Jump to content

August 31 - September 4, 2009


Toups

Recommended Posts

  • Members

Brimike's already laid out one part of the financial equation. The other part is this: You point out just how close the ABC soaps are to cancellation. They'll linger a little longer due to the financials, but we're in the final years for sure. I'm still thinking 2012 or so for the ABC soaps. I don't know if the LA move changes anything for two of them.

Link to comment
Share on other sites

  • Replies 54
  • Created
  • Last Reply
  • Members

Hogwash!!....LOL It is great that GL isnt limping out. It would be great if GL beat all the ABC soaps during that final week of airing just for Brian Frons....LOL. Gl cancelled but yet beats all the ABC shows...LOL. GL's numbers remind me of Dallas. Dallas had two awful years ratings wise until it was cancelled. The last epidsode of Dallas brought back a lot of viewers and the show ranked #2 for the week. No other primetime soap opera accomplished that...Dynasty, Knots Landing or Falcon Crest.

Link to comment
Share on other sites

  • Members

Can someone explain to me how ABC owning their soaps is better financially? I keep hearing this but I have yet to understand why. I mean I know CBS pays licensing fees for Y&R and all their shows as does NBC for Days but they also don't incur the costs of producing the show as ABC does with their shows. So while ABC owns their shows, they also pay for studios, upgrades to HD, sets, salaries, staff, producers, writers, etc. while CBS and NBC does not. And if ABC was in such solid financial shape, why did all their actors take pay cuts? So I guess call me stupid I just don't understand how ABC has the big advantage.

Link to comment
Share on other sites

  • Members

aside from cost reduction, I dont see the move to LA being anything dramatic. Maybe it actually gives AMC another year of life. Or maybe it leads to OLTL finally getting chopped. AMC's ratings have again dropped to where they were, actually lower than they were under the prior regime and they were allegedly very close to cancellation at that time or in danger of being dropped by some key affiliates if I recall.

Link to comment
Share on other sites

  • Members

Well I get the benefits in terms of owning a home, You build up equity and it becomes an asset for you. Same as owning a business. But as an owner, you also have costs to incur that as a renter you don't. I can't fathom to understand how these agreements work. Perhaps the value for these shows on ABC are incredibly high(like the value of a home) and that outweights the costs you have to expend to manage and maintain it. But I am looking at a genre dying off. It's almost like the housing market today and trying to sell a home. The value of the home is not what it was, it still costs me the same to maintain it, and I can't sell it because there is no market for it. But if ownership is so much stronger, why is ABC moving AMC to LA. They are trying to reduce costs I assume. Why did ABC ask their daytime actors to take paycuts. I assume for the same reason. they are doing nothing different than what Y&R is doing in renegotiating contracts or Days in cutting the salaries of their actors. Maybe I am overthinking all this. I still don't understand it but so be it.

Link to comment
Share on other sites

  • Members

I think most were just kidding themselves if they think Y&R was so untouchable. CBS prides itself on having very good to sometimes excellent shows on air, especially if there are supposed to be #1. If you know about Leslie Moonves one would see why. I am sorry but a 3.5 for Y&R and losing well over 600,000 in the past year just does not cut it. The company (CBS Corp.) has more people it is responsible to report to and it is all about the money especially now and they are probably looking at EVERY LINE OF BUSINESS to see who and where is not performing well. More cuts are coming if things don't look up soon. I definitely think this economic downturn have caused more companies to look at their business to see how it can be run more effectively and cheaper. At this rate, we might have soaps with instead of live people, animated characters! :lol:

The sad part of this all is the most we can say is that Y&R is still #1 but #1 in what exactly, certainly not the redundant storyline telling. And even more sadder is that as viewers we so don't want to see the genre die that some are starting to rationalize this pathetic and mediocre form of s/l telling and production. I see nothing about the show anymore that shows me they are #1 in the categories that I have loved for well over 30 years. The only thing that has remained constant thank heavens and proven is that it is the VETERAN actors of this show that OWNS this show and always will. And it is so very wrong to try and change the formula at this stage of the game - whoever thought this was a good idea to do was so wrong. It like CBS suddenly removing the "eye" from its brand or Sony changing their product line to sell white paper when that industry is dying off.

I want to see my JC, MS, MTS, EB, PB, CLB, TB, JW, JM, ED, DD, and now add Tricia Cast and Beth Maithland (who they should bring back as often as the budget allows) all the time until they all decide it's time to quit or they "kick the bucket"..then throw in the younger actors to balance it out because at least to this viewer the younger actors on the show don't have 1/4 of the charisma and onscreen presence as our vets.

I am going to start doing the "raindance" and forget this aberration of a summer for Y&R and start throwing coins in a wishing well that MAB (and I so want her to do well but she is DISAPPOINTING ME BIG TIME) can turn this around come fall because if it doesn't get better....OH WELL!!! <_<

Link to comment
Share on other sites

  • Members

Amen. I guess I am not as invested in Y&R so I can watch it with a more undetached eye than AMC or GH. The stories are not good but the vets make it worth watching. I adore all of them on Y&R. They are the show. On GH and AMC they have lost the vets and legacy characters IMO that made both shows worth watching or they are so under used it doesn't matter. David Canary is the exception. And I really don't know which show is worse, GH or AMC. AMC still have DC and Susan Lucci but the Zendall overkill is too much.

Link to comment
Share on other sites

  • Members

Well that is easy for me GH is so bad I don't know what the hell is going on at any given time. The lead men are jokes and the mob is running the show and more sleazy ho's are everywhere. Instead of calling it General Hospital it should be called Mobs R Us or Skanks R Us because you never see that much of the hospital and when the doctors are turning into wanna be pi's then you know your show is in trouble.

Link to comment
Share on other sites

  • Members

The owning/renting analogy is not really helpful to understanding this circumstance. Here is a basic overview why ABC is better off financially owning its soaps. CBS pays P&G and Sony & Co. a licensing fee to air its soaps. If ad revenue declines, CBS cannot reduce the fee until they are contractually allowed to do so, hence they make less profit or can even lose money. We heard recently that CBS slashed Y&R's licensing fee by almost 50 percent which means that Y&R producers have to cut their budget and make the show for less money while still making profit for themselves. ABC owns its own soaps so when its ad revenue declines, Frons will tell its shows' producers to cut production costs which includes pay cuts and lay offs behind the scenes. ABC gets these savings back directly and almost immediately, thus they are better off financially owning their own soaps and the CBS soaps are more likely to be canceled sooner. By moving AMC to LA, ABC must have determined that the show would be cheaper to produce in the long run. The only practical way for the soaps to stay on the air is to keep reducin production costs because the ratings are systematically declining with no reversal in sight.

Link to comment
Share on other sites

  • Members

Perfect explanation re: CBS and all round!! :) This is even more compounded by Sony's Steve Mosko having to actually go to the Y&R set and explain what's happening. They can dress this up all they want and try to make it look pretty but this was most likely driven from the higher ups from both CBS & Sony but basically all this boils down to is that Y&R is on probation for 2 years to improve and then we will see where we go from there. How ironic would this be..a Bell started the show so long ago and it could very well be a Bell that takes it out - only fitting. <_<

Here's a suggestion for the Bells since they think they are all that and can do whatever they want, why not go start your own bloody network and put out your own shows! And make it a private company while you are it so that if your network starts tanking you don't have to answer to shareholders except yourselves, yada, yada!! They also need to get out of the blooming PAST and move forward! :rolleyes: I am so bloody angry :mad: because so far MAB has managed to further decimate the show and make it COMMON when I so was looking forward to her doing the exact opposite.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • On the way to her own engagement party? I've read that the show had trouble getting the audience to sympathize with Rita, but...that seems bizarre. Maybe I can understand the issue with the censors, given that at the time, rape wasn't depicted the way it is now, and marital rape was even less acknowledged.  Wasn't Chris Brooks' rape one of the first honest stories on the subject?
    • Yes it was! My mom and I convinced my dad to get one. He was--how shall I put this?--on the thrifty side, but one day he came home with one as a surprise. To this day, I'm convinced it fell off a truck. (He knew people with "connections."

