryan and Nina run into each other at Gina's and have dinner together. Victor's secretary, Connie alerts Victor that Eve Howard is passing through. Traci pops in at Lauren's for old-time sake. Traci and Lauren trade barbs concerning Brad. Nicholas asks Victoria why she is home and not with Ryan. Eve Howard shows up at Victor's door.

While an airdate isn't specified, the photos CBS released indicate "Thanksgiving," so he can either air next week or after Thanksgiving. It would make sense for it to be Wednesday, November 22, since Y&R is airing a repeat from 1993 on Thursday and is preempted for sports on Friday.

Fans of “As The World Turns” alum Colleen Zenk (ex-Barbara Ryan) who have been clamoring to see her back on daytime in a hot, juicy role got their wish on the Friday, November 17 episode of CBS’ “The Young and the Restless” when the three-time Daytime Emmy Award nominee appeared on the series as Jordan, the devious aunt who is seemingly running things when it comes to her niece Claire (Hayley Erin). Look for Jordan to stir things up in Genoa City as she has some scores to settle with the Newman Family, particularly Nikki (Melody Thomas Scott) who is currently being held captive by Claire. Photo by Sonja Flemming/CBS As seen at the end of the episode, Claire is standing in front of a mirror fixing herself up when Aunt Jordan walks in, startling her, telling Claire, “Don’t get soft on me now, Claire.” She added, “We have waited so long and we are so very, very close,” as a seemingly frightened Claire stares back at her. Photo by Sonja Flemming/CBS In an interview with PEOPLE, Zenk told the publication of Jordan’s motives, saying, “Prior to my showing up in Genoa City, I have sent my great niece to maneuver her way into the inner sanctum of the Newman family, which she has done quite successfully.” Although Zenk declined to speak on whether she had joined the soap on a contract basis as a series regular, she did tell PEOPLE of her experience thus far, “I just can’t get over how loving everyone has been to me. In fact, I kept crying the first couple of days.” She noted, “It was just so overwhelming. I really didn’t expect it. I’m a New York actor coming into their show. It’s not my show, it’s their show and I just didn’t know how they would respond.” Photo by Sonja Flemming/CBS Despite her storied career on “As The World Turns” and her performances in several New York theatre productions, Zenk’s joining “The Young and the Restless” marks her first time working in Hollywood, having never worked in the Los Angeles area, per her conversation with PEOPLE. “I am just a newbie here. I know nothing,” she tells the outlet. “I found a fabulous, wonderful restaurant where I’ve eaten nearly every meal, four blocks away from where I’m staying, so that’s been great.” Photo by Sonja Flemming/CBS Since the cancellation of “As The World Turns” in 2010, Zenk has kept herself busy, appearing in episodes of “Blue Bloods,” “American Criminal,” “Tainted Dreams” and “After Forever.” She originated the role of Barbara Ryan on “As The World Turns” in 1978 and remained on the series until its end. For more from Zenk on her return to daytime, click here. Watch a clip from Zenk’s debut on “The Young and the Restless” below. Note: The post ‘As The World Turns’ Alum Colleen Zenk Joins ‘The Young and the Restless’ as Claire’s Aunt Jordan appeared first on the Soap Opera Network website. Read More

Earlier this week, CBS announced the bulk of its midseason schedule and premiere dates now that the dual Hollywood strikes have concluded. Missing from the schedule were “Matlock” and “Poppa’s House,” two high-profile shows spearheaded by Kathy Bates and Damon Wayans, respectively. Tucked into the network’s announcement was news that the two shows would be moving to the 2024-2025 broadcast television season. According to Deadline, the network had limited shelf space on its midseason schedule due to the strike, which prolonged productions across the United States for about six months. The outlet noted the “longer prep time and scheduling runway needed for new series” as another major factor in the network’s decision to push the shows to the next broadcast season. “Tracker” Courtesy of CBS “Tracker” and “Elsbeth,” two other scripted shows ordered in May alongside “Matlock” and “Poppa’s House,” were given slots on the current season’s schedule but will have their premieres staggered so that the network can dedicate ample promotional time for each. “Tracker” will launch after Super Bowl LVIII on Sunday, February 11, before moving to its regular slot on Sunday nights at 9:00 p.m. beginning Sunday, February 18. Encore airings of the show’s first two episodes will occupy the Thursday at 10:00 p.m. time slot on February 15 (episode one; series premiere) and February 22 (episode two). “Elsbeth” will then take over the slot when it premieres on Thursday, February 29. “Elsbeth”, “Matlock” Photo by Elizabeth Fisher/CBS; Courtesy of CBS Originally slated for Sunday at 8:00 p.m. following “60 Minutes,” “Matlock” was to take over the slot currently occupied by the veteran drama “The Equalizer,” which was to move to 9:00 p.m. The show will instead remain at 8:00 p.m., followed by the aforementioned “Tracker” and “CSI: Vegas,” which retained its 10:00 p.m. slot in the revamped schedule debuting February 18. At present, it’s unclear what day CBS eventually plans to schedule “Matlock” and “Poppa’s House,” but it wouldn’t be surprising to see the comedy series moving to Mondays or Thursdays with the network announcing the seventh and final season of “Young Sheldon,” and this being potentially the fifth and final season of “Bob Hearts Abishola” after the series received a reduced episode order days before the dual Hollywood strikes were called. As noted above, “Matlock” was to air on Sunday nights. In “Matlock,” Kathy Bates stars as Madeline “Matty” Matlock, a brilliant septuagenarian who achieved success in her younger years and decides to rejoin the workforce at a prestigious law firm where she uses her unassuming demeanor and wily tactics to win cases. Matty is assigned to Olympia (Skye P. Marshall), a senior attorney and key rainmaker thirsty for justice. Olympia’s ex-husband, Julian (Jason Ritter), the son of the head of the firm, is intrigued by Matty and her clever skills. As Matty endeavors to establish herself in her new high-stakes world, she works alongside the firm’s younger associates – the charismatic Billy (David Del Rio) and the uber-ambitious Sarah (Leah Lewis). While technically not a reboot of the original series of the same name, this “Matlock” is inspired by the classic television series and will even make references to it on occasion. “Poppa’s House” sees Damon Wayans as a legendary talk radio host and happily divorced “Poppa” who has his point of view challenged at work when a new female co-host (Essence Atkins) is hired and at home where he finds himself still parenting his adult son (Damon Wayans Jr.), a brilliant dreamer who is trying to pursue his passion while being a responsible father and husband. Note: The post CBS Moves Kathy Bates Drama ‘Matlock’ and Damon Wayans Comedy ‘Poppa’s House’ to 2024-2025 Television Season appeared first on the Soap Opera Network website. Read More

Inspiring generations of performers, Dick Van Dyke will be honored for his incredible contributions to the arts and entertainment world when CBS broadcasts the two-hour primetime special, “Dick Van Dyke 98 Years of Magic,” celebrating the legendary career of the iconic actor best known for his performances in “The Dick Van Dyke Show” and “Mary Poppins.” The special will air on Thursday, December 21 from 9:00-11:00 p.m. ET/PT. “I started with CBS under contract in 1955 with the CBS morning show, then ‘The Dick Van Dyke Show’ and ‘Diagnosis Murder,’” said Van Dyke in reminiscing about his time working for the network. “I’ve been with the CBS family for almost 70 years, and I couldn’t be prouder. I’m incredibly honored that CBS will be throwing a 98th birthday special for me. Can’t wait to be part of the show!” According to the network, the special tribute will travel back in time to the iconic set of “The Dick Van Dyke Show” and feature dazzling music and dance spectacles, heartfelt performances, special guests and a magical holiday number. The two-hour tribute event will also showcase songs and archival footage from the best of his nearly full century career, encompassing “Mary Poppins,” “Bye Bye Birdie,” “Chitty Chitty Bang Bang,” and more. Executive produced by Craig and Clara Plestis of Smart Dog Media, the special will be broadcast on Thursday, December 21 at 9:00 p.m. ET/PT on CBS and will also stream live and On Demand on Paramount+*. Deena Katz will cast and executive produce, with Ashley Edens serving as showrunner and Dick Van Dyke and his wife, Arlene Silver, producing along with White Label Productions. Born December 13, 1925, the Grammy, Emmy, and Tony Award winner most recently guest starred on episodes of “Days of our Lives,” playing the biological father of John Black (Drake Hogestyn). It was revealed that Van Dyke’s character, Timothy Robicheaux, was wounded during the Korean War and left for dead by a fellow soldier. Watch a clip from his “Days of our Lives” appearance below. Courtesy of Peacock Courtesy of Peacock Note*: Live and On Demand for Paramount+ with SHOWTIME subscribers via the live feed of their local CBS affiliate on the service. Paramount+ Essential subscribers will not have the option to stream live but will have access to On Demand the day after the special airs. Note: The post CBS to Celebrate Career of Dick Van Dyke with Magical Primetime Special in Honor of Iconic Actor’s 98th Birthday appeared first on the Soap Opera Network website. Read More

Just over six months after it was first announced that “9-1-1” would be moving from FOX to ABC after six seasons, the alphabet network has finally announced a premiere date for the highly anticipated seventh season of the highest-rated broadcast drama series in Adults 18-49. The network has also announced premiere dates for the bulk of its regularly scheduled programs following the end of the dual Hollywood strikes. Featuring a robust lineup of high-stakes dramas, fan-favorite comedies, unparalleled unscripted series and groundbreaking news hours, ABC will kick off its lineup of midseason premieres on Monday, January 2022, when Joey Graziadei begins his journey to find love on “The Bachelor,” which returns to the 8:00 p.m. slot for two hours. Falling under the ABC News “20/20” banner (title to be announced), an all-new eight-episode true crime series will follow the reality show at 10:00 p.m. on Monday nights. Comedy is back on ABC starting Wednesday, February 7 with an all-new season of “The Conners” at 8:00 p.m., followed by a second season of “Not Dead Yet.” At 9:00 p.m., ABC will air the special one-hour premiere of “Abbott Elementary.” At press time, ABC had not yet announced which show would occupy the 9:30 p.m. slot behind “Abbott Elementary.” At 10:00 p.m., “Judge Steve Harvey” closes the night for the network. A new season of “American Idol” is back with all three of the show’s judges returning along with host Ryan Seacrest, starting Sunday, February 18. A new season of the ABC News program “What Would You Do?” will air at 10:00 p.m. The iconic hidden camera show is being reintroduced to new and returning viewers who may have forgotten the concept. Starting Tuesday, February 20, ABC makes tweaks to Tuesday nights with “Will Trent” moving to 8:00 p.m. followed by “The Rookie” in its new time slot at 9:00 p.m. and “The Good Doctor” moving from Monday nights to Tuesdays at 10:00 p.m. Finally,” the long-awaited return of “9-1-1” moves to Thursdays beginning Thursday, March 14, after a long run on Monday nights while on FOX. The drama will air at 8:00 p.m., followed by the 20th season of “Grey’s Anatomy” at 9:00 p.m. and “Station 19” moving to 10:00 p.m. In anticipation of the show’s move to ABC, the network has released a nearly two-minute teaser trailer highlighting key rescues and how the “9-1-1” team works together to save lives during major disasters. Check out the “9-1-1” clip below. Below is a breakdown of ABC’s midseason premiere dates for its primetime shows (all times listed are Eastern/Pacific). Monday, January 22 8:00 p.m. – “The Bachelor” (two hours) 10:00 p.m. – “20/20” (all-new limited edition true-crime series; title to be announced) Wednesday, February 7 8:00 p.m. – “The Conners” 8:30 p.m. – “Not Dead Yet” 9:00 p.m. – “Abbott Elementary” (one-hour premiere) 10:00 p.m. – “Judge Steve Harvey” Sunday, February 18 8:00 p.m. – “American Idol” (two hours) 10:00 p.m. – “What Would You Do?” Tuesday, February 20 8:00 p.m. – “Will Trent” 9:00 p.m. – “The Rookie” 10:00 p.m. – “The Good Doctor” Thursday, March 14 8:00 p.m. – “9-1-1” (new day; network debut) 9:00 p.m. – “Grey’s Anatomy” (20th season) 10:00 p.m. – “Station 19” Outside of the above announced programming, ABC expects to make additional scheduling announcements in the coming weeks. Additionally, the previously announced series pickup of comedy “High Potential” has been pushed to the 2024-2025 broadcast season. Note: The post ABC Announces 2024 Midseason Premiere Dates; ‘9-1-1’ Joins Network on Thursdays Alongside ‘Grey’s Anatomy’ appeared first on the Soap Opera Network website. Read More