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The Azure C. plot is during the early days of "The City" when it still is, quite frankly, not very good. And when it gets better, there is still such a hostile quality to material than even enjoyable material like the Gino/Tracey engagement party lacks the humanity it should. Something that I don't think is mentioned much, and I feel is noteable is that the sex scene between Azure and Bernardo is played as the climax to a long romantic build up complete with a musical montage to the Eagles' "Love Will Keep Us Alive." Bernardo's reaction is absolutely awful, but I think the reveal was meant as a stumbling block to their relationship. I'm not sure exactly where they would have gone with them, but I would have had Azure accused of being Jared Chase's murderer because he was involved in outing her (Malcolm may have as well). I would have used this to reunite Azure and Bernardo, who believed in her innocence. It may have played too closely to the trope that trans people are deviants so I would have made sure it was clearly that she was being falsely accused. For your research, Tony Cardello (an offscreen character) was the gay son of a mob boss, Vince Cardello, on the CBN serial "Another Life." He's referenced as gay in a couple episodes in early December 1981. The references are very negative. In the summer of 1982, Tony is said to be arriving soon with his mother Louise, but they never materialize as there is a change in writers. -
I've always considered that Paul Avila Mayer was hired by Ellen on her way out the door, but I also wondered if NBC was trying to keep Mayer in their writers' stable after he failed to work out on "Santa Barbara." Mayer and Braxton were fined for writing during the strike. I believe there is an article mentioning it somewhere in this thread. I don't hate Mayer and Braxton's run. I found Jeanne Glynn's run very dry in what I've seen until about her final month or so when she starts to focus on the reveal that T.R. is the lost Rebecca Kendall. Mayer and Braxton didn't always have amazing stories, but I found the characterization was deeper (if not always true to who the person had been). There were some scenes I really enjoyed. The misogyny comment is interesting and is something I hadn't considered. I found the tail end of Braxton and Mayer's run interesting when the all male board at Tourneur Instruments gave Liza grief for shacking up with Hogan, which seemed to be broaching the subject in a way that showed it was wrong. I will say, however, there is a scene much earlier in their run where Liza starts to think of herself as aging because of having a teenage daughter that now makes me lean to agree with you. I thought Liza and Hogan had nice chemistry and I loved the fact that Hogan was clearly more into Liza than Liza was into Hogan. Sunny's fate in that story was awful. Sunny rarely had good stories once Hogan left the first time. Bassett played Selina McCulla, a nurse who worked at the Riverfront Clinic. Her brother was Joseph Phillips' Cruiser McCulla, who was Ryder's pal. They were introduced in early 1985 by Jeanne Glynn and written out very quickly in Braxton and Mayer's run. Cruiser got a formal write out; he was sent off to study computers out of town. Selina appeared at the clinic in some situation after Cruiser left and then was never seen or mentioned again. I want to say they sent TR off to college, but a later post says she went to Switzerland. I think Krakowski was in some play at the time. Maybe it was Starlight Express. The chemistry is still there for me in October, 1985, when Hogan and Sunny are investigating the poisoned water storyline that dovetails back into Hogan / Liza / Lloyd. I am a Gary Tomlin apologist but his second run is frenetic, not always in a good way. Evie was probably going to be revealed to be someone's daughter. Stone was her stepfather, wasn't he? I don't think introducing a younger female from the lower class was a bad idea, but I don't know if I would have gone with Evie / Quinn. I was briefly intrigued by the chemistry test between Adair and Ryder. I don't mind Jeffrey Meek, but I find him very attractive so maybe I am biased in my appreciation of his work. I definitely felt the Kendall reset in October with Chase going to the paper and the mystery of San Marcos leading to Estelle and the return of Steve. I don't like Lloyd Bautista much as an actor, but he would have been better off playing Martin Tourneur by that point but not as a crime boss. When does John Whitsell takeover? Is it November? When I watched these episodes a few years back, October, November, and December seemed like almost three different shows. November was a glaring jump from the material Tomlin started to set up in October and by December it seemed like everything from October was gone. Stephanie / Wendy / Bela is a horrid story. I thought the initial concept of the story was smart (Wendy trying to prove that Bela was a cad by luring him into bed but I couldn't see Wendy actually falling for Bela). The only direction I would have accepted was a Stephanie / Wendy / Bela story that ended with both women murdering Bela and getting away with it. I didn't know they had already set up Liza's exit. Thanks for sharing a new detail. I struggle to watch the November-December 1986 episodes when they are online. It just seems like such a different show. I don't think the decision about T.R. was that noble. I think it was clear that Jane Krakowski wasn't staying and Robert Reed as Lloyd wasn't going to work out. I think the show wanted to go full steam ahead with Evie / Cagney and Suzi was considered expendable. Tomlin was writer for both Sarah's death and Patti's arrival. I don't know if the producer change had happened yet or which producer approved those decisions. I'm pretty sure Nicholson was out in November at some point. Sarah's death is the impetus for Patti's return; she comes back to Henderson to find her daughter's murderer. I think details get lost to history. For years, Tracey's existence was never mentioned on soap opera message boards when I first started. Interesting, Sarah Whiting was also rarely mentioned and I am not sure Michelle Joyner is listed in cast lists for most of the soap books that cover the final years of "Search for Tomorrow." I cannot remember if Tracey was mentioned from the beginning. I know she is mentioned by July, 1985, when Sarah is at the McCleary family dinner. I think Kate asks Sarah about her family and she mentions her sister and brother. I think Sarah's adoption was mentioned only under Tomlin, but I might be wrong on that. I feel like it was stated by Jo in explaining to Suzi (or maybe someone else) about why Sarah had a constant need for approval. Lundquist didn't work for me as Steve, but I was disappointed how quickly Steve was dumped a second time. I have never understood why the show dropped Phillip Brown as Steve or why there wasn't an immediate recast given the importance of the character to the narrative. Clearly, it was a Ellen Barrett issue because Tomlin brings Steve back less than two months into his 1985 return. I think the shift to the twins, Chase and Alec, was probably to skew the show younger and keep Lloyd involved as there was part two of the Kendall vs. Tourneur/Sentell story to play out with Travis and Liza raising a Kendall. Originally, from what I've pieces together, it looked like Adair was the mother of Elan and one of the Kendall boys was the father. I wonder what this meant was the plan for T.R. or if she and Elan were both intended to be Kendalls, which would have been overkill. I agree that the deconstruction of the Wendy / Quinn / Sarah story was a mistake. I think Tomlin leaned into one of his favorite tropes (turning the uninspired heroine into the bad girl) and used it with Sarah, though it seemed like Mayer and Braxton may have already been heading in that direction. I didn't love the music angle of the story all that much, but I loved that it pitted Quinn against Chase and I would have enjoyed that rivalry a bit more. When did Quinn become Stephanie's assistant? Was that under Tomlin? I thought that was a smart move. I think Stephanie/Wendy/Bela is one of the worst story choices. When Stephanie called Wendy a slut, I was like we've reached a point where I no longer recognize anyone involved. The Suzi / Wendy stuff falls apart very early in Mayer / Braxton as I think Jeanne Glynn was gearing up for a longer Wendy / Suzi custody suit over Jonah as Suzi's mental health continued to collapse. I felt Braxton and Mayer even hinted that they might go with Wendy pursuing Cagney for a moment, but instead we got Wendy / Quinn / Sarah, which I really liked. I felt Sarah being the Jo's granddaughter and a manipulator against Wendy's more mature and adult complicated heroine was an interesting choice that should have been allowed to play longer. I felt that Jeanne Glynn built a lot of potential, but never really lit the match and was able to use it in stories. That may be because she didn't have enough time. I felt her last month or so was very solid and was finally going somewhere after mostly not going anywhere. Justine's departure didn't bother me. They had played a lot of Justine / Chase as well and Wendy / Alec. There was a lot of building of foundation, but the story never got anywhere. The shifts in story are remarkable and depressing to consider. Lots of the potential was intriguing, it just rarely reached a productive stage because, as you have said, a writer or a producer was always coming in and making their mark.
