Jump to content

ALL: Bad Moves by Well Regarded Soap Writers/EPs


Planet Soap

Recommended Posts

  • Members

The show's obsession with Todd snuffed out much of the rest of her family. Just another reason that character, along with Viki's sexual abuse story, cast such a pall on OLTL's last years. 

Much as I loved Jessica Tuck's work, Ghost Megan should not have been the most compelling member of the family 20 years after her death.

Edited by DRW50
Link to comment
Share on other sites

  • Replies 277
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

I agree that the way Jill sometimes spoke to Mamie did have some racial undertones that I can see clearly now as I’m older. She was dismissive of Esther, too, but I always felt she had a visceral hatred for Mamie.

I stumbled across this promo, and when a white woman speaks of a black woman “knowing her place” it does take on a totally different meaning/undertone, whether that was the intention or not. 

Please register in order to view this content

 

Link to comment
Share on other sites

  • Members

I also feel that Esther was played as a light comic character much of the time. Mamie wasn’t. So Jill’s treatment of Mamie landed more harshly for me. Plus, VR’s Mamie was more of a threat to Jill on multiple fronts throughout their history and an “equal” from an intellectual standpoint, so the undermining and disrespect hit differently.

Edited by Faulkner
Link to comment
Share on other sites

  • Members

Agnes Nixon gave us the inside scoop on why she left SEARCH FOR TOMORROW after the first thirteen weeks, but zip on LOVING.  Between that, Douglas Marland's decision to leave in '85 and have his name removed as co-creator, and Patrick Mulcahey's somewhat cryptic statements about the show on social media, something tells me LOVING was not a very pleasant experience for anyone involved.

I'd agree.  I've long suspected that the network, knowing about Erica and Maria's rivalry, forced the storyline on Lorraine Broderick, who attempted to root Erica's choice to steal Maria's baby in her own issues with daddy Eric.  Unfortunately, I don't think there was any way to justify her doing that; and in fact, I'd argue that it might've damaged Erica and diminished her somewhat in AMC's final years.

I agree.

And I will go to my grave detesting Viki's DID storyline, bravura performances and writing be damned.

Link to comment
Share on other sites

  • Members

It was two years of brilliant storytelling that the show never really lived up to after. They didn’t know what to do with her immediately after. Her therapy story wasn’t central and was botched. And then they would trot out Nikki Smith like it was the 80’s again.

I think what they did with Jessica later was just beyond disgusting. They really trashed ES’s character with DID as a catch all excuse, and only Slezak’s innate class and intelligence saved Viki when the writing and show let her character down returning to that well.

I love that Robin Strasser constantly brought up that she still beloved and played that Dorian killed Victor, even when the show moved it to Viki. She wasn’t afraid to play a murderer, even when she was not the one playing it.

Link to comment
Share on other sites

  • Members

Exactly. Agnes Nixon developed the bible for All My Children during her time as head writer at Guiding Light, and tried selling the soap to both NBC & CBS, and then again to NBC via Procter & Gamble. Unable to sell it, she tabled it.

She used pieces of her All My Children bible during her stint on Another World, and Rachel Davis was created through her vision of what Erica Kane would be. ABC sought out Nixon to create a soap opera, noticing the success of her Another World stint. That's where One Life to Live came from and, following that success, she brought All My Children to the table.

And Children was the only soap (that I am aware of) where she served as executive producer, so it's clear, to me, that was her ultimate passion project from day one. Doesn't mean she doesn't love the others she was involved with, but it's very clear that Children held the apple of her eye.

Link to comment
Share on other sites

  • Members

Yes, it is unfortunate that Denise Alexander, who portrayed Susan Martin, left Days of Our Lives in 1973, and her character wasn't mentioned for decades afterward. Susan was a significant figure in the show, especially with the emotional and dramatic arcs surrounding her and her son, Dickie.

Link to comment
Share on other sites

  • Members

I wish some of that storyline could be posted somewhere (the DAYS archive exists, so it’s available). GL told the same story with Meta on radio years before, and those radio episodes are every bit, if not more, gripping than anything I’ve ever seen on television. 

DAYS seemed to have bad luck with recasts and those characters delved into almost irrelevance after popular actresses left. Flannery and Alexander in particular went on to more notable roles in daytime that seemed to erase their previous success on DAYS from public consciousness. 

Link to comment
Share on other sites

  • Members

I would suggest that this is an excellent topic/thread. I would further suggest that the most egregious thing listed here is the Unabortion, the second most egregious is Todd at OLTL because it wasn't just a rape, it was a gang rape & that leads us to #3 which is the Seduction relabeling of a rape.

The soap journo Lynda Hirsch told me that Pat Falken Smith was herself very uncomfortable with it as a stratagem or rationale for pursuing Romantic Luke & Laura. She went along with it because it was her job to do so. She was very aware of being the single parent of a teen daughter knowing that her income was not just an issue for her alone. What she described was a situation where everyone was in favor of the romance, there was just this very thorny problem of the violent rape at the disco. I think we can all imagine that. We know of Genie's discomfort. We know of Lesley Charleson's objection to it. There very well may have been others. Personally I am satisfied with the way GH chose to deal with it, even though it was many years after the fact. And, I admire the job Michele Val Jean did in writing the story when they revisited it. 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Beyond what was listed, I think there are a few other moments early on - Nixon tested the waters of having a black female character in a larger supporting part on AW, helping to pave the way for Carla and Sadie on OLTL. Rachel/Ada is in some ways a template for Carla/Sadie, although Carla was much more tormented and her scheming was from preservation.  Jordan Charney eventually arrived at OLTL after his AW success, although that was not duplicated. Doris Belack's success was, several times over.  
    • Jonathan Kellerman has written 40 novels centered on the character of Alex Delaware, with the first being When the Bough Breaks from 1985. One of the aspects of the series which I find so appealing is that characters grow, evolve and change as time goes on. They act and react in a believable, human fashion. While each book tells one complete story, certain relationship threads can continue as the series evolves. Occasional references to the past (from previous novels) also make the readers feel like we know the characters intimately; that we are "living" with them through the years. Actor John Rubenstein (of the 1970s' TV series Family) narrates the audiobooks, and he is perfectly cast. I've never read or listened to an Alex Delaware story which I did not enjoy.
    • This was me! I finally got caught up yesterday and even then, I still may wait until Friday to binge these two episodes. I find that I can watch GH in the background because the pacing is so slow but I must be able to devote my full attention to BTG because so much happens.
    • GH 4-29-25 At the Savoy with a packed house BODY SHOTS!!! https://www.instagram.com/p/DJGRyEaJBYm/ This one has legs. 
    • Article discussing the state of daytime in 1971. The 3 networks were competitive for the first time thus leading to the 'daytime wars' of the 70's, with shows cancelled, soaps expanding etc. The high drama of network daytime CBS, reigning champion of the dollar -profitable weekday schedule, faces toughest challenge in 13 years. Although CBS is virtually unchallenged as the ratings leader in nighttime, the picture in daytime, where CBS also leads, is as different as day from night. To begin with, costs of programing are much lower in daytime than in nighttime TV, and the profitability thus potentially higher. For this reason alone, network rivalry in this area is traditionally intense, although not so frequently subject to public view. This year, particularly, the developments in daytime programing are dramatic. It is the first time in 13 years that CBS has been threatened seriously. It continues in the leadership position, but both NBC and ABC are nipping at its heels; in the season to date, CBS is but three tenths of a percentage point ahead of NBC, and but two-thirds of a percentage point in front of ABC. Average ratings for network programing in the daytime periods (Monday - Friday, 10 a.m. -4:30 p.m. EST) this season stand at CBS 7.6, NBC 7.3 and ABC 7.0, giving CBS an edge of 4% above NBC and 9% over ABC. In the similar period of 1970, CBS's lead was more impressive: 8.4 vs. NBC's 6.9 and ABC's 5.9. It is necessary to go back 13 years to find an NBC daytime performance comparable to this year's -and only twice within that period has NBC showed up as well. In the 1958 -59 sea- son, CBS and NBC were in a tie-a 7.7 rating for each -while ABC was a poor third, just starting on its historic "Operation Daybreak" (in which ABC began the so- called scatter plan in daytime, with advertisers buying participations). ABC's rating then: 3.6. NBC again broke through in daytime in the 1961 -62 season: CBS 7.6, NBC 7.1 and ABC 4.1. In the intervening years, daytime television on the weekdays belonged to CBS. It was at perhaps the crest of its leadership in the 1965 -66 season. CBS then had a 4.5 percentage -point advantage over NBC (CBS 10.6, NBC 6.1 and ABC 4.7). CBS officials place the "big turn" in daytime in the 1962 -63 season with the catchy power of the Password game in the lineup. In that season, CBS came up with a three -percentage -point lead over NBC -CBS 9.2, NBC 6.2 and ABC 3.9. From then on it was CBS by a comfortable margin, season after season. ABC's daytime performance has followed the upward curve. While -as CBS officials readily concede -CBS had perhaps nowhere to go but down, ABC could experiment in its scheduling, and hopefully only go up. It did, but not immediately. After a steady climb, ABC's breakthrough occurred in the 1969 -70 season (CBS 9.2, NBC 7.1 and ABC 7.0) with the network gaining ground with its game show scheduling of such vehicles as Let's Make a Deal. Although ABC failed to hold that showing in the 1970 -71 season (CBS 8.9, NBC 7.6 and ABC 6.4), it is now performing at its best daytime level in history. ABC authorities say that network has been building for what might appear to be at least near parity in weekday programing. They cite Let's Make a Deal as having "started things