wonderwoman1951

atwt: when b&b premiered in 1987, atwt moved from 1:30 to 2pm, which split the cbs lineup into the bell shows and the p&g shows— stylistically, very different show. prior to the move, atwt’s rating was 7; three years later, it was 5.8 and continued to drop in subsequent years.

in her 1972 new yorker piece on soap opera, renata adler mentions a storyline from ‘the doctors’: “of an educated man so bitter that he kills himself solely to frame another man for murder.“ have no idea who the character in question is. as for claire cassen: from everything i read, she’s hit by a car after running into the street trying to apologize to her grandson, dan. near the end of her unfinished memoir, ‘all my world,’ irna philllips tells the story of her post-heart attack depression in 1960-61. she then goes into great detail about claire’s 1962 depression, noting ‘i don’t believe i realized it at the time, at least nor consciously, that i was having her go through the same kind of depression that i had experienced. i mentioned (2 pages earlier) that i had contemplated suicide but i took it a step beyond contemplation with claire. she took an overdose of sleeping pills…’’

apologies for my delayed response. i mentioned gender because it very much applied to my own situation. when i told my parents that i wanted to major in english, my father responded, ‘you’re a girl. college is a waste. you can be a secretary until you get married.’ my response: i refused to learn how to type. while jessica’s family may not have addressed gender explicitly, i do think it was an issue to some degree, particularly with her brother, lamar. re irna and her obsession with keeping actors tethered to their roles: not so much p&g’s interference (though there was plenty of that), but something the late soap journalist, robert laguardia observed: “it was quite as if for irna, oakdale was a real place — far more real than new york or chicago — and far better.” here’s a link to an article that considers irna’s emotional connection to ‘world turns: https://www.harvardmagazine.com/2013/01/vita-irna-phillips

To continue, please type the characters below: is this a joke?

there are two that come immediately to mind. unfortunately, i can’t give you specific dates, but will describe them as accurately as i can so others might help. not sure i’ve remembered all the details accurately, but i’m pretty sure i’ve got the gist right. the first is an episode of ‘all my children’ from 1997. kevin sheffield and his friend kelsey jefferson are lying outside looking at the stars and talking about life. meanwhile, palmer cortland is ripping kevin’s mother, judith, who is not taking the news of kevin’s coming out well, a new one in front of the country club crowd. can’t remember what the third thread was. amc won best writing and show that year, am i’ve always thought this was the episode they submitted. in both episodes, the plot moves not a millimeter. but the conversations between and among the characters reveal relationships and contextualize back story, which makes things easier for the blue ribbon panels who more often than not are not familiar with the show. the second is an episode of guiding light from the mid-90s. again, a lot of conversation between characters, but virtually no plot movement. my memory of this one is a little fuzzy, but i know bridget has little peter with her, and i believe is talking with roger. vanessa was somewhere in the mix, and there’s still some fall out from nadine’s effort to pass peter off as her own. oh, don’t know how i missed this. but, while i was researching dates, i found out that ben jorgenson, who played kevin, died last yeat, sadly by suicide.

and not just the intersection of race and class, but the intersection of race, class, ethnicity, and gender, as well. listening to those conversations between jessica and her father, it was my father’s voice i heard. it was as though doug marland had bugged my italian-american family’s home.

well, it wasn’t as bad as i feared. however, there were two huge missed opportunities: he never asked if she remembered kasi lemmons from when they were both on ‘world turns. and… when she talked about ‘world turns being “unique among the soaps. the culture was different. the environment was different,” the response of even a modestly competent interviewer would be something along the lines of, “really. how so?” “tell me more.” “that’s interesting. can you elaborate?”

you have to appreciate his timing…

a nytimes piece re ‘santa barbara’ in russia. it’s behind a paywall, but nonsubscribers get a few freebies/month. https://www.nytimes.com/2021/12/07/arts/design/santa-barbara-ges-2-moscow-ragnar-kjartansson.html

just saw this on the nytimes website, which is behind a paywall. but nonsubscribers get several freebies/month. https://www.nytimes.com/2021/12/07/arts/design/santa-barbara-ges-2-moscow-ragnar-kjartansson.html

sadly (mostly), way too much content out there, way too many $$$ platforms, and too few hours in the day, to even try to keep up with ‘the buzz.’

i did, and loved it; thought the performances were brilliant — not to mention the costume and hair people. not clear why you think anyone would ‘judge’ you for watching it.

sometimes my fingers get ahead of my brain. of course, what i meant to say was that in marland’s original longterm, kelly and nola wound up together.

so many thoughts about lisa brown. nola was perhaps my late mother’s all-time favorite soap character. several years after my mother died, i was doing some research at the madison archives. i cannot say how stunned i was to read in douglas marland’s original longterm for nola-kelly-morgan that his original intention was for kelly to end up with morgan. besides wondering what my mother would have thought, i would also love to know why marland decided to change course. i’ve never heard anything else about it. and i’ve always kicked myself that i didn’t make a copy because marland’s papers are no longer in the madison archives. one more thing about lisa: back in the mid-90s, executive producer laurance caso wanted to have the snyder farm burn to the ground. his plan was to give the entire family a reason to reunite and pull together, and i think, to rebuild. in any case, the story was leaked to soap opera weekly, and caso was so pissed he junked the entire story. heard from a reliable source that it was lisa, fearing the snyders were about to be written off, who leaked the story. would have loved to ask her about that.

on atwt, hilliary b smith’s first pregnancy led to margo’s affair with hal and the birth of adam, who was played as an infant by her real life son.

actually, it was ‘peyton place,’ in 1964. irna phillips was an advisor.

True, but I just remember they double down with MADD and Springfield, which looked like a "real" town with people of all ages as extras....suddenly was full of models for extras and day players. agreed, but valente really started the ball rolling when he cast model, john howard (not much more than hair and cheekbones), as paul ryan. MADD kicked off the ABCification of ‘world turns when she replaced valente with felicia mini behr, who immediately replaced alyson taylor rice as connor with susan battan. d don’t recall the same influx of abc soap actors on gl.

I actually find that refreshing this goes back to the earliest days of television soaps. the radio serials were all out of chicago. but when the move to tv began in the late 1940s, production moved to nyc and cast from the stage actors there. i think this is also part of why it was easy to tell the new york soaps from the west coast shows. because back in the day, aspiring actors who wanted to be in movies went to the west coast; those who wanted to be on stage went to nyc. hard to articulate exactly why, but the difference was apparent. eta: can’t remember exactly where, but since we’re discussion actors’ looks, someone commented that when MADD took over at PGP, she began replacing actors with models on ‘world turns. that actually began when john valente took over as ep in 1995, i suspect with some ‘encouragement’ from cbs.

yes, katherine phillips’s first husband was steve babecki.

just took a look on amazon, where the entire series can be had for less than $100 — not as awful as i would have expected. in addition to dana delany, who was on ‘world turns in the early ‘80s, i remembered another soap connection: in a memorable episodes from the last season, ‘small step,’ finn carter (sierra from ‘world turns) plays a nurse who helps boonie heal after he’s lost his leg.

would love this! guessing that there were some adult beverages involved in the oltl interviews. jerry verdorn’s 1996 emmy reel is on youtube, but not his 1995, which is the one i really want to see. there’s a scene between ross and ed the morning of ross and blake’s wedding that is just perfect.

i, for one, would have loved it!

just checked amazon, that price if for a mass market paperback, whatever the hell that is. used paperbacks ‘very good condition’ are going for $7.38, which is about what i paid 10 years ago. and while t’s a great (perhaps even invaluable:) resource, but no way i’d more than $100

according to his emmy legends interview, when douglas cramer (who had been a supervising producer@atwt) came to new program development @ abc, he approached irna phillips about creating a nightly drama series. pgp said no and cramer turned to ‘peyton place.,’ hoping irna would write the serial. but abc wanted monash, who had written a well-received episode of ‘the untouchables.’ monash hated the idea of pp as a soap; it was he who called it ‘a high class anthology drama.’ since monash had no idea how to serialize a story, cramer brought irna on as a consultant. reportedly, the relationship between irna and monash was, shall we say, less than collegial.

alan states on his linkedin profile that he’s actively looking for PR work. so, it’s likely more than just loyalty to previous employers; it how what he’s doing now appears to prospective employers. and he may feel that allowing people to badmouth pgp could jeopardize future work. not at all suggesting that the criticism isn’t justified — just that his perspective and interest differ from fans.