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I totally didn’t pick up on that. Just perfect! I don’t get the Maurice Johnson hate around here at all. He didn’t take me out of the scenes at all. I understood everything he was portraying. It was great. I do wonder if there will be a personality shift with the new actor, whom I’m still not excited about. Exactly. Right? I’m in the exact same boat as you. Agree with most of this except I never found anything off with Ted, didn’t suspect a thing. I just watched yesterday’s episode and it was one of the best soap episodes I’ve seen in a very long time. I was enthralled the entire time. Just fantastic. -
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By All My Shadows · Posted
I was confused too, but I think it was always a "tribute thread" (this one and OLTL's were created when their cancellations were announced). They just changed the show abbreviations to their titles spelled out, I guess to make the board just a little bit more uniform. I was lost, too lol -
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Well... I am. I think she's losing her initial menacing presence. Slowly but surely. I need the crazy dialed back. But as I said... this is very miniscule negative reaction. I am loving the show right now. We'll see how they'll continue after the fireworks. -
By DemetriKane · Posted
Oh, I am so looking forward to the reveal about Laura's accident, and Nicole and Leslie having a real one on one. -
I'm not seeing that right now. I'm stepping out on faith and believeing MVJ will not turn "Silk" into a ridiculous caricature.
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One little... very little... tiny... minuscule negative comment. I was debating if I should care to say it... In some ways... Silk has been acting clownish... I think they need to dial it back, because if this continues with the current pace... she'll be worse than Sheila in terms of getting totally predictable and not menacing anymore. TMG is one hell of an actress... I just want to see a more normal and less clownish Silkpress in the coming weeks*months. We need to dial down the wigs too. It's becoming a funny caricature and we don't want that. Maybe we do, I'm not sure. I just like her more menacing and sinister than... "Hahhahahah what is she wearing today". That's a personal preference. So far... I am okay with it... but I have fears this may turn into a really tired joke in the future. I want TMG as long as possible on my screen!
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By All My Shadows · Posted
Not really short-lived as GH went to color in 1967, so the blue background actually lasted about twice as long as the black background. You can see it at the very beginning of this set of clips from 1974:Please register in order to view this content
Also would like to put it out there in the universe, as I often do, that the wait for any AMC from 1972-1976 has been too damn long. At this point, it is the only long-running soap (10+ years) that has absolutely zero video clips from that time period online. We have either whole episodes or clips from every year of the show's run except those five, which happen to be the exact years when one of my favorite characters I've never actually seen, Margo Flax, was a major player. Justice for Margo, please. -
By All My Shadows · Posted
Both EE and Corrie remind me of RC's OLTL, where maybe, just maybe, if we keep bringing up the past in cheesy, forced ways, the audience will transfer their positive memories of better days onto what we're giving them now. I used to love that kind of crap, but it became so constant and transparent with OLTL, not to mention obnoxious as hell. Like when they had KDP singing the Peabo Bryson theme over the opening sequence for an episode or two. I've been reading little blurbs about Sonia's exit, and they all mention trumpets as if the she had grown up and became a trumpet virtuoso. It's too sitcommy to me, just like Bianca being damn near 50 and still wearing the jacket and hoops. But then they like to introduce new young female characters and put them in a metallic jacket and hoops so that the audience will like them right away. Things just hit better when it's more of an "If you know, you know," type of thing. Like Max watching Stacey's plane leave in 2010 as Stacey gazes down at the Thames in reference to the opening sequence...just like when Phil watched Kathy's plane leave in 1998 as Kathy gazed down at the Thames in reference to the opening sequence. It's like the more "iconic" the original scene is, the less effective the later allusion to it is. B&B and Y&R recreating their first scenes were perfect because we don't get hit over the head with how incredibly iconic those scenes were to begin with.
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