up" with General Hospital and One Life to Live giving additional impetus to the movement. From ABC's point of view, the crucial change in daytime audiences occurred in 1969 when audience shares foretold a "big difference." The real improvement and change in daytime, they say, started in the third quarter of 1971. That followed a repositioning of two daytime staples -ironically Password, CBS's 1962 -63 vintage powerhouse, and Love, American Style. The former series was punched into a new spot in the schedule last spring: Love followed in the summer (the series is still strong in ABC's nighttime lineup). Although ABC executives speak guardedly of daytime audiences more on a level with those of CBS and NBC, the two challenged networks demur. ABC, they note, is nowhere near parity in daytime, although the improvement is admittedly impressive. For one thing, they contend, ABC does not program during the same hours as do NBC and CBS, and ABC carries one hour less than the other two networks in the daytime period. Moreover, they claim the hours that ABC does not program are those with least audience potential. (CBS and NBC start the schedule - excluding Today on NBC and Captain Kangaroo on CBS-at 10 a.m., take a hiatus for a half -hour at 1 p.m., return at 1:30 and program through to 4:30 p.m. ABC starts at 11:30 a.m., does not pause at 1 p.m. but continues through to 4:30.) ABC counters that not only are daytime clearances holding this season, they are actually showing improvement. In numbers, ABC is clearing an average 153 stations live (88.2% coverage) and an average 26 outlets delayed basis (4.4% coverage) for a total 179 stations representing a 92.6% coverage. Last season, clearances were 149 stations live (87.7% coverage), 27 on delays (4.4% ) for a total 176 stations representing a 92.1% coverage. NBC authorities state flatly that their network is in its "strongest daytime position in 10 years -since late 1961." They note how the margin has narrowed between NBC and CBS since last fall; assert NBC has invested money and time in daytime serials, while CBS's "are wearing thin" (the researchers at NBC point to a general lowering of share levels of CBS drama serials in 1971 vs. 1970). ABC's assessment agrees, and also emphasizes the drop in appeal of CBS's soaps, intimating a possible loss in "quality control." CBS, while not denying the declines in its soaps, refuses to accept the implication that the drama serial may be curtailed. (CBS has eight soaps compared with NBC's five and ABC's three). Four of CBS's shows are Procter & Gamble vehicles: As the World Turns, Search for Tomorrow, Guiding Light and Edge of Night. CBS authorities say you can be sure P &G as well as CBS programers are working on plans to strengthen their respective properties. CBS officials contend the drama serial not only is still well up in share (although off from prior years) at the network but continues as the most "flexible" among daytime entries. If a game show starts to plummet, they say, there's not much that can be done to "change" the format. With soaps, a fall -off in viewer interest can be countered by extensive changes in storyline and /or characters; a role can be written in or out of a script almost at will. CBS cites just such a turnaround accomplished with Love is a Many  Splendored Thing. Fred Silverman, then in charge of daytime programing at CBS (and now in charge of the whole ball game), effected a series of changes until "only the title and the music were recognizable." The surgery worked. For years, CBS has been conscious of the adage that change for the sake of change, when the network is on top, entails needless risk. But the numbers have changed now and CBS must contend with the altered picture. "Everybody is ashamed of daytime," one CBS executive admits. Changes will be made. The first quick snip comes Dec. 20 when My Three Sons replaces The Beverly Hillbillies in the 10:30 -11 a.m. period. Hillbillies is one of three shows rated lowest on the CBS daytime schedule -the others are the seemingly tireless Lucy and Gomer Pyle (the latter, at least, considered by CBS officials as a candidate for cancellation.) Snips two, three and onward may be expected to follow in rapid succession.
    • That's me - in a nutshell. But, it's because BTG is so damn good! I also wondered who was watching soccer during the day, mid-week, or even watching soccer at all. However, I know SOOOO many people that never followed soaps that were downright shocked that a new soap premiered in 2025. Why? Because they didn't know that people still watch TV during the day, mid-week, or still watched soaps at all. Many also didn't realize that soaps streamed, too. So, I feel foolish, but I guess I don't have all the answers with regard to the programming of major TV networks. I'm glad they have people that focus on these things, because that is how we got BTG in the first place.
    • Kelly looks so good in today’s episode (taped mid-March). I’ve always maintained Kelly looks fab in blue, and when they keep her hair straight like this. When they curl her hair, I feel it doesn’t suit her beautiful face.   

      Please register in order to view this content

    • Thank you @BoldKara. I hadn’t realised it’s only a few months away with the current YouTube uploads. I’m happy to wait until then - hopefully they won’t skip the episode this time around. 
    • Am I the only one welcoming the preemptions because I've been mad busy and have to catch up on over a week of episodes? Just saying.
    • Deniece Williams song "Blind Dating" from the album "Let's Hear it for the Boy". Blind Dating is co-written by Michele Val Jean.

      Please register in order to view this content

        disc image:

      Please register in order to view this content

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy