2 hours ago, EricMontreal22 said:

We also have the introduction of some major new characters. Including Matteo (who actually in his opening episodes is better than I remembered) and the Santos parents.

One thing I didn't remember from watching 20 years ago was that Hayley referred to Mateo as "Matt" in his first few episodes. It really caught me off guard during this rewatch.

3 hours ago, Jonathan said:

One thing I didn't remember from watching 20 years ago was that Hayley referred to Mateo as "Matt" in his first few episodes. It really caught me off guard during this rewatch.

I think initially they thought he would usually go by Matt, in general, even Julia calls him that at one point? In the later August/Sep episodes he seems to get called both but yeah, pretty quickly I remember them only ever calling him Mateo.

Mona was the first soap (and soap actor) death I experienced I think, and even though I'd only been watching for two and a half years before, it really affected me.

Are full episodes from Karen Lynn Gorney's return as Tara in the mid 90's online? I saw a few brief clips years ago on youtube but they are not coming up in my search. I remember thinking at the time she seemed to be awkward like she was a few beats behind in responding to dialogue. She was also made up to look matronly with her hair in a bun and little old lady clothes. Did she have any scenes with Susan Lucci (Erica)?

11 minutes ago, SoapDope78 said:

Are full episodes from Karen Lynn Gorney's return as Tara in the mid 90's online? I saw a few brief clips years ago on youtube but they are not coming up in my search. I remember thinking at the time she seemed to be awkward like she was a few beats behind in responding to dialogue. She was also made up to look matronly with her hair in a bun and little old lady clothes. Did she have any scenes with Susan Lucci (Erica)?

It was early 1996 right? I don't think I've come across them--obviously she was on when Kelsey moved in with the Martins. I also seem to recall she wasn't on very much (a couple of episodes?) and I don't think she interacted with much of the cast.

(Oddly, I don't remember her returning for the January 1995 anniversary week when SO many past characters came to the Martins' new house warming but I haven't watched those in a while, and some of the actors barely got more than one line.)

I do remember reading at the time an interview where she was very clearly actively campaigning to return to the show in a more permanent capacity--and also remember hearing gossip (and I have nothing to verify this at all, so I don't want to be unfair) that she was difficult to work with... I don't know if this meant her behaviour, or she had trouble falling back into the soap opera rhythm, or what. Her subsequent screen credits are nearly non existent (a waitress in the show Six Degrees which I actually watched but forgot even existed...) but she HAS done a relatively fair amount of theatre work, mostly regional, since which makes me assume it wasn't an issue memorizing lines, although it takes different muscles to memorize lines for a soap than for a show you rehearse for a few weeks. She's still alive--has anyone heard anything from her in the past while?

@EricMontreal22 Saturday Night Fever 50th Anniversary in 2027 so she might turn up there. A number of the cast is still with us at this point-Travolta, Donna Pescow. Lisa Peluso, Fran Drescher etc

29 minutes ago, Paul Raven said:

@EricMontreal22 Saturday Night Fever 50th Anniversary in 2027 so she might turn up there. A number of the cast is still with us at this point-Travolta, Donna Pescow. Lisa Peluso, Fran Drescher etc

I sure hope she does. I wondered why she didn't have much of a career after Saturday Night Fever, but I seem to recall she might have already had a "reputation" by that point? (Again, I hate to use that term because, especially for an actress at that time, I think that could be completely unfair, but I do recall reading something.) Funny to think how Pescow would end up on AMC as well.

@EricMontreal22 Found a 1987 interview with KLG

Nyack NY Journal Life After Fever-Lisa Faye Kaplan writes Hot Stuff far these newspapers. A transcript of this interview has been edited far clarity and condensed.

Born Jan.28; Hollywood, Calif

Grew up Manhattan

Lives In Manhattan, Upper West Side

Family Father, Jay, composer of "Brother Can You Spare a Dime"; mother, Sondra, a public relations executive; brothers, Roderic, an analyst, and Daniel, a marketing executive

Pets El Gato, a Turkish Angora cat

Hobbies Painting, reading, writing, playing guitar

Favorite Foods Chicken sushi

Greatest accomplishment Dancing, because it was always very difficult for me to dance.

The last time we saw Karen Lynn Gorney she was partnered with John Travolta in Saturday Night Fever a special film that captured the cultural shape and feel of the late 1970s. Gorney played a social climbing receptionist whose idea of success lay across the Brooklyn bridge in Manhattan. Hers was the leading female role in a hit movie. But Fever turned into Travolta’s movie, and everyone else disappeared in his shadow. Although Gorney faded from view in the past decade, she says she’s been working steadily in regional theater and off-Broadway.

The actress, who spent summers in Katonah as a kid, is currently starring in The Baldwin Theater’s production of Life on the Third Rail, a romantic comedy by Mitchell Uscher that runs in Manhattan through Dec. 6. The Dean's List, Gorney’s new film, will be released early next year. Gorney, whom you may remember as Tara on “All My Children,” recently talked with me in her studio apartment on Manattan’s Upper West Side. The walls are decorated with pictures she’s drawn and painted mainly of her white cat, El Gato. There’s also a black and white photograph of Gorney and Travolta at a ballet bar, the only memento of Fever on view. During our chat, El Gato slept on my coat while Gorney talked about life after Fever and her new definition ofsuccess.

Is this your roommate?

El Gato. Isn’t he something? He’s my model. All these are my paintings and drawings of him. He’s a real inspiration to me.

Tell me about the part you play in Life on the Third Rail.

I play an actress. She knows she’s a star and her dream is to be immortalized in film. So she gets ir. a movie finally, but gets upset when the male star she’s playing opposite pays attention only to himself. In the play she comes to the conclusion that cinema can’t really capture the real her, that she needs a live audience to do her best work.

Any similarity between that character and the turn your career has taken?

I like both.

You made such a splash in Saturday Night Fever and then seemed to disappear.

Not really. I just kept doing theater. I did a play with Cybill Shepherd, Lunch Hour. Then I worked in the Midwest doing Dracula. In New York, I’ve been doing a lot of English plays. I did The Vortex, by Noel Coward. I’ve also been studying for the last five or six years at the Actors Studio. 1 think I’m a much better actress now than when I made Saturday Night Fever. God knows I’m a much better dancer. I was just beginning to scratch the surface of what it means to really act I was playing a lot of things that I had no experience with.

Doesn’t acting mean doing things that aren't in your experience?

If you really experience something, you can act it much better. The more you experience in your life, the better the artist you are.

What did you experience that made you a better actress?

Independence.

From whom?

From the need to be patted on the back.

Don’t you need that anymore?

I need it, but not as much as I did when I was younger The character I played on “All My Children," Tara, was really me. She was a goody-goody. All I’d do on that soap was serve coffee, cry, get pregnant and be comforted. I support myself now. I’m an independent woman. I don’t lean on anybody.

Weren’t you supporting yourself before?

I still didn’t have the sense that I really was in control of my life. I’d be getting lost in, “Oh, I’m so in love with this one,’’ “Oh, Mommy doesn’t like the dress I wore.” Nonsense.

How did you get away from that?

I think I got away from it by taking risks and experiencing the terror of disapproval.

And what happened after you experienced it?

You get freaked out. And then it goes away and you go on and take a bigger risk. Once you can actually face being alone and people’s disapproval, then you’re strong, you’re really independent Those are the two most horrible things for women — disapproval and being alone.

Did you think Saturday Night Fever was going to make you a star?

Naaaahh. I’ve always thought of myself as a star ever since I was a little girl. To me, it was normal (Laughs.)

Do you think you’re a star now?

I’m just one of God’s little creatures.

What’s your definition of success?

Being alive. Just being able to walk and talk is my definition of success. What did Bob Dylan say” “There’s no success like failure, and failure’s no success at all.” You’re successful if you keep growing, changing.

What more would you like to accomplish?

Nothing really. All the things I’ve wanted to do I’ve done. And all I want is to be able to go from one play to another, one film to another. I just want to keep acting and growing.

Do you want to have a family?

No. That's not in the cards for me. It’s not something I want. I tried to take in another cat and I was going crazy with two cats. How am I going to deal with children?