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B&B #33 - Fights and Friends

Posted by Y&Rbiggestfan in The Bold and the Beautiful, 18 August 2014 - - - - - - · 58 views

The Bold and the Beautiful - Episode #33

Created By: William J. and Lee Phillip Bell
Written By: Casey Hutchison
Executive Producer: ML Cooks
---

EXT. HOTEL PARKING LOT - NIGHT

Taylor pulls up to a local hotel in her black sports car. She gets out and goes to a room on the ground floor. She looks at the piece of paper Omar gave to her.

Taylor:
Room 148. Here goes nothing.

She knocks on the door. We hear Omar's voice from inside.

Omar:
Coming!

Omar answers the door.

Omar:
Taylor.

Taylor:
Hi, Omar.

Omar:
Come in.

Taylor enters and Omar looks left and right and closes the door.
---

INT. RICK AND CAROLINE'S HOME - NIGHT

Maya appears to be nervous but quickly hides it. She goes back to the doorway.

Maya:
Caroline... I am so sorry. I should not have done that. I think I am gonna leave now.

Rick:
Good idea.

Maya:
Bye.

Caroline:
Bye.

Maya rushes off and Caroline closes the door.

Caroline:
Rick... I gotta say, that maybe you coming over was not such a bad idea. Because, now that I think of it, I have some things to say to you as well.
---
OPENING CREDITS:

Sketches of dresses on models fly across the screen; revealing THE BOLD AND THE BEAUTIFUL written in cursive, in gold.
---

INT. THORNE'S OFFICE - NIGHT

Thorne is looking over his e-mail. Steffy enters.

Steffy:
You never stop do you?

Thorne looks up and sees Steffy. He closes his lap top and goes to her.

Thorne:
Hi Steffy, I am glad to have you back home. So, what do I never stop doing?

Steffy:
(Laughs) Working. When is the last time that you were out of this office? When is the last time you actually sat down at a resturant and not had work on your mine?

Thorne:
It has been awhile.

Steffy:
I guess.

Thorne:
Anyways, Eric tells me that you are engaged. When will we be meeting this guy?

Steffy:
Jason, will be here by tomorrow night. He was finishing up some buisness in New York.

Thorne:
I see.

Steffy:
Your are going to like him Uncle Thorne.

Throne:
And how do you know that?

Steffy:
Because..., I already do.
---

INT. HOTEL ROOM #148 - NIGHT

Taylor sweeps off the bed and then she sits down on it.

Omar:
Can I get you something to eat or drink?

Taylor:
Omar, I just want to get down to buisness. Please, tell me why you came back.

Omar:
I already told you.

Taylor stands.

Taylor:
Well I do not believe that you want to protect me. I just don't.

Omar:
I have protected you before.

Taylor:
Shall we go through the list? You would not let me out of your sight when we were married. Even though I claimed I was not stable. But then, a miracle happened. You let me go.

Omar:
T...

Taylor:
I am still talking! I thought I was done with you. Then, you faked my death when Sheila Carter shot me. Now, you have returned because you want to protect me again. From what? Morgan?

Omar:
Exactly right.

Taylor:
She did evil things in the past to me but I am not scared of her!

Omar:
I can tell that you are. She is like the second Sheila for God sakes!

Taylor:
Oh Lord! Here we go again!

Omar:
What do you mean?

Taylor:
Do you ever wonder why I was your only wife? (Laughs) No words?

Omar:
The only reason you were my only wife is because my feelings for you were through the roof.

Omar moves in to Taylor and Taylor slaps him.

Omar:
What was that for?

Taylor:
When you left for the second time, I promised myself I would never get this close to you ever again. I think I should leave and honor that promise that I made to myself. Bye Omar.

Omar:
Taylor.

Omar tries to stop her from leaving by blocking the door.

Taylor:
Move now!

He does not move.

Taylor:
I am serious. This conversation we just had, is over. Over! Concluded!

Omar:
(Trying To Hold Back Tears) Fine, as you wish.

Omar moves out of the way and Taylor leaves. She slams the door.

Omar:
Damn!
---

INT. RICK AND CAROLINE'S HOME - NIGHT

Rick has a charming look that swoops across his face but Caroline ignores it.

Rick:
What do you have to say?

Caroline:
Today, I think I felt more alone than ever. You know? I realized today, who my real friends are. I realized what I have to do to survive.

Rick:
And what is that?

Caroline:
Not be with you. Do you think I am stupid Rick?

Rick:
No.

Caroline:
(Smiles) Great, that is why I am giving us a break. Because, since I am not stupid... I know that I deserve someone who will take time away from his work to touch me, look at me, and most importantly talk to me.

Rick:
I see. Are you finished then? Because I have some things I want to say.

Caroline:
Alright, go ahead.

Rick:
I love you. That is all I have to say. Because, deep down you know it is the truth.

Caroline:
(Sighs) We will evaluate our marriage again when I get back. I just wanted to say those things to get them off my chest.

Rick:
Okay, fair enough, I guess.

Caroline grabs her suitcases.

Caroline:
Bye Rick, for now.

Rick:
Bye Caroline.

Rick exits. After a little while Caroline goes over to the fireplace mantel and looks at Rick and Caroline's wedding photo. She sticks the photo in her purse and goes to the door.

Caroline:
(Sighs) Genoa City... here I come.

She shuts off the lights and walks out, shutting the door behind her.
---
THE LOGO APPEARS.

Announcer: This has been the emmy award winning drama "The Bold and the Beautiful."

THE SCREEN FADES TO BLACK.
---

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ANOTHER WORLD 178 Kirkland and Charlie's wedding day Part 2

Posted by cnathanielrichardson in BACK TO ANOTHER WORLD, 17 August 2014 - - - - - - · 93 views

ANOTHER WORLD 178

Kirkland and Charlie’s wedding day Part 2

Created by: William J. Bell and Irna Phillips

Written by: C. Nathaniel Richardson

Consultants: aMLCproduction, beebs, and DRW50

 

Special Appearance by Cody Longo as Scott Granger, Jr.

 
CHURCH
FrankieAttached Image , CharlieAttached Image , StaceyAttached Image and LindsayAttached Image are marveling at how Charlie looks.
Lindsay:  You look absolutely wonderful cuz.
Stacey:  Look at my niece.  You make a beautiful bride.  Come on Lindsay.  It’s almost time for us to take our places.
Someone knocks on the door, and Lindsay opens it.
Lindsay:  Uncle Cass.  
Cass:  Hey there.  
Frankie:  Hey honey.
CassAttached Image turns his attention to Charlie.
Cass:  Oh my goodness.  Do I really have to give you away?
Charlie:  I only got one dad, so yes you do.
Stacey:  Lindsay and I are gonna go.
Cass takes a deep breath after Stacey and Lindsay leave.
Cass:  It’s almost time kid.  We’re just waiting for Kirkland.
--------------------------------------------------------------------------------------------------
KIRKLAND’S SUITE
KirklandAttached Image has his pants on, but is barechested when he flashes back to the text he got from Scott Granger, Jr. stating that Scott was coming to Bay City.  He’s on the phone.
Kirkland:  Dad I’m running a little behind, but I’m definitely coming.  Okay.
Then he goes to answer a knock at the door.  StevenAttached Image walks in.
Steven:  Bro we gotta get to the church, and you’re not even dressed yet.
Kirkland:  Dude relax.  I just gotta put my shirt and tie on.
Steven:  As I’ve noticed.
Kirkland:  Do you have the rings?
Steven:  Yes.
Kirkland:  I just got off the phone with my dad.  You’re acting just like him.
-----------------------------------------------------------------------------------------------------
GRANT’S HOUSE
GrantAttached Image walks into the living room in a full tuxedo and ChristyAttached Image is there.
Christy:  My my don’t you look handsome.
Grant:  I’m standing up for my son at his wedding.  I have to look my best.
Christy:  Gosh can’t you take a compliment?
Grant:  Listen to me.  We’re not friends.  This is a business arrangement.  You help me, and I help you.  That’s how it goes.  
Grant leaves and Christy reaches into her bag, grabs her phone, and pulls up the calendar.  She looks at one particular date highlighted.
Christy:  That’s the day.
Then she looks up and sees Eric.Attached Image
Eric:  What day is that?
----------------------------------------------------------------------------------------------------
KirklandAttached Image walks out of the bathroom dressed and ready.
Steven:  How you feelin?
Kirkland:  I’m ready to marry the woman I love.  Let’s go.
Steven opens the door, and there is Scott GrangerAttached Image , who has arrived from Genoa City.
Scott:  Are you sure I can’t convince you not to go through with this wedding?
CAMERA PAN ON KIRKLAND...SLOW FADE TO THEME SONG.

---------------------------------------------------------------------------
PART 2
Steven looks back and forth at Scott and Kirkland.
Steven:  Hey Scott.
Scott:  Steven how are you?
Steven:  I think...you two need to talk.  I’ll be downstairs in the car.
Steven leaves and Scott shuts the door.
Scott:  Wow that’s your brother?  He’s hot.
Kirkland:  He’s straight.
Scott:  That’s what they all say, but anyway.
Kirkland:  So you came all the way to Bay City to stop me from marrying Charlie?  Cuz you’re not gonna do it.
Scott:  Kirkland seriously?  Why are you getting married to Charlie when you don’t even love her?
Kirkland:   I love Charlie with all my heart, something you don’t seem to have a clue about.
Scott seems stung by Kirkland’s last statement.
Scott:  I don’t have a clue about love?  That’s what we had.   You’re the only person I’ve ever loved.  You and I were in love.  How do you think it makes me feel to watch you marry someone else?  I think you’re lying to yourself.
Kirkland:  Lying?  That’s all you’ve ever done Scott since you got back to Genoa City.  You lied to Rafe.  You’re lying to your mother.  You’re lying to...what’s her name? Vandalism?
Scott:  Vandalynn.  Her name is Vandalynn.
Kirkland:  Isn’t that the girl you slept with that…?
Scott:  You can say it.  It broke us up.  I messed it up, and all this time I’ve been trying to figure out ways to make it up to you.   I’ve been looking for you.  Rafe is not you.  I miss you Kirkland don’t you understand?  I miss what we had back in school.  
Kirkland:  It was great, and I don’t regret it.
Scott goes closer to Kirkland.
Scott:  And we can have it again.  You don’t love Charlie the way you love me.  I know it.  I see it.
Kirkland:  You know when I...came back home.  I was so angry.  I was angry about the way we broke up.  I was angry at my dad for what he did to my mom in the past.  During all that time I was searching for ways to stick it to him, so I ran against him for mayor.  
Scott:  Is that when you slept with that bartender at the GCAC?
Kirkland:  That was all part of me getting information on my dad.  I already knew Charlie back from when were kids but, we got closer, because she was angry at her mom and...she managed to forgive her, and she taught me the power of forgiveness.  I felt so stuck in my anger, and Charlie helped me out of all of that.  Her love changed me.  Her love makes me a better man.  That’s why I’m marrying her.  
Scott slowly backs away.
Scott:  But you haven’t told her...about us...have you?
Kirkland:  No.  I haven’t told her about my past, and she hasn’t told me much about hers.  Like why she dropped out of school.  All I know is that I love her, and she loves me.
Scott:  We felt that way about each other once.  We were in school, and we had a relationship.  All we knew was that we loved each other.  
Kirkland:  I did love you, but I’ve moved on.  I wish everybody could feel the way I feel right now about the woman I’m going to marry.  One day, Scott, you are going to meet someone who blows you away so much that you just want to be a better person.  You’re gonna realize that you’re stuck.
Scott:  I’m not stuck.
Kirkland’s eyes well up with tears, and puts his hands on Scott’s shoulders.
Kirkland:  You...are...stuck.  Stuck in the past; stuck in what we had;  stuck in what we used to be.  I’m not anymore because of Charlie.  I want you to be happy Scotty.  I want you to feel what I feel now.
Scott starts to cry.
Scott:  Stop this!  I’m never gonna find anyone like you.
Kirkland:  Yes you are.  You’re gonna find someone better than me.  Someone who makes you a better man.  
Scott:  She...really makes you happy.  
Kirkland:  Yes man.  Yes.  I don’t know where I’d be without her.  I want you to find that happiness, too.  Come here man.
Kirkland embraces Scott in a long hug.
Scott:  Congratulations.
Kirkland:  You will find it.  I promise you.
Scott slowly backs away and then leaves.
------------------------------------------------------------------------------
Christy:  What are you doing here?  I told you to wait for me.
Eric:  Is it so bad for me to want to spend some extra time with my mom.
Christy gets up and hugs him.
Christy:  I’m sorry son.  I miss you, too, but we’ve gotta stay focused.
Eric:  So you went and had it done.
Christy:  Yes I did.
Eric:  And it has something to do with that day you were talking about.
Christy:  That’s when it’s gonna have its biggest effect.
Eric:  Anything I can do to help?
Christy:  You being here is the biggest help of all.  
Eric:  Where’s Grant?
Christy:  He went to his son’s and Charlie’s wedding.
Eric flashes back to (EPISODE 155) when he served Charlie a latte.
Eric:  Caramel latte for the pretty lady?
Charlie:  Thank you.  How much is it?
Eric:  It’s on the house.
Eric then notices Charlie’s engagement ring.
Eric then flashes back to the present.
---------------------------------------------------------------------------
CHURCH
Grant is at the altar with Kirkland and Steven as the guests start filing in.
Grant:  What took you so long?
Steven:  Traffic was backed up.
Grant:  This doesn’t have anything to do with Scott Granger does it?  If he tries to pull anything he’s gonna be sorry.
Kirkland:  I don’t think he is dad.  I think it sunk in for him that I love Charlie and I’m gonna be with her for the rest of my life.
----------------------------------------------------------------------------------------------------
Meanwhile, Cass and Charlie are in a room together.  Cass is dressed in a tuxedo, and Charlie in her wedding dress.
Cass:  Look at this.  After everything that you, your mother, and  I have been through as a family, you’re getting married.
Charlie:  I was too young, but I sensed trepidation with you and mom because of my heart condition.
Cass:  We really didn’t know how long we’d have you.  You’ve grown up, you went to school, and you’re going back to school.
Charlie:  Yes dad of course.
Cass:  Lila texted me and said that she and Jasmine are gonna send your wedding gift soon.  She said she was sorry she couldn’t make it.  
Charlie:  I know she wasn’t feeling well and Jasmine wanted to be with her.  I wish they were here.
Cass:  Lila was a mother figure for you.
Charlie:  Yep, but we got mom back now.
Cass:  And it’s time for you to get married.  
Charlie:  Daddy.
Cass:  Yes.
Charlie:  Thank you for showing me how a man should treat a woman.  Thanks for being the greatest dad ever.
Cass smiles and hugs his daughter.
Cass:  You’re welcome honey.  Kirkland’s waiting for his beautiful bride.
FREEZE FRAME ON CHARLIE...SLOW FADE OUT...END OF EPISODE 178
 

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DAYS #46: Aftermath

Posted by beebs in Days of Our Lives, 15 August 2014 - - - - - - · 645 views
Days of our Lives, MySONtv

Posted Image
EPISODE 46
Written by A. Washington-Beeby
Story Consultants: ML Cooks & C. Nathaniel Richardson


Abigail steps into the Horton living room, feeling groggy from the previous night's sleep. She looks in the mirror, studying the bags under her eyes, and thinks back to her tryst with EJ.

She snaps herself out of it as Jenn walks in.

JENNIFER: Hey, Honey. You heading for work soon?
ABBY: Uh...yeah. Soon.

Jenn's a bit concerned by Abby's drowsiness. She walks over to her, as Abby tries to pretend she's fine.

JENNIFER: Honey, are you okay?
ABBY: Yeah, Mom, I'm fine.
JENNIFER: Are you sure? You've been so...down lately.
ABBY: Well...what do you mean?
JENNIFER: Well, you're tired all the time, you've put on weight, you're complaining about being sore when you get home from work. I mean, Abigail, you were never like this at the hospital. Are you sure you're enjoying working at Countess W?
ABBY: Yeah! It's good.

Jennifer isn't convinced, and presses some more, putting a hand on Abby's shoulder.

JENNIFER: Really? You know, Abigail, you can tell me anyth--

Abby finally snaps at Jenn, and turns sharply to face her.

Posted Image

ABBY: ...Yes, Mom! It's a great job, and I'm fine. Could you please just stop...badgering me.

Abby turns away and runs up the stairs, leaving Jenn in the living room, dumfounded.

---

Posted Image

Rafe and Jordan drive down the highway, heading away from Salem. Smiling, and enjoying the drive despite the heavy cloudcover.

RAFE: Yeah, it's gonna rain soon.
JORDAN: Well, we got at least a couple more hours to drive yet, so, at least we'll stay dry, right?
RAFE: Yeah. You know, I'm really glad you and I could get away for the weekend and you finally get to meet my mom. She's...pretty excited to finally meet you.

Jordan smiles at Rafe.

JORDAN: I'm really excited to meet her. Anita sounds like a lovely woman.

Jordan looks away, her smile fades as she thinks back to what Sheryl told her.

***

JORDAN'S FLASHBACK

Sheryl looks matter-of-factly at Jordan, and, almost without emotion, issues a stern warning.

Posted Image

SHERYL: If you get involved with that cop, you keep it strictly business. You use him as an in to find out what you can about EnerNext, and we'll use that in to get what we need. Do not catch feelings, Kaylie. I'm serious.


***

RAFE: You alright?

Jordan snaps out of it, and turns to Rafe. She smiles again.

JORDAN: Yeah. I'm fine, just...thinking about work.
RAFE: Well, look. You've got a whole weekend to not think about work, so just...don't worry about it.
JORDAN: That's not always the easiest thing, and you know it.

Rafe takes Jordan's hand in his and quickly smiles at her, before looking back at the road. Jordan smiles back, feeling reassured.

The rain begins to come down against the windshield. Jordan looks out ahead. As she looks out, she sees a clearing off the upcoming embankment, with a group of cars lining the shoulder. Looking closer, she sees someone lying down on the side of the road.

JORDAN: Oh my God, Rafe. Pull over.
RAFE: What the...?

Rafe pulls over and Jordan jumps out, and he and Jordan jump from the car. Rafe walks over to where the people are gathered around the woman lying on the side of the road.

RAFE: What happened here?

A middle-aged man turns to Rafe and explains emphatically.

MAN: I was driving up behind when I seen these two drive right off the edge of the road here and off into the lake. The girl here jumps out and the car went right off the edge, I was freakin' out, ya know?
RAFE: What the...

Looking down, he sees that the woman on the ground is Theresa. As Jordan leans down to check Jordan's vitals, Rafe immediately calls into the station.

---



---

Sheryl and Nick are having something to eat at the Brady Pub. Discussing business, as per usual. Sheryl appears very pleased by Nick's news.

SHERYL: I got to admit, Nick. You've really surprised me.
NICK: Oh really?
SHERYL: Yeah. I mean, I didn't expect you'd be such a good ally in all this, but...I mean, you've got the media eating out of your hand, you've got all the technology in the world at your fingertips, and you've got the key to prime real estate for the oil sands project in your control. I couldn't have asked for a better ally.
NICK: And now that Brady is out as CEO, I think we'll finally be able to get Titan TV fully in our corner. And then the rest of Titan's house of cards will collapse right on cue.

As Nick says this, Sheryl raises her glass to toast him. As they clink glasses, Gabi walks into the pub. She spots Nick and walks over.

GABI: Nick! Hey! Sorry if I'm interrupting, do you have a moment?

Nick turns and smiles at Gabi. Sheryl looks up, and smiles Gabi's way.

SHERYL: Oh, don't mind me. I can make some calls. I need to take care of something anyway. If you'll excuse me.

Sheryl gets up and courteously steps away, spotting Jordan quickly heading for the front door to enter the pub. Sheryl motions to Jordan to turn back around and stay outside. Jordan obliges and heads back into the pathway outside the pub, where Sheryl steps out and meets with her.



SHERYL: I thought you and your cop were taking a "romantic getaway" this weekend.
JORDAN: Well, we WERE, and then we stumbled upon what might be something huge to help us win this whole thing. No violence, no fight, nothing.

Sheryl is in disbelief. She looks behind her to make sure no one is watching before turning back to Jordan.

SHERYL: Okay, what is it?
JORDAN: Theresa Donovan was in a car accident outside Salem. The car skidded and drove off an embankment and into the river, but Theresa managed to jump out before the car crashed.

Sheryl looks side to side, confused and disinterested.

SHERYL: What does that have to do with anything?
JORDAN: Rafe is pretty certain he knows who was driving the car.
SHERYL: Okay. Who?

Jordan leans in closer, a bit of a sinister's happy look on her face.

JORDAN: Brady Black.

Sheryl's face cannot hide the surprise of the news. Her eyes pop out a bit as she chokes out a reply.

SHERYL: What??



Inside, Gabi sits down across from Nick and smiles warmly.

NICK: So, to what do I owe the pleasure?
GABI: Well...I have something to ask you.
NICK: Yeeeees?

Nick leans in with interest as Gabi fights with everything in her not to recoil in terror, pretending to be at worst, pleasant, and at best, warm and engaging with Nick. She finally, after a few awkward seconds, gets up the courage to ask him.

GABI: ...Did you want to maybe...have dinner with me tonight?
NICK: Yes! I mean...absolutely, I'd love to. Uh...but where did this come from?
GABI: Oh I just...it's nothing. I just...I thought about what you said, Nick, and...I agree.

Nick looks on warmly, as though Gabi's his whole world. Gabi is a bit more reticent.

GABI: ...And I think that you've been....so good with this whole....living situation and...really great with Will and Sonny, and of course with Arianna.
NICK: I...love that little girl so much. As if she were my own flesh and blood.

Gabi smiles, she takes a moment before contining her thought.

GABI: So I wanted to thank you.And how better than a little...date between us.

Gabi cringes a bit as the thought of another date with Nick, but she hides it.

NICK: Okay, but only if I get to be the one to pay for it. You're not exactly a Rockafeller, you know.
GABI: (laughs) I know. (short sigh) Fine, it's a deal.

Gabi extends her hand to Nick, a cute smirk on her face, and the two shake.

---

Tyler and Maggie break their handshake as the door to Victor's office opens and Victor returns. He looks up and sees both Maggie and Tyler in his office.

VICTOR: Ah! Tyler. Excellent. I see you've met my wife.

Tyler clears his throat, and nods graciously to Maggie.

TYLER: Indeed I have. You're both very fortunate people. Maggie is lovely.
VICTOR: Well, thank you. I'd like to think after this many tries at marriage, I'd at least get one right. Now, is this the paperwork on how we'll be handling the switching over from Brady's control to mine?
TYLER: Uh...yes.
MAGGIE: Wait...you've taken over Titan from Brady.

Victor looks up from his desk, hesitant to share this news with Maggie.

VICTOR: Yes, there was a meeting this morning. Brady needs to enter rehab. He can't run a company in the state he's in.
MAGGIE: You were all gung ho about this before, what changed your mind.
VICTOR: Theresa Donovan and that video she filmed of Brady doing lines of cocaine in some seedy club, then immediately shared it with every vulgar celebrity tabloid she could think of. Something needs to be done.
MAGGIE: So it's damage control for Titan?
VICTOR: No! It just makes sense to do it this way. Either way, we've got important business to discuss, Maggie, sit down. Tyler, thank you.
TYLER: No problem, Vic. And, uh...it was lovely to meet you, Mrs. Kiriakis.

Maggie looks up as Tyler extends a hand once again. She smiles and shakes his hand gently.

MAGGIE: Likewise.

Victor is consumed by his work and pays no mind to the goings-on before him. Once Tyler leaves, Victor launches into his plan.

VICTOR: Okay, let's get down to business.
MAGGIE: Business?
VICTOR: Yes. I wanted to give you an anniversary gift...have a look.

Victor places before Maggie a paper, a proposal to re-open the Penthouse Grille, and naming Maggie as majority owner. A wide smile of surprise and disbelief crosses Maggie's face as she reads.

---

Abigail stands in her room, changing into her work clothes after a shower. She's deep in thought. She stops and notices herself in her full-length mirror. She's wearing a towel across her body and one over her head to help dry her hair.

Looking in the mirror, Abby analyses every curve in her body. Stretch marks that weren't there before. She runs her fingers along her thighs and to her lightly protruding belly.

She stops. As if something is hurting her, she recoils her hands away from her stomach. She stares at her stomach with an intense and distressed look, and tries to suck it in. When this doesn't yield the desired result, Abby takes the towel on her head and uses it to cover the mirror.

She walks over to her vanity, which has a letter on top from University Hospital. The letter is not, however, about her job there.

The letter, dated July 14, 2014, notes that Gabi is at approximately 4 months pregnant, and that UH has confirmed her appointments with her OBGYN. Abigail looks over the letter carefully, a look of sickness across her face. She crumples up the letter and throws it across the room, after which she holds her head in her hands, trying to fight back tears.

ABBY: Damn you, EJ. Damn, damn, damn you!

---

Hope and Rafe are investigating the scene of the accident. The rain complicates their investigation, but they remain unfazed, though Hope is obviously concerned. She walks over to Rafe, who's just stepped away from the edge of the embankment, where he was talking to another investigator.

HOPE: So what's the word on the car?
RAFE: Well...they pulled it from the river, and they're just running the plates now to see whose it is. No driver inside. Seems Theresa opening the door may have helped whoever it was out. There's a chance the driver may be alive.

Hope looks over at the car being towed away from the scene. She looks at it with a look of recognition. Suddenly the lightbulb goes off.

HOPE: Oh my God. That's...that's Brady's car.
RAFE: You sure?
HOPE: Yeah, I see him drive that same one all the time with the cobra on the side. I mean, I don't know a lot about cars but...I'd know it anywhere. It's his baby. Damn it! I just...I was...we have to contact John and...oh my God...
RAFE: It's okay. I know.

As Hope's emotions begin to take over, Rafe puts a comforting hand on Hope's shoulder.

---

The elevator doors open at University Hospital as Theresa is wheeled into the Emergency Ward. The doctors and nurses kick into action as her unconscious body is wheeled into a room, as the doctors' talk in medical jargon.

Daniel, having been paged from his office, darts over to Theresa's bedside, ready to jump into action. He asks Maxine questions as he heads over.

DANIEL: What've we got?
MAXINE: Accident victim, thrown from a car just before it drove off an embankment. Patient is unconscious, with major fractures to her ribs, two broken arms, and a broken leg. Possible head trauma as well.
DANIEL: Thanks, Maxine. Let's have a look at he--

When he looks down, realizing who his patient is. He is stunned.

DANIEL: Oh. My. God.

---
 

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Series Update

Posted by aMLCproduction in The Young and the Restless, 11 August 2014 - - - - - - · 114 views

Series Update:
 
Something unusual is going on. There have been no new episodes posted on The Young and the Restless.
 
Readers are wondering if Vandalynn aka Mary Carter will betray her sister Daisy by sleeping with Daniel. Daisy is on a mission to put her family back together, and under one roof, with Daniel and their daughter Lucy but it seems Daisy’s sister has other ideas. Posted ImagePosted ImagePosted Image
 
 
Posted ImageAlso The Chancellor Estate has exploded and Esther is no where to be found. What about the “Will”? And just exactly who is Sister Patterson?Posted Image
 
All these questions will have to remain on hold for now as Headwriter ML Cooks is taking some time off.
You can expect new shows soon but no exact date can be announced at this time.
 
ML previews there will be lots of movement in some very long running storylines mostly the “Verdon Lou” situation. Not just one but SEVERAL big events propel the “Verdon Lou Story” when the series returns.
 
 
ML also teases that a few more cast members will meet their maker this fall.
“I continue to trim down the large cast. So some major players will be making their way out of GC when the show returns.” Could Esther Valentine be one?Posted Image
When asked, ML teased, “ Stay Tuned!”
 
ML did preview though in the first episode back, the mystery person that has been stalking the Carter girls will be revealed!Posted Image
 
Can you guess who it is?

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GENERAL HOSPITAL FANFIC EPISODE 13 Monica makes a surprising vow

Posted by cnathanielrichardson in GENERAL HOSPITAL, 03 August 2014 - - - - - - · 297 views

GENERAL HOSPITAL FANFIC EPISODE 13

Monica makes a surprising vow
Created by Frank and Doris Hursley
Fanfic written by:  C. Nathaniel Richardson
Consultants:  YRbiggestfan and beebs
------------------------------------------------------------------------------------------------------
PART 1
AT MAXIE’S APARTMENT
Maxie Jones (KIRSTEN STORMS)Attached Image
Felicia Scorpio (KRISTINA WAGNER)Attached Image
Maxie walks out into the living room with a blouse and jeans on to answer the door.  It’s Felicia.
Felicia:  Hiiii honey.
Maxie:  Hey mom.
Felicia (walking in and looking around):  Where’s Levi?
Maxie:  He took his yoga mat and went to the park.
--------------------
AT THE PARK…
Levi Dunkleman (ZACHARY GARRED)Attached Image
Detective Nathan West (RYAN PEAVEY)Attached Image
Levi is on his yoga mat stretching while a shirtless Nathan has decided to take a break from his run in the same area after he notices Levi.  Levi notices Nathan and stops his routine.  He takes a towel and wipes his face and faces Nathan.
Levi:  Hey mate!
Nathan:  This is Port Charles not the outback.
Levi:  Why are you being so hostile toward me?
Nathan:  Because you’re up to no good.  You made Maxie lose her child.
Levi:  Are you projecting detective?  As I recall, you were the one who lied on the stand.
Nathan:  And you called the judge and told him.
Levi:  Well as far as Maxie is concerned, you’re blowing a bunch of hot air.
Nathan:  I’m not gonna stop until I prove to Maxie what kind of guy you really are.
Levi:  And I suppose she’s gonna leave me and go running to your waiting arms.  You really should move on.
-----------
Felicia:  Are you ready for your trip?
Maxie:  Yess, so ready.  I can’t wait to get away from here.
Felicia:  Do you mean Port Charles...or Nathan?
----------
Nathan:  You’re awfully sure of yourself aren’t you Dunkleman?  Levi:  I always am.  That’s what Maxie loves about me.  You on the other hand, blew the case against Silas Clay.  You were so determined to pin your sister’s murder on him.  Turns out Nina is alive and she’s not even your sister.  So you see, a screw up like you doesn’t scare me at all.  
Nathan:  You think you’re squeaky clean.  Nobody is squeaky clean.  Especially not you.
Levi:  I feel great when it comes to you looking for dirt to throw on me, because you won’t find any.
Nathan:  I’ll be watching you like a hawk.  Remember that.
Nathan turns around and goes to finish his run.
--------------------------------------------------------------------------
AT THE QUARTERMAINES...
Jason Quartermaine (BILLY MILLER) Attached Image
Robin Scorpio (ELIZABETH HENDRICKSON)Attached Image
Carly Jacks (LAURA WRIGHT)Attached Image
Robin walks into the living room, where Jason is with Danny.  Danny is off at watchable short distance playing with his toys as Robin approaches Jason.
Jason takes a deep breath.
Robin:  I’m going over to Patrick’s.
Jason:  Oh yeah that’s right.
Robin:  He’s Emma’s father.
Jason:  I wonder how he’s gonna take it when you tell him you’re going back to Africa.
Robin:  I gotta go.  
She kisses Jason and on the way out, Carly walks in and she half-heartedly says hello to Robin, and Robin does the same to Carly and leaves.  Carly mutters “bitch” under her breath and goes to hug Jason.
Jason:  Heeeyyy heyyy heyyyy.
Carly:  How are you?  We haven’t talked in a while.
Jason:  I’m great.  Never better.  Look at my son.
Carly:  Reminds me of Michael and Morgan when they used to play with their toys.
Jason:  I remember.
Carly:  You know he’s looking more and more like you all the time.
Jason:  I’m grateful.  Robin saved my life.
Carly rolls her eyes at the mention of Robin.
Jason:  Come on you guys should be over all that.  
Carly:  I don’t think I ever will.  She had no right telling A.J. the truth.  Everyone believed that you were Michael’s father, and that’s how it should have stayed, but that sanctimonious witch had to open her mouth.  I wish you were Michael’s biological father.
-----
MEANWHILE, OUTSIDE THE LIVING ROOM DOOR…
Monica (LESLIE CHARLESON)Attached Image has heard what Carly just said to Jason.
Monica:  That’s because he is, and you will never know the truth.
Tracy (JANE ELLIOT)Attached Image is walking down the stairs and startles Monica.
Tracy:  Monica.  Are you eavesdropping?
CAMERA PAN ON MONICA...QUICK CUT TO THEME SONG

----------------------------------------PART 2-----------------------------------------
Maxie:  Why is Nathan so suspicious of Levi all the time?  Levi has done nothing wrong.
Felicia:  Well you gotta admit some things are a little fishy.
Maxie:  Are you talking about the courthouse stuff mom?  Levi said he had nothing to do with the judge finding out that Nathan lied on my behalf so I could see my daughter.  You sound like Mac now.
Felicia:  And the immigration?
Maxie:  Nathan called the I.C.E. so Levi can get deported.  Nathan clearly has it in for him, and I’m sick of it.  It will do us good to get away.
Felicia:  How well...do you really know him?
Maxie:  Levi has been a positive influence on me.  He’s taught me how to be healthy and to trust in the universe, and it’s helped for the most part.  I’m so glad I met him while I was away finding myself.
Felicia:  I just don’t want you to get hurt.  You should get to know Levi better before you go any further.  Look, I didn’t come all the way over here to argue with you about your boyfriend.
Maxie:  Oh so you came to see your beautiful daughter.
Felicia reaches into her purse.
Felicia:  That and to give you this.
Maxie’s eyes widen with surprise as Felicia gives her the Aztec Artifact necklace.
Maxie:  Wait wait wait mom.  You’re gonna give that to me?
Felicia:  Why not?  It’s a family heirloom.  Your grandmother wore it, and she passed it on to me, and now I’m passing it on to you.
Felicia goes behind Maxie and fastens the clasp so Maxie can wear it.
Felicia:  It belongs to you know.
Maxie:  Wow mom.  I...thank you.
They hug.
Felicia:  I’m gonna get down to the Floating Rib and see what Mac is up to.  I love you.
Maxie:  I love you, too mom.
Felicia opens the door and there is Levi.
Felicia:  Levi.
Levi:  Hello Felicia.
Felicia:  I was just leaving.
Maxie:  Hi.  How was yoga?
Levi notices the necklace, but hides his shock.  He flashes back to (Episode 9) when he first noticed the necklace on Felicia in front of Kelly’s.
Levi:  It...it was great...as always.
Maxie:  Look what my mom gave me.  It’s the necklace that you were fascinated.
Levi:  That’s the prettiest necklace ever.
-----------------
Jason:  Look I know that you and Robin are never gonna be friends, but can you both try to get along at least for my sake.
Carly:  We’ve made some headway over the years, but gosh every time I look at her, I remember the chain of events she set in motion when she told AJ that he was Michael’s father.  I don’t even know what Patrick saw in her.
----------------
AT THE DRAKE’S.
Patrick Drake (JASON THOMPSON)Attached Image
Robin knocks and a clean shaven Patrick opens the door, and he lets her in.
Robin:  Wow.  You look...this place looks…
Patrick:  Clean?  Yes I’ve decided that I need to get clean.
Robin:  That’s...wonderful Patrick.  That’s great news.  Emma’s gonna need her dad, and so will Gabriel.  Have you told Sabrina?
Patrick:  No I haven’t called her yet.
Robin:  Maybe she’ll soften her stance a bit and bring your son to Port Charles to see you.  What made you decide to get help?
Patrick:  Emma, Gabriel.  I want my children in my life.  I need my kids in my life.
Robin:  And they need you.  That’s what I came here to tell you.  I’m leaving Port Charles.
Patrick:  Who are you going to save this time?
Robin:  AMFAR called me, so I’m going to Africa to help the children.
Patrick:  What about Emma?
Robin:  She’s gonna live with my mom and Duke.  I’ve given her instructions that you can still have your supervised visits with Emma, but if things change with you.  If you get better, she has my proxy to go to the court and lift that provision.
--------------------------
Jason:  Don’t talk about Robin like that.
Carly:  She’s still as high and mighty as she’s always been.
Jason:  Can we change the subject?
Jason first looks over at Danny and then Carly follows suit.
Carly:  A.J. might still be alive, if you turned out to be Michael’s father. Do you ever wonder how things may have turned out if that was the case?
Jason:  Yeah...I do.
-------------------------
Monica:  Don’t you have anything better to do Tracy?  Go call Ned or Dillon.  When was the last time you talked to your sons?
Tracy:  As a matter of fact I am on my way to ELQ so we can watch the press conference.  They’re gonna announce who they’re going to award the waterfront property to.
Monica:  Hopefully it will be my grandson who wins.
Tracy:  Wait a minute don’t try to change the subject.  What are you doing eavesdropping on a private conversation?
Monica:  It’s Carly and Jason, and Carly’s reminiscing.
Tracy:  About what?
Monica:  I remember when Hurricane Carly blew into Port Charles and left a wake of destruction, and yet she’s sitting in my living room shooting the breeze with my son about what happened to A.J.
Tracy:  You seem angry still.
Monica:  Carly is a human tornado.  She destroyed her mother’s marriage, and with the help of Sonny Corinthos, destroyed my son!
Michael was the only person, the only reason, that A.J. had any reason to live.  What did I do wrong?
Tracy:  You act like you failed A.J.  He made his own decisions.  You did all you could do as a mother.  A.J. just got involved with the wrong people.
Monica:  I hate the fact that Carly is sitting in my living room talking to Jason after all the crap she’s pulled.
Monica flashes back.(EPISODE 1)
...she sighs and pulls up something on her computer.
Monica:  There’s just one more thing that will make everything complete.
Monica looks at a DNA test showing that Jason is Michael’s biological father.
Monica flashes back to the present….
Monica:  I’m gonna do whatever I need to do to keep Carly away from my family.
CAMERA PAN ON MONICA...SLOW FADE OUT...END OF EPISODE 13

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VOLUME 1; ISSUE 1: 7/24/14

Posted by Y&Rbiggestfan in S.O.N, TV SOAPS IN DEPTH, 24 July 2014 - - - - - - · 102 views

S.O.N. SOAPS IN DEPTH
Volume 1; Issue 1
---
CONTENTS:
*S.O.N. TV SOAP OPERA EMMY AWARDS
*Ratings
*Preview For Future Shows (ALL SHOWS)
*Interview
*Performer of the Week
*Thumbs Up/Thumbs Down
----
Ratings Take 8 Weeks To Be Finalized:

CURRENT RATINGS (Week Of 5/25/14):
1. General Hospital 5.9
2. The Young and the Restless 5.0
3. Back To Another World 2.9
4. The Bold and the Beautiful 2.1
5. Days of our Lives 1.7
----

S.O.N. TV SOAP OPERA EMMY AWARDS!

About three weeks ago "The First Annual S.O.N. TV Soap Opera Emmy Awards" aired live on the SON Face Book page. All the outstanding dramas competed (2013-2014) season. The dramas included "The Young and the Restless," "Days of our Lives," "Back To Another World," and the newly created soap "The Bold and the Beautiful."

Below is what each show won and the credits for the live ceremony!

HOST:
ML Cooks

Supporting Actress: Lauren Koslow as Kate Roberts
(Days of our Lives)

Supporting Actor: John McCook as Eric Forrester (The Bold and the Beautiful)

Scene Stealer: Elizabeth Hubbard as Karynn Shepard
(The Young and the Restless)

Storyline: Jake is Lindsay's Father
(Back to Another World)

Directing Team: The Young and the Restless!

Writing Team: Days of our Lives

Younger Actress: Jen Lilley as Teresa Donovan
(Days of our Lives)

Younger Actor: Josh Kelly as Kirkland Harrison
(Back to Another World)

Lead Actress: Katherine Kelly as Brooke Logan
(The Bold and the Beautiful)

Lead Actor: Sean Kanan as Deacon Sharpe
(The Bold and the Beautiful)

Outstanding Episode: Shepards/Kay's Siblings
(The Young and the Restless)

Outstanding Drama: Back to Another World!
---

Thumbs Up (Days of our Lives):

Days of our Lives is not above making us wait. But the past two weeks that wait has paid off in major bucks. Anne was almost hit by a car that we thought was something E.J. set up. Abigail is getting more nervous. Stefano knows about the affair! This affair storyline is overheating computers across the world!

Another great story that deserves a thumbs up is Liam/Jennifer! On television Liam went on one date with Jennifer and he was the male version of Sheila Carter! The thing is Alex (Head Writer) has taken his time to slow things down and let us all savor the talent!

And then Roman, Billie's return drama, everything is heating up on the hit sudser!
---
Thumbs Down (The Young and the Restless):

Alright I will hand it to ML for recreating the glory days of Y&R but is the changes too much? Yes there are changes. Avery is no longer the sweet little baker/lawyer chick we met her as. Cane is no longer the family man he came to be known as... they exchanged it all for drugs!

Next thing is did Nikki and Jill really need to fight? Yes, it was freaking hilarious and I was laughing so hard that I almost peed my pants but it was Kay's will reading. You think these two women could have sat aside their differences for the Duchesses last choices.
---

PERFORMER OF THE WEEK:

Meredith Scott Lynn (Anne;DAYS)

What a WONDERFUL story that Meredith Lynm has been given on DAYS! Among toturing sweet little Jennifer Horton, she has now dug her grave with E.J. DiMera. She has evidence that Abigail/E.J. had sex together! But, how will Sami find out? That is the question that fans really want to know!

We recently caught up with the actress at her home to see if she could share any secrets. She said that her story will really kick off and take many unexpected turns.

This sounds really juicy! I am sooo ready to see where the story takes us over the summer and the rest of the year! What will happen to Anne now that E.J. has threatened her life? How will Sami feel once the truth is revealed? What will Abigail do with her secret? These are burning questions that will hopefully come to light!
---

PREVIEW:

Days of our Lives: Not An Easy Road For Roman's Memory!

The Young and the Restless: Daisy/Mary Stalker Will Be Revealed!

The Bold and the Beautiful: Season 2 Premieres In 11 Days!

Back To Another World: Wedding Shocker!

General Hospital: Morgan's Feelings For KiKi!
---

INTERVIEW:

Cary Richardson (Head Writer; Back to Another World/General Hospital)

1. How do you feel that your stories have really taken off with BTAW?

Cary: Well, everyone has to remind themselves that it is just the begining! We still have a lot to cover. Especially with Reginald, the wedding, everything is just starting if you really think about it!

2. Who is your favorite character to write?

Cary: Well I have a lot to choose from. I gotta say that I love writing for Iris. She is such a rich and powerful and historical character. She really is a character you can dig into every chance you can possibly get. It is quite the rush!

3. How are you doing with all the buzz you have gotten with writing General Hospital?

Cary: That was extremely unexpected. I mean starting a new soap opera is hard. You want to call new and old viewers. So, you just have to be careful. But I do feel good that I have called all sorts people to listen to my side of things.

4. What is your favorite part about writing?

Cary: All of it! The escape, the story. I really dive in to all of this storytelling and it is a great hobby! And I hope you guys continue to read!
---

WHERE YOU CAN CATCH THEM:

Days of our Lives: Weekends/Weekdays
The Young and the Restless: Sundays
The Bold and the Beautiful: Monday/Wednesday
Back To Another World: Saturday/Sunday
General Hospital: Sunday
---

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goodbye

Posted by Y&Rbiggestfan in Code Blue, 22 July 2014 - - - - - - · 88 views

CANCELLED

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Welcome Back To Sprinfield

Posted by JM Fanfiction in Welcome Back To Springfield , 07 July 2014 - - - - - - · 90 views

Soon you guys will be back in the lives of everyone of your favorites from Springfield along with some new faces. I hope you will enjoy this classic soap opera as I did and still do.

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DAYS Alum, 85+

Posted by Bright Eyes in Amello's Blog, 30 June 2014 - - - - - - · 86 views

Eloise Hardt (Rita Beacon) - 01/01/18
Coleen Gray (Diane Hunter) - 10/23/22
Patricia Barry (Addie Horton Olson Williams) - 11/16/22
Loretta Fury (Amelia Craig) - 12/24/22
Diana Douglas (Martha Evans) - 01/22/23
Booth Coleman (Dr. Sands) - 03/08/23
Anne Bellamy (Celeste Dalton/Tina) - 04/24/24
Peg Stewart (Rhoda Haynes/Joretta Hicksby) - 06/05/24
Adrian Ricard (Lizzie Putnam) - 08/07/24
Noah Keen (Jim Fleming/Wayne Charles/Ralph Foster/Ray Stone) - 10/10/24
Mark Miller (J.R. Barnett) - 11/20/24
Joseph Campanella (Harper Deveraux) - 11/21/24
Bill Hayes (Doug Williams/Byron Carmichael) - 06/05/25
Morgan Woodward (Philip Colville) - 09/16/25
Gloria Leroy (Bag Lady/Queenie) - 11/07/25
Robert Clary (Robert LeClair) - 03/01/26
Dorothy James (Esther Kensington) - 08/24/26
James Greene (Ferry Captain) - 12/01/26
H.M. Wynant (Orby Jensen) - 02/12/27
Hal Hamilton (Dr. Sidney Fell) - 03/13/27
Alan Bergmann (Dr. Strother) - 10/17/27
Peggy McCay (Caroline Brady) - 11/03/27
Mace Barrett (Judge Henry A. Davies/Judge Robinson) - 01/15/28
Harry Danner (Dr. Maxwell) - 01/18/28
Treva Frazee (Mrs. Winkler/Mrs. Porter/Mrs. Tate) - 02/17/28
Pamela Kosh (Livinia Peach) - 10/01/28
Joseph Mascolo (Dr. Tufano/Stefano DiMera) - 03/13/29
Bruce Kirby (John Panetta/Judge/Marco/Italian Doctor) - 04/24/28
Regina Gleason (Kitty Horton) - 05/22/28
Hale Porter (Ike/Bailiff) - 07/01/28
Michael Forest (Corley Maxwell/Walker Coleman/Dr. Remy) - 04/17/29
Corinne Conley (Phyllis Anderson Curtis) - 05/23/29
Pat Crawford Brown (Ms. Kramer/Waitress/Minnie/Sister Agnes) - 06/29/29
Elsa Raven (Mrs. Johanssen/Female Chief Guard/Lucille) - 09/21/29
Eve Roberts (Mrs. Patterson/Annie) - 11/29/29
Neil Vipond (Dr. Henry Appleby) - 12/24/29
Gwen Van Dam (Jeanie/Imelda) - 1929

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DOOL Epi. 1

Posted by JM Fanfiction in Days Of Our Lives My Version, 28 June 2014 - - - - - - · 128 views

NEW DAY
 
(Horton Town Square; by gated bench)
 
"Shows Paige walking past then bench talking on the phone, when is stopped by Bev"
 
Paige- hey mom I'll call you back I have something I need to take care of
 
"Paige hangs up"
 
Bev- it's so nice running into you here Paige, alone, away from everyone and no one can what I'm going to do to you
 
Paige- what are you talking about Bev?
 
"Bev pulls a gun from her purse"
 
Paige- um... Bev there's no need for you to have that gun
 
Bev- oh yeah there is, you see I'm going to use this gun to get you to do as I say so I can get what I want
 
Paige- Bev if you want to see JJ all I have to do is call him and tell him to meet me here and you can see him
 
Bev- oh I don't only want to see him I want to have him and I also want to have his baby. And the only way that will happen is if you are out of the picture for a while.
 
Paige- What do you mean by that?
 
Bev- It means you have disappear for a while, and I have to perfect place so get to moving
 
"Paige walks off followed by Bev pointing the gun at her"
-----------
 
(Daniel's Apartment)
 
"Shows Daniel walking around his apartment in just a towel; talking on the phone"
 
Daniel- yeah I can't wait Melanie, Yeah Parker and I plan on coming out there very soon to visit you
 
"doorbell rings and Daniel answers it"
 
Daniel- hey let me call you back I got something I need to take care of
 
JJ- hey you got a minute to talk
 
Daniel- um... yeah sure come on in. Just give me a few minutes to get dressed then I'm all yours
 
"Daniel walks off towards the hallway"
-------------
 
(DiMera Mansion; Living Room)
 
"Shows Sami sitting on the couch and movers walk into the living room"
 
Sami- it's about damn time you guys showed up. Listen all the stuff that is being moved is upstairs the first and second room on your left.
 
Moving Man- okay is there anything else from this place that needs to be moved
 
Sami- no oh wait while you are moving that could you please drop this off at the dumpster
 
"Shows the portrait of EJ and Sami sitting beside the couch; EJ walks in"
 
EJ- Samantha what the hell is all of this
 
Sami- well considering everything that has happened between us that you have caused you can put the pieces together. I'm moving out and so are the kids.
 
EJ- Samantha please stay and we can talk about this
 
Sami- talk about what? You cheated on me EJ with that slut Abigail. There is nothing to talk about.
 
EJ- Samantha please just hear me out. Please!
 
Sami- you have until the moving truck is loaded up so start talking.
------------
 
(Brady Pub)
 
"Shows Theresa and Anne sitting at the far booth in the corner"
 
Anne- so tell me how are things going with your niece Paige
 
Theresa- not very good at all thanks to my ignorant half-sister Eve
 
"Shows Theresa looking over at Eve sitting a the bar; Anne gets up"
 
Theresa- Anne where are you going?
 
Anne- to work some magic
 
"Anne sits down next to Eve"
 
Anne- oh I'm sorry was this seat taken
 
Eve- no not at all
 
Anne- the names Anne... Anne Milbauer
 
Eve- Eve Larson, nice to meet you
 
Anne- you too, so I have heard through the grapevine that you and Jennifer Horton go way back as being enemies
 
Eve- grapevine as in you mean my sister Theresa. I know what your doing and I'm not liking it at all. So you can go back over to that little corner booth and chit-chat with my sister
 
"Eve gets up and walks out of the pub, Anne walks back over to the booth"
 
Theresa- very smooth handling Anne, very well done
 
Anne- oh shut it
-------
 
(Daniel's Apartment)
 
"Shows Daniel walking back into the living room"
 
Daniel- okay kid what did you want to talk about
 
JJ- well um... Paige and I are having our first official date tonight and well lately when we have been hanging out we have been getting pretty close to some things.
 
Daniel- you mean sexual things right
 
JJ- yeah and well I was wondering if you could give me some pointers on that you know how a father would to his son. What I mean is I know the whole sex part but I want to make it as romantic as I can.
 
Daniel- this is your first time isn't it?
 
JJ- what no I've had sex before
 
Daniel- right and if you have then why are you asking me stuff on how to make it romantic.
 
JJ- alright look this will be my first time with a girl and I want to make sure it is special for both Paige and I and I just really don't want to screw this up
---------
 
(DiMera Mansion; Living Room)
 
Sami- you going to start talking or am I just going to leave
 
EJ- look I know what I did was just wrong, pathetic
 
Sami- how about degrading, or hurtful or oh my favorite it's cheating.
 
EJ- and I am truly sorry that I ever did that to you so please give me another chance please.
 
Sami- I've already given you to many damn chances. We are done EJ so you can go find your little slut and be with her now
 
EJ- so it's like that well I guess I'll hear about it tomorrow as to who you are shacking up with next.
 
"Sami slaps EJ"
--------
 
 
 
 
 

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Golden Days Epi. 6

Posted by JM Fanfiction in The Golden Days, 28 June 2014 - - - - - - · 53 views

(Grave Yard)
"Shows Jaxon looking at a woman"
Jaxon- Jaxon Donovan
Bridget is that really you?
Bridget- Bridget Donovan
The one and only, so get over here and give your sister a hug
"Jaxon hugs Bridget"
Jaxon- what are you doing back here in town?
Bridget- I came back for a visit but as soon as I get back in town I hear that you are getting married, Drake is in the hospital from an overdose and Donovan Enterprises has gone nuts. What the hell happened when I left?
Jaxon- I don't know I guess we are all going crazy
Bridget- I'd say, so have you been to the hospital to see Drake
Jaxon- I was there when they first brought him in but then I left to come here.
Bridget- come on lets go see our baby brother together
"Jaxon and Bridget walk off together and a shadow is seen standing behind a wall"
------------
 
(Linwood Memorial; Patient's Room)
"Shows Carla walking into the room and shows Drake lying on a hospital bed hooked up on IV and other machines; Carla walks over and sits down next to his bed"
Carla- Carla Sanders Donovan
oh sweetheart why did you have to go and do something so stupid. Why didn't you just call me, we could have talked or you could have called Jaxon or anyone. You didn't have to try and kill yourself. But not to worry because as soon as you wake up we are going to get you all the help that you need. Lila's here and so is Grandpa Sullivan, a lot of the family is here and Jaxon is on his way here. Oh please sweetie just wake up for me please.
-------------
 
(Linwood Memorial; Waiting Area)
"Shows Lila and Sullivan sitting in chair's; Claire walks up"
Claire- Claire Donovan
hey granddad where's Aunt Carla?
Sullivan- Sullivan Donovan
in there with Drake, why is something wrong
Claire- I need to talk to her
Sullivan- okay well I'll go get her
"Sullivan walks off"
Jaxon- Jaxon Donovan
Claire what's going on if it wasn't anything serious you would just wait until later to tell us, so what's going on?
"Claire sighs"
Bridget- Bridget Donovan
Has my brother gotten worse?
Claire- yes he has
Carla- Carla Sanders Donovan
what do you mean worse, how much worse?
Claire- We did a cat scan of Drake's brain and it shows a tumor on his left frontal lobe, but it get's worse
Jaxon- worse what could possibly be any worse that a tumor
Claire- Drake slipped into a coma
-----------
 
(Kinsey's Art Studio)
"Kinsey drops the pencil"
Kinsey- Kinsey Reeves
I think I've finally got it. This is going to be perfect.
Deacon- Deacon Walsh
let me see
Kinsey- what do you think, now be honest
Deacon-well.... it's perfect
Kinsey- really?
Deacon- yeah I think Jaxon and Maggie are going to love it
Kinsey- okay well since I am done with work are you ready to get out of here?
Deacon- oh you bet I am as long as you come with me
Kinsey- well of course I am silly
------------
 
(Linwood Memorial Hospital; Waiting Area)
Jaxon- Jaxon Donovan
Claire come on is this some kid of joke
Claire- Claire Donovan
I wish it was just a joke but no it's not
Carla- Carla Sanders Donovan
Wait a minute your standing there telling me that my baby boy is in a coma and not only that but has a tumor as well
Claire- yes Aunt Carla I am
Bridget- Bridget Donovan
Is there any possibility that the tumor caused Drake to go into a coma?
Claire- that is a possibility but we won't know for sure until we run more test
-----------
 
 

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Stuff To Know About This GH Version

Posted by JM Fanfiction in General Hospital My 2.0 Verson, 24 June 2014 - - - - - - · 112 views

The Manning's Are BACK in Port Charles for good!
 
 
*Character's- Kiki Jerome, Nina Clay and Silas Clay never existed
 
* Using Character's from OLTL John McBain, Starr Manning, Todd Manning, Blair Cramer, Tea Delgado, Dani Manning, Jack Manning and Sam Manning
 
* Franco stayed dead from when Jason shot and killed him

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Epi. 1 "The Pilot"

Posted by JM Fanfiction in Privileged, 23 June 2014 - - - - - - · 73 views

SEASON 1, EPISODE 1
 
(Park)
"Shows Josie walking in the park and up to a hotdog cart"
Frankie- Clay
Well hello there beautiful.
Josie- Josie Preston
Hello Frankie, Can I get one hotdog please
Frankie- anything for you. So tell me hows working at Barrington Global going for you.
Josie- Well I'll tell you after today's over with and thanks for the hotdog
Frankie- no problem
"Josie takes a bite of the hotdog and starts walking down the sidewalk in the park"
--------------
 
(Barrington Global)
"Shows Josie getting off the elevator and she sees Tyler Barrington yelling at a worker"
Tyler- Tyler Barrington
either you start doing your damn job right or you'll be out on your ass jobless
Woman- yes boss
"The Woman walks off and Tyler sees Josie"
Tyler- Josie what brings you by today on your day off
Josie- Josie Preston
I just came to clean out my office, you know after you told me to start being an ass like yourself or get lost. Well I chose to get lost. So if you'll excuse me I have an office I need to pack.
Tyler- wait just a minute. Josie do you at least have another job or something to do until you find another job because if not you can keep your job here.
Josie- Tyler you can pretend to be nice all you want but come on it's me I've worked here for 15 years and believe me I've hated it everyday and besides I've decided to open my own night club.
"Josie walks off to her office, Tyler follows"
Tyler- a night club, are you serious about this Josie?
Josie- yes I am because I know I don't have to come to work everyday and deal with an ass of a boss like you. So if you would please leave so I can get what I need to get done
Tyler- you're making a big mistake
"Tyler walks off"
Josie- we'll see about that
------------------
 
(Carla's Diner)
"Shows Ryder and Doug sitting at a booth when a waitress walks over"
Doug- Doug Sanders
Well hey there Carla
Carla- Beth
hello boys, let me guess you guys both want the usual that you all get
Doug- yes ma'am
Carla- okay coming right up
Ryder- Ryder Preston
My sister needs to hurry up and get here
"Diner door opens and a man walks in"
Doug- hey Sterling what brings you by
Sterling- Sterling Wells
Josie told me to stop by and that she had some big news to tell me and I take it as that's why you guys are here
"Diner door opens again; Josie walks in"
Doug- it's about time
"Josie walks over and sits down and Carla brings them their food"
Carla- so what's the big news Josie
Josie- Josie Preston
Well since you all must know... I quit my job today
Ryder- what are you serious?
Doug- that's the big news
Josie- no there's better news. ............. I have decided to open up my very own night club and I want all of you to work in it
"Josie grabs a French fry and eats it"
-----------
 
(Apartment Building)
"Shows a woman walking down the steps to outside"
Mona- Mona Sawyer
It's about time you got here. I thought I was going to fully melt before you ever got out here
Layla- Layla Blackwell
I'm here now aren't I.
"The both chuckle"
Mona- come on were late for the meeting
"Mona wraps her arm around Layla and the both walk off down the sidewalk"
---------
 
 
 
 
 

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EPISODE 106

Posted by juniorz1 in Return to Santa Barbara, 21 April 2013 - - - - - - · 538 views


 
(EXT: London, England- Edmund's Creepy Castle)
 
--Ashton sits in the living room, on the phone, and learns of Eden, Kirk, and Pearl's impending arrivals.  He smiles and says that it's time that everything be put in place so he, Kelly, and everyone else can live "happily" ever after.  Kelly enters the room, able to catch the last part of his sentence, and he hurries off the phone.
 
"Happily ever after huh?  I thought that was already decided on our wedding day, Mr. Lavery."
 
"Oh, it was, it was, Mrs. Lavery.   I just got some news that should delight you and perhaps give you some pleasure during your downtime on our extended stay here in London.  I'm sure you're about tired of my father, Christine, and all the construction on the East Wing by now."
 
"Actually, I find your father quite fascinating.  A bit mysterious, but he never ceases to hold my interest.  So......what is this happy news that is supposed to bring me such delight?"
 
"Your sister is actually on your father's jet, on her way to London right now.  I've invited her....and her friends to stay here with us.  At the castle."
 
"Oh?  And what friends are you talking about?  Julia?  Mary?"
 
"Actually, they're both men.  Pearl Bradford, that old friend of yours and my #1 fan, and Kirk Cranston."
 
"KIRK CRANSTON?  Eden is coming HERE.....with Kirk Cranston?  What the hell would possess her to bring that man here....let alone on daddy's jet?"
 
"I sense there's some sort of history there."
 
"Oh, not much.  Just that they were married years ago.  And he attempted to kill her.  Multiple times.  And gaslight her.   And kidnapped her...and Cruz....again, multiple times."
 
"Doesn't sound like the ideal travel companion."
 
"My point exactly.  It's all so strange.  Why would Eden leave her children, Cruz's parents, and daddy, to come to London with Kirk Cranston, of all people?"
 
"Sounds like you'll have plenty to discuss over dinner tonight.  They should be arriving before then and I've asked Christine to prepare a special meal for all of us....and our guests."
 
"Guests?" Edmund says, entering the room.
 
"Yes, father, guests.  Kelly's sister, Eden, and a couple of her friends will be arriving later.  I hope you don't mind that I've taken the liberty of inviting them to stay here.  I figure there's plenty of room for everyone.  It is a CASTLE, after all."
 
"Kelly, would you be so kind as to give my son and I a moment alone?"
 
"Of course.  Obviously my husband here should have discussed this with you first.  You've been very gracious to let us stay here as long as you have.  I hope you don't feel too put out that Ashton here has invited my sister and her.....friends to stay.  He's just trying to make me happy is all, as he always does.  I'll go and get a cup of tea from Christine in the kitchen.  Would either of you like anything?"
 
"Nothing at all my dear, the privacy will be quite enough."
 
Kelly exits the room, muttering to herself about Eden, Kirk, and :Pearl being the oddest of combinations.  Back in the living room, Edmund glares at his son.
 
"Just what are you up to?  It's been hard enough keeping Kelly away from her mother....now you've got her sister coming as well?   Just what in the devil are you up to?"
 
"I suggest you listen and listen good.  If you want this charade of a life that you've created for yourself and your pod in the East Wing to continue, you'll do everything that I ask of you tonight.  Otherwise, I'll expose you to the Capwell girls, who will surely go running to daddy...."
 
"You wouldn't dare.   You wouldn't risk your marriage to Kelly Capwell, that I know."
 
"You're right, I wouldn't.  And you'll understand things as they unfold today.  You just do exactly as I say or this whole thing will blow up in your face tonight father.  Do I make myself clear?"
 
"Why you little.....just who do you think you are speaking to me this way?   How dare you assume that I would go along with this, risk everything FOR...my God, if your mother were alive...."
 
"I thought she was.  Upstairs.  In her private bedroom.  Isn't that the double entendre you're leading right now?  You're just going to have to trust me for now father.  As for now, I must be going.  I have some business to attend to.  Please, keep Kelly entertained while I'm gone.   She seems to find you.....fascinating.  If only she knew just how interesting the life you're really leading right now really is...."
 
Ashton exits and as he leaves, Edmund takes out his phone and dials Pamela.
 
"We've got trouble.  Big trouble."
 
(EXT: Lionel and Augusta's London Flat)
 
--Augusta sits in her satin robe, staring at her husband across the breakfast table.  Clearly uncomfortable, she attempts to break the ice.
 
"Well that went rather smoothly yesterday."
 
"Those aren't the words I'd use if I were you, Augusta.  How dare you keep this from me for as long as you have.  How dare you!"
 
"How dare I?  After what that woman and your tawdry affairs with her have done to me over the years, you should consider yourself lucky I clued you in at all."
 
"Lucky?"
 
"Yes, lucky.  I couldn't care less about Sophia and the last thing I want is for you to go waltzing down memory lane with her.  But, I did the noble, unselfish thing and told you the truth.  I thought you'd be rather proud of me."
 
"Proud?"
 
"Yes, proud.  What is with these one word inquisitions you're spitting at me?   If I had my way, that woman would have stayed dead and buried where she belonged.  Ironic, though, isn't it.  Here we are, 34 years later, and it's 1979 all over again.  Sophia is operating under a false name, with no previous recollection of her old life, Marcello is her only confidante....it's de ja vous.  Only this time...well, I'm not quite sure I understand the logistics of it.  She didn't fall off a yacht for pete's sake, she was pronounced dead.  By Saint Mary Duvall of all people and there's no way Sister Mary would lie about this sort of thing.  You have to give credit where credit is due....Edmund has pulled off quite the caper here.  I think you'd rather enjoy his torturing of CC, if it didn't involve you're quintessential love, Sophia, that is.   And here I am, allowing you to play hero to the tawdry slut you cheated on me with and created that.....circus performing son of your's with.  And  the only reason he's even alive is because your mother switched the babies all those years ago.  Otherwise, Sophia would have shot your only child with her."
 
"Thank you, Augusta, for the refresher course and the lovely walk down memory lane.  Well one thing is clear- I couldn't get through to her.  And if  I can't get through to her...there's only one other man who can....CC!"
 
"Lionel, have you gone mad?  Did you not listen to the history course that Marcello gave you?  CC has a past with Loretta as well as Sophia.  His involvement could make this situation more chaotic than it already is and worsen Sophia's condition, which God knows is the lassst thing you'd want to do."
 
"He has a right to know that his wife is alive, Augusta.  Whether I like him, hate him, respect him, or not, he loves her and is grieving for her.  It isn't right that we keep this from him."
 
Augusta walks across the table and hits Lionel on the back of the head.
 
"Would you get your brain wired back in, Lionel?  We need to put Sophia first here and involving CC is only going to cause a bigger mess than this already is.  I suggest that we at least wait until we here from Marcello before we do anything rash.  Where is that "dame" of a mother of yours when I need her to talk some sense into you?  We at least need to wait until we hear from Marcello first.  At the very least, he did put that tracking device in the suitcase, so we'll know- Sophi--Loretta's--oh whatever the hell that tramp is calling herself's whereabouts are at any given time.  Patience, dear.  I doubt this is the last we've heard from Marcello."
 
(EXT: Lady DuMonde's Mansion)
 
--Ashton is greeted at the door by the butler and requests to see Marcello at once.  Marcello swiftly enters the room and wonders aloud what Ashton could want with him.  Ashton suggests that they talk somewhere in private.  He explains that he accidentally stumbled into Sophia's room and realizes what his father has done and wants to right the wrong.  Marcello admits to a knowing Ashton that he already knows about Sophia and is trying to jog her memory.  Ashton quizzically asks if anyone else knows and Marcello tells him only Lionel and Augusta.
 
"Doesn't Sophia have a history with the Lockridges?"
 
"A long one- she had a forbidden love affair with Lionel for a good portion of her life."
 
"Well couldn't you use that and your hypnosis techniques to kick start her memory?"
 
"I've already thought of that and I tried it yesterday, but Sophia and Augusta exchanged words and Loretta....Sophia got cold feet.  She's truly convinced that she's your mother."
 
"My mother-in-law is brainwashed into believing she's my mother.  Sounds like something out of a soap opera."
 
"You'd think so, but this has happened before, and the last time it did, it caused insurmountable, permanent damage to the Capwells, especially to Channing, Eden, and CC"
 
"Of course.  Well, if I could get you in to see her again tonight, do you think you could get Lionel to come alone?"
 
"I'm not sure.  Augusta can be a handful and she'll want to come but.... I can try."
 
"Try you will, if you want to bring Sophia back.  And you will succeed.  You seem a smart man, Marcello.  I'm sure you can come up with a good reason to bring Lionel to the castle on his own.  Here"
 
Ashton writes down his phone number.
 
"This is my cell number.  You call me when you're on the way.  Try to make it around 7:30, as we will all be at dinner at that time and it will be much easier to sneak you into the mansion."
 
"All of you?"
 
"Yes, my father, my wife, her sister..."
 
"Eden's going to be there?"
 
"Yes but she'll be at dinner.  I haven't told Kelly or any of the Capwells about Sophia because.....well, because my wife has told me the sordid family history and I'd hate to put any of them through that again before Sophia realizes that she's....Sophia.  I'm disgusted by what my father has done- it could damn well ruin my marriage and there's no way in hell I'm going to let that happen.  You just follow my instructions and I'll make sure you're able to see Sophia.  Now, I must be going, as my father will soon be wondering where I am.  I was very careful not to be followed.  I don't want him to have any idea that I know about this, nor that I'm helping you."
 
"I appreciate it Ashton  You're doing a good thing."
 
"Yes well, I hope so and I do hope that everything goes as planned.  Now as I said, I must be going."
 
Ashton sees himself out and immediately dials his phone.
 
"Ok, it's all set.  I hope you're ready for everything that's about to happen."
 
The camera pans to a man in a suit, sitting in an office, without his face being shown.  
 
A familiar, English accented voice is heard on the other line.
 
"Oh, I'm ready.  I'm more than ready."
 
They hang up and the camera pans up to the mystery man.....
 
 
 
 
 
 
 
 
 
 
 


Posted Image
 
 
(THE END......For TODAY)
 



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EP 21 NEWS SPREADS FAST

Posted by Nothin'ButAttitude in As The World Turns , 21 March 2013 - - - - - - · 187 views
AS THE WORLD TURNS, ATWT, WORLD and 3 more...

Posted Image
 
INT. MONA LISA - DAY 
 
Carter grabs a faint Lisa before she falls do the ground. Scott rushes over to a table nearby and pulls out a chair while Carter drags Lisa to the chair, seating her. 
 
Lisa: (faint) Scott? Is it really you? 
Scott: Yes, Mom. 
 
Carter comes back to them with a glass of water. He hands it to Scott, who is now kneeled next to his mother. He holds the glass while Lisa takes a sip. 
 
Scott: You all right?
Lisa: I will be . . . (strokes his face gently) So glad to see you . . . 
 
Lisa then strikes her son across the face. Scott holds his face, which stings. Carter is stunned. Lisa jumps up and hovers over her son. 
 
Lisa: How dare you! How dare you do this to me!
 
On Scott totally shocked, 
 
CUT TO 
 
INT. BARBARA & HENRY'S HOUSE (KITCHEN) 
 
Henry, with a chef hat and apron that reads "I rub my meat for two mins," dances around the kitchen while the pots of the stove create a slight fog from the steam. 
 
Henry: (singing) Pour it up! Pour it up! That's how we ball out! . . . Strips clubs and dollar bills--
 
He is abruptly interrupted by a knock at the door. Aggravated, Henry opens the door to reveal his younger sister, CLARK COLEMAN
 
Henry is speechless. 
 
Clark: (distraught) I need your help. 
 
On Henry worried
 
CUT TO 
 
INT. TOM & MARGO'S COTTAGE - DAY 
 
Mo and Casey sit on the sofa making out. Tom then barges in slamming the door. The two break apart like two teens that have been caught in the act. As the rearrange their clothes: 
 
Tom: Where is your mother?!
Casey: She's at the station. What's wrong?
Tom: Emily!
Casey: What now?
 
Tom tosses the paper at Casey before he storms up stairs. Casey unballs the paper to see the headline (from last episode) featuring Tom, Carter, and Scott. 
 
On Casey cringing, 
 
FADE OUT 
 
 

 
FADE IN: 
 
INT. TOM & MARGO'S COTTAGE - DAY
 
Casey kisses Mo (before she leaves) and closes the door behind her. Tom comes down the stairs, undoing his tie and tossing it to the side. 
 
Casey: You sure you're fine? 
Tom: Do I look fine? (off Casey holding his hands up for mercy) Sorry. 
Casey: No problem but does this story even has any truth to it? I mean we haven't seen or heard from Uncle Scott since I was child. You sure Emily isn't fabricating this to p*ss you off? 
Tom: No she isn't. For once she isn't lying in that rag she calls a paper. 
Casey: (confused) So then I don't get while you're mad at Emily . . .
Tom: Because she's ruining my campaign! Don't you see it!
Casey: Dad, I doubt anyone is taking Emily or her paper seriously. Her past isn't squeaky clean either . . .
Tom: But when you're running up against someone with a stellar track record such as Carter Wallace--
Casey: Dad, you need to chill. 
 
Casey goes and sits on the sofa. He pats on it to indicate he wants Tom to join him, to relax. After fighting it, Tom gives in. 
 
Casey: Dad, you have a stellar track record too. 
Tom: I do but--
Casey: Not "buts." Who cares that you left mid office almost fifteen years ago? That was then. This is now. 
 
Margo rushes in breathing heavily. 
 
Margo: Oh honey! There you are. (rushes over and kisses Tom) I went by the campaign office and Bonnie told me everything. (calming down) You OK?
Tom: Not really. 
Margo: Don't worry, honey. We'll figure this out--me, you, Bonnie, Lisa--
 
Tom jumps up from the sofa
 
Tom: Mom! I gotta go see her. 
Margo: We're coming with you. 
 
On a shot of the Hughes rushing out, 
 
CUT TO 
 
INT. BARBARA & HENRY (KITCHEN) 

 
Henry and Clark are now seated at a table. We enter mid-convo. Henry is trying to pry some info out of her. 
 
Clark: Henry, can you stop!
Henry: No! You just come beating down my door and you want me to stop?
Clark: Yes.
Henry: We haven't heard from you in years! Maddie, me, Bernadette--
Clark: I'm fine. (swiping hair out of face) Can't you tell?
Henry: Not really but I'll drop it for now . . .
Clark: I just need a place to stay for a few nights--
Henry: What? Hold on--you just come in here and expect to provide you a haven when you can't tell me where the heck you've been for the past five years?! Really, Clark?
 
On Clark moaning, 
 
CUT TO 
 
INT. MONA LISA
 
Picking up where we left off of Lisa slapping Scott, and both he and Carter stunned: 
 
Scott: What was that for!
Lisa: For not picking up the phone and calling me! For not visiting me! Your brother--
Scott: Oh I've seen ole' Tom already. 
Lisa: What? So you've been in town for awhile now! (to Carter) And you knew?!
 
Carter searches for the right words, but before he can get them out, Lisa pops him in the face. Carter now holds his face, shocked.
 
Lisa: Now I see why you were using me--getting close to me. You wanted to stick it to me and Tom. (pointing to Scott) And he's the best way to do so? 
Scott: He didn't even know I was related you to until the night I arrived in Oakdale. 
Lisa: Oh really? So how do you two know each other?
Scott: We met awhile back in Somerset. I had a small practice there, he was there visiting--
Lisa: So you two became buddies and decided to come here and run for district attorney? 
Carter: No! I didn't even ask him to join me until weeks after I decided to come to Oakdale. 
Scott: Exactly. 
Lisa: (stewing) Oh OK . . . So Tom knew you were here?
Scott: Yes. I've been here since Christmas. 
Lisa: What!
 
Tom, Margo, & Casey come rushing in and up to Lisa, Carter, & Scott. 
 
Tom: Mom--
 
Lisa pops him across the face. 
 
Lisa: How could you! (to both of her boys) How could both of you! . . . (enraged, flailing around) How could all of you!
 
Casey and Margo step back, not wanting to feel the wrath of Lisa. 
 
On Tom holding his face, now stunned too. 
 
FADE OUT
 
 

 

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John Hu On Harley's Mind, John Hu Has Arrived

Posted by Nothin'ButAttitude in TGL: The Guiding Light , 15 March 2013 - - - - - - · 192 views
Guiding Light, soap, Guiding and 2 more...

Posted Image
 
EXT. DOCKS – NIGHT
 
A thick fog nearly consumes the setting when a boat pulls in. A pair of feet steps off the boat and it is revealed to be John Hu. He looks around and likes what he sees. Suddenly, a Don Chi, Hu’s henchman, steps off the boat from behind him. He has a briefcase in hand.
 
Don: Pretty foggy here tonight, huh?
 
 
Posted ImageJohn: Just how I like it.
 
Don: So you never told me why we’re here in Springfield.
John: Patience, patience. All good things to those who wait.
 
John digs into his pocket and reveals a small photo of Harley. He brightens up at the sight of her.
 
John: (putting it back in his pocket) We have to get things prepared for the shipment. Is all the money there.
Don: (tapping the briefcase) Yep. Counted it twice. Five million dollars.
John: Good. Let’s get back on the boat and circle around the bay until they arrive with our stash.
Don: Yes, sir.
 
Don heads back onto the boat. John starts to head back onto the boat, and takes one look back . . .
 
John: Springfield . . . my home away from home.
 
He gets back on the boat and it takes off.
 
CUT TO
 
INT. HARLEY’S COTTAGE (LIVING ROOM) – NIGHT
 
The room is pure darkness with the exception of the TV, which illuminates Harley. We slowly pan towards Harley, who is nestled up on the sofa, asleep. She’s so peaceful, and we
 
FADE INTO
 
EXT. YACHT – NIGHT— DREAM SEQUENCE
 
Harley is dressed to the “nines.” She is donning a beautiful haute couture gown while she sets on the deck of the yacht, which glides across the Danube River. The scenery—its so captivating and refreshing, mesmerizes her. A male hand then reaches into the frame and grabs her hand, placing a flute with champagne in it. She looks up (and we follow) to see the man is non other than John Hu.
 
Posted ImageHarley: John . . .
 
John: Ssh. Don’t say a word, my sweet.
Harley: But—
 
John leans in and kisses Harley passionately, silencing her. Then a shot of the boat drifting off into the night, and
 
BANG! BANG!
 
END OF DREAM SEQUENCE
 
BACK IN HARLEY’S LIVING ROOM
 
Harley jumps out the sound of someone beating at the door.
 
Phillip (O.C.): Harley! Harley, are you there.
Harley: Ugh.
 
Harley gets up, with her hair tossed everywhere, and heads to the door. She snatches the door open to Phillip, who jumps back at the sight of her. He can see the fury in her eyes.
 
Harley: What!
Phillip: We need to talk.
 
Phillip barges in without being invited. Harley astonished by this.
 
Harley: Umm . . . Phillip, I didn’t—
Phillip: What is about you not wanting Zach attend Lincoln Prep? It’s a good school!
Harley: With a lot of spoiled brats!
Phillip: Just say it, Harley! You don’t want Zach to attend Lincoln Prep or have anything to do with my family or me because you’re afraid he’ll end up just me like.
 
On Harley over it,
 
FADE OUT
 
http://www.youtube.c...h?v=LiVNjqhyeW8
 
FADE IN
 
INT. SPAULDING MANOR (HOPE’S SUITE)
 
The door to the room flings open and Alan Michael rushes into the room, frantic. He starts to scope out the room and Holly trails behind him.
 
AM: Mom! Mom!
Holly: Alan Michael, be quiet! Do you wanna be heard?
 
Alan Michael nods understandingly. He peeks in the closet and sees that it has been cleared. He looks to Holly, anxious.
 
AM: Where is she?
Holly: She couldn’t’ve gone too far.
AM: I wouldn’t put it past her.
 
The door closes and Alan Michael and Holly turn to see India leaning on the door.
 
India: Looking for Caroline or should I say Hope?
 
Alan Michael’s jaw drops. He charges towards India with rage in his eyes, but Holly grabs him, stopping him.
 
AM: You! I should’ve known it! You—
India: You better settle down. Not if you want me to remain silent.
AM: Remain silent? (trying to break free) That can be arranged!
Holly: (restraining him) Calm down! (to India) Where is Hope?
India: Oh Holly . . . (shaking head) you knew about Hope too? This gets better and better.
Holly: India . . .
India: I wonder how Ed is going to take the news—his main squeeze keeping such big secrets from him. (gloating) Bet he won’t like it.
 
On Holly’s reaction
 
CUT TO
 
EXT. BAUER HOME – NIGHT
 
Ed sits on the porch rocking, and its foggy also. He looks in the night sky.
 
Mom, Leslie, and Maureen, if you can hear me . . . (tearing up) please help Meta, Bruce, Mike, and Hope find peace.
 
Ed looks down to see someone standing within the fog.
 
Ed: Hello?
 
Hope emerges from the fog looking destroyed, mascara dripping down her eyes as if she’s been crying nonstop.
 
Ed: Caroline, you all right?
 
Ed steps off the porch and walks over towards her.
Ed: Do I need to call Alan?
Hope: No!
Ed: Did something happen? Did Alan harm you?
Hope: No.
Ed: Come with me.
 
Ed takes her by the arm and tries to take her by the arm, but she jerks away.
 
Hope: Don’t you even recognize me!
Ed: Caroline, are you sure you’re fine?
Hope: It’s me, Uncle Ed! It is me, Hope!
 
On Ed uncertain and shaken,
 
CUT TO
 
INT. HARLEY’S COTTAGE (LIVING ROOM)
 
We open up on Harley and Phillip in a stand off.
 
Harley: Phillip, are we seriously going to do this tonight?
Phillip: Yes!
 
Phillip storms over to the sofa and sits.
 
Phillip: (patting the sofa) Come sit.
Harley: No.
Phillip: I’m not leaving till we talk.
Harley: You sure about that?
Phillip: Harley . . . please.
 
Harley sighs heavily and complies with his wishes by sitting across from him.
 
Harley: What Phillip?
Phillip: This has to stop—this tension between you and me.
Harley: There is no tension.
Phillip: There is.
Harley: Phillip! (gets up and points to the door) Goodbye!
Phillip: No.
Harley: Leave!
Phillip: I said no.
 
Harley walks over and grabs the phone off the end table and starts to dial.
 
Phillip: (sighs) Who are you calling?
Harley: Frank. So he can come and whoop your ass and take you to jail.
 
Phillip crosses over and struggles the phone away from Harley. Then he tosses it across the room and shatters into pieces.
 
Harley: Phillip!
Phillip: Now lets sit and talk like adults.
Harley: Talk like adults? Screw you!
Phillip: Why do you hate me, Harley? Why! Is this because of how I took Zach from you? I thought you’ve forgiven me!
Harley: Well you thought wrong.
 
Harley grabs her keys. She goes to exit but Phillip grabs her by the arm, restraining her.
 
Harley: Let me go!
Phillip: No! Not until you listen to me!
 
Harley tries to pry free of Phillip’s grip.
 
Harley: My opinion isn’t changing, Phillip! Zach is not going to Lincoln Prep. End of story—
 
Harley breaks free but falls onto the floor. She holds her arm in pain while Phillip rushes to her side.
 
Phillip: (worried) Harley, you OK!
Harley: No!
 
Harley kicks Phillip away from her.
 
Harley: See! See! You see why I don’t want Zach anywhere near you! Your family! You’re a bully, Phillip! You’re sick!
Phillip: Harley, it was an acci—
 
Posted Image
 
Harley looks past Phillip to see Zach standing at the bottom of the stairs. Noticing Harley’s reaction, Phillip turns and sees Zach too. Guilt comes over Phillip.
 
Zach: What’s going on? Mom, are you OK?
Harley: (covering) Nothing. (getting back up) Nothing at all.
Zach: But I heard you two screaming.
Phillip: It was nothing, Zach. Just a simple disagreement. (devastated) I-I’m sorry, Harley. Forgive me. (fighting back tears) Forgive me.
 
Phillip rushes out of the house. Harley looks on concerned and,
 
CUT TO:
 
INT. BAUER HOME (LIVING ROOM)
 
Hope sits on the sofa in utter silence. She’s a total mess. Ed (standing up) watches on from a far, bothered.
 
KNOCK! KNOCK!
 
Ed rushes over and opens the door to reveal Holly & Alan Michael.
 
Posted ImageHolly: Is she here?
 
Ed points to Hope. Alan Michael rushes in and kneels down next to her. Holly enters and Ed closes the door. They both watch what’s about to happen.
 
Alan Michael: Caroline! I’m so sorry.
 
She doesn’t respond.
 
Alan Michael: I just wanna let you know that you’re not fired. Your job is still intact and I want you to come home with me. OK?
 
She still doesn’t respond.
 
Alan Michael: Caroline . . . (tearing up) please forgive me.
 
She slowly turns to see her son crying. She wipes the tears from his eyes.
 
Hope: Don’t cry, my sweet baby. I forgive you.
 
Posted Image
 
Alan Michael kisses her hand and bury his face in it. Ed is now convinced.
 
Ed: So I guess it’s true.
 
Holly and Alan Michael react.
 
Ed: So I guess she is Hope.
 
Holly and Alan Michael exchange looks, and on Ed unhappy,
 
CUT TO:
 
INT. BOAT (LOWER DECK) – NIGHT
 
John lies on the bed in a daze while he glances at the ceiling. He then gets up and head down the hall to another door. He cracks the door open, and we get a slight shot of Carmen lying in the bed with a medical ventilator strapped to her.
 
John: You’re home, Bonita. You’re home.
 
On a shot of Carmen soundless sleeping,
 
FADE OUT
 
http://www.youtube.c...h?v=mKZEgIi2Les
 
COMING SOON:
Phillip’s illness continues to go unchecked
Jason & Leah plan an attack on Phillip
Remy & Tierra grow closer
Mel struggles with keeping her pregnancy secret
Olivia's continues her quest to destroy Marah
A friend of Shayne's comes to town 
Dinah & Mallet are drawn together
Blake & Rick find love (not with each other)
Alan uses the Reardon boys as pawns to gain back Spaulding
Hope’s secret’s comes out
Laurel & Reva makes life-changing decisions
Cassie starts her search for her biological father & Frank helps
John Hu wreaks havoc
Michelle continues to fall victim to the Bauer curse
Pilar and Bill reestablish their friendship
James grows tired for Daisy . . . and wants Trista instead
 

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Promo: Week 3 + Whos Joining The Cast?

Posted by JackPeyton in Days of our Lives, 01 February 2013 - - - - - - · 148 views

This week on Days of our Lives
Posted Image
 
Marlena comes face to face with Don Craig for the first time in over 25 years!
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Marlena: "I Never thought I would see you again"
 
Maggie questions her choices since Mickeys death...
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Maggie: "Maybe i was fooling myself... about this life.. with Victor"
 
Will finds out hes more his mother than he would like to admit..
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Will: "Oh god... what have I done?"
 
and Sami Brady stands trial for the Murder of EJ Dimera!!
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Plus, Emmy Award winner Michael Park joins the cast as Judge Matthews
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Ocean's Crest Segment 6

Posted by chicklitsandfantasies in chicklitsandfantasies' Blog, 21 December 2012 - - - - - - · 131 views

Kiara’s heels clicked against the tile granite floor tiles of the kitchen as she walked to the refrigerator and took out a bottle of mineral water. Her long brown hair was in a neat bun at the top of her head and her olive skin was complimented with a cute white lace dress. Her makeup was fresh and her skin looked dewy.

“Oh, you’re back,” Ashley says in a sarcastic tone while walking into the living room dressed in a cami and daisy dukes her long hair loose down to her shoulders.

“Yes, London was quite enjoyable thank you for asking. I always get joy in further refining my craft,” Kiara tells her sister.

She walks out to the patio admiring the view of the city midday. Ashley follows behind plopping down on a black lounge.

“You know just because you’re a grad student at Yale and you had a small role on Broadway doesn’t mean you’re above the rest of us,” Ashley quips.

“Did you listen to the words that came out your mouth? I excelled all my life; while you choice local parochial school as an option I was thrilled to attend one of the top boarding schools in the country. I graduated top of my class and became the only member of this family to attend an Ivy League school. You may not have higher inhibitions but my goal is to be an actress and I never set a goal I can’t achieve,” Kiara says proudly.

“Did you practice that speech? Yes you were a good student but dad’s money and your last name got you into Yale’s School of Drama. And I thought you wanted to do movies and TV? Why are you doing wasting your youth in grad school?” Ashley inquires.

“I’m refining my craft,” Kiara retorts. She sits down on the couch and picks up her Ipad.

“You’re dating the son of a television producer; you’ve had your SAG card since you were 10. You know you could be the lead of a TV show right now. Are you afraid to move out of your comfort zone?” Ashley asks.

Kiara smiles a sly smile. “Let’s talk about you for a moment. What’s this I hear about sneaking into the club?”

“I just wanted to have a night out with the girls so we got dressed up and I went downstairs and partied. We were dancing and having a good time. Dad’s busy freaking out over what this supposedly means for his reputation,” Ashley explains. “I don’t know why he’s so worried about a little small town gossip.”

“Well considering his history as well as that of his father, it’s easy to see why they would be worried about another scandal. Grandma is justified for being distraught over the affairs,” Kiara expressed. She sets her Ipad down on the table.

“Please she got millions in that divorce settlement and then she got money from the tabloids for airing out our family business. She was being spiteful about something she knew about for over a decade,” Ashley said.

“I’m not sure what lies dad covered the story up with but she didn’t know her husband was sleeping with younger women who worked for his company. She would’ve left much sooner had she know. Grandma had class and dignity just like my mother,” Kiara said.

Ashley rolled her eyes. “Oh here it comes! More my mom versus your mom crap. I know dad left your mother for mine and you’re jealous.”

Kiara leaps from her seat. “That couldn’t be further from the truth,” she bellows. “Our father cheated on my mother with a younger version of her and he’s rumored to have slept with quite a few women in this town. I’m happy she was able to flee in time.”

“And just like grandma she took a nice chunk of change with her,” Ashley pointed out. “I don’t believe those rumors about dad having affairs despite how my parents got together.”

“You are more naive than I thought. Let’s hope you never discover any of our father’s hidden secrets. I knew I should’ve spent the rest of my break in New York with my mother,” Kiara turned and headed back inside.

"It's not too late for that," Ashley snaps.

Mr. Harrington walks in the living room.”Kiara, when did you get home?” he asks.

“Very early this morning, daddy. I was tired and wasn’t in the mood to talk,” she replies.

He can feel the tension in the room. “What’s going on here?” he inquires.

“Ashley tried to insinuate that my mother and your mother are nothing but gold digging whores,” Kiara says. “The daughter of one however has no place judge.”

“Because you’re just Little Miss Perfect,” Ashley derides.

“Kiara! You don’t talk about your family that way,” Mr. Harrington raises his voice in a stern tone.

“I’m sure others do. You and your wife can try and keep up the façade but I see right through it. I see something much more deep past the shallow surface,” Kiara says stomping off.

“What was that all about?” Mr. Harrington asked.

Ashley shrugs. “How should I know? She woke up in a bad mood, I guess. It was the usual back and forth until she brought up our family and reputations.”

“What did she say?” he asks.

“Something about not brushing off every rumor about you; that we’ll find some out to be true,” Ashley recalls.

“You weren’t buying into that were you?” he asks cautiously.

“Please, ain’t nobody got time for that,” Ashley laughs before adding. “Let her throw her little hissy fit. She lives here with us so she can’t be mad for long.”

“I hope you’re right. One thing I’ve learned from my own mother is to never mess with a Harrington woman when she’s angry,” Mr. Harrington noted.

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S01 - Episode Sixteen: "Strike Three, You're Out"

Posted by Mr. Vixen in Heaven's Meadow , 30 July 2012 - * * * * * · 205 views
and 1 more...

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Heaven's Meadow

Season 1 - Episode Sixteen

"Strike Three, You're Out"

This episode features:

Susan Lucci as Erica Kane

Kassie DePaiva as Blair Cramer

Andrew Trischitta as Jack Manning

Christian Alexander as Billy Jackson

Peter Porte as James

Catherine Hickland as Lindsay Rappaport

Michael E. Knight as Tad Martin

Vail Bloom as Brianna Emerson

with

Jerry ver Dorn as Clint Buchanan

Kelly Ripa as Hayley Vaughan

and

Robin Chistopher as Skye Chandler

PREVIOUSLY on HEAVEN'S MEADOW:

  • Hayley realizes she had an alcohol-infused one night stand and finds herself on the ledge.
  • Jack told Blair he had a boyfriend.
  • Lucas has a prisoner.
  • Skye has a secret.
  • The mystery woman changes her plan.

_____________________________________________________________________________________________

Hayley: Posted Image James: Posted Image

(Hayley is standing on the ledge. Tears are streaming down her face. Her entire body shakes as she looks down at the road 23 stories below her. She inhales sharply and reaches one hand behind her, grabbing the railing. With her other hand, she raises the bottle of vodka to her lips and takes a sip. Her hands shaking uncontrollably, a large splash of vodka splashes onto her chin and robe. Sobbing, she throws the bottle behind her and hears as it smashes on the balcony. She wipes the makeup soaked tears from her eyes one last time, and lets go of the railing. Just as she begins to lose her balance, a hand reaches out and grabs her arm, steadying her.)

James: You can't do this, Hayley.

(She turns to look at him through her blurry, tear soaked eyes.)

Hayley: Oh, don't pretend to care.You don't even know me.

James: Maybe not, butI know damn well that I'm not about to let you jump off of this ledge.

(He reaches out and wraps his arms around her waist, lifting her over the railing and back onto the balcony.)

Hayley: Leave it to me to have a one night stand with someone that actually gives a damn.

James: You honestly expected me to let you jump?

Hayley: I didn't expect you to be awake.

James: Well, thank God I was.

Hayley: Just because you pulled me off of one ledge doesn't mean I won't find another.

James: Look, I don't know what's going on in your life, but I know that this isn't the answer.

Hayley: You're damn right. You don't know anything about my life. You have no idea what I go through every single day. And you have no business interfering in my personal life.

James: You can say whatever you want, but I don't have to know you. I don't have to know you, to know this isn't the answer. My mother killed herself when I was 5 years old, and it has haunted me for my entire life. And I know who you are, Hayley. I know you have children at home. And I'm not letting you do to them what my mother did to me. I'm not letting you take the coward's way out.

(Hayley slaps him across the face.)

Hayley: Don't you ever call me a coward. How dare you.

(At this point, tears are once again streaming down her face. She stumbles away from him, and inadvertently walks barefoot directly through the shattered glass on the ground. She winces in pain as blood begins trailing from her foot.)

(James moves towards her.)

James: Let me help you.

(Hayley looks up at him, a mixture of pain and hatred in her eyes.)

Hayley: You stay away from me.

(She limps backwards throw the doorway and into the hotel room. She grabs her purse from the chair, as well as her clothes from the ground, and stumbles from the room wearing nothing but a silk robe and her underwear.)

_________________________________________________________________________________________________________

OPENING CREDITS:

http://www.youtube.com/watch?v=cgmDeqx4inI&feature=player_embedded

_________________________________________________________________________________________________________

Blair: Posted Image Jack: Posted Image

Billy: Posted Image

(Inside Skye's club. Blair is standing with Jack and Billy.)

Blair: Excuse me?

Jack: This is Billy. He's my boyfriend.

Billy: It's nice to meet yo--

(Blair cuts him off.)

Blair: Jack, I don't have time for your games. I have a lot going on right now.

Jack: Mom, this isn't a game.

Blair: You were livid at me for sending you to boarding school, and even more angry that you had to stay for the summer program. And what do you do? You skip school and pull a stunt like this.

Jack: This isn't a joke, Mom.

Blair: You expect me to believe that you're gay? You expect me to believe that you skipped school and hitch-hiked to New Hampshire to tell me that you're gay?

Jack: Yes.

Blair: Well, I don't believe you.

(Her voice cracks. She turns and walks away from them, to the other side of the room. She picks up a stack of papers, and begins fumbling through them. Jack moves towards her.)

Jack: Mom, please. I need you to--

(Blair swivels around and cuts him off.)

Blair: Why now? If this is true - Why now? In the middle of your summer term, you show up and tell me you have a boyfriend? You could have waited a few weeks until I visited. But you expect me to believe your story, when you show up here and drop a bombshell like this? I know you, Jack. You're up to something.

(Jack is chocked up. He swallows the lump in his throat and chokes back tears.)

Jack: Mom, I couldn't take it anymore.

Blair: Take what?

Jack: The bullying.

(Blair is visibly taken aback by this. Blair and Jack lock eyes for a moment. Tears well up once more in Jack's eyes, and he turns away from his mother. He walks several feet to the other side of the room and sits at an empty table. Billy, still standing by the door, glances towards Jack, and then Blair. He moves across the room towards Blair.)

Billy: Jack and I met in chemistry class this past year. We became friends instantly, and eventually it progressed to more. I've been openly gay for about a year now, and once Jack and I became close, he felt comfortable enough with me to admit that he had been doubting his sexual orientation.

Blair: And you just swooped right in and took advantage of that?

(Jack stands, visibly angered by this remark.)

Jack: NO!

Billy: I never came onto Jack. But once he accepted it, we began to explore our feelings for one another.

Blair: Jack, when did you start having these...feelings?

Jack: Last year...For Shane. I know I treated him horribly, and that's why. When my friends started bullying him, I hated it. Because from the minute that I met him, I felt...something. Of course I was in denial about it, and so I started bullying him harder than anyone else so that no one would know. But I hated it, because I had...feelings for him. Everything that I did was to cover that up.

(Blair sighs and rests her head in her hand for a long moment.)

Blair: Well, what is this that you said about bullying?

Jack: It was late at night, and Billy and I were down by the water. We shared a kiss, but we didn't know anyone was around. Apparently one of the guys from the football team saw, and he told everyone. The next day I came back to my room after class and someone had broken in. My room had been completely trashed, and they spray painted...

(He stops.)

Blair: What, Jack? They spray painted what?

Jack: They spray painted the word fag on my wall.

(Blair is visibly horrified. A look of sheer heartbreak spreads across her face. In that moment, all denial that she had was wiped completely out of her.)

Blair: You're serious.

Billy: He is.

Blair: Why didn't you tell me this sooner?!

Jack: I didn't tell anyone, Mom. It would have only made things worse. But I couldn't handle it any more. The harassment was too much. Everywhere I went, they would call me names and mock me. I know I deserve it, after what I did to Shane...But I couldn't handle it, Mom.

(Blair stands. There are tears in her eyes now. She moves towards Jack, who also stands. She embraces him tightly for a long moment.)

Blair: I'm so, so sorry baby. Everything's going to be okay.

____________________________________________________________________________________________

Tad: Posted Image Lindsay: Posted Image

(Inside Lindsay's apartment. She is standing near the door, with Tad. There is a suitcase next to her.)

Tad: I can't believe I just got back, and now you have to leave.

Lindsay: I know, but there's just something that I need to take care of. And now that you're officially living here, we'll see each other so much more. No more back and forth to Pine Valley.

(Tad smiles.)

Tad: Thank God.

(The two kiss.)

Tad: Where are you going again?

Lindsay: To Seattle, to see my sister. She's had some crisis or another, and asked me to come see her. Always the drama queen, that Melanie.I'll be back in two days, okay? There's food in the refrigerator for you, and plenty of towels in the linen closet. Oh, and--

Tad: Lindsay, I'll be fine! Go! Before you miss your flight.

(The two kiss again. Lindsay grabs her suitcase from the ground. She opens the door, and steps into the hall, closing the door behind her. Tad moves across the room and has a seat on the couch. He reaches for the remote, but before he can turn the TV on, his phone rings. He picks his phone up off of the end table and looks at the caller ID: "Call from: Dixie Martin"

Lindsay stands in the hallway. She opens her purse and takes out her plane ticket. It reads: DESTINATION: Pine Valley, Pennsylvania. She speaks quietly to herself.)

Lindsay: I hate lying to you, Tad. But it's time I pay an old friend a visit.

_________________________________________________________________________________________________________

Hayley: Posted Image Brianna: Posted Image

Lucas: Posted Image Skye: Posted Image

Clint: Posted Image Erica: Posted Image

(Inside the WAVE Studios. Hayley sneaks in through a side entrance, still wearing nothing but underwear and the long silk robe - which is now tied. She creeps down the hallway and towards her dressing room. When she gets to her dressing room, she is surprised to see the door already open. She peers in and spots Brianna packing things into a large cardboard box. She enters the room.)

Hayley: What the hell are you doing?

(Brianna looks up, visibly stunned to see Hayley there.)

Brianna: Hayley...We didn't expect you to show up today. It's so late already.

Hayley: Don't deflect the subject Brianna. What the hell are you doing in my dressing room?

Brianna: I shouldn't be the one to tell you this...

(Before Brianna can finish, Hayley storms out of the room and down the hall into the large open room containing the set on which the show is filmed, as well as the camera crew, snack table and makeup touch up table. She spots Lucas on the other side of the room and marches towards him.)

Hayley: Lucas, what the hell is going on here? Why is Brianna packing things in my office?

Lucas: Hayley, I...I'm so sorry.

Hayley: Sorry for what? Lucas! What the hell are you talking about?

Lucas: You missed another day of taping, Hayley. I tried to defend you, I did. But...they've decided to let you go.

(A look of utter confusion spreads across Hayley's face for a long moment. Slowly, it morphs into realization, and then anger. Before she can continue speaking, Skye enters the room through a set of double doors across from where Hayley is standing.)

Hayley: You! You did this, didn't you?! You bitch. I asked you not to say anything.

(Skye looks genuinely sympathetic.)

Skye: I didn't do anything Hayley. This is out of my control.

Hayley: No, I don't believe you. No, you did this! You hypocritical bitch. I asked you. I begged you not to do this to me. I should have known you couldn't change.

(Before Skye can speak, Clint enters the room and begins speaking.)

Clint: Skye had nothing to do with it, Hayley. This was my decision.

(Hayley turns around slowly to face him.)

Hayley: Excuse me?

Clint: Your erratic behavior won't be tolerated anymore Hayley. It isn't benefiting the show or anyone involved, especially you. I'm very sorry, but you are being let go.

(Hayley slaps him across the face with all the force she has, leaving nail marks across his cheeks.)

Hayley: You bastard! You came to me. You came to me and told me you respected me, that you respected that this is MY show. But that was just a lie. It was nothing but a lie....You are just like the rest of them.

Clint: I know you're upset, Hayley. But this is your own doing.

(Tears well up in Hayley's eyes and cascade down her cheeks. She turns to storm out of the room but spots Erica Kane standing across the room. An evil glint fills her eyes as marches towards her. She shrieks.)

Hayley: YOU! This was your plan all along, wasn't it? Swoop in here and steal my show because you're such a complete failure yourself. I should have known better than to trust you. You truly are the shallow bitch everyone makes you out to be, Erica.

Erica: You should know I would never do that to you, Hayley.

Hayley: But you did. You did do it, Erica. You slutted your way through Pine Valley for 40 years, and once that well was dried up you decided to swoop in here and cash in on your own daughters death, at my expense.

(Tears well in Erica's eyes. Hayley opens her mouth to speak again, but Skye steps forward and in-between Erica and Hayley. She speaks.)

Skye: Don't do this, Hayley. Don't take this out on Erica, or anyone else. You've made some mistakes, but it's not to late to fix them.

(Hayley pushes Skye away from her and steps back.)

Hayley: ​Oh, shut UP Skye. I am so sick of your incessant preaching. You are an alcoholic, slut mob princess. And everyone in this family hates you. You may be a biological Chandler this week, but it doesn't mean anyone wants you. We have been pretending you didn't exist for decades, and you begging to be my safe place isn't going to get you back in the will, honey.

Skye: I've been where you are, Hayley. I know saying those things makes you feel better, but it isn't helping. You need to snap out of this denial --

(Hayley cuts her off.)

Hayley: Oh, honey. I'm not in denial!

(She opens her purse and pulls out a flask.)

Hayley: Ladies and gentleman, Hayley Vaughan is off the wagon! And I am loving every damn minute of it!

(She uncaps the flask and takes a swig before recapping it and putting it into her purse. She turns to walk away. She moves towards the stairs, but before she can walk down them, Skye chases after her. Skye grabs her arm.)

Hayley: Let go of me, Skye!

(Hayley jerks forward, attempting to break Skye's grasp. Skye loses her balance and stumbles forward, down the steps. After the fall, she lies unconscious at the bottom of the steps, a small pool of blood on the floor near her head. Hayley looks down at her for a moment, before beginning down the steps. She walks down the steps, her high heels clicking with each step. When she reaches the bottom, she steps directly over Skye's unconscious body and walks out the exit of the building.)

_________________________________________________________________________________________________________

Don't forget to check back TOMORROW

For an ALL NEW episode of

HEAVEN'S MEADOW!



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Episode 3: Cocktails for Two...Hundred

Posted by beebs in Nine Lives, 03 April 2012 - - - - - - · 129 views

So it may not be my strongest episode, but I hope this helps set up some more of the drama ahead. Apologies if the tone seems a little disjointed at this point, I'm still trying to figure out the right mix of comedy and drama here, but I think it still turned out okay.

Thanks for reading!



EPISODE 3

It's buzzing at The Royal. The grand opening is upon us, and champagne is in every glass. Kian, Jason and Peter socialize with the local foodies and press, basking in the glory of their creation. Ryan passes by them, hors d'oevres artfully displayed on the tray in his hands. Jason pulls Ryan over momentarily.

JASON: Can you do me a favour and ask the kitchen to wait ten minutes before serving the mains? I'm gonna have Peter and Kian give speeches, then at my cue, get the staff ready and we'll parade everything out all at once, alright?
RYAN: Got it, boss.

Ryan is about to hastily scurry away, Jason stops him before he does so, and looks at him with a wry smile.

JASON: And don't call me boss. Got it?
RYAN: Yes, b..Jason.

Jason lets Ryan go, and wrinkles his nose, shaking his head.

Jason then goes back to mingling with the crowd, drinking far faster than anyone else in the room. He still manages to come off charming, if a little sloppy.

Kian and Peter shmooze with the press, Kian held close to Peter's side, but Kian's eyes are clearly following Jason instead. Peter's so caught up in having a sexy young guy on his side, he barely notices as he chats endlessly with the socialites around him.

Kian tunes it out and daydreams of he and Jason in bed together. Jason's kiss on his neck and heading south before Peter calling his name snaps him out of it.

PETER: Kian!
KIAN: Oh...hey.
PETER: You look like you're a thousand miles away, babe.
KIAN; Sorry, I just...I couldn't believe that all of this was for me. I had to soak it all in for a sec.
PETER: Well, get used to it, babe, cos this is just the start of it for you.

Kian smiles a wide smile and gives Peter a quick peck on the lips, more in appreciation than out of love. Regardless, the group talking with them still beam at them, mistaking their display as a sign of great romance.

As this happens, Jason gets up on the small stage in one corner of the room, clinking his glass with his fork to draw attention to himself.

JASON: Excuse me, everybody. Can I have everyone's attention for just a second, please.

The room grows mostly silent and turns to face Jason, a few members in the crowd still chatter.

JASON: Hey!

Jason points to the source the noise, a twinkle in his eye as he does so. The crowd laughs.

JASON: I wanted to thank you all for coming here, and I have something extremely important that I want to say about someone who is very important to everyone here, but especially to me.

Kian looks to Jason with eyes darting. Kian shakes his head at Jason hoping to avert a disaster, while Jason looks relaxed and ignores Kian's worries.





Down on Queen West, Darren chats with his friend, artist Calvin J at his art show. Out of the corner of his eye, Darren spots Alexis come into the gallery. Alexis' face drops and she turns sharply to the bar, avoiding contact with Darren as much as possible. Undeterred, Darren excuses himself and heads over to Alexis.

As Alexis picks up a glass of wine at the bar, Darren startles her with his greeting.

DARREN: HEY baby, what's up?
ALEXIS: You want me to spill this all over the place?
DARREN: Sorry, baby, if you spilled, i'ma buy you another.
ALEXIS (unimpressed): How gracious of you.
DARREN: Come to think of it, I might just buy you one anyway.
ALEXIS: *sigh* This may come as a huge shock to you, but you're actually nowhere near as suave as you think you are.

Darren grabs at his chest.

DARREN: MY HEART!

Alexis rolls her eyes, takes a sip of wine as she walks away.

DARREN: Wait wait wait, wait a minute, girl. Come here, I got someone I want you to meet.
ALEXIS: If it's your mother, I don't think we're at that stage of the relationship yet.
DARREN: Yet. Cha-ching! Progress.

Alexis follows him reluctantly, shaking her head at his theatrics as he takes her over to meet Calvin.






Back at the restaurant, a beautiful black woman in her early 40s enters the room in a dazzling red gown. Her hair done up in a tight bun, she looks every bit as beautiful as a woman in her 20s, but twice as graceful. She stands at the back of the room as Jason makes his speech.

JASON: I'm glad you're all here tonight for our grand opening. It really means a lot to me and Kian, and Peter of course, that you're here to help us celebrate the launch of this amazing new restaurant.

Kian winces at Jason's remark. He knows the comment was unintentional, and realizes he's overthinking things, but worries that there's a possibility some buried resentment at Jason's status as Kian's hidden lover will make its way into Jason's speech.

JASON: The Royal will be one of a kind in this community, a restaurant of fine food for everybody. And we have two very important people to thank for this...Kian and Peter.

The crowd applauds as Jason motions them to step up. Kian is unsure of what's going on, still deep in thought, while Peter, eager to grab the spotlight, races up to capture the glory of the moment.

PETER: Thank you, everybody. Thanks for coming out, and even greater thanks to my talented, and loving partner, in life and in business...Mr. Kian McClary.

The applause continues as Kian finally steps up on the stage.

PETER: Kian is probably the finest discovery I've ever made. Not only is he one of the best chefs in the country, but he also has quite possibly the best taste in the world. Not only for his food, but for choosing an old lug like me.

Peter jabs Kian in the side, as the audience laughs. Kian laughs along with them but a slight discomfort is still visible in his face.

As Peter continues to go on about how great he is, Ryan stands in the doorway of the kitchen, ready to lead the night's parade of great food with the wait staff. He notices the beautiful black woman in the doorway and can't take his eyes off her. She gives a seductive smile and turns back to Peter. Ryan smiles back clumsily, then looks back at the stage as well, waiting for Jason's cue.

PETER: ...and that is going to be the key to our success.
JASON: Now without further ado, let's all raise our glasses to The Royal.

As the call goes out to raise their glasses, Ryan's handed a glass of champagne by another member of the wait staff, Jason motions to Ryan to hand it over to the woman he was looking at before. Ryan quickly scurries over to her and hands her a glass.

RYAN: Here you are, Madam.
MARY: Call me Mary. And thank you, handsome.
RYAN: You're welcome.

Ryan shuffles back to his corner, as the room prepares to toast.

JASON: To The Royal
ALL: To The Royal!






Alexis toasts with Darren. She's had a few drinks by now, but still seems put off.

DARREN: You look like you could kill someone, and I don't think I've crossed that line yet.
ALEXIS: You're teetering on the edge, but no, you haven't.
DARREN: Then I guess I better watch my step.
ALEXIS: Trust me, you're nowhere near as bad as some people tonight.
DARREN: Oh?
ALEXIS: I wasn't supposed to be here alone tonight but--
DARREN: But you got stood up and now you wanna get your mind off it. I get it. I know the feeling.
ALEXIS: Why does that not surprise me?
DARREN: Now YOU'RE teetering on the edge.

Alexis laughs and orders another drink. Darren finishes his and sits a little closer.

DARREN: You really better slow down, you know.
ALEXIS: I'm a big girl, and I don't need some he-man looking out for me.
DARREN: Nah, it's not that. I just know a lot of girls who think they can handle their booze, then they end up trippin' over their heels and throwing up on some dude's Cadillac.
ALEXIS: I feel like there's a story there.
DARREN: You have no idea.
ALEXIS (laughing): Well come on, tell me!
DARREN: Only if you promise to let me walk you home.
ALEXIS: Hmmmm.....I think considering we're both going to the same place.
DARREN: Mmmhmm???
ALEXIS: I think I could handle that.
DARREN: Excellent.
ALEXIS: Now don't get too excited. I don't want you getting the wrong idea.
DARREN: Promise. I'm a gentleman. I treat you like a lady.
ALEXIS: Good. You know you're a lot less annoying after a few drinks.
DARREN: Well thanks a lot, lady. What you tryin' to say?

Darren gets in closer and tickles Alexis a bit. Alexis, whose defenses are now fully and clearly down, is actually enjoying the attention, which passive, distracted boyfriend Ryan never gives her.

ALEXIS: AH! Stop it. (laughs). Come on. TELL ME! Tell me the story.

Alexis looks up at Darren, who leans in to kiss her. Alexis at first recoils, but it's only momentary. She leans back in to reciprocate.



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