Jump to content

Days: Where are the cliffhangers?


Recommended Posts

  • Members

I'm not a regular contributor here by any means (although I am a regular lurker), but there has been something happening on Days that has really bothered me as of late, especially in light of the eroding viewership, and I had to speak up, if for no other reason then a hope that someone at the show might read this and rectify it.

First, let me say that I actually think that Dena Higley is doing a decent job as headwriter this time around. I'm sure some of that can be attributed to Ed Scott being the producer. The quality of what we see on the screen lately (with the exception of the strange dubbing of a few lines in recent episodes) has been very good. In my opinion the acting has never been better. But in terms of what can be attributed to Ms. Higley, I have to give her credit as well. The stories, in and of themselves, are good. I really like the new character interactions that they have going. The dialogue ranges from iffy to really good (depending on the character), but works overall. And I think the writing within individual episodes is very entertaining.

My main concern is the structure in which the stories are being told. In the past few weeks I can think of several instances of storyline beats that had the potential to provide classic soap opera cliffhanger moments, but instead have been wasted:

1. Lucas walking in on Sami and EJ in bed. Regardless of whether or not you like this story, the fact that Lucas walked in on them in the middle of a Tuesday episode was unacceptable. A moment like that is an episode-ender if I ever saw one. Lucas walks in, cut to Sami and EJ startled, cut back to Lucas, fade to black, credits. If I was not a regular viewer and I saw that scene as a cliffhanger, I would be much more likely to tune in the next day to see the fallout. The moment was there, but it was in the wrong place.

2. Max telling Stephanie that Trent is his father. The episode ended with Stephanie having walked in during their argument at Trent's place, and when she demanded to know what was going on, Max said to Trent "Do you want to tell her or should I?". End of episode. In the very first scene the following day, he says "He's my father". No! That line should have ended the previous episode. "He's my father", cut to shocked Stephanie, cut to Trent, cut back to Max, fade to black, credits. The moment was there, but it was in the wrong place.

3. Abe and Lexie learn that Theo is autistic. In this case, the moment wasn't even there. Much has already been written about this, but how the reveal of Theo's autism was done off camera is something that is beyond me. Talk about a perfect episode-ending moment! Abe and Lexie should have been shown wringing their hands as the doctor comes in and reveals to them their son's condition, with the emotional fallout to come the following episode.

<Spoiler Warning for anyone who hasn't seen the 6/30 show>

4. Sami learning that EJ lied about the annulment. Here we had an entertaining story building up where Nicole had the goods on EJ. They had played it up for a few weeks and then Nicole inexplicably told John of all people. Strange, but I can get over that. What I can't get over, once again, is the reveal. EJ and Sami weren't even on Friday's episode. But Monday's episode opens up with Sami overhearing John ask EJ about the annulment. Talk about wasting a perfect Friday cliffhanger! If i were writing it, I would have drawn out Nicole's knowledge of the annulment, and then finally, on a Friday, have it revealed in some way to Sami. But regardless of how it would be revealed, it should have been done so as a cliffhanger to an episode, not a cliffhanger to an opening segment. Again, the moment was there, but it was in the wrong place.

The reason these examples concern me is because I see Days' viewership eroding, and I don't think it needs to. I think the stories and the production and the acting are good enough so that Days should be running even, if not gaining a little, in viewers. And I think these examples are missed opportunities to keeping some viewers tuned in. It strikes me as Soap Opera 101 that good cliffhangers are a must. To pass up so many inherent opportunities to feature such cliffhangers on a regular basis is akin to shooting themselves in the foot.

Just my opinion...

Link to comment
Share on other sites

  • Replies 52
  • Created
  • Last Reply
  • Members

You've got that right. JER forever!

And I agree with the original poster. I like Dena Higley and think she's doing a decent job (better than Hogan, IMO), but she has got to start writing cliffhangers. I don't know what her deal is because at OLTL I don't recall having a problem with that.

Link to comment
Share on other sites

  • Members

ya know i was just discussing this with my co worker. she said she missed her clifhangers and i told her i really didnt care one way or the other. she told me thats because i read too many spoilers - and i think shes right. because even actuall cliffhangers on other soaps - they are not cliffhangers for me because i know whats gonna happen. so im gonna try and go 100% spoiler free to see if that helps...

Link to comment
Share on other sites

  • Members

I'm managing fine without JERk's fake cliffhangers. Not even did the stories suck when he was around, the "cliffhangers" did too. I mean, what's the point in constantly making fake ones, why not just go with REAL cliffs? No that's right, nothing exiting happened when he was around.

Go for it. I stopped reading regularly spoilers about a year ago and it's a total different show!

Link to comment
Share on other sites

  • Members

Oh those fake cliffhangers use to drive me crazy. Especially the ones like Mimi's dream that went a couple of commericals or even onto the next day before you found out it was fake.

I do think cliffhangers are good because it is what gets you to turn in the next day to see how the rest plays out. You don't need them everyday, but I do think they work at connecting the days together.

Link to comment
Share on other sites

  • Members

Well I for one actually enjoy the fake cliffhangers...lol. and in JER's defense, they weren't all fake. But I just think cliffhangers give soaps that "soapy" feeling. Cliffhangers, catfights, triangles, and good villains/vixens...that's what makes a soap a soap!

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Victoria Principal clearly stacked her Dallas coins real good. In the grand scheme of things, she was smart to walk away from Dallas when she did.
    • When Robert Calhoun became EP I thought GL was finally hitting its stride after some pretty rough years. Unfortunately the ratings during Robert Calhoun's run did not reflect the quality of the show.
    • There was a five week break between the last Friday episode and the Thursday episodes which were the final four episodes. I have a feeling the final four episodes were refilmed to wrap up the storylines. 
    • Yes, I forgot there was a gap between his exit from GL and his start at ATWT. This almost makes me want to cry. He really turned ATWT around (and good for them). It would have been great if someone had done the same for GL. Can't imagine who. The Dobsons were doing Santa Barbara at this point. I mainly blame Kobe. She may not have been the worst EP they ever had, but she almost totally destroyed the Bauers and decimated much of the rest of the cast, sometimes for egotistical reasons. That was a huge mistake and made it that much harder for the show to recover.
    • Douglas Marland began at As the World Turns in September 1985 but it took about a year for his run to show growth in the ratings. 1986 As the World Turns becomes CBS's #2 daytime drama after Y&R.
    • This is not at all surprising. Watching the recently uploaded episodes, the uneveness is SO apparent. Characters are changing at the drop of a hat. The stories are close to incoherent. It's a mess, and we're only up to May. What a fall from grace. An Emmy-winning show with good ratings and within a few short years hitting possible cancelation territory.  I'm surprised CBS and/or P&G didn't try to do SOMETHING to restore its former glory. Was Marland still at ATWT at this point? 
    • I think she did, yes. The only part of that return I remember appreciating was the ripoff they did of Earrings of Madame De, where a secretly broke India sold a trinket and Ross or Alan (I think it was Ross) then bought it for her, not knowing it was hers.
    • 6-4   Getting around to the rewatching and I guess Dani/Bill/Hayley as A story is coming around better to me. I hope that means that I will feel different about Friday's episode which first time around I felt was more of a Wednesday/Thursday episode. Anita's story and Dani/Bill/Hayley (with Kat vs SilkPress being a solid B plot to keep the SilkPress storyline alive, but NOT A story) have been the focus for this past week. So I'm worried I'll feel a way when I get back to Friday's episode. I guess I'm about to find out.   I know I have issues with Dani/Bill/Hayley coming back into focus since the much better paced SilkPress storyline is truly where it's at with so much aftermath/new direction to explore. However, I'm finding that...just like with the story of Martin's secret being slowly woven back into the story narrative...I care a little bit more for it since it's been background since Week 3, Month 1. IMHO the characters...outside of Hayley...have been developed in other plots. The past week and a half has had Dani and Andre growing closer and they have gotten to the 'third month what are we?' talk that I expect in all relationships in real life. And I liked how the writers have slowly had friction between them to see what they are made of? Is it still just a booty call or can it be more? Meanwhile, Bill has been hiding his physical issues for months. Too busy messing with other people's marriages.

      Please register in order to view this content

          So now that they have some more POV to them, it was good to see an organic...and yes, it was organic...reason for them to be in the same room. In this case...the hospital room. Lord, Karla and Timon have such great chemistry. And Dani and Bill were so acting like exes. No wonder Hayley feels threatened. Oh, well. lol. Bonus...the drama with Bill has Hayley and Naomi back in each other's orbit. They don't have enough scenes together.    You all know I was waiting for Anita's story. So how am I feeling? Pretty good. TT has been playing it to the hilt. And I was not expecting the story of a fourth member who killed themselves after being pushed out. And it's had a build. First through Tracy. And now with Sharon...who is swiftly being established as a piece of work. A Have-Not (if not Has-Been) who is not above scheming. Okay. lol. I liked the conversation between Anita and Vernon where she told him the truth, and he tried to hold her up. Whether she deserved it or not, it was good to see. I'm sure all of the secrets are not out yet so I look forward to more. Cuz we know they are not cancelling the reunion. Which fingers crossed...will be at the police fundraiser.     Honestly, I continued to be impressed with how the writers have kept Silk Press Sheila out of jail, but still playing the beats of it all. She's definitely in covering her tracks mode, and it's great to watch. It's also great to see her mixing it up with different characters. I was happy to get the long-awaited showdown between her and Nosy Nurse and Nosy Nurse READ...HER...DOWN. I was just disappointed Nosy Nurse spilled some tea. And that led to SilkPress's scene with Andre. And then Andre...lord...talked too much.   C plot this episode has been Chelesa's love life. I was wondering where it was going to go after her talk with Vernon. Enter...Mystery Woman. I wonder what her secret would be that would get in her way with Chels. Related to an enemy of the Duprees? Married? I am intrigued. And I do like Chelesa getting the spotlight because daytime does not really do it like how they are doing it with her.    Can Kat and Jacob get a spinoff? lol. 
    • 1986 began with the EP change from Gail Kobe to Joe Willmore and the HW change from Pamela Long to Jeff Ryder. Over the course of 1986 there was turnover in the HW ranks: Jeff Ryder, Jeff Ryder and Mary Ryan Munisteri as co-HWs, Mary Ryan Munisteri and Ellen Barrett as co-HWs, Joseph Manetta, Joseph Manetta and Sheri Anderson as co-HWs. The 1986 ratings reflected the quality of the show. GL was saved from cancel territory in 1986 because Capitol was still CBS's lowest-rated daytime drama.
    • As Michael should be...DARK.   I'm just getting through my first few scenes of Rory as Michael. And I'm already picking up chemistry with LW, EMcCoy, and SMattson from the jump. I liked Rory as Noah on Y&R, but felt it was wasted potential. So far...he's proving me right. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy