Jump to content

Grease, You're the One that I Want


DaysFanJean

Recommended Posts

  • Replies 13
  • Created
  • Last Reply
  • Members

It will be difficult to see anyone other than Travolta and Newton-John in the roles of Danny and Sandy, but watching the lively auditions will be a blast. I have the video but just have to buy the DVD now and watch it over and over LOL. My granddaughters spent the summer with me several summers ago and they knew every word, every song, every dance of the show LOL. It was so much fun with them that summer.

Link to comment
Share on other sites

  • Members

http://www.realitytvmagazine.com:80/blog/2...a_newtonjo.html

January 02, 2007

Olivia Newton-John To Guest Star On Grease You're The One That I Want

Olivia Newton-John, multi Grammy Award-winner and beloved star of the hit movie musical "Grease," is set to guest star in the first two episodes of NBC's upcoming talent competition series "Grease: You're the One that I Want," premiering Sunday, January 7 (8-9:30 p.m. ET), where America will choose the next "Sandy" and "Danny" to star in the Broadway revival of the hit musical. Newton-John will provide her words of wisdom and advice on what it takes to fill the lead roles.

In 1978, Newton-John's co-starring role with John Travolta in "Grease" catapulted her into super-stardom. The film went on to become the most successful movie musical of all time and the movie's soundtrack became the most successful movie musical soundtrack in history, featuring the duets "You're The One That I Want" and "Summer Nights," with Travolta, as well as Newton-John's mega-hit, "Hopelessly Devoted To You." The film was re-released worldwide in 1998 in celebration of its 20th anniversary to even more acclaim, a true testament to the film's timeless quality.

Prior to her break-out role in "Grease," Newton-John's 1973 U.S. album debut, "Let Me Be There," produced her first top ten single of the same name, with her being honored by the Academy Of Country Music as Most Promising Female Vocalist and a Grammy Award as Best Country Vocalist. This proved to be only the beginning of a very exciting career. Her countless successes include three more Grammy's, numerous Country Music Awards, American Music Awards and Peoples Choice Awards, five #1 hits including "Physical," which topped the charts for ten consecutive weeks, and 15 top 10 singles.

Newton-John's other film credits include "Xanadu," "Two Of A Kind," "It's My Party," and "Sordid Lives." She followed that success by co-starring with her daughter, Chloe, in the Showtime movie, "The Wilde Girls." Clearly following in her mother's footsteps, Chloe has recently signed her first record label contract. Newton-John's latest recording, "Grace and Gratitude," a CD for relaxation to promote spiritual balance and physical and emotional healing, was released in September 2006 and coincided with the launch of Newton-John's signature line of body, heart and spirit wellness products for women.

In "Grease: You're the One That I Want," America will choose the two leads for a new Broadway production of "Grease," which opens on Broadway in July 2007 and will be directed and choreographed by two-time Tony Award-winner Kathleen Marshall ("The Pajama Game"). Marshall also will be a judge on the TV series along with Jim Jacobs, the co-creator of "Grease" and renowned theater producer David Ian. Billy Bush ("Access Hollywood") and Denise Van Outen (Broadway's "Chicago") serve as host and co-host.

In the first two weeks of "Grease: You're The One That I Want," (January 7 and 14), viewers will go behind the scenes of the nationwide casting search where hopefuls from all across America strut their stuff in front of the panel of judges. In the third episode (January 21), the top performers from the nationwide search are flown to Los Angeles for "Grease Academy," where they are trained by Marshall and professional acting, dance and vocal coaches to refine their skills. The top 12 contestants from Grease Academy will then perform each week in six live episodes, starting January 28, with America eliminating two contestants each night, ultimately deciding the two winners who will take on the lead roles on Broadway.

"Grease: You're the One That I Want" is produced by BBC Worldwide Productions. Al Edgington ("Last Comic Standing," "The Amazing Race"), Lou Stroller ("Tomb Raider," "The Rock," "Scarface") and Paul Telegdy, Senior Vice President, Programming and Production, BBC Worldwide, are the executive producers; Suzy Lamb ("BBC UK's "How Do You Solve a Problem Like Maria?") is co-executive producer.

Link to comment
Share on other sites

  • Members

I watched tonight and thought at first it was too confusing to make sense of but finally did get caught up in it. There was so much in such a little bit of time. After watching, I thought they could have left Chicago alone, except that one of the girls there was so cute and maybe could be a Sandy. No Danny in all the men that I saw. Next time is New York. When we get down to the 12, it should be really simple since it's pretty obvious that there aren't many naturals and they are having to chose a lot just to fill the slots (my hubby caught that LOL). The previews showed one girl that the comments were excellent about and I'm looking forward to seeing her.

Link to comment
Share on other sites

  • 2 months later...
  • Members

At last the finale next Sunday. The list was narrowed down to two possible Danny's and two possible Sandy's.

Danny:

Matt Crumm

Austin Miller

Sandy:

Ashley Spencer

Laura Osnes

I like Matt best for Danny and Ashley best for Sandy because she seems the most like Sandy, but the concensus is that Matt and Laura will be the two winning. They are the ones the judges mentioned tonight.

Link to comment
Share on other sites

  • Members

I was amazed at how they stood out in the cast skit. Max is perfect for Danny. I love him and Laura is very good and has the star quality needed to be successful. Wish I could see it open :)

Austin (used to play Hawk on Days) said at the beginning that each of them (the four finalists) had great offers so not to worry about who didn't win. That probably means I'll be checking his site and see what's coming up for him and also Ashley's as I think she was so beautiful and talented.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

       
    • Please register in order to view this content

         
    • @TaoboiI ran into Dani’s favorite party planner again tonight

      Please register in order to view this content

    • I think they’re desperately trying to cover his awful tattoos. But anyway them being unable to style short kings properly has been a major pet peeve of mine for a while now.  I honestly don’t understand what some people expect from actors to even begin considering them for recognition. Let’s be real—awards mostly mean that an actor is respected by their peers and has some level of cultural relevance. Actual judgment on the acting itself? That’s often secondary—highly subjective and shaped by the times. I completely agree on both points. If you’re an actor or a dancer you shouldn’t get any tattoos (sorry not sorry). Tomas’ tattoos are ugly too. And regarding the couples- you’re completely right. These writers are unable to write romance.   Further comments: - Kat cannot be this dumb to keep tampering with evidence over and over again. And I’m officially not a fan of the actress—every time she’s in a scene with Leslie, she doesn’t seem intimidated at all. She plays it like comic relief, which is just too much, especially when paired with Leslie’s histrionics and over-the-top antics. Leslie is older, dangerous, and has literally been portrayed as homicidal—Kat should be at least a little scared. • I also didn’t like Kat playing damsel in distress with the hotel manager. It gave off the same weird energy as Dani with the cop. I would’ve much preferred the version Paul Raven suggested, with her sneaking in through housekeeping. • And yes, Dani again accused Hayley of faking the pregnancy—this time even specifying she might be using a pillow under her shirt. (No fake miscarriage being mentioned) I stand by my take: this is ridiculous writing. No one in the real world—except us, the chronically online soap watchers—would even think of such a conspiracy theory. Haley is no Beyoncé. • What in the world was Chelsea wearing in her hair the other day? And this whole thing with Madison is beyond cringe. Chelsea’s coming off as needy and toxic—basically like every other Dupree. • I’m glad the casino storyline is moving forward, but it’s still boring as hell. Honestly, I’d be so here for a plot twist where Vanessa and Doug take Joey out. • The direction and editing lately have been rough. Abrupt cuts, weird pacing… something just feels off overall. There’s a strange uneasiness to how it’s all coming together. • And finally: Tomas is too much of a saint. Where are the messy sluts when you need them? (Vanessa doesn’t count.)
    • I was watching some August 1987 episodes and they brought back so many memories. I had some thoughts: Lisa and Jamie were so dull. Lisa was such a nothing character. It boggles my mind that so much story was centered around her in such a short amount of time. Joanna Going is a talented actress, but the material was just not there.  It was so good to see Wallingford and Mitch again. I know there was talk about Felicia a while back, but these episodes reminded me how integral Felicia was for the show.  Sally Spencer was done so dirty. She is turning in superb performances in an icky storyline. I wish she had stuck around longer. She has chemistry with everyone. The McKinnons should have lasted longer. Spencer had some strong stuff with Stephen Schnetzer and Mary Alexander. AW waster such a talented actress by getting rid of her. Justice for Cheryl too. I also missed Ed Fry when he left. Sandra Ferguson was a star from the moment she came on. She was charismatic and just popped. She had immediate chemistry with RKK and blended in well with Wyndham and Watson. I'd forgotten about the teenage Matthew.  I have no memory of Peggy Lazarus. She must not have lasted long. Was the original plan for John that he was going to turn out to be the twins' real father?      
    • If the new and improved copies that @rsclassicfanforever has uploaded can be manually moved into the "by month, by year" folders, that would be awesome. I personally don't think it's necessary to keep the older versions (which either have Dutch subtitles hard coded on them, or are lesser in picture quality). That's a lot of valuable drive space that could be cleared. Just my view but can appreciate others may feel differently. The structure had been by month by year previously, so I think it would be easier to conform to that, where so much prior work to get it to that format has already been done. Hopefully you can "drag and drop" so the new copies are in the right month/year? Re Clips, I never look at them now we pretty much have the episodes in full. Appreciate others may use, however. Thanks for all your hard work here @BoldRestless!
    • Oh yes defintely, Josh Griffith repeats and repeats the same storylines.
    • Isnt’t this storyline similar to the Cameron Kirsten situation though? Sharon thought she killed him. He ended up being alive and Sharon was being tormented with thinking she was seeing his face everywhere and that’s how we got that iconic scene with her and Nikki in the sewers.   I understand in Mariah’s case this is different circumstances but it does seem like a play on that whole thing. Maybe I’m wrong. I just wish if they were going to make any character follow in Sharon’s foot steps it would be Faith. Mariah wasn’t even raised by her, and her personality is different. I would expect her to take a different path. I understand I could be completely jumping ahead because the storyline hasn’t even played out yet but we’ll see. 
    • Thanks again @Paul Raven Monica was completely without redeeming qualities at this point. I always found the whole Monica = Carly narrative regressive, as I don't think shows comparing characters so heavily is ever a great idea, but she's actually worse than Carly was. Was it the Pollocks who had Leslie have a miscarriage?  Giving her a child, especially by rape, was not a good idea, but a part of me wishes they'd committed to it just to see what story it might have had in later years.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy