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By Contessa Donatella · Posted
This makes me think of that famous quote from COOL HAND LUKE, "What we've got here is failure to communicate." I did not bring up "apparently" to try to get across either truth or validity, but doubt. If I had been sure, I would have said something entirely different. But, I'm not trying to argue, I hear you & I will comply. Besides that, I will endeavor to word things differently. I am never against trying to improve. -
That’s been my main issue with his response. It didn’t feel that earned by what came before. Definitely needed to see more of the Richardsons as a full family unit prior to all of this. -
Bingo! I thought the exact same thing. Martin's anger feels so out of place, because we've hardly seen him interact with his parents. Vernon and him have more of a father/son relationship and we've seen their dynamic more fully play out. While obviously Ted and Marton are father and son, it felt a bit empty because we haven't really seen them bond or truly connect in any scenes. -
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By dragonflies · Posted
Leslie inferred over 20 years ago, so Eva and Kat are over 20 at least -
As it happens, 40 years ago this week, ABC and CBS revealed their 1985-86 fall schedules. NBC revealed theirs the week before. ABC's would end up changing. The original plan for Tuesdays was to have Diff'rent Strokes lead the night, with He's the Mayor at 8:30, followed by Who's the Boss at 9, Growing Pains at 9:30, and Moonlighting at 10. There was some surprise over MacGruder & Loud not getting renewed, but it was considered part of Aaron Spelling's declining influence at the network. Yes, Dynasty was still a hit (for a while longer), but Aaron's shows steadily took up less and less of the schedule. Fall 1984: Seven hours, five of which were new programming (Dynasty, Hotel, Glitter, Matt Houston, T.J. Hooker, The Love Boat, Finder of Lost Loves; MacGruder & Loud aired at midseason, by which time Glitter was gone.). Fall 1985: Five hours, two of which were new programming (Dynasty, Hotel, The Colbys, Hollywood Beat, The Love Boat). Fall 1986: Three-and-a-half hours, a half-hour of which was new programming (Dynasty, Hotel, The Colbys, Life With Lucy). Fall 1987: Two hours, none of which was new programming (Dynasty and Hotel; HeartBeat premiered at midseason). Fall-winter 1988: Two hours, none of which was new programming (Dynasty and HeartBeat). This led to Variety's infamous shady headline in spring 1989: "Aaron's Dynasty Over" -
I hope for a multi-year renewal, too! This is the only show I've been excited to see the next episode in forever. Considering their demos are quite decent. the initial episodes showed there is still an interest in daytime, and it has helped to boost the rest of the soap line up at times, it should be around for a while. -
By I Am A Swede · Posted
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I agree. How many times did we have to watch Bobby vs. J.R., or Blake vs. Alexis, knowing that nothing would change at the end, and that everything would go back to status quo, so that they could fight the same, exhausting battles all over again? If nothing else, I give FC and KL credit for trying to keep things fresh, even if I think FC, in particular, went too far in the other direction and became unrecognizable even to the most diehard fans. Exactly. Plus, because viewers were so burned out by the kind of serialized storytelling that was beginning to affect even half-hour comedies, I think MSW represented a nice change of pace. You didn't have to watch every week, or watch from the beginning of each season, to know what was going on with Miss Fletcher. Instead, you could watch a complete story in one episode, de-stress from whatever had happened in your own life last week, gear yourself up for the week ahead, and be okay. If you notice, though, there were differences between those two shows and what Aaron Spelling had produced in the past. For one thing, there was a greater emphasis on youth; and while characters on 90210 and MP certainly had more disposable incomes than the average viewer, their wealth wasn't as opulent as what we'd seen on DYNASTY or on "Hart to Hart." Even the battles among Alison, Amanda, Billy and others at that advertising agency weren't as histrionic as those between Denver Carrington and ColbyCo. -
I saw a conversation yesterday with Liam with the 7 dwarves hat and Steffy - I know she did not say re: Hope and Liam said - well look at Finn and you forgave him right? I know I did not hear Steffy say “well but you can’t compare that to…” For *uck sake someone call the bitch out!? You’re right, we shouldn’t compare your forgiveness for the dude with devil spawn seed whose daughter locked you in a cage along with crazy stepmom/mom/Grandmother who has also SHOT YOU BOTH - and multiple murder attempts but you have to exist with them / Hope’s part in a takeover which you know was FAR LESS THAN CARTER BECAUSE HOPE IS NOT AN ATTORNEY…. Goodness no, no the same thing at alllllllll. When they do Steffy’s absence at least let it be because they all find out what a manipulative ho she is in her own right.
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