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  • Member
13 minutes ago, Joseph said:

I Was Shocked Too!

Maybe Sheila faked Heather’s death so she could place Daisy back in Lucy’s life.

  • Replies 371
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  • Member

The exterior exit shot of the GCAC, and its tightness was a nice touch. And noticing the colours (even pre-Edward J. Scott) are slowly returning to the episodes. Not so muted anymore.

  • Member

One thing this show will always do is make sure they present Phyllis in the better light than Sharon despise everything Phyllis has done. No matter the writing regime. It’s still amazing that Phyllis hates Sharon so much when she stole her husband while she was grieving her dead child 🤦🏽‍♂️

  • Member
2 hours ago, Liberty City said:

MAy 2024.jpeg (May 2024)September 2024.jpeg (September 2024)November 2024.jpeg (November 2024)

So much better, and so much more like old-school style.

This is a night and day difference. May... looks so cheap and so reality tv-like. November feels cinematic. Love it. 

  • Member

I also think it's the Director of the episode. Owen Renfroe directed today's US episode and he's known for incorporating a lot of cinematic shots and angles. You'll always notice the directing with him, and with Sally McDonald (the last Bell-era remaining member on staff). 

I do think Ed Scott has been very hands with the directing though as some angles for sets like the Abbot mansion, and GCAC changed starting with his first episode back.  

  • Member

MS being more restrained made those scenes so much better. And, man, SC is so good. Sure the story could be better. But I'll take this over wasting SC on pouring coffee and listening to people whine during the past few years has been a tremendous waste.

The GCAC and the funeral scenes were a big improvement production-wise. Seeing all those extras at the GCAC was a nice touch.

 

  • Member
35 minutes ago, edgeofnik said:

MS being more restrained made those scenes so much better. And, man, SC is so good. Sure the story could be better. But I'll take this over wasting SC on pouring coffee and listening to people whine during the past few years has been a tremendous waste.

The GCAC and the funeral scenes were a big improvement production-wise. Seeing all those extras at the GCAC was a nice touch.

 

I still don't know how I feel about that greenscreen being used in place of actual sets. But, that graveyard background didn't look terrible

 

  • Member
2 minutes ago, lucaslesann23 said:

But, that graveyard background didn't look terrible

If there had have been some studio trees/bushes and a larger wall in front of it,  it would have looked better.

  • Member
33 minutes ago, Paul Raven said:

If there had have been some studio trees/bushes and a larger wall in front of it,  it would have looked better.

100%

  • Member

No spoilers, but tomorrow’s US episode is a treat for the production values, directing, music, and flashbacks used. 

You can see why they needed Ed Scott back to handle production…

  • Member
10 minutes ago, BetterForgotten said:

No spoilers, but tomorrow’s US episode is a treat for the production values, directing, music, and flashbacks used. 

You can see why they needed Ed Scott back to handle production…

Ohhh, sounds good. 😍

  • Member

Question about the music lately, for example with Amy and Nate. Are they trying to more replicate the old cues? Sometimes I have trouble telling if it's an old or new one.

  • Member
6 minutes ago, lucaslesann23 said:

Question about the music lately, for example with Amy and Nate. Are they trying to more replicate the old cues? Sometimes I have trouble telling if it's an old or new one.

I think some of the recent music selection (well from this week) has been in the style of the old music in some scenes, but not quite it.

Tomorrow’s US episode actually uses a lot of the classic cues, and not just for flashbacks. 

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