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I kind of assume they're toning down Rachel's bad seed tendencies a bit to make it less obvious if they're going for her as the shooter. At least that's what I hope they're doing - I've really enjoyed Rachel being a bratty evil DiMera princess and Marlena finally getting a grandchild she deserves. -
By BetterForgotten · Posted
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Jason and hemming and hawing about Sidwell taking over and being ruthlessPlease register in order to view this content
. This show is so stupid. Sonny killed an FBI agent less than a year ago by shooting him at point blank range. But the new short bald man is much much worse cause he was a bad guy in some part of Africa and managed to not kill Lucky, Isaiah, Jason, or Anna. This show is crippled by the mob all these years after Guza has been long gone. Laura is literally saying oooo but Sonny is a good mobster for Port Charles. Give me a [!@#$%^&*].ing break. Sometimes I don’t know why I watch this joke of a show. -
By Paul Raven · Posted
With all the changes Sunny was one of the longest running characters by that time. She had never been married and had heaps of story potential. I can see America getting with SFT -you know 'the circus soap'. Smart move because circuses were all the rage with the kids in the 80's. Maybe Stu and Jo could have bought the circus. -
It is actually pathetic, that Victor’s 50 year old children are still written as scared of this man that has to sit in every scene. I get it, EB has been on the show for almost 50 years, but I don’t care. He’s a man in his 80’s and should not be the damn lead and driving force because you don’t want to upset Eric Braeden ‘s fragile ego that only exists because the writers have cowtowed to this man for so long.
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By Paul Raven · Posted
PREACH Victor being written as he was 20 years ago to support EB's ego or some misguided belief that what worked decades ago is still relevant is destroying the show. Victor comes off as a rambling old fool holding on to vendettas and a desperate need for perceived power. His children still cow-towing to him makes them look equally foolish. If the writing portrayed Victor as more of an irritant to them then maybe it would work. -
They desperately need another meeting spot that isn’t Orphy Genes or the Country club. Y&R is awful now but there’s at least GCAC, Crimson Lights, Society, and the Jazz room at GCAC to meet at. 4 places is definitely better than 2 and I can’t imagine these rich folks literally only eat at their damn country club.
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I support all of this. 80 year old Victor reading lines off the table or teleprompter until it’s time to yell at someone and still being the main man driving story on the show is absolutely ridiculous to me and one of the biggest issues with the show. I respect Braeden for wanting to keep working in his old age is great and all, but WHY IS HE THE LEAD?
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By Paul Raven · Posted
I believe they said 27 sets. We have not seen that many maybe around 20. Perhaps they meant they have space for that number. I would like to see another meeting place -maybe a restaurant that could fit in b/w Orphy's and the Country Club. Casual but classy. Jacob/Naomi need a living room and it would be good if Vern/Anita had a smaller study/library so they're not always in the same room. I guess budget plays a part. For example, maybe the plan is for Jacob/Naomi to get a home down the track when they become more prominent. I really hope that outdoor sets come into use. A terrace at the Country Club or a few shopfronts-a park maybe. Speculation re June. I would go with a Hayley connection as she needs something else to do apart from whining to Bill. June could provide some conflict cos I don't see Bill being that interested in having her around. He could try to buy her off, upsetting Hayley or she could overhear/uncover some dirt on Bill so he's forced to keep her around. The parents of Tyrell/Samantha can be held for down the track along with the mystery of Andre's parents. The advantage of a new show is that there is so much from character's pasts that can be used. An ex for Vernon or Anita and various relatives to come out of the woodwork.
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