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Just had a random thought that Vanessa Bell Calloway would be good casting for Sharon (The Articulette who hung up on Anita). She usually plays nice, but if you saw the Temptations biopic you'll remember she was pretty good playing that crooked manager that ripped them off. She might also sing because in Polly and Polly Comin' Home her character sang but I can't tell if it was a dub or not. Lastly, she did AMC and DAYS for short stints so she is no stranger to soaps. -
By VelekaCarruthers · Posted
I don't know if this counts for you but Bill Bell did a terrible short plot with an overweight character (Joann) who tried to French kiss Kay Chancellor.....if you google you'll find a link called Lezwatch.tv that has an article about it. -
By Contessa Donatella · Posted
https://www.instagram.com/p/DJxpFaAp_UY/ Roman vs. Stefano, Cliff top, Beach Below This is one of the most important scenes on DAYS in the 80s. After this nothing was ever the same. DAYS 11-23-84 @JAS0N47Closing Credits roll & it's complete silence. Isn't that unusual? -
By Stillwitty · Posted
Mack was the show's moral compass and his groundedness complimented Karen's hysteria perfectly. Also, Kevin Dobson was the best looking male cast member with a huge fan base. He was never going to be killed off... -
As others (I think) have said, Long just didn't get Nola and Quint. I guess it would've been hard to write them into adventure type stories with two kids, but they just fell off the map after AJ's birth. (or even the wedding/honeymoon) Long would've had to rewrite something, because Alex forced the Chamberlains out of Spaulding in the fall of '84. Not that she couldn't have just ignored it and written Quint and Henry being involved at the firm. I swear there was some plot point she just literally ignored that surprised me, but as I'm floating around between years, I can't recall what it was. lol Has anyone found the first day of the Kyle/Lewis dinner party up in English? After he took over Lewis Oil, Kyle arranged a dinner party. All hell breaks loose--Mindy admits to shooting Kyle, Vanessa remembers Reva's accident, and Billy and Reva get into a screaming match and she tells HB that Billy blackmailed her out of her Lewis shares. The last three minutes (or so) of the episode are up, where Kyle tells the assembled that HB's his father. And the next episode picks up with Sally entering the fray. Y'all know I'm dying to hear Billy and Reva go at it. As dicey as '85 is, I love it anytime when Billy isn't Reva's bitch. -
The original premise of "Santa Barbara" was that a Lockridge (Warren) killed a Capwell (Channing), who loved an Andrade (Santana), while a Perkins (Joe) went to jail for the crime. I think once the show started to pull away the threads by eliminating Joe and naming a new killer a lot of the show's original potential was lost. I contend, like others, that the fault lied in the uninspiring casting, which leads me to wonder if that's why the show became so keen on casting soap veterans for nearly every pivotal role. The failure of the Perkins family was definitely a casting issue followed by a lack of interest in committing to the original onscreen characterization. I was fascinated watching the early episodes and realizing that the Perkins had been financially wiped out by the trial, which was an underlying current towards John's animosity towards his son. Then, the additional complication of Marissa's nearly incestual affection for Joe that led to her cutting off John sexually was a wild moment to witness, but not as strong as it could have been with a stronger actor in the role of John Perkins. Melissa Brennan wasn't the right choice for the aspiring young vixen that Jade was intended to be. Brennan may have breathed life into Laken, but I'm not sure how Julia Ronnie would have done in the role of Jade. Despite the recorded history, Christina Robertson and Sarah Gallagher weren't sisters; they were aunt and niece. I don't think it would have hurt to make Marissa and Augusta sisters, but I think it would have made the Joe / Augusta seduction impossible unless you truly mimick "Rituals" and make Joe Sarah's stepson. I think a childhood friendship between the two women would have worked. It would have also given Augusta someone to confide in about the situation involving Peter Flint and herself as Marissa would have been aware of Peter from her work at the pre school. As childhood friends that were estranged by class differences, I think a relationship between Augusta and Joe (and later Augusta and a sexually frustrated John) would have had multiple layers to play out giving a deeper impact on Augusta's involvement in both of the men in Marissa's life. And because I have thought about this all too much, I would have Augusta and Marissa square off again when Jade, after marrying Ted while pregnant, learned that the little Capwell heir was in fact an imprisoned Warren's son only for Augusta to ultimately keep mum because with Ted married to Jade he wasn't free to pursue Laken. I imagine the Andrades would have slowly been withdrawn from the Capwell inner circle as the truth about Santana, Channing, Jr., and the baby came to light for everyone. In what I seen in the 1980s, Rosa confronts C.C. once about the baby and then seems to move on. Early in the run, the actor playing Reuben claims he and Bridget Dobson had a falling out and implied that she was racist which led to the character fading into the woodwork. I know I am like maybe one of two people who liked the 1990s run of the Dobsons, but I loved the set up for Santana / C.C. with the Andrades having owned the land that Oasis sat on years earlier posing Santana to come into money while also potentially landing a position where she could raise Gina's son with C.C. if C.C. and Santana could have secured custody of the child. With Eden gone, I would have gone back to Santana and Cruz, but if not, I think Brick should have returned to be Santana's conscience and potential love interest.
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By Contessa Donatella · Posted
Well, I'm not going to shoot you, so no worries there. If it's subpar i hate hearing that. It was an old DVD not even mine a former partner. I thought why not make use of it. Serves me right for thinking. But to be clear, white label, www.radiomemory.com -
Just compared the open on Friday's episode with the first week episodes. I think the difference is that the bass line is much more apparent -- stronger and harder.
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