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There are notations as far back as an absolute protest by Doris Hursley about interference with some aspect of her writing that she considered just one push too many! And, contemporaneous to that Irna complaining about interference with ATWT by those idiots in Cincinnati! 

I've said at times I preferred the P&G soaps because they tended to have large casts, which I liked, but got them in trouble & because their presentation was close to a proscenium stage, so the most like a teleplay. 

"The genre’s first auteur, an eccentric writer/producer named Irna Phillips. Invented her 1st daytime network radio serial in 1930 at the age of 31 & then went on to create many of the biggest titles in radio and TV. She churned out 2 million words a year." - Sex & Death in the Afternoon: An Oral History of the American Soap Opera

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Posted (edited)

Irna invented the genre - in her wake, very few people were given the same freedom to execute their vision to the fullest extent. Bell was one of the few exceptions - even Agnes Nixon eventually had to contend with being a “consultant” in name only once she sold her shows to the network.

Edited by BetterForgotten
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No disrespect intended to Irna. But, from what I read sounds like she scared Bell a little.

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Edited by lucaslesann23
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And I think that's because everyone was either brought in to "fix" what other felt needed to be fixed, or they felt the need to immediately jump in and become William J. Bell, and it all backfired... for the most part. Some did better than others, but the true damage was done by Maria Arena, whose control of the show really just.... felt real wrong.

Edward J. Scott departure was announced in December 2001, when David Shaughnessy was named as his successor. I enjoyed Shaughnessy's vision of The Young and the Restless a lot, honestly. But, even in announcing Scott's exit, press reported he and Kay Alden were frequently "at odds" over the show's direction, so it appears either he chose to exit at the end of his contract, or it was chosen not to be renewed for him, in favour of Alden remaining. Even Christopher Douglas' exit as Sean was credited to the odds between Alden & Scott, and not necessarily with him as a talent. 2001 was interesting, casting-wise. The biggest? Melody Thomas Scott reportedly cleaned out her dressing room before it was announced she was in fact not leaving... a sense of tension and alliance with her husband, who was around that time speculated to have been mulling a departure for film production? Possibly.... who knows.

Edited by Liberty City
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Kay Alden reinvigorated the show. It had largely been coasting for a couple of years. So much focus on the Newman family. Sharon and Nick were practically on every day, and to me they were bland AF back then.

Bell’s last year started the ball rolling. But her first year laid the kind of groundwork that should have fueled the show for years. Jill/Katherine back at it. Glo by Jabot.  Mac/Billy, the resurgence of the Abbott family. Rumor has it she and Ed Scott were wrestling for control of the show, which didn’t help.

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Maria Arena was utterly wretched.  

In her defense though (lol), I honestly doubt she wrote a single word that aired on the show.  She probably absent-mindedly tossed some (terrible) ideas to her underlings and barked at them to elaborate on her lousy ideas and type them up, and perhaps she actually scanned a few scripts during her trans-Atlantic flights.  But she seemed far too flighty and socialite-minded to ever sit down at a computer and work her way through a problem, or even to read & contemplate what someone else had written. 

I've never been able to accept that she actually wrote anything herself.    

But she was more than happy to take credit for the garbage that was churned out during her tenure as "head writer".  

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I just remember the disdain Jeanne Cooper had for the writing under Arena's tenure. Arena, I do believe, had some good intentions but she really just... was not made for the role(s) she played.

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Wasn't it Jeanne Cooper who said of Maria Arena, "You can't undertake two big projects [writing a soap & trying to oversee a modern art museum] and expect both of those endeavors to flourish.  One of the endeavors necessarily suffers." 

And that's why I believe Hogan wrote all that junk, and Miss Arena simply took credit for it because she didn't even comprehend how horrible it was. 

There's no question that she sauntered in with some useful ideas about what needed to be fixed on the show, but her methods of fixing them were lackluster at best (and disastrous at worst). 

I think she just barked at Hogan (or whoever), "Reverse this business with Jill and Kay!  Reverse this business with Cane!" and then went to the museum for the rest of the day and then a fashion show at night.  I doubt she actually wrote a word.  Matter of fact, when they finally fired her ass, she wasn't even in the United States.  She was flitting around in Europe on an extended vacation, despite supposedly being Y&R's showrunner. She didn't have time in her social schedule for that boring writing and producing stuff.    

Her Wikipedia page describes her as a "novelist" (and always has) but I've never seen any evidence of her "novel".  I think she's a complete fraud.  

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