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I think its bc Lord is the name of the man that raped, defiled and broke her down. Changing to Randoplh might be seen as a sense of empowerment and dismissal of Victor's legacy. Its all amoot point though bc Viki's been married numerous times and hasnt used Lord in a long time. She always goes by the last man she married.

The point is bc RH's character does not know Todd and Todd doesnt know him. He was used to enlighten RHTodd about how much life has changed since he left. He sees this kid claiming to be his son, who tells him about his father, who's claiming to be if. If he had interacted with any of his other kids, he'd have been found out, as they'd know what his old face looks like; Sam being so young, does not. He obviously is meant to be lurking around town for a bit seeing even more changes before the inevitable build up to the face off between the two men

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Until now. the doctors are St. Anne's called her Ms. Lord. That's why i brought it up. Obviously they did it for a reason. I do wish they would bring it up sometime as to why she changed it. Now i guess she is going by Viki Lord at the end just like she was at the begining. Unless she marries Clint at the end, then she'll be Mrs. Buchanan again.

I just think if she took Randolph, people would be suspious since she has an alter named Jean Randolph. Like if Viki started calling herself Viki Smith, the whole family would be watching her wondering if she was Niki pretending to be Viki.

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Most of the people in Llanview are so stupid they would probably think she was named after Randolph Mantooth.

I just think if she is going to take that name back, since she has repeatedly had freakouts at Victor's mausoleum about his toxic legacy, it would be nice if she addressed why she would ever take that name again. I would rather she not take it, so that one woman on the show would not have to be defined by sexual abuse, but even mentioning it would be better than nothing.

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Carl, your point reminds me of Jim Jones, Jr.'s Oprah appearance where he spoke about his decision not to change his name. Instead of running from it he chooses to, not exactly embrace, but acknowledge the entirety of his life story as his own. I dunno... But honestly, I feel like we give such things more thought than the folks at One Life do.

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I didnt realize that but it makes sense. Charlie just cheated on her and did her wrong. He's the only husband she's had that had her marriage go down so ugly and wrong, so I can see why she wouldnt want to be using his name anymore. When she and Clint divorced, it was her fault and she ended up remarrying almost immediately.

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And with Steve Burke, aparently that marriage didn't end well. She was in love with Joe but Steve wouldn't give her a divorce until her uncle (played by Erika's real father Walter) came and convinced Steve to let Viki and Joe be happy. I don't know how long she was single but she could have gone by Ms. Lord in between.

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I didnt like the character of Jason. I wasnt upset when he left

Its a shame that they wrote out Dan Wolek and he was never heard from again. I dont remember him much but given his connections, he could have popped up later in the 90s, especially when they had no doctor on the cast

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I liked Jason mostly for his relationships with Marty and Dorian. He was self-righteous but he was a loyal friend to them, although Dorian was in self-destruct mode at the time. I miss soap characters like that - hotheads who can still be nice guys and can be used to support stories of strong female characters.

I've never understood why they fired Palance, since the show didn't really have a lot of younger leading men at the time. It was short-sighted, as Dan Wolek could have been an integral part of story for years, instead of various ciphers in the doctor role. Not to mention his ties to Viki, although the show has run as fast as possible from most of her family for a long time.

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From NY Times March 1975

There's a schism in the world of the Grand Old Soap Opera.Life can be beautiful/relevantby Anthony Astrachan

Cathy Craig was a teen-ager who experimented with drugs and was cured of her incipient habit at Odyssey House. She went on to become a reporter for her hometown newspaper, the Llanview Banner, and wrote a nationally syndicated article telling nice people what to do when they get venereal disease. She turned some of her newspaper experiences into a best-selling book of short stories that won feminist praise. She has borne a child without a husband but is enthusiastic about being a "single parent" rather than an "unmarried mother." On a national television talk show, she looked meaningfully down at her bulging belly and asked the interviewer, Melba Tolliver, to call her "Ms."

Cathy Craig is not a real-life feminist but a character in a soap opera, ABC's "One Life to Live." It's recipe for dramatic entertainment includes a large dose of realism, ranging from real-life drug treatment centers like Odyssey House to real-life television personalities like Melba Tolliver. It makes quite a contrast with the classical canon of daytime television drama embodied in CBS's "As the World Turns."

... The contrast between the two programs shows what James Thurber once called "Soapland," like American society as a whole, is torn between the need to keep up with changing realities and the desire to stick to tried-and-true formulas that have never expressed reality - to tell it like it isn't. The search for relevance has led daytime drama to deal with social issues like drugs, venereal disease and the Vietnam war, to take feminist positions on questions like abortion and women working, and to bring blacks and ethnics into the WASP population of Soapland.

..."One Life to Live," which seems the most consistently innovative soap opera, has a recurring feminist story line in the adventures of Cathy Craig. Dorrie Kavanaugh, who plays Cathy, feels that the program has not gone far enough, even though she regards it as the best on the air from the feminist viewpoint. She says the best script she has been given was her childbirth sequence, alone in a snowbound resort cottage with a male newspaper colleague. When he sees her in pain, he says, "Be a brave girl." Between deep contractions, she replies indignantly, "Don't call me a girl! I'm a woman."

Miss Kavanaugh is only half pleased that Cathy could go to bed with another male character, Joe Riley, without being in love with him. "Before, we couldn't say 'Yes,' now we can't say 'No,'" she commented. "That has nothing to do with human liberation. I play a character as though she's liberated, but she's 28, she lives with her parents, she wen to bed with a man once in her life and got pregnant - is that so liberated?"

...Racial attitudes are also changing, a dozen years after the peak of the civil rights movement. Many programs have one or two black characters to put the networks' employment of actors in compliance with the Federal law. "One Life to Live" has gone one step further by making its black characters really important in the story line. Ed Hall, a black police lieutenant, has been written out temporarily because the actor who played him, Al Freeman Jr., went to Hollywood. He will be replaced. Ellen Holly, who plays his wife, likes the Ed Hall role because it calls for a black who comes on like Carey Grant instead of the macho gangsters - like Superfly - who have become models for black children. Miss Holly has been described as a mixture of three racial strains, and there was no doubt that she could pass for white when the story called for it. In the process of deciding to admit she was black, she had romantic involvements that required her to kiss first a white man and then a black, making a Southern red-neck equally indignant about both when he wrote in to protest. Usually, daytime drama shows only two or three blacks in an all-white world, and their problems tend to be classified as human rather than racial. The amount of realism remains a matter of dispute.

"One Life to Live" also tries for a greater degree of realism in having an important set of characters who are both blue-collar and ethnic, whereas most soap operas merely drop in an occasional Italian or Jewish name to add what is thought to be a desirable touch of the exotic. "One Life" also had a Jewish- Christian marriage (until the Jewish husband "died") with one-liners about Christmas and Hanukkah.

The blue-collar couple on this program also provide something else that is a rarity in the old- fashioned kind of soap-opera humor. It tends toward slapstick, as in a scene in which they test a water bed when they set out to buy furniture for their new home. But even the middle-class WASPs in "One Life" are capable of wit by Soapland standards. Joe Riley is painting the carriage house that he and Victoria Lord Riley Burke Riley are remodeling. When Viki applauds his work, Joe says, "Michelangelo, eat your heart out!" She deadpans, "I thought he only did ceilings."

"One Life to Live" and "All My Children" were both created by a woman who cheerfully takes credit for much of daytime drama's new willingness to face social issues - Agnes Eckhardt Nixon.

...Mrs. Nixon likes to introduce into the soaps not only such relevant issues but scenes and people from real life. One of her favorites was the Odyssey House sequence in which Cathy Craig went for her drug cure on "One Life to Live." Doris Quinlan, the producer of "One Life," still speaks proudly of that story. The show spent five days on location at the real Odyssey House in 1970. The cameras shot Cathy with the black and Puerto Rican youths there, and the writers spread the footage over a summer's worth of episodes intended to deliver the message to young people home from school or college. Actors on the show speak of the excitement in the fan-mail of that period, and the ratings went up slightly. (Ratings have actually gone down when other soaps showed less realistic drug sequences.) Amy Levitt, who then played Cathy, says the management thought the Odyssey House youngsters interfered with the entertainment values of the show. She resented what she regarded as a diversion of the story from the ghetto kids to a blue-eyed blond hero with whom Cathy was made to fall in love. Miss Quinlan says, however, the sequence lasted its natural life, ending at the same time as the summer and the Odyssey House footage.

A veneral-disease sequence followed some time later. Dr. Larry Wolek spoke on the subject at Llanview High, which made it only natural for Cathy, his stepniece, to write an article on the subject for The Banner. Mrs. Nixon wrote the "article" herself from research with William D. Schwartz of the Communicable Disease Center of the U.S. Public Health Service in Atlanta. Mrs. Nixon says that more than six thousand people wrote to ABC for copies of the article - an enormous response, especially considering the fact that "One Life" subordinated the V.D. theme to the continuing, disease-free romances that are the living matter of all soap operas.

Edited by Paul Raven
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