      Please register in order to view this content

      ) BUT, we had our VCR and we could watch our soaps. That thing lasted forever! It was built like a tank. Even when we got new ones with more features, we kept that one.
    • Please register in order to view this content

        Blasphemy!  (Haha, I get it.  But, you should try watching AMC! 80s-90s was so good.)
    • I thought about saying how I resented the fact that those two newbies were tripping up the Puppetmaster of all Puppetmasters, when the best others could do was a stalemate (or less...). But, well...*sigh*
    • I read years ago that both Zaslow and Lenore both complained that it came off as a seduction because of CBS censors, so Lenore asked if she could say, "you raped me" to leave no doubt with the audience, and that Zaslow insisted that Holly's rape played realistically 
    • Wow it’s official, Gatwa is out… https://www.avclub.com/ncuti-gatwa-addresses-doctor-who-finale-statement DW fandom on Reddit is in a furor over how things went down and apparent last minute scrapping of the original ending. Also…Billie Piper again really?
    • He comes pretty close, talkin' about how Reva is full of love and joy, blah blah....which is bilge considering he was the one responsible for throwing her out of Josh's life over working with Alan. 
    • Just watched the episode concerning Olivia's drug use and Abby's persistence, etc. Donna Mills did stellar work in this episode, as did Tonya Crowe and Brian Austin Green (Brian).
    • But by Dinah and Hart...Hart especially looked as if he could not tie his own shoes!  Ed, Holly, Alan, Alex Henry and Vanessa among others were not able to put Roger down....Dinah???
    • The preaching seems to end before the Barnes settle in late December, 1981. The stuff that felt overly religious (the Davidsons believing a miracle will save Lori rather than a surgeon, Jeff's miraculous recovery from a beam of light) was quickly nixed because it wasn't working. The closest thing that you get to that under the Barnes is when Dennis Fraser, the drunk driver who killed Nora and Scott, turns his life over to god. The born-again redemptions out of nowhere seem to stop fairly early into the Barnes' run. I do think Miriam's transformation was much more delicately done with her turning on her bestie Nancy because Nancy was seducing Charles, Miriam's wealthy father, so Miriam offers to testify for the Davidsons in the trial against Nancy over possession of Nora's house. In turn, Nancy repays the favor by pumping an emotionally distraught Miriam with barbituates while Miriam carries on her affair with low level thug turned political aide Norm Elliott. Miriam is used by everyone into her life and finally lands herself in the hospital becasue she has become so addicted to the pills. At the hospital, it is the friendship and kindness of the Davidsons that brings Miriam to a more peaceful place. The Davidsons ability to forgive is both appealing and, at times, dramatically limiting. In this case, the Davidsons lead Miriam to her new Mama, Ione Redlon. Now, under Vinley, Miriam is determined to reconnect with her son, Frederick, and her ex-husband, Paul.   My bigger issue with the Barnes' writing is that they write the storylines with twist endings that sorta come out of nowhere. I know the resolution to the Kate Carrouthers mystery sorta plays out like that so I am curious to see how I feel about that.  The biggest change throughout the writing teams has been the view of morality. Winsor had many characters who could be viewed purely through the lens of black and white, but others explored the shades of gray (often younger people). The brief head writerless period was much better at embracing an action doesn't make a person and there characters were much more gray or at least evil at a more local level (Nancy, in this period, only flirts with her brother-in-law where as later she is actively providing pills to Miriam to keep her addicted and away from her own father). The Barnes, for the most part, seem to embrace this level of political corruption that seems to permeate throughout the show making it clear that power (as well as money) is the root of evil. Even criminal Vince Cardello is presented as less evil than Charles Carpenter, though Carpenter's murder of a resident of his complex was rewritten to relieve Carpenter of any responsibility in the matter. Vinley's work seems more into exploring the why or delving deeper in general. Babs Farley, the hooker who is looking to reclaim her life, is such an intriguing character. She is given such meaningful monologues regretting her decisions and desperately trying to keep away from the hands of her former pimp, Ron Washington, who hasn't appeared yet. Monk and Fernandez seem to be wrongly accused of Lori's attack and there seems to be hints of racism that the show is looking to address. Marianne confronts Gil about his feelings towards God in relation to their mother's death years earlier.  There does seem to be a layer of misogyny to Vinley's work, but it's early so I'll be curious to see how this plays out. There are a lot of attacks on women (Lori is nearly raped, Babs was beaten, Nancy is on the verge of being blackmailed for sex by Tab, and the Russ / Marianne / Gil scenario has hints of toxic masculinity. It's very early so it'll be neat to see if that is maintained.  Jerry TImm lasts about a year I think (March, 1982 - March, 1983). One of the episodes on TouTube has a comment suggesting that Timm was fired by CBN because he had done something in his past that came to light. It didn't seem to be clear what that was.  I like what I've seen of Timm as Gil. He has such a presence that it covers up some of his weaker acting choices. It's unfortunate that he didn't get to play as much of the Gil - Stacey - Amber triangle as his replacement does.  
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy