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Les and Roxanne face each other sitting at a table.
Rox: I didn’t ask for the whore to be any kin to me. I don’t like her, she is all kinds of wrong for Nate.
Leslie: But that doesn’t give you a right to put your hands on her. That’s not the way the law works.
Rox: The law worked for you when you were being Spencer’s hoe.
Leslie: Girl that mouth of yours is too much. I am here trying to help you. That’s all I’ve tried to do since we found out you were my daughter. But all you want to do is hurt by using words. It’s getting real old. Yes I was a stripper, and yes I used sex to make money. I’m not ashamed of it I own it.
Roxanne: You should be ashamed because it lead to you losing it all. You were disbarred from practicing law. So your story about tricking to pay for college won’t work no more. You’re unemployed at the moment. You might have to turn tricks again.
Leslie smacks Roxanne in her mouth as Rafe walks in. Roxanne is absolutely stunned her mother hit her.
Roxanne: Bitch you hit me!
Leslie smacks her across the mouth again.
Leslie: I am your mother, girl! It’s time you show me that respect. I’ve had it with your mouth! You are out of control and no child of mine is going to talk to me like this.
Roxanne is stunned that Leslie just checked her.
Created by William J Bell and Lee Phillip Bell
Episode 174: Sharon Newman is DEAD!!
Written by ML Cooks
Creative Consults: Martin Saenz, Cary Richardson and Alex Washington
In the waiting area of the hospital.
Noah is on his knees sobbing after hearing the news about his mother Sharon not making it out from Verdon Lou. Nick kneels down next to him and holds him as he too sobs. Paul rubs his jaw after Nick punched him
Paul: Newman I’m going to let that one go. But you pull a stunt like that again, you’ll be sharing a jail cell with your father. Now I am sorry for your loss but that is no way to treat an officer of the law!
Paul walks off as he realizes Nick is not paying any attention to him.
Noah: We got to find mom!
Nick: One thing at a time son. I think we should talk to Dru.
Noah: Damn you dad! You never want to look for mom. She’s been missing for how many months and what have you done to find her?
Noah stands up and brushes his dad off of him.
He walks off.
Nick: Noah where are you going?
Noah: To be the man of this family since you have failed.
Nick: Noah WAIT!
Noah is too angry to listen to Nick.
Nick looks over to his right and sees Avery. He wonders if she can give him any answers since she was brought in from Verdon Lou.
The City Jail.
Phyllis is pacing her cell.
Victor Newman is in a cell across from her watches her.
Phyllis looks at Victor.
Victor: Why are you here?
“Because of me Bitch!”
They both hear and look to see who is coming down the hall. It is Dru being escorted though still in cuffs to her cell next to Phyllis.
Victor: Drucilla. Is that you?
Dru: Yea it’s me. I’m alive. See everyone thinks I lost my balance and fell off a cliff. I’m a diva and diva’s don’t lost they balance. Phyllis Newmans Bitch, pushed me and now I am back to make her pay for stealing years of my life away from me.
Victor: I can’t believe it’s really you.
Dru: It’s me Vic. I can’t believe you are in jail. What has happened for the great Victor Newman to be in jail?
Victor: It’s a long story my dear. But not to worry I’ll be leaving here very soon and when I do, the people who put me here will pay dearly. Here’s one of them now, a pip squeak called Michael Baldwin.
Dru and Phyllis look at Michael walking down the hall.
Victor: When I get out of here Michael Baldwin I am going to crush you like a bug!!
Michael than gazes at Dru.
Michael: It’s really you. I saw you on the news when you and Phyllis were fighting. I didn’t believe it until now.
Dru: Yea and I whooped her ass.
Phyllis: Shut up Bitch! It was a tie at best.
Dru: It’s me Michael. Your friend over there did this to me. And I am going to make her pay.
Then Paul walks over to them.
Phyllis: Paul that back from the dead bitch assaulted me first I was merely defending myself!
Dru: Don’t even try it Phyllis Newmans. You pushed me off that cliff at the photo shoot. She tried to kill me Paul!
Paul: Alright enough! Dru we are going to talk first.
Paul unlocks Dru’s cell and escorts her to his office.
Phyllis: Don’t listen to her Paul. I didn’t try to kill Dru!
Michael looks at Phyllis.
Phyllis: Michael you have to help me. I did not try and kill Dru.
Victor: He can’t help you. He’s not practicing law any more are you Michael my boy?
Michael: No thanks to you. I’ve lost everything thanks to you. My career, my wife and family.
Victor: You deserve it for helping put me behind bars. And I got news for you Michael Baldwin. I’m not done with you yet.
Phyllis: Enough about that. Michael you have to get me out of here! My sister needs me. Avery has been blinded.
Michael: Ok let me see what I can do. I’m not sure what I can do I’m not practicing law any more.
Victor: With good reason.
Michael walks off pulling out his phone making calls on Phyllis’ behalf.
Roxanne’s Interrogation Room
Leslie: It is Rafe. Thank you for coming down here. I’m sorry to tell you that I’m going to be leaving. My daughter doesn’t appreciate me trying to help her. Her words are too much and she needs help. Good luck with her.
Roxanne: Are you really leaving me?
Leslie: I am Roxanne. You got a lot of issues to work on. I’m not going to keep being a punching bag for you. I’m not perfect and neither are you. I’m trying to do the best that I can but you refuse to let me do that. I’m done trying. I’m not about to baby you anymore.
Leslie grabs her purse and leaves.
Roxanne: Save your judgements, I can’t believe Leslie just embarrassed me like that. Slapping me, then airing our dirty laundry.
Rafe: I’ve gotten close to Leslie. She is a good person.
Roxanne: I am not trying to hear you cheer lead for my mother. Just tell me some good news. Can I leave this place or what? I can’t spend a night here in jail.
Rafe: I was able to get the charges dropped.
Rafe: Yes but there is one stipulation.
Roxanne: I’m afraid to ask.
Rafe: The judge wants you to complete some anger management courses.
Nick walks into Avery’s room.
She says sitting up.
Nick: It’s me Avery, Nick.
Avery: Nicholas. It’s good to s-….I guess I am glad you are here. As you can see I can’t see as I am blinded.
Nick: I’m very sorry to hear.
He sits on the bed and engulfs her in a hug.
Nick: Avery how did any of this happen?
Avery: I was looking for Cane.
Nick: Cane? Why would you be looking for Cane?
Avery has a flash back of hitting lines of Coke with Cane and then having sex with him.
Nick: Avery answer me. I don’t understand why you would be looking for Cane at Verdon Lou.
Back at the City Jail. Dru sits down in a seat in Paul’s office. Paul sits in his chair and looks at Dru.
Paul: Dru, I am still having a hard time with all of this. Sheila, Sharon…
Dru: Paul I am just thankful to be alive and to be able to tell my story. I am so tired of fighting. My body is sore. It’s takes a lot to beat down Sheila Carter and Phyllis Newmans in the same damn night.
Paul: I bet. So where do you want to begin Drucilla?
Dru: In a nice bubble bath with a glass of wine, music and snacks.
Paul: All sounds good but I mean literally. You make a lot of charges against a lot of people.
Dru: Well then hell Paul, you tell me where do you want to start?
Paul: I want to know where Dru has been all this time.
Dru: That’s a good question. Where have I been all this time?
Recent EntriesLatest Entry
G E N E R A L H O S P I T A L
(click on the link to read the 10th episode)
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Written by Nick M
Cut to Jeremy
He meets with two people, Rina and Gus
Rina is British and Gus American.
GUS: About time you show up.
JEREMY: I have been busy working on something.
GUS: I can only imagine what you are cookin’ up now.
JEREMY: Don’t be annoying.
RINA: Yeah, don’t be daft, Gus.
Gus rolls his eyes
JEREMY: I am happy to see you two though. We have much to discuss.
RINA: We do?
JEREMY: Oh yeah.
GUS: Can we have fun while we discuss?
JEREMY: Sure why not..
Miranda is dressed in her pajamas.
MIRANDA: I need some H2O before bed.
She makes her way to the kitchen.
She turns on the light and sees a rat scatter by!
Cut to JJ in his apartment next door.
Miranda’s scream wakes him up.
JJ: Miranda?! What is wrong?
JJ jumps out of bed!
Henry shows up at Barbara’s hotel suite.
BARBARA: Henry! I was just getting ready for bed.
HENRY: Well wake up baby! I am back in town.
BARBARA: It is great to see you.
The two embrace!
HENRY: I come bearing gifts…well…food.
BARBARA: It is much too late to eat!
HENRY: It’s healthy, not fattening food Babs.
BARBARA: What is it, carrots and ranch dressing?
HENRY: Well actually, yes.
BARBARA: Oh Henry.
HENRY: I’ll feed them to you.
BARBARA: Fine. Let’s eat..
Paul walks in the empty building.
He makes his way to his office.
PAUL: I hope Katsu gets here soon.
Paul walks into his office and Katsu is sitting there in Paul’s desk in Paul’s chair.
KATSU: I am already here.
PAUL: You don’t disappoint do you?
KATSU: Of course I don’t. Not when it comes to business.
KATSU: So should we start?
PAUL: Yes we should.
Cut to a nervous Marcino pacing in his bedroom.
He calls Greg’s phone, but there is no answer and it goes to his voice mail
MARCINO: I know this is like the fifth time I have called in the past hour, but you need to pick up your phone and talk to me!
Cut to Greg who is in his room.
Greg looks at his phone and sees he has another voice mail from Marcino.
GREG: You had your chance to stop me. I must leave town before Vin finds me!
Greg is packing up a suitcase.
GREG: I’ll use to the money I helped stupidly steal with Vin and Chavo to find a place to go.
Greg takes a deep breath.
He then hears a noise outside of his window…
GREG: Oh god…
He turns towards the window in fear.
Jeremy sits down with Rina and Gus
RINA: So what is it you have to tell us?
JEREMY: I just want you both to know that you will be included in what is coming up.
GUS: Always the vague one.
RINA: Sounds exciting to me.
GUS: Anything mysterious is exciting to you.
JEREMY: I promise much excitement. It is all we have ever wanted, really.
GUS: You know what I want right now?
JEREMY: What is that?
GUS: What you brought in the bag.
Jeremy lifts up a bag he brought and sets it on the table.
RINA: Bloody hell! One of you just open it already!
JJ who is shirtless and in his Pajama bottoms is pounding on Miranda’s door!
JJ: Everything okay in there?! I heard you scream!
Miranda opens up and walks out into the hallway with him.
MIRANDA: JJ, thank you for coming over!
JJ: Well what happened?
MIRANDA: There is a mean and disgusting rat in my kitchen.
JJ: Oh…this is because of a rat?
MIRANDA: Yes. Kill it. Please kill it.
JJ looks inside.
JJ: In your kitchen?
MIRANDA: Yes. I’m not going in there, but you can…
In Barbara’s hotel room:
Henry is feeding Barbara a carrot stick.
HENRY: Aren’t I just a romantic?
BARBARA: Nothing says romance like carrot sticks.
BARBARA: Thanks for coming back to town, truly.
HENRY: Anything for my little puddin’ pop.
He kisses her cheek.
HENRY: How is BRO by the way?
BARBARA: Off to a good start. I hope you feel more positive about it now?
HENRY: I am trying.
BARBARA: Thank you.
Henry sets down the tray of carrots and ranch dressing on the bottom of the bed.
They then share a kiss
Katsu pulls out a piece of paper from a folder.
KATSU: Here we go. This could be the key to a fortune.
PAUL: It is the key to a fortune.
KATSU: Why yes, that is true.
PAUL: I am glad we were able to connect on this business. I knew I needed the best in faking a document.
KATSU: You came to the best and now you are getting the best.
PAUL: I just hope it works. We need this money. I need this money.
KATSU: Just a little more patience and you will have the money you want.
Katsu looks over the document.
KATSU: I think it is some of my best work.
PAUL: You will get your share of the cut once this goes through.
KATSU: I had no doubts that I would not take my cut. (smirks)
Greg has heard something outside of his window and he is afraid.
GREG: Should I look out…or run. If I run I’ll wake up my bastard father though.
Greg slowly makes his way to the window.
GREG: (Whispers) Don’t be Vin…don’t be Vin…
He pulls his curtain aside and peeks out…
It is just a cat who sees Greg and runs off meowing.
Greg sighs in relief.
Greg’s phone then rings and he jumps!
GREG: God I’m such a freakin’ scaredy cat right now.
It is Marcino calling yet again.
Greg decides to answer this time.
MARCINO: Thank you for finally answering!
GREG: What do you want?
MARCINO: You know what I want. I want you to not go off and run away.
GREG: You had your chance to stop me and I respect that you felt uncomfortable and didn’t want to own up to your feelings but now you have to let me own up to mine.
MARCINO: Where are you running off to then?
GREG: Don’t know for sure, but I will find somewhere.
MARCINO: Please just stay.
GREG: I am sorry, but I cannot. I am leaving town right now.
Greg hangs up.
Jeremy opens his bag for Rina and Gus.
GUS: You brought the good stuff again didn’t you?
JEREMY: I always do.
Jeremy has busted out a baggie of cocaine!
RINA: Come to mama.
Both Rina and Gus look to be in joy!
RINA: Absolutely posh.
JEREMY: Get to work on it, Gus.
Gus starts to cut it up.
He makes it into three lines.
Jeremy, Rina and Gus all snort their lines…
JJ is in Miranda’s kitchen.
JJ: You can come in now
Miranda is still in the hallway.
MIRANDA: You killed it already?
JJ: No but It is gone.
Miranda reluctantly comes back in.
MIRANDA: But it is still in here somewhere?!
JJ: You need to by some mouse traps.
MIRANDA: How am I going to sleep knowing it is in here still?
JJ: I don’t know but I need to head back to bed as well.
MIRANDA: Okay. Fine. Thank you so much for rushing over here though! So cool of you.
She hugs him.
JJ: It was no problem. I hope the rat doesn’t bother you any longer.
Henry and Barbara are now making out on the bed.
The carrots and ranch dressing tray is still on the bottom of the bed.
Henry’s foot accidently knocks the tray to the ground!
BARBARA: Oh no!
HENRY: I’m sorry Babs.
BARBARA: I hope that dressing doesn’t leave too much of a stain.
HENRY: I am sure the maids will take care of it.
BARBARA: They are going to hate me.
HENRY: They’ll live!
Henry goes back to kissing Barbara..
KATSU: I want to know the answer to something?
PAUL: What is that?
KATSU: Before your father died why did he go to great lengths to hide this money from you or from everyone?
PAUL: Besides the fact that he was a crazed individual?
KATSU: I guess…
PAUL: My father and I had a tumultuous relationship.
KATSU: Sorry to hear.
PAUL: Don’t be. Because I am about to have the last laugh!
Katsu hands Paul the fake document.
Paul looks on at it smiling.
Greg is sneaking around his house in the dark as to not wake anyone up.
He goes into his little brother’s room.
The fourteen year old is sleeping.
GREG: (whispers) Hang in there little bro. I will be back for you. I promise.
He exits his brothers room and walks past his parents room.
He looks in at his mom and his dad.
GREG: Sorry mom, but I have to leave for now.
He then exits the house and gets to his car.
He puts the suitcase in the backseat
Greg gets inside and starts the car.
GREG: Colorado here I come…
FADE TO BLACK
*I do not own any non-original characters nor any pics.
Written by A. Washington-Beeby
Story Consultants: ML Cooks & C. Nathaniel Richardson
Valerie and Marlena sit in the cafeteria in University Hospital, sipping on coffee as they pick away at their lunch. The old friends smile as they catch up. Marlena pulls a picture from her wallet.
MARLENA: So this is my daughters Belle and Sami.
VALERIE: What beautiful young women they are...Wow. Roman must be so proud of them.
Marlena looks down awkwardly, which Valerie catches.
VALERIE: Okay, Marlena...you gotta get me up to speed on this whole...Roman situation. What happened between you two?
Marlena nearly spits out her coffee at Valerie's unintentionally loaded question.
MARLENA: Valerie, if you wanted me to fill you in on that, you'd need all afternoon, not just a lunch date.
Valerie smiles, laughing quietly, but realizing how out of the loop she's been. She furrows her brow subtly as she responds.
VALERIE: Cliff notes?
Marlena puts down her coffee, trying hard to hide her frustration at Valerie's persistance, but Valerie catches on, and holds up her hands.
VALERIE: Okay...if you don't want to talk about it...
MARLENA: No no. It's just...it's very complicated. (sigh) Basically...we thought we had lost Roman...many many years ago....not to...get into too much detail but...a man came to town. John Black. We...we all thought he was Roman and...I married him.
VALERIE: But Roman was alive the whole time?
MARLENA: He had been held prisoner...for seven years. And then they kidnapped me as well.
Valerie looks on, shocked by Marlena's story.
VALERIE: My God! Marlena, I'm...so sorry.
Marlena smiles re-assuringly. She puts her hand over Valerie's.
MARLENA: It's alright. We managed to escape. Either way, once we were all back in Salem...things got complicated. John and I had an affair...and that's how we had Belle.
VALERIE: I see. Is....that why you and Roman aren't together anymore.
Marlena nods with a hint of sadness. Valerie looks at Marlena with a sympathetic face.
VALERIE: I'm sorry to hear.
MARLENA: Oh it's okay. That was a long time ago. I just wish things were going well with John now.
Marlena stares off in a distance as she thinks over her recent problems with John, and their divorce.
Daniel stands by the nurses' station at the hospital, trying to step between Billie and and angry Kim, who has caught Billie and Daniel in a warm embrace.
DANIEL: Okay...Kimberly, I want you to understand something here. This hospital is extremely well-protected without a police guard. There will always be someone within eyeshot of Theresa's room, so all this talk about a police guard is unneccessary. Okay?
KIM: Says the man that I just caught hugging the woman I have a restraining order against. Come on, Daniel. I'm not stupid.
Daniel sighs, as Billie rolls her eyes. Giving up, Billie presses the down button on the elevator.
BILLIE: Look. I have to get back to Titan, but, Kim. Just...let it go. I'm not going to see Theresa, okay? I'm respecting your wishes.
KIM: If that's the case, then why are you here?
BILLIE: Believe it or not, I have friends at this hospital that aren't named Theresa. I had to go see Jennifer for a moment, if you must know. Alright? So just relax and call your dogs off.
The door to the elevator opens, with Billie staring Kim down as she steps on, making a snarky remark before leaving.
BILLIE: But I will not stop caring about Theresa. And when she wakes up, you better hope she doesn't put a restraining order out against you. Especially conseridering how well you two get on. Have a nice day, Kim. Daniel? I'll see you at Club TBD?
Billie steps onto the elevator, while Kim stares her down as the doors close. Kim points to Billie as she looks up at Daniel, who's had quite enough of Kim, himself.
KIM: Do you see that? And you try to explain to me why I shouldn't have a police guard up.
Daniel finally snaps, looking over Kim's head as he shouts out at her.
DANIEL: Okay, Kim, ENOUGH! There will be no guards for Theresa's room and that's final, got it??
Kim looks at Daniel, stunned and disgusted by his strong reaction, and his domineering.
Eric walks through Town Square, deep in thought as he quickly grabs his phone from his pocket to check a newly received text message. As he does, he continues walking. Turning the corner by Tom & Alice's tree, he slams into a woman passing by, who jumps back before she falls down, herself not having paid close enough attention.
NOELLE: Oh God, watch...!
ERIC: I'm so sorr--
Eric stands back, shocked to see Noelle again. Eric looks on, at a loss for words momentarily, as is Noelle.
ERIC: Noelle Curtis...what are you doing here?
Eric offers a hand to Noelle as he lifts her up off the ground of Horton Town Square. The both smile, surprised to see each other again after so long.
NOELLE: My God! Eric Brady, it's been...ages!
Noelle leans over and gives Eric a warm hug. Eric smiles and hugs back.
ERIC: It's been a...long while. You're looking...fantastic.
Eric pulls out of the hug and, still holding her hands, backs away from her to see how beautiful she looks. Noelle smiles, flattered by Eric's compliment.
NOELLE: You're not looking so bad yourself. I heard you...have had...quite a year.
Eric's face drops, as he nods, a sad look across his face.
ERIC: ...Or two. Yeah, you could definitely make a case. But I'm pulling through.
NOELLE: Good. I'm glad. Yeah, it's...definitely not be an easy year for me either.
ERIC: I heard about your dad. I'm sorry to hear. Neil and my mom were good friends for a very long time.
Noelle smiles half-heartedly, a certain sadness in her eyes. She nods as she looks down, deep in thought in a way, as she continues to talk to Eric.
NOELLE: Yeah. It wasn't easy on any of us. Especially since now I'm...helping to support her.
Eric looks shocked by Noelle's revelation. He looks into Noelle's eyes with a deep concern.
Noelle holds up her one hand to motion to Eric not to panic.
NOELLE: It's...not a big deal, don't worry. I'm taking it all in stride. I'm just...gonna have to make it work is all.
ERIC: Well, I hope it does work itself out. Hey, how long are you in town for? 'Cause I really would love you to meet everyone, catch up with me and Sami and...
Noelle laughs at Eric's enthusiasm as she interrupts him to give him her news. As she does, Nicole appears from the opposite end of Horton Town Square and spies Eric and Noelle speaking. She hangs back, observing their body language from afar.
NICOLE: Who the Hell is that?
Noelle smiles and responds to Eric.
NOELLE: Well...we'll have plenty of time for all that. I'm staying in Salem...hopefully for good.
Eric's eyes light up at the news. He smiles widely, still standing hand-in-hand with her.
ERIC: That's fantastic!
Eric pulls Noelle back in for a big hug as Nicole looks on. Now blind with jealous rage, she storms over to Eric and Noelle and, upon approaching them, makes herself known.
NICOLE: And just what in the HELL is going on here?
Eric pulls away from Noelle and turns to face Nicole, his face immediately twisted into one of confused displeasure.
Jordan sits down at Sheryl's desk, sitting in a chair next to Jerome. Sheryl leans over her desk, placing down before the both of them a single page each. Jordan squints at the page as she picks it up, looking up at a smirking Sheryl as she scans the page.
JORDAN: You're serious about this?
Jordan sets the paper down on Sheryl's desk. She looks over incredulously at Jerome.
JORDAN: You're going to steal all the data Titan has on EnerNext from their mainframe and cover your tracks with a virus?
SHERYL: Not just any virus, Jordan. That's why I brought Jerome back to help us. He can explain it a lot better than I can.
Sheryl motions to Jerome to continue. He smiles wryly and begins, hands clasped together as he sits casually at his seat.
JEROME: We will be accessing that specific server only. Once the files are accessed and copied, which should only take about twenty minutes, we would have to cover our tracks to avoid any chance of Titan's security system catching the transfer. As a result, we will systematically corrupt and effectively paralyze the Titan servers, top to bottom.
JORDAN: And what if the firewall stops us before then? I mean, wouldn't someone not get a warning that there was a breach in the firewall?
SHERYL: Not if Jerome's plan goes correctly.
Jerome looks over to Jordan, who is still a bit lost on the logistics of the plan.
JEROME: There is a hole in every firewall. We just have to figure out where it is, and take advantage of it.
SHERYL: Once we're in, we take what we need, and then effectively set fire to the house.
Jordan looks at Sheryl, unimpressed, and responds sarcastically.
JORDAN: Sounds extreme.
JEROME: It's the best way. It's effectively untraceable, destroys Titan's inner workings, which will cost them millions if not billions, and whatever we collect on the project will go straight to the media, which will put the final nail in Titan's coffin.
Jerome turns to Sheryl at this point, pointing and smiling, looking impressed.
JEROME: Oh, and by the way. Great work with the Titan TV sale. I didn't think you could pull that one off, but it helps us out big time.
SHERYL: Thank you.
JORDAN: Won't that still be a bit of a battle? I mean, I'm sure there's a boatload of Titan loyalists still left at the station. I can't imagine they'd be thrilled with this.
Jerome looks back to Jordan, a wry smile on his face, and a glimmer in his eye.
JEROME: Trust me. When the man isn't signing their cheques, they'll take him down in a heartbeat for a good story. You can believe that.
SHERYL: And truth be told, I'm certain that by the end of the week, there won't be a Titan for them to worry about anyway, and we'll be miles away by then.
As she finishes her sentence, Sheyl looks up shocked as the door to her office swings open. Lucas looks on, confused by the scene he sees in front of him.
LUCAS: Miles away from where?
Sheryl looks on, stunned and at a loss for words as Jordan and Jerome turn to see Lucas in the doorway.
LUCAS: Sheryl, what the Hell is going on here?
Daniel pulls Kim into his office, with Kim attempting to free herself from his clutches, as he shuts the door. Kim pulls off him, finally, and curses him as she feels her not-as-sore-as-she's-making-out upper arm. Daniel leans against his desk and points a finger at Kim as he starts in on her.
KIM: Let go of me! What kind of neanderthal are you?
DANIEL: One that's concerned about your daughter's well-being.
Daniel stops a moment, relaxing somewhat as his tone changes to a more reserved, concerned one.
DANIEL: ...And yours.
Kim looks up from studying her arm for bruising. She squints at Daniel in wonder.
KIM: My well-being? (laughs) Daniel, I've been through...so much worse than this.
DANIEL: Yeah, and how did you handle that?
Kim looks away a moment, annoyed by Daniel's interference.
KIM: I don't want to get into this with you, okay?
Daniel raises his voice, hoping to stifle Kim's objections.
DANIEL: You need to, Kimberly!
Daniel stops a moment before softening his tone again, his eyes unmoving from Kim's.
DANIEL: Your daughter has been in a terrible accident. The longer she's in that coma, the greater the chance she'll never wake up from it. Now, I want to do everything I can to make sure she does wake up, but that includes her being surrounded by friends and family that will help her heal. And whether you want to admit it or not...that includes Billie.
Kim looks away at the window, shaking her head in denial. As she responds to Daniel, she becomes increasingly emotional, tears beginning to form in her eyes.
KIM: That woman has caused us nothing but pain. She's torn every bit of stability and normacly away from that girl. And just when I finally get my daughter back...
Kim stops a moment to collect herself as she begins to break down. Daniel looks on, sympathetically, but folds his arms and stays put, not wanting to step towards Kim.
KIM: I can't take any chances with this, Daniel. Billie Reed poisoned my daughter against me, and I'm not going to let her near my daughter again, ever!
Daniel looks down, retaining his composure as best he can as he takes in Kim's emotion.
DANIEL: It's not right. And you know it.
Kim nearly hollers over Daniel, refusing to accept what he has to say.
KIM: Oh to HELL with what's right for Billie! She has no right to insert herself into this.
DANIEL: Okay, Kim...I want you to realize something. Okay? I saw Billie with Theresa, and I saw how much Billie cares about that girl getting better. That kind of energy is sometimes exactly what can make the difference between someone coming back out of a coma, and someone never waking up.
Kim stays silent, wiping away her tears as she listens to Daniel.
DANIEL: But I have to respect that restraining order. If I don't, I run the risk of losing my job, and my licence. Why would I risk that? Just...don't let this anger consume you, Kim. Billie may be in my life, but that's not gonna give her special privilege where Theresa's concerned. You need to trust that.
Kim stops a moment, mulling over what Daniel's said before continuing.
KIM: Okay...fine, I won't ask for a guard for Theresa's room, and I will respect...whatever thing you have going with her...but if I ever catch Billie Reed in my daughter's hospital room again, so help me, you will live to regret it. Do you understand me? And trust me, if she's in there, I WILL find out. I can guarantee you.
Daniel looks up again, afraid to even make a response against Kim's strong reaction.
In the hospital cafeteria, Valerie studies Marlena's troubled expression with concern of her own.
VALERIE: What do you mean by that? Is everything okay with you and John?
Marlena sighs as she answers, not able to quite look Valerie in the eyes, hoping to retain her composure.
MARLENA: No, I can't say that they are. We're getting a divorce.
Marlena feigns a smile, as Valerie reaches out across the table to touch Marlena's hand in comfort.
VALERIE: I'm really sorry to hear that. But I'll tell you something, you look a hell of a lot more conflicted than sad about this. Marlena...are...are you sure this is what you want?
Marlena looks down, contemplating Valerie's question. She slowly nods, before looking back up at her friend to answer her question.
MARLENA: Yes. Yes, it's probably for the best. Too much water's passed under the bridge, and as much as I don't want to admit it, I have much more important priorities to consider right now.
Valerie raises an eyebrow at Marlena's vague statement.
VALERIE: Such as...?
MARLENA: What to do about Roman.
VALERIE: What do you mean? Is he okay?
Marlena takes a sip of her coffee before answering. Putting the cup down, she shakes her head subtly, hoping to maintain discretion concerning his situation.
MARLENA: No. And actually, that's something I really should ask you about, especially with your expertise in neurology.
VALERIE: Absolutely, anything.
Marlena leans in, looking around to make sure no one could be listening in on them as she softly asks Valerie her question.
MARLENA: Roman's been having very...bizarre memory lapses and these...strange moments that almost seem like the beginnings of dementia...
VALERIE: It very well could be, but he's so young, that's a surprise to me.
MARLENA: To me too. And it comes so soon after his mother's diagnosis with Alzheimer's as well. But, that's the thing. The symptoms don't quite line up.
Valerie looks on, head tilted slightly in confusion.
VALERIE: How do you mean?
MARLENA: I mean that something in my gut is telling me something else is happening to him. And I need you to figure out what it is.
VALERIE: I'll do whatever I can.
Marlena smiles at Valerie warmly.
MARLENA: Thank you. I'll be meeting with Roman after lunch so maybe we can have a chat with him then.
VALERIE: Sounds good to me, I'm free for a little while longer, so I don't mind at a...
Before Valerie can finish her sentence, she spots another familiar face walk through the door of the cafeteria, looking for someone. She spots Roman immediately and calls out to him as she stands up, smiling widely.
VALERIE: Chris Kositchek! Aren't you a sight for sore eyes!
Roman looks at Valerie, bewildered, and as though looking at a stranger, as Marlena looks on, a flash of deep concern hits her as she looks quickly back and forth between Roman and Valerie.
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ANOTHER WORLD 210
Written by: C. Nathaniel Richardson
Consultants: ML Cooks and A. Washington Beeby
Paul Michael Valley makes an appearance as Ryan Harrison…
Lindsay is lying down on the couch dressed in her blue pajamas and Stacey walks into the living room.
Stacey: Look Lindsay you can’t lie around and be depressed about this forever.
Lindsay: Oh you’re a shrink now. I guess you’re gonna ask me how it makes me feel?
Stacey: Sarcasm isn’t gonna help you right now.
Lindsay: You wanna know how it makes me feel don’t you? Do you wanna how a hysterectomy makes me feel? I’m nothing. I feel...empty. I’m never gonna have a child! I feel worthless.
Stacey: If that’s your attitude then that’s what’s gonna happen. There are other ways you can have children.
Lindsay: Oh wait, you’re gonna tell me I can adopt. You know what’ll happen? I’ll attach myself to the child until the birth mother decides she wants to come and take custody, and I will have no choice but to give the child back to its natural mother. You see, natural mothers have more power; biological mothers hold all the cards. I will never be anyone’s biological mother.
Stacey: And how long are you gonna down about it? How long are you gonna sit here and feel sorry for yourself? You’re better than that Lindsay. You’re stronger than that!
Lindsay: You’re really something aren’t you? You’re gonna tell me how I should feel?
Stacey: Of course not honey. I want you to get through this, but moping around, having a pity party, that’s not you. That’s someone else, and whoever that person is has taken my daughter, and I’m gonna get the real you back, no matter what I have to do.
Lindsay: You want me back mom? How about you and Gregory stop treating me like a delicate, porcelain trinket?
Stacey: We can help you if you let us.
Stacey’s eyes well up.
Stacey: I love you so much.
Stacey leaves out the front door. Outside she leans her back on the wall next to the door, and looks up at the ceiling.
Stacey: My God what am I gonna do?
Michael walks up.
Michael: You alright?
Stacey runs up and hugs Michael.
Stacey: No. Not at all.
Michael: Worried about your daughter huh?
Michael: Are you headed out?
Stacey: Yeah I’m..I was headed to the office.
Michael: Why don’t we...go somewhere? To the Center maybe?
Stacey: Yeah...I have a few minutes. Sure.
As they walk away slowly.
Michael: Guess we’re both worried huh?
Stacey: You must be worried about...Lindsay’s sisters.
Michael: Yep, Bridget and Michele.
AT THE MCKINNONS
Vicky and Michele are in the living room.
Michele: And I’ve been thinking a lot about it and...it’s time for me to go tell Bridget that I forgive her, and for us to be sisters again.
Vicky: Honey, that is the best news I’ve heard all day. So proud of you.
Vicky hugs Michele.
Michele: Thanks mom.
Vicky: Can I ask you a question?
Vicky: Did you...cut yourself with those scissors in the hospital?
Michele flashes back.
Michele turns around, and walks to the counter slowly. She secretly grabs a pair of gauze scissors and starts digging them into her left arm until she draws blood.
Michele flashes back to the present.
Michele: That’s...that’s not important.
Vicky: So Bridget did attack you?
Michele: Whatever Bridget did, I forgive her.
Vicky: I always knew that you would do the right thing. You always did. That’s my girl. If you were angry at Bridget, I knew you would eventually would try to resolve your differences.
Michele: And I’m gonna head over to the Love Mansion to let her know.
Donna walks to the foyer and sees Bridget and Cory coming downstairs.
Donna: Cory? Bridget?
Cory: Hi Donna.
Donna: Cory what were you doing upstairs?
Cory looks at Bridget who is a step behind him.
Donna: You two...in my house?
Cory: I can explain…
Bridget: Explain what Cory? My grandmother seems to have figured out what happened. We slept together.
Donna: Cory can you let Bridget and I talk please?
Cory: I’m gonna...head home.
Bridget: I’ll call you.
They kiss and Donna turns her attention to Bridget.
Bridget: Where’s grandpa?
Donna: He went out.
Bridget: Well I’m gonna go see dad.
Donna: Not now you’re not. In the living room...now! You’re reminding me of your mother.
Vicky is curled up on the living room couch and her arms folded. She looks at the divorce papers on the coffee table, and has a flashback…
Jake: Vicky you need to face the truth. Ever since Michele’s accident we haven’t been the same since.
Vicky: We got past that.
Jake: Then you knew about Lindsay being my daughter and you didn’t tell me.
Vicky: I was trying to protect our family!
Jake: But you didn’t did you? I don’t trust you Vicky. Ever since you kept the truth about Lindsay from me, I have a hard time trusting you.
Vicky flashes back to the present, and uncurls herself from the couch and sits up and sighs.
Vicky: What am I gonna do?
Suddenly, someone gently places his hand on her right shoulder, and she touches it, as if the feeling is familiar to her. She looks up...
Vicky sees a smiling Ryan Harrison, dressed in street clothes.
CAMERA PAN ON RYAN...SLOW FADE TO THEME SONG
AT THE CENTER...Michael and Stacey are sitting at a table across from each other.
Stacey: I don’t know what else to do Michael. I hate seeing her like this.
Michael: It’s getting to you isn’t it?
Stacey: I’m used to seeing her alive; on the go; determined. I mean she came to Bay City all on her own to find Jake. This person that I’ve been seeing the last few days...that’s not my daughter. You know?
Michael: I know.
Stacey: I just wanna reach inside and take what’s bothering her out, so she can be herself again.
Michael: Unfortunately there’s not much we can do about that. We see our children going down a road that’s gonna lead them to hurt. We do what we can do stop them, and we can’t. Donna told me about Vicky and Shane Roberts all those years ago.
Stacey: I heard about that.
Michael: My twin brother got killed an accident trying to stop her from sleeping with him. I wasn’t there but I can identify with that feeling.
Stacey: Parental instinct I guess.
They both chuckle.
Stacey: Well I’m glad you decided to come see me.
Michael: I needed a friend. I mean...we’re still friends after all these years right?
Stacey: You’re really worried your twin granddaughters huh?
Michael: Yeah I didn’t wanna tell Donna. She’s worried to the twentieth power, and if I show her that I’m worried I don’t think it would help.
Stacey: Well you know Donna better than anyone.
Michael: I should. I married her four times right?
Stacey: Right? Well I gotta...get to the office.
Michael places his hand on Stacey’s.
Michael: If you...need anything I’m here for you. Okay?
She slips her hand from under his.
Stacey: Sure. Thank you. I’ll keep that in mind. So where are you headed now?
She smiles, steps away, and places a call on her cell phone.
Stacey: Can you come to my office? I need to talk to you.
Donna and Bridget are sitting on the living room couch.
Bridget: Are you gonna give me the talk? Because I heard it from mom and dad already.
Donna: You watch your attitude young lady! I just hope you and Cory were responsible, and used protection.
Bridget: Why wouldn’t have we used a condom?
Donna: I don’t know Bridget. You tell me.
Bridget: Really? You think I’m gonna do what mom did when she slept with Jake and Jamie Frame. She didn’t know who Steven’s father was, and then a few years later she slept with Ryan and Grant, and again she didn’t know who Kirkland’s father was.
Donna: That’s not what I meant…
Bridget: Come on Grandma Donna, of course it’s what you mean. You think I’m gonna end up like mom. I guarantee you I won’t be needing any DNA tests.
Donna: So you did use protection?
Bridget: Yes. We used a condom.
Donna: Thank God. I’m relieved that you and Cory were responsible. And you’re right...I don’t want you to be in the same situation that your mother was in.
Vicky and Ryan are hugging and she straddles his face.
Vicky: You look…
Vicky: I thought you guys don’t age up there.
Ryan: This is how I’d look if I was still on earth.
Vicky: You...came at the perfect time. You’re gonna tell me how to put my family back together.
Ryan: Come on Vick, you know I can’t tell you what to do.
Vicky: Why not? Haven’t you learned anything from your boss in twenty years?
Ryan: Oh there she is. Same ole Vicky I knew and loved.
Vicky: You and I should have gotten married and had a family. You were the man I loved.
Ryan: So you regret the family and the life you built with Jake?
Vicky: No...no that’s not what I’m saying at all. It’s like our...plans got cut short by Grant. I mean he spent years trying to get sole custody of Kirkland.
Ryan: I know what my brother did. You and I weren’t meant to be Vicky, but you and Jake were. You two have a great family.
Vicky: We don’t have anything anymore. He wants a divorce.
Ryan: I know.Latest Entry
Return To Peyton Place - Episode 1
Based Upon The Book By: Grace Metalious
Written By: Casey Hutchison & Rebecca Rouse
Time Of Day: Morning
Laurie and Michael step off the elevator at Jackson Memorial. They walk up to the front desk to check in for their appointment.
RECEPTIONIST: May I help you?
LAURIE: Hi, we are Laurie and Michael Sutton. We are here to see Doctor Cho. Our appointment is supposed to be at nine, but we were wondering if you guys could take us earlier than that?
RECEPTIONIST: You are in luck. Doctor Cho just had a cancellation.
RECEPTIONIST: Please, stay right here. I will page her.
Michael and Laurie are excited to know that they can get in earlier. Before the receptionist pages the doctor, the doctor enters.
DR. CHO: Mr. and Mrs. Sutton. (Checking Watch) I thought you were not supposed to be here, until nine o’clock.
MICHAEL: We weren’t. But, we had a few errands to run today, and this was on our list. So, we thought why not get the news of our fertility treatments.
DR. CHO: I’m sure by now, you have heard that I have gotten a cancellation?
LAURIE: We have.
MICHAEL: Can you take us, now?
DR. CHO: Yes, I can. Let’s find out the news of the fertility treatments, shall we?
Michael and Laurie nod their heads. Dr. Cho, Michael, and Laurie walk with the doctor to her office. They are nervous to know.
The elevator doors open, and D.B. steps out. She walks to apartment 31B. She is reluctant to knock, but she does anyways. She sighs, as Steven opens the door.
STEVEN: D.B.? What are you doing here?
D.B.: Can we talk?
For a few seconds, Steven does not know to let her in or not. But, he waves his hand into the apartment. D.B. enters with a slight smile. Steven shuts the door.
At Diane and Matthew’s home, they lay in their bed. It is apparent they have just got done making love, passionately.
DIANE: That was amazing.
They are both breathing heavily, as Diane looks over to Matthew.
MATTHEW: You were amazing.
DIANE: You were, as well.
MATTHEW: Do you think we heated things up a little?
DIANE: A little? You were an animal!
Back at Steven’s, D.B. sets her purse down. They are both anxious to be talking to one another. They don’t know what to say to one another, until Steven breaks the silence.
STEVEN: So, why are you here, D.B.?
D.B: I told you. I needed to speak with you.
STEVEN: Not one word has come out of your mouth since you entered this apartment. So, go on. The floor is yours.
D.B.: I came to apologize.
STEVEN: You what?
D.B.: Steven, (sighs) we haven’t had a conversation about our past in at least forty years. We have swept it under the rug for that long. We need to have this talk.
STEVEN: Not really.
D.B. throws her hands into the air.
D.B.: Yes, we do.
D.B.: Enough! We are going to do this. I have waited almost forty years to apologize to you. It is going to happen, now.
Back at Diane and Matthew’s, they are still in their bedroom, but getting dressed for the day. Diane is trying to zip up a dress, but she can’t do it. Matthew comes up behind her, and helps her with it. She turns around, and kisses him.
DIANE: Thank you.
MATTHEW: Of course.
DIANE: I love you so much.
MATTHEW: (Smiling) Thank you. I’m flattered. I love you too.
DIANE: (Laughs) Tell you what.
DIANE: How about I call into work today, and say I am sick.
MATTHEW: I would love that.
DIANE: You should do it, too.
MATTHEW: Oh, I can’t pass up on you.
Diane laughs, as Matthew picks her up.
Laurie and Michael are sitting across from Dr. Cho. Dr. Cho is sitting behind her desk. She is going over some papers.
LAURIE: What’s the verdict?
DR. CHO: I’m sorry.
MICHAEL: Not pregnant?
DR. CHO: No, you are not. I know that this is your third time going through the operations. I’m so sorry that this didn’t work out for you.
LAURIE: Dr. Cho, we are used to it. We are used to it now working out. They say that third time's the charm. Not for us.
DR. CHO: There are other things we can do.
Laurie stands. Michael follows shortly after.
LAURIE: It is fine.
Dr. Cho stands. She is concerned.
DR. CHO: What do you mean?
LAURIE: Listen, thank you for your help. But, I don’t want to do this, anymore. I just wanted a baby. Apparently, that was too much to ask for.
Laurie wipes tears and storms out.
DR. CHO: Is she going to be alright?
Michael goes after her. He is hopeful he can fix the issues for right now. Dr. Cho flops down in her seat. She is sad she couldn’t make that happen.
Announcer: This episode of “Return To Peyton Place” was pre-recorded.
THIS PROGRAM STARS:
Alicia Minshew as Laurie Harrington Sutton
Dominic Zamprogna as Michael Sutton
Robin Strasser as D.B. Bentley
Betty Ann Carr as Monica Bell
Michael Muhney as Matthew Carson
Gina Tognoni as Diane Littleton Carson
Joseph Gallison as Steven Cord
Leigh Taylor Young as Rita Jacks
Lynn Loring as Betty Anderson
Pamela Susan Shoop as Allison MacKenzie
Sharon Case as Christine MacKenzie Loving
Chris Engen as Robert Loving
Robert S. Woods as Tom Dana
Michelle Lee as Selena Cross
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Written by: Nick M
At the café:
Zack walks in to see Sam and Trinity there sitting together.
ZACK: Are you two still writing for the paper?
SAM: Nah, we finished our last article already. We are having a celebratory hot cocoa.
ZACK: Hot cocoa? Woah now! Don’t go too hardcore.
TRINITY: Hot cocoa is the sh*t.
ZACK: The summer flew by. Feels like it just started.
SAM: That is so true.
ZACK: You know I am trying to get the summer to go out with a bang though.
TRINITY: How so?
SAM: He wants to have this huge end of the summer bash.
ZACK: Yes sir! Tonight! And I hope you two will be coming to it.
TRINITY: A little late on the invite.
SAM: You have other plans?
TRINITY: Nah. I just don’t want to go truthfully.
ZACK: Oh come on don’t be boring!
TRINITY: I am far from boring. Trust.
SAM: I’ll go if Trinity goes.
TRINITY: Don’t put all this pressure on me, Sam.
ZACK: I’ll give puppy dog eyes if I have to.
Zack gives his best go at puppy dog eyes.
TRINITY: Oh please stop. I will go if you stop. You look like you are about to burst into a seizure.
SAM: Looks like I have a party to get ready for..
Marah arrives at her parents ranch.
Reva is there.
REVA: Hey sweetie.
MARAH: Mom. I heard what happened! Thank god you are okay.
REVA: Yeah she really wanted to mow me down.
MARAH: Dad said that you think it is Lily’s neighbor Blair Manning?
REVA: I believe so.
MARAH: That is crazy if true. I hope the cops will handle this.
REVA: I hope they will as well. I’ve told them that it was her.
MARAH: And your ribs are doing okay?
REVA: These old bones of mine are sore, but I’ll be fine. I’ve been through much worse.
MARAH: That you have.
Blair meanwhile is arriving home.
BLAIR: I swear life in this town is turning into a hassle.
She closes the door in a huff.
BLAIR: And Todd is always at work. Never here when I need some comfort.
She goes through some mail that is on the table. There is also a file that is on the table.
BLAIR: He even left some of his work here at home. I just hope he helps me take down Reva Beast. I know she is trying to set me up for this alleged hit and run. What a psycho!
Blair walks into a different room in a huff.
Zoom in on the file on the table. On the file, it reads: Reva Shayne
At the Union Creek Chronicle:
Todd and Gary are with Luke and Jack
TODD: I have a special assignment for you two
He points to Luke and Jack.
JACK: My first assignment. I have to say I am excited…but nervous too.
GARY: Luke here is one of the best we have. He will help you out.
LUKE: I hope it is something juicy. I am sick of the fluff pieces.
TODD: I need you both to look into the almost hit and run on Reva Shayne that was in the police blotter. I know my wife had nothing to do with it so I want her off the hook.
JACK: Now I am more nervous.
LUKE: Why is that?
JACK: I’ll tell you later.
GARY: Help our boss man out.
LUKE: We will try.
Jack and Luke walk off.
TODD: So can we talk about this info I found out about? I want to know exactly what is up!!
GARY: Then come with me.
TODD: Come with you where? You know I can’t say I trust you.
GARY: This isn’t stranger danger. We have to go now. I know more info too. It is all about to come out…
Todd looks on intrigued…
At the Café:
TRINITY: I should go and get ready for this party.
SAM: You really do look fine the way you are now.
TRINITY: But still.
ZACK: This is perfect. I will see you there then.
SAM: At Jaspers house?
TRINITY: Where is that?
SAM: I’ll give you a ride there.
Zack gets a call from Jasper
ZACK: Hey man! Are you pumped for this party or what? I know I am.
JASPER: Of course I am bro. Got the house to myself and everything is set up.
ZACK: Great. I knew you would come through.
JASPER: Let’s get this party started!
ZACK: I’ll be right over!
At the Union Creek Chronicle:
Jack and Luke are working together.
LUKE: Why are you nervous about looking into this hit and run?
JACK: Well you see, this Reva Shayne that was almost hit by the car…I kinda sorta live with her and her husband.
LUKE: Oh…wow, but that’s great. You have an inside scoop.
JACK: Yeah, but she is so convinced that Todd’s wife was driving the car. I do not want to cause ruffles with her.
LUKE: The job of a journalist is never easy in that regard these days.
JACK: She has been so nice to meet.
LUKE: I understand. You know, this isn’t much of a story they have gave us. They have been giving me these long drawn out stories all summer. I don’t get it.
JACK: That sucks. I will take the fluff. I need the practice…or re-practice..
LUKE: I can’t shake the feeling that Gary and Todd are up to something I mean where did they leave to in a hurry?
JACK: I have no idea.
Gary has taken Todd to what seems like an abandoned building of some kind.
TODD: And we came here because why?
GARY: It is a safe place to meet.
TODD: Safe place? Are we in danger that I don’t know about? What the hell are you dragging me into?
Pan up to the ceiling of the room.
There is a camera watching them…
TODD: Look I read your info and the ISA is involved in this somehow. They deal with high profile criminals.
GARY: I have no idea why they would want this document.
TODD: I don’t know if I believe that…but you said you found some new info. What is it?
GARY: It is big.
TODD: Just spit it out!
GARY: I believe I have located the document.
TODD: You know where it is? How?
GARY: My source—
TODD: --What source?
GARY: I have good sources and they have found out who may have this document and where the person who has this document lives.
TODD: Okay who and where?
GARY: The where is Paradise, New Mexico. The who, is the man in this picture.
Gary hands Todd a picture…
Zack is at Jaspers house for the party.
ZACK: How did you get so much booze?
JASPER: My older cousin came through!
ZACK: This is epic. I am so excited for the first time all summer.
JASPER: You needed this didn’t you?
ZACK: What I need is for this night to play out in my favor.
Zacks happiness fades away
ZACK: And this is not a good start.
His step brother Rourke walks in.
ZACK: What are you doing here?
ROURKE: It is a party. You know I love parties.
ZACK: Just don’t be annoying.
ROURKE: No, no. I leave that to you.
Rourke smirks and walks off.
Zack then sees Cory arriving outside.
ZACK: Who invited these damn people?
Zack takes a deep breath and looks at his watch.
ZACK: It is okay. It will all be right when Anne shows up. I will make it work tonight.
Cut to Reva and Marah
MARAH: I hope you will be safe.
REVA: I can take care of myself, you know that.
MARAH: Where is dad? And… Jack?
REVA: Your dad is being a gentlemen and doing some grocery shopping and Jack got a job at the Union Creek Chronicle.
MARAH: I am not leaving then. I don’t think you should be alone right now.
REVA: I promise you do not have to worry about me.
MARAH: What if someone is after you, mom?
REVA: Someone is after me, but I can handle her.
MARAH: Blair Manning?
REVA: Yes. She is crazy. I know it was her who did this and I hope the cops are able to prove it.
Blair finally sees that the file on the table has Revas name on it.
BLAIR: What do we have here?
Reva opens the file.
BLAIR: Todd dug up some background info on Reva.
BLAIR: He came through.
She starts to go through the file and is very fascinated…
Meanwhile, someone is watching Todd and Gary on camera from the abandoned building…
But turns out the building is not so abandoned. The person is in the room next to the one Todd and Gary are in!
The person walks towards the door and peeks in at the two.
Gary has handed Todd a picture
A picture of Paul Ryan.
TODD: So this is the man with the document?
GARY: I believe so. His name is Paul Ryan. He is who you need to find?
TODD: Who I need to find?
GARY: Yes you need to go to Paradise New Mexico and find him.
TODD: This all feels too strange. Am I being set up?
GARY: Nope you are helping the old boss of the chronicle get back what is his.
TODD: This document?
GARY: That is a part of it, yes.
TODD: No. I don’t trust you right now. I’m not doing it.
GARY: Just find that man! Find Paul Ryan.
TODD: What is in it for me?
GARY: A nice fat check.
TODD: Well this can be arranged then…
Suddenly the person from the other room walk inside this room!
The person stands in the shadows of the room.
TODD: Now what is this?!
The person speaks with a deep voice: “Find him. And if you see his mother Barbara…tell her hello for me…”
Todd looks on towards the person in the shadows…
FADE TO BLACK
*I do not own any non original characters nor any pics.
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Created By: Agnes Nixon
Written By: Josh Manning
INT. UNKNOWN ROOM- AFTERNOON
Jack is still tied to the chair when the door opens and a young woman walks into the room carrying a tray of food.
Girl- I brought you some food.
Jack- and how do you expect me to eat it with my hands tied behind my back?
Girl- Well I guess I could always feed you. I'm pretty sure my father doesn't want me to untie you.
Jack- Zack's your father?
Girl- Yeah he is and my names Dara. So how do you know who my father is.
Jack- because I'd seen him before this morning. I saw him a couple nights ago at Llanview Park.
Dara- Oh... really well um... Did he seem normal to you?
Jack- Well he raped me that night, so is that normal for you? And I also think he killed my dad.
INT. TEA AND VICTOR'S HOUSE- AFTERNOON
Olivia- Well why don't you tell us how you really feel?
Tea- okay I will. Todd has caused nothing but hurt for my family. Hell he shot his own twin brother and lead all of us to believe he was dead for almost two years. He's hurt my daughter on more than one occasion. So am I sorry that he is dead? No I'm not but I wouldn't be the one to take him away from his kids. And if you want to continue to accuss me of murder you can leave my house now.
Blair- Tea now just calm down she's not accusing you or anyone else right now. All that is important is that we find Jack.
INT. ANGEL TOWN SQUARE- AFTERNOON
Ella- wow I can't believe how much you have turned out like dad. Such a player.
PJ- Will you hush? Listen as far as everyone knows mom left when we were little and dad died when the apartment exploded which is how I got the scar.
Ella- more lies PJ!
PJ- well you do what you have too, to stay hidden.
Ella- Well your not doing a very good job by hitting on two sisters.
PJ- wait what?
Ella- Oh please that girl there you guys were totally flirting and her sister Starr is your girlfriend, right?
PJ- you are crazy. I was not flirting with Dani. What are you doing here anyways? We can't be seen together.
Ella- please like anyone is going to recognize me. Cause they sure as hell haven't recognized you.
Shows someone using a camera taking pictures of them.
INT. MATTHEW'S APARTMENT- AFTERNOON
Matthew is slowly pacing around his apartment when their is a knock at the door. He walks over and answers it to see Noah standing there.
Matthew- Hey! Come on in.
Noah walks in as the door is closed behind him.
Noah- So Aubrey said you had something to say to me.
Matthew- yeah listen about yesterday. I am really sorry that I said any of that. I know you would never risk anything to hurt Drew or myself. I should of known that and I do know that but I was so pissed off that I had to take my anger out on someone and it just happened to be you. So do you forgive me?
Noah- I will on one condition.
Matthew- what's that?
Noah- You go out with me tonight on a date to the firework display at the country club? Are you in or out?
INT. KAREN'S PENTHOUSE- AFTERNOON
Karen- Katrina what are you doing here?
Katrina- Well I had some business to take care of in town and I thought I'd stop by.
Connie- Oh don't tell me that you have brought your nasty work to town.
Katrina- my nasty work is what keeps your business afloat. So yes my work is here in town. Along with some other business.
Karen- Well um... how do you plan on getting out of here without Aubrey seeing you?
Katrina- Kristine has no idea that I am alive and besides remember I had facile reconstruction done. So what's it like living the good life here in Llanview?
INT. LLANFAIR- AFTERNOON
Kelly is sitting on the couch rubbing her pregnant belly as she is reading the paper when Joey walks into the room.
Joey- hey sweetheart!
Kelly- hey! your home. So how was London?
Joey- Nothing's changed.
Kelly- Well how's Zane doing with us not being there?
Joey- why don't you ask him yourself?
Joey turns towards the opened doors and Zane appears in the doorway.
Zane- hey mom!
Kelly has a tear go down her face as she walks over and hugs Zane.
Kelly- Oh it's so good to have you home with me again.
INT. TEA AND VICTOR'S HOUSE- AFTERNOON
Victor is sitting after the kitchen table when his phone goes off.
Zack- Hello Victor! If you want to see Jack alive you better have that money I asked for by midnight tonight or Jack is dead.
Victor- Don't worry I'll have your money.
INT. WANDA'S PLACE- AFTERNOON
Shows Kameron and Aubrey sitting in a booth as Wanda walks by them and puts up a for sale sign in the window.
Aubrey- Wanda! Your selling the place?
Wanda- yeah I have no choice business just isn't like it was back in the day when this place had life. Young teenagers coming in for a float or a burger after school and they'd hang out here for hours.
Kameron- Well what if we were to help you get this place back up to it's glory days.
Wanda- I think it's beyond that.
Aubrey- We can't say that until we have tried. I can get a lot of people to help pitch in. So what do you say?
Wanda- Oh I guess we could give it a try.
INT. UNKNOWN OFFICE ROOM- AFTERNOON
Zack is sitting behind a chair when his daughter Dara walks into the room.
Zack- so did you take care of what I asked you too?
Dara- yeah I did and I have something to ask you? The prisoner said that you attacked him the other night in the park. Is it true?
Zack- Yes it's true. Believe me I'm waiting to do it again.
Dara- Well I'm afraid that's not going to be the case father and I have let him go.
Zack- you what?
Zack gets up from behind the desk and walks towards Dara with anger in his eyes.
Zack- Are you really as stupid as your mother?
Zack puts his hands around Dara's neck as Jack sneaks up behind him and uses a rope to choke Zack out.
Jack- come on lets go!
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Eve and JJ are in her bedroom where JJ wonders why Eve brought him back there. Eve shrugs. She's not even sure. Eve wanted to talk to JJ in private. JJ figures a bedroom couldn't be more private. Eve shakes her head. JJ knows exactly why Eve brought him back there. JJ isn't sure they should do this again. Eve says she has a bottle of wine out front. JJ asks what happens after that drink. Eve looks down at the bed.
At the hospital, Jennifer tries calling Roxanne back. When she gets Roxanne's voicemail, Jennifer leaves a message, insisting Roxanne return her call. Lucas drops into Jennifer's office. He was going to see Sonny, but Adrienne's in with him. Jennifer wonders why that would stop Lucas from going in to see his son-in-law. Lucas recalls kissing Adrienne. He shakes the thought away, claiming he doesn't want to intrude. Lucas can remember how he felt when people would interrupt his time with Will when he was in the hospital. Lucas notices the keys on Jennifer's desk. "E.L." Jennifer confirms they are Eve's. Lucas asks why she has them, and Jennifer explains Eve left them. Jennifer admits she thought about using them to find out what Eve's hiding. Lucas smirks. A scheming side. Finally, a family trait they share. Jennifer laughs. She informs Lucas of her younger scheming days. Lucas had nothing on her! However, Jennifer realizes she needs to return the keys to Eve and just give it up.
Adrienne comes out of Sonny's room and calls out to Kayla, wondering if she has a minute. Kayla looks at her watch. She has a meeting shortly, but can talk to Adrienne. Adrienne wonders if Kayla ever found out what caused Sonny to get worked up the other day. Kayla shakes her head. He never made mention. Will didn't either. Kayla thinks it could've been nothing, just a normal reaction that was heightened due to the wound. Adrienne hopes so. She doesn't want to see her son dealing with anything besides recovery right now. Kayla thinks that's a great idea. The last thing Sonny needs is to deal with outside stress. Adrienne flashes back to kissing Lucas outside the town square. Adrienne nods, agreeing with Kayla.
Theresa is shocked to find Anne still at the hospital. Anne says she received notice of an impromptu meeting with Dr. Johnson. Theresa wonders what her aunt would need to talk to Anne about. Anne isn't sure. She questions if Theresa said anything to Kayla about the other day. Theresa swears she said nothing. To anybody. Anne hopes so. Anne has saved Theresa's ass too many times to be thrown under the bus because of some brainless billionaire. Anne wonders what Theresa is doing at the hospital. Theresa admits she wanted to use the hospital resources, but the Internet server is down and she's unable to. She'll have to rely on her own resources, Theresa guesses. Anne receives a call, notifying her Kayla is ready.
Jennifer knocks on Eve's apartment door. No answer. Jennifer pulls out the keys Eve left behind at the hospital and uses them to open the door. Jennifer calls out to Eve. Surprised Eve emerges from the back, demanding to know what Jennifer is doing in her home. Jennifer shows the keys and says she wanted to return them. When Eve didn't answer, Jennifer let herself in. Eve tells Jennifer she needs to go. Now! Just before Jennifer makes it to the door, JJ comes out. His eyes widen when he sees his mom. Jennifer wants to know what's going on. Eve manages to cover by picking up a box of things Paige gathered that belonged to JJ. She claims JJ came over to pick them up, so Paige didn't have to see him. JJ goes along with Eve's story. Jennifer looks doubtful, but keeps it to herself. She wonders if JJ is ready to head home now that he has his things. JJ nods and leaves with the box. Jennifer turns to Eve one last time before walking out the door. Alone, Eve covers her mouth at what just happened.
At the Kiriakis mansion, Adrienne is on the phone, giving Jo an update on Sonny. Doctors are still unsure how much longer he'll remain in the hospital. Adrienne promises to have Sonny call his grandmother tomorrow. Adrienne is startled when she turns around and finds Lucas. He tells her they need to talk about what happened the other night...
Eve pours a glass of wine. As she runs her hand through her hair, Eve wonders what the hell is wrong with her. JJ is practically a child. Eve takes a sip of her wine. "How screwed up am I?"
JJ walks into the Horton house with the box from Paige's in hand. Jennifer follows. She looks at the box JJ sits down and then at her son. Jennifer asks if JJ wants to talk about it. JJ shakes his head no. He should start on homework due tomorrow. JJ heads upstairs and Jennifer calls out to him. She reminds JJ that she's there if he needs to talk. JJ nods and continues up the steps. Jennifer sighs. Her phone rings, and it's Kayla with good news. Anne Milbauer will no longer be a problem for them. She was fired for trying to drug Brady Black. Hospital security cameras captured the deed. Jennifer calls it a new low. Kayla notices Jennifer's reaction. It's much more low-key than she expected. Jennifer admits she has something else on her mind. The ladies make plans to grab breakfast before work tomorrow. Jennifer hangs up and looks up the stairs.
At the pub, Theresa contemplates searching Dr. Mandrake's name in a search engine database on her cell phone. Just as she types the doctor's name and presses "SEARCH," the phone is yanked out of Theresa's hand by Anne! She's furious and demands to know what Theresa told her Aunt Kayla. Theresa asks what Anne is talking about. Anne explains that Kayla just fired her. Anne refuses to go down alone and all she has on Theresa will cost her job too!
Lauralee Bell as Yvonne Mitchell
Molly Burnett as Leslie Carter
Brett Butler as Cathy
David Canary as Phillip "Phil" Carter
Maree Cheatham as Hazel Foster
Zack Conroy as Ethan Carter
Jason Cook as Heath Roscoe
Jimmy Deshler as Ben Carter
Melissa Clare Egan as Colleen Carter
Haley Erin as Ali Carter
Susan Flannery as Stella Foster Carter
Samantha Logan as Katie
Eric Martsolf as Aaron Carter
Cady McClain as Lorraine Saunders
Cady McClain as Sharon Saunders Carter
Kurt McKinney as Greg Carter
Lenny Platt as Dean Carter
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At the Callison Manor the Patriarch of the family Tom is sitting on the couch when his wife Maggie walks into the room with a big ole smile on her face.
Tom-Well what's got you in this great of a mood
Maggie- Our baby boy is coming home today. As a matter of fact I just seen his car pull up the drive way.
Tom- Well then I guess we need to make him feel welcomed back home
Tom and Maggie walks towards the front door as it opens and Ethan walks into the Manor carrying a duffle bag. He drops the bag and hugs both of his parents.
Ethan- Oh it feels great to be home again.
Maggie- and we are very happy to have you home again and hopefully this time for good.
Ethan- well as of right now I plan on making it my permanent home.
Tom- Good and if you need I can get you a job at the hospital.
Ethan- no need to do that dad Aaron has already gotten me a job at The Wild Spot.
Tom- that freak bar where all them freaks go.
Ethan- dad just because they're gay doesn't make them freaks and I think me working there will be a good thing.
At Destiny Cafe Sage and her fiance Brady are sitting at a table drinking coffee when Sage's best friend Hope Cooper walks into the cafe and sits down at their table.
Hope- You will never believe who I just seen back in town
Brady- Your Brain?
Hope- Haha very funny
Sage- Who did you see back in town?
Hope- Brian Jenkins!
Brady- Who's that?
Sage- he's an ex of mine that went away not long after we broke up
Hope- yeah I'm sure he's finally over you.
Sage- let's just hope he is
At the Police Department Edwin Callison is sitting behind his desk when his boss Commissioner Charity Summers walks out of her office and over to his desk.
Charity- we have one hell of a huge problem
Edwin- what do you mean?
Charity- Brian Jenkins! The man that torched your sister a couple years back who had been reportedly released from prison. Well I just got a call from the Mayor asking me why I haven't caught the escaped prisoner yet.
Edwin- So he wasn't set free?
Charity- No he wasn't suppose to get out the court screwed up their paper work and released him instead of the guy that was suppose to be released. So I need you to get out their on the street and start looking for him.
Across town in an abandon warehouse in a sound proof room Brian Jenkins is walking around the room looking at an 18 year old named Stephen Donovan who is tied down to the bed.
Brian- Oh do you not like the place that I've chosen for you. Well I thought it was really nice but yet you've never seen the inside of a prison have you? No! But I know your father has and he still is. The bad thing about you never being in prison is you really don't know how it works in there. You see if you want something from someone you have to give something for them to help you. Or in my case you just take it. See your father Mike is in prison for killing your mother which I'm pretty sure you already knew that. See I needed his help and he gay me an offer and I declined it which made him very mad. So for pay back he made me his bitch, which is exactly what I'm going to do to you.
At Memorial Hospital Tom Callison is the Chief of Staff. Tom is making his way around the hospital when he notices something very unusual by the ER doors. Tom walks over and sees that there is a baby in the basket. He picks up the baby.
Tom- Well aren't you just a precious little girl
Tom carry's the baby back into the hospital
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GENERAL HOSPITAL FANFIC EPISODE 14
Monica tells Tracy what she did
Created by: Frank and Doris Hursley
Written by: C. Nathaniel Richardson
Consultant: Beebs and YRbiggestfan
PART 1 - AT THE PARK
Sebastian West walks into the park with his book bag and sits on the bench. He looks to the left, then to the right and is certain that nobody is there. He takes out a small bag of marijuana, then looks for something else while focused on the bag.
Sydney: Looks like you need one of these.
Sebastian: Thank you.
He reaches out for the lighter, but Sydney pulls it back.
Sydney: So are you gonna smoke that all by yourself?
MICHAEL’S APARTMENT - Kiki walks in with a gift bag, smiles, and takes a red teddy out of it. She turns to the table, which is pristinely set with two candles, handkerchiefs, silverware, two champagne glasses, and a silver, ice filled bucket with a bottle of champagne in it. She then gets a call on her cell phone.
Kiki: Hmm if it isn’t my sexy fiance. Wait till you get home.
Michael: Hey babe. I’m...gonna be home a little late tonight.
Kiki: Let me guess...ELQ stuff.
Michael: Yeah we just got word that they’re gonna announce the winning bid for the Waterfront Project. I’m sorry. I promise I’ll make it up to you.
Kiki (sighing): Okay. I can’t lie and say I’m not disappointed.
Michael: I know I know. I’ll see you later. Love you.
Kiki: Love you, too.
AT THE QUARTERMAINES..
Monica: I’m gonna do whatever it takes to keep Carly away from Jason.
Tracy: And how do you plan on doing that? It hasn’t worked all these years. What makes you think it’s gonna be effective now?
Monica: I brought down Sonny Corinthos didn’t I?
Monica flashes back to giving a recording of Sonny admitting that he shot A.J. to Anna Devane…
Anna: What is this?
Monica: Listen to it. It’ll get you the fish you’ve been trying to catch for years.
Monica flashes back to the present.
Tracy: I don’t know how you managed to pull that off, but Carly isn’t gonna be that simple.
Monica: Trust me none of this is easy, but I’ll be damned if I let Carly destroy my other son.
CAMERA PAN ON CARLY AND JASON, QUICK CUT TO THEME SONG.
Sebastian and Sydney are sitting next to each other on the park bench, and they have just finished smoking a joint.
Sebastian: You better not tell anyone about this.
Sydney: Oh please. It’s not the end of the world if someone finds you smoke weed. Besides, can you tell me where I can get some more of this good stuff from?
Sebastian: How do I know you’re not a narc?
Sydney immediately stands up.
Sydney: Don’t be ridiculous. Narcs normally don’t smoke joints!
Sebastian: Find your own weed guy.
Sydney: You’re a total ass!
Sebastian: Thank you.
Sydney: I’m hungry.
Sebastian: Go get something to eat then.
Morgan: Hey Kiki.
Kiki: Morgan what’s up?
Morgan: Just went for a run. What’s up with you?
Kiki: Nothing, just getting something to eat.
Morgan: Are you sure that’s it?
Kiki: No it’s not.
Carly: I would never hurt Jason.
Monica: You...are poison. I lost one son because of you and Sonny and I won’t stand by and watch that happen again!
Carly: I’m sorry, Monica, for your loss. I wouldn’t know what to do if I lost Michael or Morgan, but A.J. made his own choices.
Monica: You’re a human tornado. You leave destruction in your wake.
Jason: Mom that’s enough.
Monica: It’s true. You need to stay away from Carly before she destroys you.
Tracy: Jason we’ve gotta get to ELQ. The winning bids are gonna be announced soon.
Tracy walks out the door, and as she closes the front door, she walks and looks in her purse for something. Suddenly, Sydney bumps into her, and Tracy notices a lighter that falls out of Sydney’s purse.
Sydney: My God! Not only are you a bitch, you’re a clumsy bitch.
Tracy picks up the lighter.
Tracy: Hmm what would this be for?
Sydney: What is it to you?
Sydney tries to walk past Tracy but Tracy stops her.
Tracy: You wreak!
Sydney: Wreaks of what?
Tracy: Are you really gonna try to play coy with me Syd?
Sydney: I don’t know what you’re talking about.
Sydney: I can’t wait till Luke gets back. It’s been a long time for you hasn’t it? You really need to find a hobby.
Tracy: Does Maya know that you light up joints?
Sydney: She knows all about that.
Tracy: Maybe where you lived before, but not here in Port Charles.
Sydney: Is there a point you’re trying to make?
Tracy: I bet Maya would ship you to an iron clad, maximum security, prison-like rehab facility. In fact, why don’t we call her right now and let her know...
Sydney (grabbing Tracy’s phone): Please...don’t tell my sister.
Jason: Mom can you watch Danny while I go to the office? Sam should be coming soon to get him.
Monica: Of course I’d watch my grandson.
Carly: I have to go to the MetroCourt.
Monica: On your way out of Port Charles I hope.
Monica walks into the living room and sits on the couch as she watches Danny continue to play with his toys.
Monica: Hey there my little grandson. Oh I just so wish Alan were here to see you. I’m gonna be in your life as much as possible.
Monica: I never even got to know your brother Jake, but your big brother, Michael is thriving, and running ELQ.
Robin: Big brother Michael? Monica what are you talking about? The only brother Danny had was Jake.
Monica turns around and is shocked.
CAMERA PAN ON MONICA...QUICK CUT OUT...END OF EPISODE 14
Recent EntriesLatest Entry
(Horton Town Square; by gated bench)
"Shows Paige walking past then bench talking on the phone, when is stopped by Bev"
Paige- hey mom I'll call you back I have something I need to take care of
"Paige hangs up"
Bev- it's so nice running into you here Paige, alone, away from everyone and no one can what I'm going to do to you
Paige- what are you talking about Bev?
"Bev pulls a gun from her purse"
Paige- um... Bev there's no need for you to have that gun
Bev- oh yeah there is, you see I'm going to use this gun to get you to do as I say so I can get what I want
Paige- Bev if you want to see JJ all I have to do is call him and tell him to meet me here and you can see him
Bev- oh I don't only want to see him I want to have him and I also want to have his baby. And the only way that will happen is if you are out of the picture for a while.
Paige- What do you mean by that?
Bev- It means you have disappear for a while, and I have to perfect place so get to moving
"Paige walks off followed by Bev pointing the gun at her"
"Shows Daniel walking around his apartment in just a towel; talking on the phone"
Daniel- yeah I can't wait Melanie, Yeah Parker and I plan on coming out there very soon to visit you
"doorbell rings and Daniel answers it"
Daniel- hey let me call you back I got something I need to take care of
JJ- hey you got a minute to talk
Daniel- um... yeah sure come on in. Just give me a few minutes to get dressed then I'm all yours
"Daniel walks off towards the hallway"
(DiMera Mansion; Living Room)
"Shows Sami sitting on the couch and movers walk into the living room"
Sami- it's about damn time you guys showed up. Listen all the stuff that is being moved is upstairs the first and second room on your left.
Moving Man- okay is there anything else from this place that needs to be moved
Sami- no oh wait while you are moving that could you please drop this off at the dumpster
"Shows the portrait of EJ and Sami sitting beside the couch; EJ walks in"
EJ- Samantha what the hell is all of this
Sami- well considering everything that has happened between us that you have caused you can put the pieces together. I'm moving out and so are the kids.
EJ- Samantha please stay and we can talk about this
Sami- talk about what? You cheated on me EJ with that slut Abigail. There is nothing to talk about.
EJ- Samantha please just hear me out. Please!
Sami- you have until the moving truck is loaded up so start talking.
"Shows Theresa and Anne sitting at the far booth in the corner"
Anne- so tell me how are things going with your niece Paige
Theresa- not very good at all thanks to my ignorant half-sister Eve
"Shows Theresa looking over at Eve sitting a the bar; Anne gets up"
Theresa- Anne where are you going?
Anne- to work some magic
"Anne sits down next to Eve"
Anne- oh I'm sorry was this seat taken
Eve- no not at all
Anne- the names Anne... Anne Milbauer
Eve- Eve Larson, nice to meet you
Anne- you too, so I have heard through the grapevine that you and Jennifer Horton go way back as being enemies
Eve- grapevine as in you mean my sister Theresa. I know what your doing and I'm not liking it at all. So you can go back over to that little corner booth and chit-chat with my sister
"Eve gets up and walks out of the pub, Anne walks back over to the booth"
Theresa- very smooth handling Anne, very well done
Anne- oh shut it
"Shows Daniel walking back into the living room"
Daniel- okay kid what did you want to talk about
JJ- well um... Paige and I are having our first official date tonight and well lately when we have been hanging out we have been getting pretty close to some things.
Daniel- you mean sexual things right
JJ- yeah and well I was wondering if you could give me some pointers on that you know how a father would to his son. What I mean is I know the whole sex part but I want to make it as romantic as I can.
Daniel- this is your first time isn't it?
JJ- what no I've had sex before
Daniel- right and if you have then why are you asking me stuff on how to make it romantic.
JJ- alright look this will be my first time with a girl and I want to make sure it is special for both Paige and I and I just really don't want to screw this up
(DiMera Mansion; Living Room)
Sami- you going to start talking or am I just going to leave
EJ- look I know what I did was just wrong, pathetic
Sami- how about degrading, or hurtful or oh my favorite it's cheating.
EJ- and I am truly sorry that I ever did that to you so please give me another chance please.
Sami- I've already given you to many damn chances. We are done EJ so you can go find your little slut and be with her now
EJ- so it's like that well I guess I'll hear about it tomorrow as to who you are shacking up with next.
"Sami slaps EJ"
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"Shows Jaxon looking at a woman"
"Jaxon hugs Bridget"
Jaxon- what are you doing back here in town?
Bridget- I came back for a visit but as soon as I get back in town I hear that you are getting married, Drake is in the hospital from an overdose and Donovan Enterprises has gone nuts. What the hell happened when I left?
Jaxon- I don't know I guess we are all going crazy
Bridget- I'd say, so have you been to the hospital to see Drake
Jaxon- I was there when they first brought him in but then I left to come here.
Bridget- come on lets go see our baby brother together
"Jaxon and Bridget walk off together and a shadow is seen standing behind a wall"
(Linwood Memorial; Patient's Room)
"Shows Carla walking into the room and shows Drake lying on a hospital bed hooked up on IV and other machines; Carla walks over and sits down next to his bed"
(Linwood Memorial; Waiting Area)
"Shows Lila and Sullivan sitting in chair's; Claire walks up"
Claire- I need to talk to her
Sullivan- okay well I'll go get her
"Sullivan walks off"
Claire- yes he has
Claire- We did a cat scan of Drake's brain and it shows a tumor on his left frontal lobe, but it get's worse
Jaxon- worse what could possibly be any worse that a tumor
Claire- Drake slipped into a coma
(Kinsey's Art Studio)
"Kinsey drops the pencil"
Kinsey- what do you think, now be honest
Deacon-well.... it's perfect
Deacon- yeah I think Jaxon and Maggie are going to love it
Kinsey- okay well since I am done with work are you ready to get out of here?
Deacon- oh you bet I am as long as you come with me
Kinsey- well of course I am silly
(Linwood Memorial Hospital; Waiting Area)
Claire- yes Aunt Carla I am
Claire- that is a possibility but we won't know for sure until we run more test
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The Manning's Are BACK in Port Charles for good!
*Character's- Kiki Jerome, Nina Clay and Silas Clay never existed
* Using Character's from OLTL John McBain, Starr Manning, Todd Manning, Blair Cramer, Tea Delgado, Dani Manning, Jack Manning and Sam Manning
* Franco stayed dead from when Jason shot and killed him
SEASON 1, EPISODE 1
"Shows Josie walking in the park and up to a hotdog cart"
Frankie- anything for you. So tell me hows working at Barrington Global going for you.
Josie- Well I'll tell you after today's over with and thanks for the hotdog
Frankie- no problem
"Josie takes a bite of the hotdog and starts walking down the sidewalk in the park"
"Shows Josie getting off the elevator and she sees Tyler Barrington yelling at a worker"
Woman- yes boss
"The Woman walks off and Tyler sees Josie"
Tyler- Josie what brings you by today on your day off
Tyler- wait just a minute. Josie do you at least have another job or something to do until you find another job because if not you can keep your job here.
Josie- Tyler you can pretend to be nice all you want but come on it's me I've worked here for 15 years and believe me I've hated it everyday and besides I've decided to open my own night club.
"Josie walks off to her office, Tyler follows"
Tyler- a night club, are you serious about this Josie?
Josie- yes I am because I know I don't have to come to work everyday and deal with an ass of a boss like you. So if you would please leave so I can get what I need to get done
Tyler- you're making a big mistake
"Tyler walks off"
Josie- we'll see about that
"Shows Ryder and Doug sitting at a booth when a waitress walks over"
Doug- yes ma'am
Carla- okay coming right up
"Diner door opens and a man walks in"
Doug- hey Sterling what brings you by
"Diner door opens again; Josie walks in"
Doug- it's about time
"Josie walks over and sits down and Carla brings them their food"
Carla- so what's the big news Josie
Ryder- what are you serious?
Doug- that's the big news
Josie- no there's better news. ............. I have decided to open up my very own night club and I want all of you to work in it
"Josie grabs a French fry and eats it"
"Shows a woman walking down the steps to outside"
"The both chuckle"
Mona- come on were late for the meeting
"Mona wraps her arm around Layla and the both walk off down the sidewalk"
Recent EntriesLatest Entry
(EXT: London, England- Edmund's Creepy Castle)
--Ashton sits in the living room, on the phone, and learns of Eden, Kirk, and Pearl's impending arrivals. He smiles and says that it's time that everything be put in place so he, Kelly, and everyone else can live "happily" ever after. Kelly enters the room, able to catch the last part of his sentence, and he hurries off the phone.
"Happily ever after huh? I thought that was already decided on our wedding day, Mr. Lavery."
"Oh, it was, it was, Mrs. Lavery. I just got some news that should delight you and perhaps give you some pleasure during your downtime on our extended stay here in London. I'm sure you're about tired of my father, Christine, and all the construction on the East Wing by now."
"Actually, I find your father quite fascinating. A bit mysterious, but he never ceases to hold my interest. So......what is this happy news that is supposed to bring me such delight?"
"Your sister is actually on your father's jet, on her way to London right now. I've invited her....and her friends to stay here with us. At the castle."
"Oh? And what friends are you talking about? Julia? Mary?"
"Actually, they're both men. Pearl Bradford, that old friend of yours and my #1 fan, and Kirk Cranston."
"KIRK CRANSTON? Eden is coming HERE.....with Kirk Cranston? What the hell would possess her to bring that man here....let alone on daddy's jet?"
"I sense there's some sort of history there."
"Oh, not much. Just that they were married years ago. And he attempted to kill her. Multiple times. And gaslight her. And kidnapped her...and Cruz....again, multiple times."
"Doesn't sound like the ideal travel companion."
"My point exactly. It's all so strange. Why would Eden leave her children, Cruz's parents, and daddy, to come to London with Kirk Cranston, of all people?"
"Sounds like you'll have plenty to discuss over dinner tonight. They should be arriving before then and I've asked Christine to prepare a special meal for all of us....and our guests."
"Guests?" Edmund says, entering the room.
"Yes, father, guests. Kelly's sister, Eden, and a couple of her friends will be arriving later. I hope you don't mind that I've taken the liberty of inviting them to stay here. I figure there's plenty of room for everyone. It is a CASTLE, after all."
"Kelly, would you be so kind as to give my son and I a moment alone?"
"Of course. Obviously my husband here should have discussed this with you first. You've been very gracious to let us stay here as long as you have. I hope you don't feel too put out that Ashton here has invited my sister and her.....friends to stay. He's just trying to make me happy is all, as he always does. I'll go and get a cup of tea from Christine in the kitchen. Would either of you like anything?"
"Nothing at all my dear, the privacy will be quite enough."
Kelly exits the room, muttering to herself about Eden, Kirk, and :Pearl being the oddest of combinations. Back in the living room, Edmund glares at his son.
"Just what are you up to? It's been hard enough keeping Kelly away from her mother....now you've got her sister coming as well? Just what in the devil are you up to?"
"I suggest you listen and listen good. If you want this charade of a life that you've created for yourself and your pod in the East Wing to continue, you'll do everything that I ask of you tonight. Otherwise, I'll expose you to the Capwell girls, who will surely go running to daddy...."
"You wouldn't dare. You wouldn't risk your marriage to Kelly Capwell, that I know."
"You're right, I wouldn't. And you'll understand things as they unfold today. You just do exactly as I say or this whole thing will blow up in your face tonight father. Do I make myself clear?"
"Why you little.....just who do you think you are speaking to me this way? How dare you assume that I would go along with this, risk everything FOR...my God, if your mother were alive...."
"I thought she was. Upstairs. In her private bedroom. Isn't that the double entendre you're leading right now? You're just going to have to trust me for now father. As for now, I must be going. I have some business to attend to. Please, keep Kelly entertained while I'm gone. She seems to find you.....fascinating. If only she knew just how interesting the life you're really leading right now really is...."
Ashton exits and as he leaves, Edmund takes out his phone and dials Pamela.
"We've got trouble. Big trouble."
(EXT: Lionel and Augusta's London Flat)
--Augusta sits in her satin robe, staring at her husband across the breakfast table. Clearly uncomfortable, she attempts to break the ice.
"Well that went rather smoothly yesterday."
"Those aren't the words I'd use if I were you, Augusta. How dare you keep this from me for as long as you have. How dare you!"
"How dare I? After what that woman and your tawdry affairs with her have done to me over the years, you should consider yourself lucky I clued you in at all."
"Yes, lucky. I couldn't care less about Sophia and the last thing I want is for you to go waltzing down memory lane with her. But, I did the noble, unselfish thing and told you the truth. I thought you'd be rather proud of me."
"Yes, proud. What is with these one word inquisitions you're spitting at me? If I had my way, that woman would have stayed dead and buried where she belonged. Ironic, though, isn't it. Here we are, 34 years later, and it's 1979 all over again. Sophia is operating under a false name, with no previous recollection of her old life, Marcello is her only confidante....it's de ja vous. Only this time...well, I'm not quite sure I understand the logistics of it. She didn't fall off a yacht for pete's sake, she was pronounced dead. By Saint Mary Duvall of all people and there's no way Sister Mary would lie about this sort of thing. You have to give credit where credit is due....Edmund has pulled off quite the caper here. I think you'd rather enjoy his torturing of CC, if it didn't involve you're quintessential love, Sophia, that is. And here I am, allowing you to play hero to the tawdry slut you cheated on me with and created that.....circus performing son of your's with. And the only reason he's even alive is because your mother switched the babies all those years ago. Otherwise, Sophia would have shot your only child with her."
"Thank you, Augusta, for the refresher course and the lovely walk down memory lane. Well one thing is clear- I couldn't get through to her. And if I can't get through to her...there's only one other man who can....CC!"
"Lionel, have you gone mad? Did you not listen to the history course that Marcello gave you? CC has a past with Loretta as well as Sophia. His involvement could make this situation more chaotic than it already is and worsen Sophia's condition, which God knows is the lassst thing you'd want to do."
"He has a right to know that his wife is alive, Augusta. Whether I like him, hate him, respect him, or not, he loves her and is grieving for her. It isn't right that we keep this from him."
Augusta walks across the table and hits Lionel on the back of the head.
"Would you get your brain wired back in, Lionel? We need to put Sophia first here and involving CC is only going to cause a bigger mess than this already is. I suggest that we at least wait until we here from Marcello before we do anything rash. Where is that "dame" of a mother of yours when I need her to talk some sense into you? We at least need to wait until we hear from Marcello first. At the very least, he did put that tracking device in the suitcase, so we'll know- Sophi--Loretta's--oh whatever the hell that tramp is calling herself's whereabouts are at any given time. Patience, dear. I doubt this is the last we've heard from Marcello."
(EXT: Lady DuMonde's Mansion)
--Ashton is greeted at the door by the butler and requests to see Marcello at once. Marcello swiftly enters the room and wonders aloud what Ashton could want with him. Ashton suggests that they talk somewhere in private. He explains that he accidentally stumbled into Sophia's room and realizes what his father has done and wants to right the wrong. Marcello admits to a knowing Ashton that he already knows about Sophia and is trying to jog her memory. Ashton quizzically asks if anyone else knows and Marcello tells him only Lionel and Augusta.
"Doesn't Sophia have a history with the Lockridges?"
"A long one- she had a forbidden love affair with Lionel for a good portion of her life."
"Well couldn't you use that and your hypnosis techniques to kick start her memory?"
"I've already thought of that and I tried it yesterday, but Sophia and Augusta exchanged words and Loretta....Sophia got cold feet. She's truly convinced that she's your mother."
"My mother-in-law is brainwashed into believing she's my mother. Sounds like something out of a soap opera."
"You'd think so, but this has happened before, and the last time it did, it caused insurmountable, permanent damage to the Capwells, especially to Channing, Eden, and CC"
"Of course. Well, if I could get you in to see her again tonight, do you think you could get Lionel to come alone?"
"I'm not sure. Augusta can be a handful and she'll want to come but.... I can try."
"Try you will, if you want to bring Sophia back. And you will succeed. You seem a smart man, Marcello. I'm sure you can come up with a good reason to bring Lionel to the castle on his own. Here"
Ashton writes down his phone number.
"This is my cell number. You call me when you're on the way. Try to make it around 7:30, as we will all be at dinner at that time and it will be much easier to sneak you into the mansion."
"All of you?"
"Yes, my father, my wife, her sister..."
"Eden's going to be there?"
"Yes but she'll be at dinner. I haven't told Kelly or any of the Capwells about Sophia because.....well, because my wife has told me the sordid family history and I'd hate to put any of them through that again before Sophia realizes that she's....Sophia. I'm disgusted by what my father has done- it could damn well ruin my marriage and there's no way in hell I'm going to let that happen. You just follow my instructions and I'll make sure you're able to see Sophia. Now, I must be going, as my father will soon be wondering where I am. I was very careful not to be followed. I don't want him to have any idea that I know about this, nor that I'm helping you."
"I appreciate it Ashton You're doing a good thing."
"Yes well, I hope so and I do hope that everything goes as planned. Now as I said, I must be going."
Ashton sees himself out and immediately dials his phone.
"Ok, it's all set. I hope you're ready for everything that's about to happen."
The camera pans to a man in a suit, sitting in an office, without his face being shown.
A familiar, English accented voice is heard on the other line.
"Oh, I'm ready. I'm more than ready."
They hang up and the camera pans up to the mystery man.....
(THE END......For TODAY)
INT. MONA LISA - DAY
Carter grabs a faint Lisa before she falls do the ground. Scott rushes over to a table nearby and pulls out a chair while Carter drags Lisa to the chair, seating her.
Lisa: (faint) Scott? Is it really you?
Scott: Yes, Mom.
Carter comes back to them with a glass of water. He hands it to Scott, who is now kneeled next to his mother. He holds the glass while Lisa takes a sip.
Scott: You all right?
Lisa: I will be . . . (strokes his face gently) So glad to see you . . .
Lisa then strikes her son across the face. Scott holds his face, which stings. Carter is stunned. Lisa jumps up and hovers over her son.
Lisa: How dare you! How dare you do this to me!
On Scott totally shocked,
INT. BARBARA & HENRY'S HOUSE (KITCHEN)
Henry, with a chef hat and apron that reads "I rub my meat for two mins," dances around the kitchen while the pots of the stove create a slight fog from the steam.
Henry: (singing) Pour it up! Pour it up! That's how we ball out! . . . Strips clubs and dollar bills--
He is abruptly interrupted by a knock at the door. Aggravated, Henry opens the door to reveal his younger sister, CLARK COLEMAN.
Henry is speechless.
Clark: (distraught) I need your help.
On Henry worried
INT. TOM & MARGO'S COTTAGE - DAY
Mo and Casey sit on the sofa making out. Tom then barges in slamming the door. The two break apart like two teens that have been caught in the act. As the rearrange their clothes:
Tom: Where is your mother?!
Casey: She's at the station. What's wrong?
Casey: What now?
Tom tosses the paper at Casey before he storms up stairs. Casey unballs the paper to see the headline (from last episode) featuring Tom, Carter, and Scott.
On Casey cringing,
INT. TOM & MARGO'S COTTAGE - DAY
Casey kisses Mo (before she leaves) and closes the door behind her. Tom comes down the stairs, undoing his tie and tossing it to the side.
Casey: You sure you're fine?
Tom: Do I look fine? (off Casey holding his hands up for mercy) Sorry.
Casey: No problem but does this story even has any truth to it? I mean we haven't seen or heard from Uncle Scott since I was child. You sure Emily isn't fabricating this to p*ss you off?
Tom: No she isn't. For once she isn't lying in that rag she calls a paper.
Casey: (confused) So then I don't get while you're mad at Emily . . .
Tom: Because she's ruining my campaign! Don't you see it!
Casey: Dad, I doubt anyone is taking Emily or her paper seriously. Her past isn't squeaky clean either . . .
Tom: But when you're running up against someone with a stellar track record such as Carter Wallace--
Casey: Dad, you need to chill.
Casey goes and sits on the sofa. He pats on it to indicate he wants Tom to join him, to relax. After fighting it, Tom gives in.
Casey: Dad, you have a stellar track record too.
Tom: I do but--
Casey: Not "buts." Who cares that you left mid office almost fifteen years ago? That was then. This is now.
Margo rushes in breathing heavily.
Margo: Oh honey! There you are. (rushes over and kisses Tom) I went by the campaign office and Bonnie told me everything. (calming down) You OK?
Tom: Not really.
Margo: Don't worry, honey. We'll figure this out--me, you, Bonnie, Lisa--
Tom jumps up from the sofa
Tom: Mom! I gotta go see her.
Margo: We're coming with you.
On a shot of the Hughes rushing out,
INT. BARBARA & HENRY (KITCHEN)
Henry and Clark are now seated at a table. We enter mid-convo. Henry is trying to pry some info out of her.
Clark: Henry, can you stop!
Henry: No! You just come beating down my door and you want me to stop?
Henry: We haven't heard from you in years! Maddie, me, Bernadette--
Clark: I'm fine. (swiping hair out of face) Can't you tell?
Henry: Not really but I'll drop it for now . . .
Clark: I just need a place to stay for a few nights--
Henry: What? Hold on--you just come in here and expect to provide you a haven when you can't tell me where the heck you've been for the past five years?! Really, Clark?
On Clark moaning,
INT. MONA LISA
Picking up where we left off of Lisa slapping Scott, and both he and Carter stunned:
Scott: What was that for!
Lisa: For not picking up the phone and calling me! For not visiting me! Your brother--
Scott: Oh I've seen ole' Tom already.
Lisa: What? So you've been in town for awhile now! (to Carter) And you knew?!
Carter searches for the right words, but before he can get them out, Lisa pops him in the face. Carter now holds his face, shocked.
Lisa: Now I see why you were using me--getting close to me. You wanted to stick it to me and Tom. (pointing to Scott) And he's the best way to do so?
Scott: He didn't even know I was related you to until the night I arrived in Oakdale.
Lisa: Oh really? So how do you two know each other?
Scott: We met awhile back in Somerset. I had a small practice there, he was there visiting--
Lisa: So you two became buddies and decided to come here and run for district attorney?
Carter: No! I didn't even ask him to join me until weeks after I decided to come to Oakdale.
Lisa: (stewing) Oh OK . . . So Tom knew you were here?
Scott: Yes. I've been here since Christmas.
Tom, Margo, & Casey come rushing in and up to Lisa, Carter, & Scott.
Lisa pops him across the face.
Lisa: How could you! (to both of her boys) How could both of you! . . . (enraged, flailing around) How could all of you!
Casey and Margo step back, not wanting to feel the wrath of Lisa.
On Tom holding his face, now stunned too.
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EXT. DOCKS – NIGHT
A thick fog nearly consumes the setting when a boat pulls in. A pair of feet steps off the boat and it is revealed to be John Hu. He looks around and likes what he sees. Suddenly, a Don Chi, Hu’s henchman, steps off the boat from behind him. He has a briefcase in hand.
Don: Pretty foggy here tonight, huh?
John: Just how I like it.
Don: So you never told me why we’re here in Springfield.
John: Patience, patience. All good things to those who wait.
John digs into his pocket and reveals a small photo of Harley. He brightens up at the sight of her.
John: (putting it back in his pocket) We have to get things prepared for the shipment. Is all the money there.
Don: (tapping the briefcase) Yep. Counted it twice. Five million dollars.
John: Good. Let’s get back on the boat and circle around the bay until they arrive with our stash.
Don: Yes, sir.
Don heads back onto the boat. John starts to head back onto the boat, and takes one look back . . .
John: Springfield . . . my home away from home.
He gets back on the boat and it takes off.
INT. HARLEY’S COTTAGE (LIVING ROOM) – NIGHT
The room is pure darkness with the exception of the TV, which illuminates Harley. We slowly pan towards Harley, who is nestled up on the sofa, asleep. She’s so peaceful, and we
EXT. YACHT – NIGHT— DREAM SEQUENCE
Harley is dressed to the “nines.” She is donning a beautiful haute couture gown while she sets on the deck of the yacht, which glides across the Danube River. The scenery—its so captivating and refreshing, mesmerizes her. A male hand then reaches into the frame and grabs her hand, placing a flute with champagne in it. She looks up (and we follow) to see the man is non other than John Hu.
Harley: John . . .
John: Ssh. Don’t say a word, my sweet.
John leans in and kisses Harley passionately, silencing her. Then a shot of the boat drifting off into the night, and
END OF DREAM SEQUENCE
BACK IN HARLEY’S LIVING ROOM
Harley jumps out the sound of someone beating at the door.
Phillip (O.C.): Harley! Harley, are you there.
Harley gets up, with her hair tossed everywhere, and heads to the door. She snatches the door open to Phillip, who jumps back at the sight of her. He can see the fury in her eyes.
Phillip: We need to talk.
Phillip barges in without being invited. Harley astonished by this.
Harley: Umm . . . Phillip, I didn’t—
Phillip: What is about you not wanting Zach attend Lincoln Prep? It’s a good school!
Harley: With a lot of spoiled brats!
Phillip: Just say it, Harley! You don’t want Zach to attend Lincoln Prep or have anything to do with my family or me because you’re afraid he’ll end up just me like.
On Harley over it,
INT. SPAULDING MANOR (HOPE’S SUITE)
The door to the room flings open and Alan Michael rushes into the room, frantic. He starts to scope out the room and Holly trails behind him.
AM: Mom! Mom!
Holly: Alan Michael, be quiet! Do you wanna be heard?
Alan Michael nods understandingly. He peeks in the closet and sees that it has been cleared. He looks to Holly, anxious.
AM: Where is she?
Holly: She couldn’t’ve gone too far.
AM: I wouldn’t put it past her.
The door closes and Alan Michael and Holly turn to see India leaning on the door.
India: Looking for Caroline or should I say Hope?
Alan Michael’s jaw drops. He charges towards India with rage in his eyes, but Holly grabs him, stopping him.
AM: You! I should’ve known it! You—
India: You better settle down. Not if you want me to remain silent.
AM: Remain silent? (trying to break free) That can be arranged!
Holly: (restraining him) Calm down! (to India) Where is Hope?
India: Oh Holly . . . (shaking head) you knew about Hope too? This gets better and better.
Holly: India . . .
India: I wonder how Ed is going to take the news—his main squeeze keeping such big secrets from him. (gloating) Bet he won’t like it.
On Holly’s reaction
EXT. BAUER HOME – NIGHT
Ed sits on the porch rocking, and its foggy also. He looks in the night sky.
Mom, Leslie, and Maureen, if you can hear me . . . (tearing up) please help Meta, Bruce, Mike, and Hope find peace.
Ed looks down to see someone standing within the fog.
Hope emerges from the fog looking destroyed, mascara dripping down her eyes as if she’s been crying nonstop.
Ed: Caroline, you all right?
Ed steps off the porch and walks over towards her.
Ed: Do I need to call Alan?
Ed: Did something happen? Did Alan harm you?
Ed: Come with me.
Ed takes her by the arm and tries to take her by the arm, but she jerks away.
Hope: Don’t you even recognize me!
Ed: Caroline, are you sure you’re fine?
Hope: It’s me, Uncle Ed! It is me, Hope!
On Ed uncertain and shaken,
INT. HARLEY’S COTTAGE (LIVING ROOM)
We open up on Harley and Phillip in a stand off.
Harley: Phillip, are we seriously going to do this tonight?
Phillip storms over to the sofa and sits.
Phillip: (patting the sofa) Come sit.
Phillip: I’m not leaving till we talk.
Harley: You sure about that?
Phillip: Harley . . . please.
Harley sighs heavily and complies with his wishes by sitting across from him.
Harley: What Phillip?
Phillip: This has to stop—this tension between you and me.
Harley: There is no tension.
Phillip: There is.
Harley: Phillip! (gets up and points to the door) Goodbye!
Phillip: I said no.
Harley walks over and grabs the phone off the end table and starts to dial.
Phillip: (sighs) Who are you calling?
Harley: Frank. So he can come and whoop your ass and take you to jail.
Phillip crosses over and struggles the phone away from Harley. Then he tosses it across the room and shatters into pieces.
Phillip: Now lets sit and talk like adults.
Harley: Talk like adults? Screw you!
Phillip: Why do you hate me, Harley? Why! Is this because of how I took Zach from you? I thought you’ve forgiven me!
Harley: Well you thought wrong.
Harley grabs her keys. She goes to exit but Phillip grabs her by the arm, restraining her.
Harley: Let me go!
Phillip: No! Not until you listen to me!
Harley tries to pry free of Phillip’s grip.
Harley: My opinion isn’t changing, Phillip! Zach is not going to Lincoln Prep. End of story—
Harley breaks free but falls onto the floor. She holds her arm in pain while Phillip rushes to her side.
Phillip: (worried) Harley, you OK!
Harley kicks Phillip away from her.
Harley: See! See! You see why I don’t want Zach anywhere near you! Your family! You’re a bully, Phillip! You’re sick!
Phillip: Harley, it was an acci—
Harley looks past Phillip to see Zach standing at the bottom of the stairs. Noticing Harley’s reaction, Phillip turns and sees Zach too. Guilt comes over Phillip.
Zach: What’s going on? Mom, are you OK?
Harley: (covering) Nothing. (getting back up) Nothing at all.
Zach: But I heard you two screaming.
Phillip: It was nothing, Zach. Just a simple disagreement. (devastated) I-I’m sorry, Harley. Forgive me. (fighting back tears) Forgive me.
Phillip rushes out of the house. Harley looks on concerned and,
INT. BAUER HOME (LIVING ROOM)
Hope sits on the sofa in utter silence. She’s a total mess. Ed (standing up) watches on from a far, bothered.
Ed rushes over and opens the door to reveal Holly & Alan Michael.
Holly: Is she here?
Ed points to Hope. Alan Michael rushes in and kneels down next to her. Holly enters and Ed closes the door. They both watch what’s about to happen.
Alan Michael: Caroline! I’m so sorry.
She doesn’t respond.
Alan Michael: I just wanna let you know that you’re not fired. Your job is still intact and I want you to come home with me. OK?
She still doesn’t respond.
Alan Michael: Caroline . . . (tearing up) please forgive me.
She slowly turns to see her son crying. She wipes the tears from his eyes.
Hope: Don’t cry, my sweet baby. I forgive you.
Alan Michael kisses her hand and bury his face in it. Ed is now convinced.
Ed: So I guess it’s true.
Holly and Alan Michael react.
Ed: So I guess she is Hope.
Holly and Alan Michael exchange looks, and on Ed unhappy,
INT. BOAT (LOWER DECK) – NIGHT
John lies on the bed in a daze while he glances at the ceiling. He then gets up and head down the hall to another door. He cracks the door open, and we get a slight shot of Carmen lying in the bed with a medical ventilator strapped to her.
John: You’re home, Bonita. You’re home.
On a shot of Carmen soundless sleeping,
Phillip’s illness continues to go unchecked
Jason & Leah plan an attack on Phillip
Remy & Tierra grow closer
Mel struggles with keeping her pregnancy secret
Olivia's continues her quest to destroy Marah
A friend of Shayne's comes to town
Dinah & Mallet are drawn together
Blake & Rick find love (not with each other)
Alan uses the Reardon boys as pawns to gain back Spaulding
Hope’s secret’s comes out
Laurel & Reva makes life-changing decisions
Cassie starts her search for her biological father & Frank helps
John Hu wreaks havoc
Michelle continues to fall victim to the Bauer curse
Pilar and Bill reestablish their friendship
James grows tired for Daisy . . . and wants Trista instead
This week on Days of our Lives
Marlena comes face to face with Don Craig for the first time in over 25 years!
Marlena: "I Never thought I would see you again"
Maggie questions her choices since Mickeys death...
Maggie: "Maybe i was fooling myself... about this life.. with Victor"
Will finds out hes more his mother than he would like to admit..
Will: "Oh god... what have I done?"
and Sami Brady stands trial for the Murder of EJ Dimera!!
Plus, Emmy Award winner Michael Park joins the cast as Judge Matthews
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Kiara’s heels clicked against the tile granite floor tiles of the kitchen as she walked to the refrigerator and took out a bottle of mineral water. Her long brown hair was in a neat bun at the top of her head and her olive skin was complimented with a cute white lace dress. Her makeup was fresh and her skin looked dewy.
“Oh, you’re back,” Ashley says in a sarcastic tone while walking into the living room dressed in a cami and daisy dukes her long hair loose down to her shoulders.
“Yes, London was quite enjoyable thank you for asking. I always get joy in further refining my craft,” Kiara tells her sister.
She walks out to the patio admiring the view of the city midday. Ashley follows behind plopping down on a black lounge.
“You know just because you’re a grad student at Yale and you had a small role on Broadway doesn’t mean you’re above the rest of us,” Ashley quips.
“Did you listen to the words that came out your mouth? I excelled all my life; while you choice local parochial school as an option I was thrilled to attend one of the top boarding schools in the country. I graduated top of my class and became the only member of this family to attend an Ivy League school. You may not have higher inhibitions but my goal is to be an actress and I never set a goal I can’t achieve,” Kiara says proudly.
“Did you practice that speech? Yes you were a good student but dad’s money and your last name got you into Yale’s School of Drama. And I thought you wanted to do movies and TV? Why are you doing wasting your youth in grad school?” Ashley inquires.
“I’m refining my craft,” Kiara retorts. She sits down on the couch and picks up her Ipad.
“You’re dating the son of a television producer; you’ve had your SAG card since you were 10. You know you could be the lead of a TV show right now. Are you afraid to move out of your comfort zone?” Ashley asks.
Kiara smiles a sly smile. “Let’s talk about you for a moment. What’s this I hear about sneaking into the club?”
“I just wanted to have a night out with the girls so we got dressed up and I went downstairs and partied. We were dancing and having a good time. Dad’s busy freaking out over what this supposedly means for his reputation,” Ashley explains. “I don’t know why he’s so worried about a little small town gossip.”
“Well considering his history as well as that of his father, it’s easy to see why they would be worried about another scandal. Grandma is justified for being distraught over the affairs,” Kiara expressed. She sets her Ipad down on the table.
“Please she got millions in that divorce settlement and then she got money from the tabloids for airing out our family business. She was being spiteful about something she knew about for over a decade,” Ashley said.
“I’m not sure what lies dad covered the story up with but she didn’t know her husband was sleeping with younger women who worked for his company. She would’ve left much sooner had she know. Grandma had class and dignity just like my mother,” Kiara said.
Ashley rolled her eyes. “Oh here it comes! More my mom versus your mom crap. I know dad left your mother for mine and you’re jealous.”
Kiara leaps from her seat. “That couldn’t be further from the truth,” she bellows. “Our father cheated on my mother with a younger version of her and he’s rumored to have slept with quite a few women in this town. I’m happy she was able to flee in time.”
“And just like grandma she took a nice chunk of change with her,” Ashley pointed out. “I don’t believe those rumors about dad having affairs despite how my parents got together.”
“You are more naive than I thought. Let’s hope you never discover any of our father’s hidden secrets. I knew I should’ve spent the rest of my break in New York with my mother,” Kiara turned and headed back inside.
"It's not too late for that," Ashley snaps.
Mr. Harrington walks in the living room.”Kiara, when did you get home?” he asks.
“Very early this morning, daddy. I was tired and wasn’t in the mood to talk,” she replies.
He can feel the tension in the room. “What’s going on here?” he inquires.
“Ashley tried to insinuate that my mother and your mother are nothing but gold digging whores,” Kiara says. “The daughter of one however has no place judge.”
“Because you’re just Little Miss Perfect,” Ashley derides.
“Kiara! You don’t talk about your family that way,” Mr. Harrington raises his voice in a stern tone.
“I’m sure others do. You and your wife can try and keep up the façade but I see right through it. I see something much more deep past the shallow surface,” Kiara says stomping off.
“What was that all about?” Mr. Harrington asked.
Ashley shrugs. “How should I know? She woke up in a bad mood, I guess. It was the usual back and forth until she brought up our family and reputations.”
“What did she say?” he asks.
“Something about not brushing off every rumor about you; that we’ll find some out to be true,” Ashley recalls.
“You weren’t buying into that were you?” he asks cautiously.
“Please, ain’t nobody got time for that,” Ashley laughs before adding. “Let her throw her little hissy fit. She lives here with us so she can’t be mad for long.”
“I hope you’re right. One thing I’ve learned from my own mother is to never mess with a Harrington woman when she’s angry,” Mr. Harrington noted.
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