Did OLTL have books in 80's like the other soaps that covered the early storylines of the show?

42 minutes ago, janea4old said:

WOW!!!   Just amazing.  Her acting was topnotch and this was only an audition.

I agree!  AE was just one of those performers who could draw you in, no matter what.  I don't believe I ever saw her phone in any performance on any show.  To me, she always gave 100%.  God, how I miss seeing her on TV every day.

8 hours ago, TheyStartedOnSoaps said:

Andrea Evans’ Original Audition as Tina Clayton in 1978 for One Life to Live

 

Thanks!

She seems to be using Samantha Vernon's script in the test for Tina. 

She has such a strong presence even here.

Edited May 30May 30 by DRW50

13 hours ago, DRW50 said:

Thanks!

She seems to be using Samantha Vernon's script in the test for Tina. 

She has such a strong presence even here.

Better than 90 percent of what I see today on my screen. Absolutely mesmerizing. 

On 5/30/2025 at 10:59 AM, Marco Dane said:

Did OLTL have books in 80's like the other soaps that covered the early storylines of the show?

Yes, they did.  I still have them.  I think there were three.  AMC and GH as well.

On 5/30/2025 at 10:59 AM, Marco Dane said:

Did OLTL have books in 80's like the other soaps that covered the early storylines of the show?

 

1 hour ago, GymnastGuy said:

 

Shame that's the only one. It would've been great to see Viki/Niki or Carla Grey books

33 minutes ago, Marco Dane said:

Shame that's the only one. It would've been great to see Viki/Niki or Carla Grey books

I was bummed at the time.  AMC had 3 books going so far as the introductions of Brooke and Dona Beck.  I think GH had 2 books.  I was anticipating more OLTL.  My guess is that they did not sell well.

Larry Wolek had the worst luck with Karens, lol.

On 5/30/2025 at 9:40 AM, TheyStartedOnSoaps said:

Andrea Evans’ Original Audition as Tina Clayton in 1978 for One Life to Live

 

She was a natural going all the way back to her audition reel.   

It's a shame that Rauch and co really amped up the more OTT aspects of Tina's character in the 2nd half of the 80s because Evans proved she could play understated and vunerable without the theatrics.

It's also why she was able to slip into playing a recast Patty Williams on Y & R a few short weeks before the climax of the story with Jack Abbott.  She had natural instincts, and knew when the dial it back and when to let loose.  

58 minutes ago, Soaplovers said:

She was a natural going all the way back to her audition reel.   

It's a shame that Rauch and co really amped up the more OTT aspects of Tina's character in the 2nd half of the 80s because Evans proved she could play understated and vunerable without the theatrics.

It's also why she was able to slip into playing a recast Patty Williams on Y & R a few short weeks before the climax of the story with Jack Abbott.  She had natural instincts, and knew when the dial it back and when to let loose.  

For me she just doesn't really work on Y&R, in part because of the performers around her and the style of the show. 

Her second run as Tina did not utilize her in the best way much of the time but I think they did still find some of those softer moments, or Andrea did, and she just fit better with the performers around her. 

My favorite moments are with Erika and then Robin and Tim Stickney around 7/8 minutes. There are also little yellow bumper moments with the crew, which I enjoy more than the real ones. 

There's also a music video at the end to I Will Survive, with Linda Dano and JFP having a cameo (they certainly do know how to survive). Also a fun bit with a frazzled crew member showing cards with the names of every EP she presumably worked for at the show (or maybe just every EP, period).

Edited June 4Jun 4 by DRW50

I love the yellow bumpers with the crew lol.

That's Donna Lewis as the music at the beginning! I haven't heard her in ages. R.J. and Tea were so hot and so underrated.

I remember seeing the bit with the Buchanan men promising to show Max a good time in his bedroom and it's still hysterical.

Edited June 4Jun 4 by Vee

 

1976 Pt 4

Viki is stunned to learn from Dr. Jim Craig that her father may never speak or be mobile again. Dorian bravely assures her that she’ll devote her entire life to Victor and if anyone can help him recover, she can. Alone with Victor, Dorian tells him she knows he hears her and she was wrong—she lashed out at him from hurt. She insists that none of it is true, that Tony is lying to try to drive her away and be Victor’s heir.

Dorian then accuses Tony of causing Victor’s stroke, saying he could have killed him. But learning that Victor made three phone calls after his visit convinces him that his father was fine after he left and Dorian’s fine hand is at the base of this. Dorian insists that Victor be released into her care as soon as possible; she'll set up all necessary facilities at Llanfair., When Dorian walks in while Viki is reading a letter from Tony to Victor, she interrupts the reading, claiming it’s upsetting Victor.

Viki tells Tony, however, that Victor was fine listening to his letter and it was Dorian’s entrance that upset him greatly. Dorian is delighted when a Lord Enterprises attorney informs her she’s going to receive Victor’s power of attorney on a temporary basis. Tony is furious that no one is challenging this, but Viki explains that they can’t do anything, as the law is on Dorian’s side and a challenge would only be a public statement of lack of trust in Victor’s wife. Viki insists that Victor’s welfare is being safeguarded, but Tony points out that. none of the people who care for him are with him at Llanfair.

Joe is with Victor when he seems to rally and speaks Joe’s and Dorian’s names. Over Joe’s observation that Victor wants to continue, Dorian quickly administers a sedative, insisting this effort is too taxing. The following day, Peter, at Llanfair to give Dorian some Free Clinic reports she’s requested, overhears Victor say, “Phone . . . get me Hanson” (one of his lawyers) and sees Dorian quickly sedate him again, saying he can’t have any visitors for fear of overexertion. The very next day Victor is taken back to the hospital by ambulance, in a coma. Told that Victor is conscious but near death, and calling for his daughter, Dorian, knowing that Viki and Joe are waiting in the courtyard, intentionally sends the nurse to look for them in Jim’s office, delaying their arrival until Victor is no longer able to talk. Viki sits with him for a few moments, then must leave, and shortly thereafter Jim tells her, Joe, and Tony that Victor has died. .

Vinnie is horrified to learn his wife Wanda, is the “Lana-Sheen Lady,” a cosmetics saleswoman. He tells her she violated the trust of their marriage by intentionally concealing that she was working, something he had forbidden, insisting he must be the breadwinner in the family. But Wanda warns Vinnie that there is more to this than the money, that she needs to feel she’s accomplishing something with her life. Vinnie does think it through but questions the safety of going door to door. Wanda then springs Tony’s offer that  work for him at Tony’s Place, initially infuriating Vince, who claims Tony is a wolf. But a visit to the club shows Vince that Wanda does indeed have considerable talents for running a restaurant establishment, and he gives his approval.

Despite Cathy’s continued insistence that they not marry but go on as before, Tony is willing to let her have things her way, and their relationship has resumed. Pat tries to reassure her son, who thinks Cathy is not very nice, by explaining that it’s difficult for Cathy to be with children, since she recently lost her own little girl. But the pain of facing Tony and Cathy’s relationship becomes too much for Pat and, needing to tell someone, she confides in Viki the true story of Brian’s parentage. 

Viki tells Pat she must tell Tony the truth and she should fight for Tony if she still loves him and give her son his rightful father, especially since Tony and Brian were good friends from the moment they met. Cathy, however, is growing suspicious of the easy closeness between Pat and Tony and questions him about their old relationship. Tony insists that their relationship was a brief romance, too short to be earthshaking, and assures her that Pat didn’t rebound into Kendall’s arms they had known each other long before Rio. But Cathy is not satisfied, and pursues her inquiry in New York, where she finds that Pat didn’t marry Paul until after Brian’s birth. This confirms Cathy’s suspicions, and she decides she has to act now to keep Pat from taking Tony from her.

Pat, meanwhile, has decided to tell Tony the truth and arranges a meeting with him. She is stunned when he walks in with Cathy and introduces her as Mrs. Tony Lord. Pat says nothing, and later has to tell her embittered son that he’s going to have to accept Cathy as Tony’s wife whether he likes it or not. Viki, learning of Tony’s marriage, rushes to console Pat, who castigatés herself for having wasted so much time on a man who doesn’t love her. She knows she'll have to tell Brian the truth someday, but is sure that if he learned the truth now he would feel deserted by Tony, just as he feels deserted by Paul.

Tony and Cathy’s married life begins on an idyllic plane, with Cathy eagerly making plans for a child. Tony has read Cathy’s book and wonders if she’s not | dealt too severely with a central character who bears an unmistakeable resemblance to Viki. Cathy admits that this is true, and Pat, working with Cathy’s agent, has already suggested revisions. Pat finds Brian having nightmares, and the boy admits his uncertainty about his father’s death, as Paul’s body was never actually identified. Concerned, Tony spends time with the boy, upsetting Cathy, who sees him as a threat.

Cathy’s agent mentions to Pat that Cathy interrogated him about the details of her marriage and her child, and Pat suddenly realizes Cathy knows. She confronts Cathy, accusing her of marrying Tony to hold on to him. Cathy tries to insist that she doesn’t know what Pat’s talking about, and counter accuses her of trying to break up her marriage. Pat then leaves, saying they’ll discuss it when Cathy’s ready.