Jump to content

GL: January Discussion


Recommended Posts

  • Members

Yeah, Telenext, which is P&G's production company produces the People's Choice Awards, hence the P&G commercials. It's just so funny seeing Phillip in a red hoddie outside looking as though he's playing a game of footie with the boys. Whatever.

Thanks to jfung79 for writing your take on my comments and the show. Did you watch the show in the 90's or are you a new viewer? I'm just curious. People still watch this show of course but i wonder how many veteran watchers still watch.

Link to comment
Share on other sites

  • Replies 49
  • Created
  • Last Reply
  • Members

Some interesting ideas, but I think Lizzie fighting Bill for control of the company would be too plot-based. It doesn't ring true to me. Bill and Lizzie have been through the struggle for the company already, and they are now both in charge. It's much more character-based and in-character to see how people act out of love. I think only Alan has an all-consuming passion in his character to fight for company control. I like the involvement of family with each other in your story though.

The show is building up to Philip's return with the Beth/Coop story and its ramifications, and with Emma taking interest in the Spauldings to the chagrin of Olivia and Natalia. I think we will see a steady build, with a couple mini-climaxes, leading up to February 9th.

Link to comment
Share on other sites

  • Members

I love it that P&G is fighting for its soaps. I remember when Another World was canceled 10 years ago, people had conspiracy theories that P&G wanted out of the soap biz, and I think actions like this speak loudly that this is not the case.

I didn't watch the awards so I didn't see the ad for GL, but it sounds like a great one.

Thanks for reading my response, Cashton! Yeah, you're right, I didn't watch GL in the 90s. I watched GL in the summer of 1989 (my first soap, it was so good -- flashes of memories include Philip at a Spaulding board meeting, Roger and Holly, and Josh/Reva/Billy talking about Dylan and how Billy was the father, with Reva saying it was rape); switched over to GH for my summer soap viewing for some reason (I was still an elementary/junior high schooler) for the next few years; watched some other soaps after GH went downhill; was aghast at GL hearing about some Amish thing, human cloning, some model-turned-actor, San Cristobel, and the mob in the late 90s, none of which made me want to watch, before finally watching again January-July 2001 (in college by then) because of Claire Labine; loved Olivia and Tony/Marah/Sam, as well as seeing Robert Fredrico Santos being born, but was disappointed by how the show was so San Cristobel-focused (complete with Cassie being locked in a castle and Beth walking around in skimpy clothing so Paul Rauch could leer at her, ugh) and mob-focused and was bored to death by Noah (much like I am bored by Jeffrey), then got even more bored when Labine left so stopped watching; watched sporadically at times in the next few years (caught some of Marah/Tony, Marah/Jeffrey?, fake Jonathan aka Sandy, some Joey kid, Shayne not wanting a baseball career anymore, the tale end of the Maryanne Carruthers story, a bit when Coop first came on and Company might be bulldozed?, some of the mystery after Philip "died") while being a regular viewer of other soaps; and started watching regularly every day again from mid-2006 on the strength of the amazing in-depth Inside the Light episodes, Buzz and Olivia, Jonathan and Tammy, the bringing back of Billy to the fore, and Reva's breast cancer story.

I was without TV for a few months and moved across the country so missed a bit in the last year, but I am back faithfully watching every day now and am loving it, although I think the four-headwriter rotation is not working.

My favorite head writers whose work I have watched on GL in real-time (not classic video clips) have been Pam Long and David Kreizman. My all-time favorite character is Holly.

Link to comment
Share on other sites

  • Members

Thanks for the thoughts, though I totally disagree. The fight for control made absolutely no sense and only seeing them act of out love is a bit shallow and boring (at least for me.) The "old," GL had people who were intereseted in love, family, AND business, and it was all tied up and each effected the other ESPECIALLY for the Spauldings and the Lewises. The Spaulding and Lewis fued is big...and to treat it as a little plot point bump on the road to Bill and Lizzies Twu Wuv...(which, once they get there will be broken up in two weeks) is a diservice to both the characters and their families. Bill is both a Lewis and a Chamberlin and his grandfather founded the company. Lizzie is the lone "adult," Spaulding of her generation and should be the "hope," for the Spauldings to start new. Vanessa is friends with Alex, friends/rivals/exfiance with Alan/Billy has a deep seated hatred of both Alex and Alan/ why arent they more invovled? Josh hates Alan himself. The storyline should be about all of that including Bill and Lizzie's romance...we dont get that, we get one of the dumbest kidnappning storylines ever.

Alex, as written before the drug lord stupidity, had an all consuming passion for control of Spaulding also, and before she became a wimp under Wheeler, she bested Alan at the game more often then not. Why isnt she mentoring Lizzie?

Link to comment
Share on other sites

  • Members

I like the way you think. If this was GL today, I would cross rivers, swim streams etc just to see it. The best parts of GL were the families, all of them, Bauers, Spauldings, Lewis, Coopers, Reardons, Chamberlins and how their lives intersected and interacted. That's what I loved about GL :rolleyes:

Link to comment
Share on other sites

  • Members

Nice promo, although I wish they had shown some of Buzz or Company and said something like "Are you looking for friendship, laughter, community" too instead of just love and adventure. "Life Happens Here" is a great tagline and is also how the show is promoting itself on its Facebook page.

Speaking of Company, that was a great story this week. The possible foreclosure was much much better handled than Carly possibly losing Metro and then Craig offering $200,000 just like that on ATWT. It was relatable and relevant to the current economic crisis and predatory loan officers, but not depressing because they found a way out. It was cute seeing Coop "just being realistic" talking accounts payable, adjustable rates, and balloon payments -- I am so going to miss the show's idealist romantic writer and smart guy. It has taken a long time -- several years -- for the show to find Coop's voice, his niche, and it is so wrong that he is leaving now just when they have.

Beth getting Alan to buy them out on the land and then lease Company to the Coopers was a stroke of story genius, involving the Spauldings and Coopers in an awkward way again just as Phillip is returning to town. It made sense that Buzz would go for it given the situation, and that Frank would be so vocally against it. In years past, Coop would have been against it too, but it also made sense that he wouldn't now, as he knows it is Beth's idea. It also made sense that Alan would go for it as finally putting Beth's needs first after Lillian berated him about that, while also liking it because he would still turn a profit and would still get good PR for Spaulding.

From Friday's episode, the parallel in the Bill/Lizzie story and Remy/Christina story of the parties walking away when they really want to be together was interesting and heartbreaking. And then you had the hopeful twists at the end where actually Lizzie did agree to be there with Bill while the hypnotherapy took place, and actually Remy got Christina to sign something else, not the divorce papers. Meanwhile, Mallet told Marina about the possible cancer instead of walking away from it, with help from a Reva who had learned her lesson. There was a consistent theme tying the stories together this episode.

More, more, more!

Link to comment
Share on other sites

  • Members

I love your optimisim and your uh, generosity with the writers (and I am not being sarcastic.) The whole Company thing doesnt make too much sense as Buzz bought it with his lottery winnings and then, sold it to Phillip, and then Lizzie gave it back to him. I didnt see the scene so maybe they explained that Buzz took out a equity loan to buy things for the kitchen, etc. I do appreciate they are trying to tie that storyline to a real situation....tying a soapy situation (Beth/Coop, Alan's eventual blackmail) to a real life situation is something all soaps should be doing. I am hoping Wheeler is figuring out that reality means more then watching Reva walk through a field with flies buzzing her head.

I am also appreciating the fact that someone is at least trying to explain Beth's motives and trying to redeem her. Since Rauch Beth has been nothing more then a plot point, going from good girl to bad girl, to vixen, to nut case to good girl, to nut case, etc with no explanation. Rick should be more involved in this story as Beth's friend and we should see that James (Phillip's only son in town) has come to regard Rick as his father figure (which would piss Alan off more and up his desire to keep and control Beth.) The writers also need to show us that Beth/Alan is a continuation for Beth of the Beth/Bradley dynamic, only this time she is marrying her abuser...setting the stage for Phillip to "save," her again. Once again, Rick should be getting more and more airtime leading up to Phillip's return and please soap god, lets retire the Spaulding/Cooper fued..its boring, stupid and never worked. The Lewises should be the ones butting heads with Alan.

Link to comment
Share on other sites

  • Members

I've never really understood why Wheeler doesn't involve Rick more. For a show so "supposedly" entrenched in reality, Michael O'Leary plays an AMAZING "every man." This is IMO at least partly why the new format doesn't work because they refuse to focus on the characters that are actually best suited for this format. The ones that would have worked best have been completely driven away from the soap (Peter Simon, Beth Ehlers, Jerry verDorn, Maureen Garrett) or have been criminally underused (Jordan Clarke and Maeve Kinkead). Instead we have such unrealistic characters as an Australian jewel thief and his hitman brother.

Link to comment
Share on other sites

  • Members

Do you have a credible source to back this claim? I checked WUSA 9's site and "Guiding Light" is still on the current schedule, I have a GL fan-friend there that lives in Arlington and this is "new" info to them. It is truly disgusting thnat people post "rumor crap" on sites with no credible source just to get other people upset.

Link to comment
Share on other sites

  • Members

Couldn't agree more and this is what makes me laugh when Bloom, Wheeler and even posters talk about the "reality," of the show, the characters being featured dont "gel," with the format....we see the aforementioend international jewel thief and his hitman brother, who have no business being in this podunk town, no family ties, work nothing. Cyrus is there cause he has pecs and Wheeler seems to like him, period. Then we have the meglamaniac Alan Spaulding (and RR's bombastic one note acting doesnt work in this format) Jeffery, serial rapist who had plastic surgery to look like a prince, worked for some CIA type of operation and now is suddenly Mike Bauer. O'leary, Ehlers, Simon, JVD,Garrett, etc, all would work as "Real," people but Wheeler and TPTB dont seem to want them. Even the usually over the top scenery chewers of all time Zimmer and Deas have brought their levels town to work with the format.

Wheeler is trying to have it both ways while talking a good game about "reality," and "life," but featuring a kidnapping a month,etc. It doesnt work. Rick could be the town doctor who could be the glue holding it all together.

Link to comment
Share on other sites

  • Members

Didn't want to make a new thread for this. But it could generate some discussion here too But eeee! I'm so excited!

I just received a copy of Reverand Ruthledge's sermons from 1938 that I bought on Ebay (they are fairly easy to obtain). It also has biographies on various early characters (Ned Holden, Rose Kransky [first unwed pregnancy on soaps]. Very exciting.

I might try to transribe some things in the near future...

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I decided this primetime soap deserved it's own thread as the Primetime soaps thread is very cluttered and why shouldn't NBC's Lorimar soap mot have a chance to shine? In doing a deeper dive into the second season ratings I was surprised to see that FR actually had an uptick in the ratings when NBC moved it to 9pm Tuesdays beginning March 82. I'd always assumed this move was a desperate one as NBC were running short of programming and had given up on the show,deciding to let the final episodes play out and be hammered by 3's Company  and CBS Movie. But the numbers paint a different story. In it's 10pm slot up against Hart to Hart, which regularly finished in the Top 20, FL premiered in 53rd place and placed in the 40's and 50's as the season continued. But come January 82 the numbers surged a little now moving into the 40's hitting #43 in Feb. Hart to Hart was #11 Then in March Bret Maverick was moved to 8pm with FR @9. First week 16th March FR #47 15.1/24 3's Company #3 Too Close for Comfort #5 CBS Movie #60 Not great but #2 in it's timeslot March 23 FR #44 15.6/25 3's Company #4 Too Close for Comfort #5 CBS Movie #33 So even with a stronger movie on CBS FR's numbers went up. March 30 FR #31 16.6/26 3's Company #9 Too Close for Comfort #5 CBS Movie #56 Best rating/position yet Tues April 6 pre empted Tues April 14 FR #36 16.0/26 3's Company #5 Too Close for Comfort #11 CBS Movie #59 Maintaining previous week's numbers Tues April 21 FR #33 15.6/24 3's Company #3 Too Close for Comfort #5 CBS Movie #60 Numbers down a little (reflecting general spring downturn) but best ranking of the season so far Tues April 28 FR #35 15.1/23 3's Company #9 Too Close for Comfort #6 CBS Movie #42 Tues May 4 FR #27 15.2/24 3's Company #5 Too Close for Comfort #4 CBS Movie #41 Season finale and highest position of the season. Looking at those numbers I wonder why NBC cancelled the show? They had very few hits and here was a show that was holding it's own and moving up in the rankings in a tougher timeslot. And being a serial, the storylines could continue to build the following season. And I'm sure the desirable W18-49 demo was good. Some might argue that CBS were shower weaker movies, but even so, soap viewers are pretty loyal. I guess Grant Tinker arrived at NBC and wanted a classier look but there was room for FR on the schedule. I mean, the following season Knight Rider,Powers of Matthew Star and the A Team arrived so there was still room for more populist fare. Flamingo could have stayed at 9pm-the replacement Gavilan bombed (surely FR would have done better} or moved back to 10pm. The following Jan NBC had a hit with A Team Tues 8pm. Had Flamingo followed it, it might have really taken off. As it was they tried Bare Essence, which flopped. Oh well,it was not to be...    
    • Always, in every way, Cass/Wally/Felicia foundational to my viewing. And, I think if we look at the aftermath of the disastrous 90 minute show that we find too many pockets of some kind of lost time at the show plus way too much of change-ups in exec & writing leadership and of course we also reach the first time it becomes notable that NBC wants to get rid of the show so they can put a new soap they own in the timeslot.
    • If the MAGAts were easy prey enough to get manipulated into voting for the tangerine-tinted terror, they'll fall for anything.

      Please register in order to view this content

    • And this came out as the "feud" and the media pushing the protests in Los Angeles got all the media attention. They know the press and the public will not care or can be manipulated into approving.

      Please register in order to view this content

    • Hope you will enjoy the 1976 storyline from the Daytime serial Newsletter. The show had just expanded to an hour so new characters and stories were required. The Soderbergs had been writing since late 73 and the show was still #1. Looking foward to comments and discusssion Pt.1  For over two decades As the World Turns has depicted the events in the lives of two Oakdale families: the wealthy and influential Lowells and the less affluent but equally respected Hughes family. Judge Lowell’s granddaughter Ellen is married now to Dr. David Stewart, whose adopted son, Dan, is actually her own illegitimate child. Dan was once married to Dr. Susan Stewart, by whom he has a daughter, Emily. Dan then married Liz, the ex-wife of his late brother Paul. Liz was the mother of Dan’s daughter Betsy, who believes to this day that Paul was her father. Liz died tragically the day after their wedding. Ellen and David have two daughters, Carolann (Annie) and Dawn (Dee), now of college age. Dan has recently fallen in love with Kim Dixon, who was about to divorce Dr. John Dixon until injuries suffered in a tornado caused amnesia and left her with no memory of her love for Dan. John is using this respite to solicitously convince Kim of his love for her. Nancy and Chris Hughes had three children: Bob, a doctor, Donald, an attorney, and Penny, who, after tragically losing two husbands due to automobile accidents, is now living in Europe, where she is married to a racing-car driver. Bob was married while very young to Lisa Miller, then a scheming and selfish young woman, whose machinations destroyed their marriage. She is the mother of Bob’s son, Tom, who is divorced from Carol, who is now married to Jay Stallings. Tom is currently married to Natalie Bannon. Bob later married model Sandy Wilson, a marriage which ended in divorce, and Sandy is now married to Norman Garrison, who is her partner in a beauty products concern. Norman blames Bob for Sandy’s  recent disillusionment with their marriage, and, ironically, Norman suffered a heart attack during his verbal assault on Bob at a Hughes family party; and while Bob rode with him in the ambulance to the hospital, Bob’s beloved wife, Jennifer, Kim’s sister, died in a car crash while driving home alone. Lisa, more mature and considerate of others now, is married to attorney Grant Colman, but her life has been complicated by the recent arrival in town of Grant’s ex-wife, Joyce, and the incredible news that she and Grant had a child after their separation, a child Joyce gave out for adoption but now wants to reclaim. Now the story continues... The picture has now come clear for attorney Grant Coiman. He has learned that his ex-wife Joyce neglected to tell him she had a child shortly after their divorce and had given the boy to Mary and Brian Ellison for adoption. Grant, after seeing the adoption papers and considering the boy’s interests, tells Mary he feels the child should remain with them; they are providing a fine, stable home for him. Grant’s wife, Lisa, is pleased with his decision, feeling he has thus closed the door to the past and they can now go on with their own lives. But Joyce has learned that attorney Dick Martin is now back in private practice, and she tells him she was confused when she gave Teddy up years ago and wants him to represent her in a custody action to get her son back. Dick tells Joyce she has a very weak case but he’ll do what he can. He goes out to Laramie to see the  Ellisons, upsetting them very much. Grant, meanwhile, has confided in Chris Hughes, his law partner, that while his name was on the consent form for the Ellisons’ adoption, he didn’t sign the papers; he had, in fact, never known that he had a son. But he’s afraid to open a new can of worms by signing a consent form now, as that would reveal that the adoption papers are not legally correct. Grant confides the situation to Lisa, explaining that if he wanted to,  he could probably get custody of Teddy himself, but that’s not what he feels would be best for the child. Mary Ellison finally breaks under the strain of Dick’s visit and tells Brian that Dr. Paulk, the doctor who arranged the adoption, told her he didn’t know where to find the baby’s father and so he signed the consent form himself. She painfully explains she kept this secret knowing that Brian wouldn’t go through with the adoption if he learned the papers weren’t legally sound. Brian quickly calls their family lawyer, Jerry Butler, who immediately phones Grant to be sure he backs the Ellisons’ claim. Dick realizes from Joyce’s story that Grant couldn’t have signed the papers and tells him he knows. The only person who has a right to file for Teddy’s custody now is Grant; he’s the only injured party. And the moment he files, Dick can sue for invalidation of the Ellisons’ adoption. Grant finally files, to settle the custody question once and for all, but technically he's filing for custody himself. Tom Hughes and Natalie Porter are married in a small, lovely ceremony at the home of his grandparents, Nancy and Chris Hughes. They honeymoon in the Southwest and return full of expectations of happiness. Natalie is disquieted, however, when flowers arrive which are not from her new husband. She covers by pretending to check with the florist and tells Tom it was a wrong delivery and they have told her she might as well keep them. But she knows who sent them. Natalie is upset when, shortly after, Luke Porter arrives in town and seeks her out. But Luke insists he is there only to assure her this is a final farewell and he has now decided to concentrate on. making his own marriage work. Sandy Garrison, Bob’s ex-wife, is working at the  bookstore to fill in for Natalie. Her estranged husband, Norman, recovering from a heart attack he suffered during a drunken confrontation with Bob at the Colonnade Room, is still telling anyone who will listen that Bob and Sandy are having an affair, but ironically will let only Bob care for him at the hospital. His recovery is hampered by his easily aroused temper. Norman anxiously tries to persuade Dr. John Dixon to convince Bob to swear he slipped at the restaurant, thus making them liable for a costly lawsuit, but John won’t do this. Chris discovers a large amount of money missing when checking the books on the Garrisons’ business, but doesn’t want to upset Sandy with this. More to come...
    • The cynical (i.e., the dominant) me has the very same thoughts.
    • Oh wow that’s pretty awesome! I wish I had  approached him but there was so many people 
    • In the current environment, while it's small, there is a crumb of good news: Apparently, San Antonio voted for a DEMOCRATIC mayor, Gina Ortiz, beating the "right-hand man" of Gov. Greg Abbott, former Texas Secretary of State Rolando Pablos. https://thehill.com/homenews/campaign/5337199-gina-ortiz-jones-wins-san-antonio/
    • Love this! You are both adorable. Wow
    • I have not gone back to watch much of 1987, but from what I've seen lately, it doesn't feel like the writers or producers had any sort of plan. The show feels as if it's constantly in flux.  I will give it credit for this. It's watchable for the most part minus Lisa/Jamie which I find nearly unwatchable now.   I don't find Cheryl mousy. I think she has a lot of quiet strength, but she was saddled with the Scott romance which the writers did not invest in. She had a good friendship with Julie (also criminally underused), and her interactions with Ada were enjoyable as well. I also like Layman, but Spencer was extremely talented and when Cass returns, Schnetzer and Spencer have some wonderful scenes. Spencer also fits in with Alexander, Hogan, and Marie.  I'd forgotten just how much I missed seeing Wallingford. IT was so good to see him again. Even when they didn't have a major plot, Felicia/Cass/Wallingford/Mitch always brings a smile to my face.  
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy