Jump to content

Ryan's Hope Discussion Thread


Recommended Posts

  • Members

Huh. I had forgotten a lot of the buildup to his exit. Or I just ignored it.

I wonder how much involvement Claire Labine had in any of that. His actual death was in the writers strike, and she seemed shocked and annoyed by it when she was interviewed years later. I hated the story (MAMA HELP ME) but I was glad to see him go. Nothing against Michael Corbett, just hated the character and what he represented, in terms of women. The only thing I liked about him was when he danced with Delia.

Link to comment
Share on other sites

  • Replies 2.9k
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

  • Members

I've been meaning to do this for ages but have never felt like it or got around to it. This is some of the SOD recaps of 1982 RH. 1982 is the only year that has, aside from one St. Patrick's Day episode, been almost totally unavailable (none on Soapnet and none on Youtube).

There are already synopses of 1982 posted here, but these are a little more detailed.

I'm going to try to post these in order. This is just what I have now. If I ever get any others from 1982 I will add them. And the Digest recaps are, I believe, about 2 weeks behind the episodes airing at the time of this date.

Sorry for cluttering up the board, and for the poor quality of the scans.

March 16 and March 30, 1982.

01-18-2011031243AM49.jpg

01-18-2011031243AM50.jpg

01-14-2011012506AM2.jpg

01-14-2011012506AM3.jpg

Link to comment
Share on other sites

  • Members

Thanks for reading. I have some more, I was just taking a break for a few hours.

I don't know what people thought of him. He seemed like a random hunk type to me, in the one episode I saw of 1982. It was obvious the show had no idea what to do with Pat, which, frankly, they never did, even in the 70's. That's one of the reasons I think it was untrue that recasting Pat ruined the character. There really was no character to ruin.

Link to comment
Share on other sites

  • Members

Thanks Carl

And yeah, I agree, they never knew what to do with Pat. I always liked Malcolm Groome the best. You're right in that Patrick James Clark was just another 'hunk' ... I don't believe he lasted long? Didn't Groome return in 1983?

Link to comment
Share on other sites

  • Members

Thanks for this. I definitely have never seen anything this detailed on the 1982 stories.

A lot of it sounds interesting, if a bit off for Ryan's Hope. I don't know what to make of Mary Ryan Munisteri as a writer - in some ways, it's a shame that she seemingly was never really groomed to take over by Labine and Mayer, but rather stepped into that role without warning when they were pushed out by the network. Agnes Nixon stayed on in some capacity at both of her shows - at least for a while, in OLTL's case - while her sub-writers assumed progressively more responsibility. Munisteri did bring some new ideas, some of which sound like they could have added something to the show, and it seems like she did a better job of integrating the new elements with the existing characters than the mid-80s writers did (I guess she couldn't have done much worse). But with no one more experienced on hand to smooth over the rough edges, it must have seemed kind of jarring.

I would so love to be able to see the scene of Delia arguing that faking a suicide attempt is proof of being unfit for motherhood! The irony may well have been intentional on Munisteri's part, as she was with the show from the beginning, but unless some nuance got lost in the recap, it seems like the fact that Pat was Kim's intended mark just as he had been Delia's when she herself pulled that trick never registered for Delia. I think it would have - not in a purely selfless or entirely rational way, and in fact maybe just to reaffirm her dislike of Kim as a way of justifying what she already was planning to do. But I guess the new writers were trying so hard to shoehorn Delia into some sort of Alexis Carrington-esque role that they overlooked her roots.

I didn't realize Maureen Garrett's EJ stayed on for so long after her and Roger's aborted wedding. It sounds like she might as well have left then, if her material was as uninteresting on the air as the recap made it sound. It's too bad the character didn't work out, for a lot of reasons - none of which had to do with MG, who is one of the best actresses daytime has ever had. She came on as an ill-conceived character when the show already was on shaky ground, and then all of the backstage turmoil happened. She could have fit in really well with this company, I think, with a character that was actually integral.

I'm glad Maeve and Johnny had something to do during this lost era when I've so often heard that the show was overrun by newcomers with few if any ties to the core family, but the dancing story sounds kind of isolated and inconsequential. I also had no idea Siobhan and Johnny clashed so badly over Joe. But even when Johnny was at his harshest here, it sounds like he still didn't bring up Mary's murder as a reason for hating Joe. The show really swept that under the rug at this time, trying to reinvent Joe and Siobhan as RH's answer to Luke and Laura. Anyway, I'm not sure the friction with Johnny rings true, though. Originally, of course, Siobhan had always been closer to Johnny while Maeve took exception to just about everything Siobhan did. It would have been more interesting if Maeve was the one who couldn't bear the thought of Siobhan reconciling with Joe when it was their relationship that got her beloved Mary killed, and Maeve went off to her dancing as an escape from her continued grief over Mary's death and her repressed anger at Siobhan for her involvement.

The Mitch character and Karen Morris Gowdy's Faith seem like they would have been the weirdest couple ever. It could have been a fiery, opposites-attract dynamic, except I can't picture her sparring with anyone.

I didn't realize that Seneca's mother appeared in the '80s. I wonder who played her? Probably not Gale Sondergaard. IMDB was no help, but they do have a record of another actress playing her after GS in the late '70s, which I do vaguely remember. I had no idea that Jill and Seneca ever were romantically involved again after their divorce either - I guess that explains why

I think originally, the point was that Pat was someone who didn't quite know who he was, himself - he had always been the middle child, always in Frank's shadow but going with the flow and not actively challenging his family like Siobhan and Mary did, in part because of sexist double-standards but also in part because he was lost in the shuffle of a large family. I thought that was a believable dynamic and MG played it well. Then when Pat saw what a hypocrite his brother was and felt like he was the only one in the family who wasn't going to go along with whatever Frank wanted to do, he turned to self-destructive things to cope - first Delia when she was at her most toxic and then, when he got in over his head with her, to drugs. I do think the recasting hurt the character, or rather the fact that the character never fully moved beyond that downward spiral while Malcolm Groome was still in the role. Ilene Kristen and Kate Mulgrew also left around the same time, when that first cycle of contracts came up, and they too were recast - with different levels of success - but Mary and Delia both got a sort of closure with the original actresses in the roles. Whatever happened after the recasts (not much better than what happened to Pat as far as the Mary recasts, and mixed results with the Delia recasts) the original arcs could kind of stand on their own. Whatever growth the writers may have planned for Pat, the recasts weren't up for playing it, and then I think the show didn't know what to do with him.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I didn't rewatch that period, so I'm not really sure how much Bill is on. I recall something about him living at the boardinghouse. I think Van made Matt his guardian, and why she didn't name Josh would be a mystery to me, other than the HW decided they needed to keep Bill in Matt's sphere. Nola is also his aunt, although they don't know each other well, and Van wouldn't have trusted her anyway. There's Dinah---but she's unreliable. Billy gets out of jail around NYE.
    • Please register in order to view this content

         
    • That's on Kimmer. As someone posted above...she was offered roles in pilots but she would be part of an ensemble or supporting. She didn't want that so she came back to GL. I don't know what she thought would happen..someone offering her "Here's Kimmer!" or The "Zimmer Comedy Powerhouse Hour" variety show..but her housefrau fans did not have the same pull in HW as they did on the soaps. Forbes and Watros knew that you had to take small parts to get noticed ands start a career in primetime. I know she was in consideration for the wife in Evening Shade, but when you go up against Marilou Henner, the soap diva looses. I could see her frustrated in a role like that, where she has to be the understanding wife with a bit of sass, but she could have made it work, if it wasnt for her huge ego.  I think it would have been an issue haveing all the powerhouse comedy actors surrounding...(lets face it..Alice Ghostly woudl have wiped the floor with her...) but it would have been a good launching padd.
    • Oh good, so I don't have to wait too long haha. I'm glad she cares about seeing Bill graduate. I'm guessing I'm in for a bumpy ride between Bill and Matt, if he's going to be his caretaker? Who else could it be, maybe Josh?
    • John Spencer      pg. 445    THEATER THE GLASS MENAGERIE    October 1979     Gentleman Caller      NYC THE GLASS MENAGERIE    1979 - 80    Gentleman Caller        Tyrone Guthrie Theater   Minneapolis   MONSIEUR DE MOLIERE     1979  - 80      Tyrone Guthrie Theater   Minneapolis   ROMEO AND JULIET     1979 - 80        Tyrone Guthrie Theater   Minneapolis  LAKEBOAT      1981                  NYC     007 CROSSFIRE      1984      Romanov      Actors Theatre of Louisville     CAROUSEL      1986 - 87    Jigger  The Opera House at the Kennedy Center     Washington, D. C.     FRANKIE AND JOHNNY AND THE CLAIR DE LUNE  
    • Maeve makes a few sporadic appearances, but returns full-time the next spring/summer. She's back in time to see Bill and Michelle graduate, although she skulks around town and wasn't going to tell anyone she was alive. She comes back wearing this HUGE hat---which was a throwback to the old Vanesaa. lol.
    • Aww, yeah it's very heartbreaking and I mostly enjoyed the Nola/Vanessa scenes because they finally let their walls down and came together in a beautiful moment. So Nola was at the hospital already and bumped into Vanessa, who had MRI papers that fell out of her hand and Nola went down to pick them up and asked her what was going on. Later, Vanessa confided in her about her disease. Then, Nola told Zachary on the beach (he prodded her and already alluded to knowing something was going on with Van), and then Vanessa found out she told him and got a little upset. Now, however, Nola is strangely absent while everyone is mourning her death. I'm curious if Nola will actually tell people about her MRI results. I would assume so. Only Nola, Rick, Roger and Zachary know anything, although there is the MRI results letter from the mail that everyone has missed seeing at home. I'm sure it'll all come out at some point. But... I just saw the next episode and the opening already cut Vanessa out and added Dahlia and Zachary. I guess Maeve is gone for a long time

      Please register in order to view this content

       That will break my heart seeing the town continue to mourn her and assume she's dead. I can't wait to see her return though, and I have to imagine feelings will be torn between loving that she's alive and being very angry she did all of this. While I hate what Vanessa is doing, I'm happy to hear it's not totally against her character. I think you're right, had Henry still been around, she wouldn't put him through this. I'm still surprised she is with Bill, though. I get her feelings on Matt, because she wants him to move on, but still very heartbreaking. I'm glad this was Maeve's choice to have a break vs. being fired.    Interesting, so I'm curious to see who they eventually pair Phillip with. They're flirting with a Phillip/Annie pairing, but I'm not sure if they'll go that route with the Jeva drama, her growing pill addiction, and Rick's past with her.  Ugh, yeah I'm so sad to see Bridget do a total 180 in the last couple weeks. She has always been a strong character from what I've seen, but now she's just bending over backwards to get Hart to love her and it reeks of desperation. Yeah, sure, this new Hart is eye candy, but I'm already tired of seeing Hart/Dinah have sex all over Springfield and the Cayman Islands haha.
    • Yes.  I remember them together during the early summer of 1986.  They didn't share scenes again for 30 years until 2017 because Carrie wasn't on the show when Anna returned during Sydney's kidnapping.
    • I can see Kim being that way. Well, Kyle didn't have to say yes. LOL. The suicide attempt feels plot-driven. I don't know if even Long could've made it work. She'd spent so much time trying to make Reva and Kyle into a couple, it feels odd to just have them give up. Not to mention how odd it is to have Maeve agree to marry him. Re Charita---surely they could've at least tried  finding clips with who was still there. Maybe they wouldn't have been "big" moments, but surely she'd interacted with Ross, Vanessa, and Henry. Vanessa had dated Ed, FCOL. But Mo and Rick were there---surely they could've bothered to find some clips of her with them (and they did interact a fair amount) and used them. And with Ed they could've found some shot of her talking to him and just not cut to whoever was playing Ed in the clip. That to me is what feels lazy---they had more than a year to figure it out, and they went with a bunch of photos. If you were sort of centering it on Rick anyway---then find clips with them and use 'em.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy