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ANOTHER WORLD 188 Vicky is in denial

Posted by cnathanielrichardson in BACK TO ANOTHER WORLD, 21 December 2014 - - - - - - · 46 views

ANOTHER WORLD 188

Vicky is in denial

Written by:  C. Nathaniel Richardson

Consultants:  beebs, aMLCproduction, DRW50

 
BAY CITY CENTER...The Coffee Shop…
K.C. (Saleisha Stowers)Attached Image  walks in, and notices Eric (Jason Shane Scott) Attached Image , who is wearing his green smock, working behind the counter.  K.C. smiles and walks up to it, and Eric approaches the register.
Eric:  May I help you?
K.C.:  You sure can.  May I have a hot chocolate please?
Eric:  Sure.
Eric rings it up…
Eric:  2.45
K.C. looks inside her purse, which has no money in it.
K.C.:  Oh I...I’m a little short.  Can you put it on the house...handsome?
Eric smiles.
Eric:  Is that how cute girls like you get over?
Suddenly, Allen (Sean Blakemore) Attached Image  comes from behind K.C., puts a five dollar bill on the counter, and slides it to Eric.
Allen:  Keep the change.
Allen then takes K.C. by her arm and escorts her to a table off to the side.
K.C.:  Let go of me!
K.C. angrily tries to free herself, but doesn’t get free until Allen releases her, and when he does, K.C. slaps him.
K.C.:  What the hell do you think you’re doing?  You embarrassed me!
Allen:  Look I know we’ve been father and daughter for two minutes, but I gotta tell you, don’t think about getting involved with that guy!
K.C.:  What?
Allen:  He crashed Kirkland and Charlie’s wedding reception; he and his crazy ass mother.  You’d do good to stay away from him.
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GRANT’S HOUSE - Christy (Robin Mattson) Attached Image  picks up the house phone and makes a call.
Christy:  I was wondering if we could meet.  
-------------------------------------------------------------------------------------------------
MCKINNONS HOUSE - Out front, Donna (Anna Stuart) Attached Image  and Michael (Kale Browne)Attached Image  approach the door, and Michael puts his arms around Donna’s waist.
Michael:  Wait a minute.
He kisses the mother of two of his children and the woman he married four times, and makes her smile for a moment.
Donna:  I know what you’re trying to do, and it’s not gonna work.
Michael:  Come on we wanna bring...some cheer to Victoria.  You don’t want her to know that you’re worried.
Donna:  I can’t help it Michael.  I saw this all happen sixteen years ago with Marley and Victoria, and it’s like I’m watching history repeat itself with our granddaughters.  I’ve got to warn her.
Vicky (Jensen Buchanan) Attached Image  opens the door and walks up to her parents.
Vicky:  Warn me about who?  Michele?
Michael:  Donna thinks there might be a problem.
Donna:  That’s because there is a problem Michael.  Is she here?
Vicky:  No.
Jake (Tom Eplin) Attached Image  walks up to them.
Donna:  Well where did she go?
Jake:  That’s what I’d like to know.
Vicky:  Are you here to get some of your things?
Jake:  I’m looking for Michele.
Donna:  You, too?
Jake:  I gotta talk to her.
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HOSPITAL - Lindsay (Kate Mansi) Attached Image   walks up to the nurse’s station, looks on the computer, and calls Gregory (Adam Gregory) Attached Image .
Lindsay:  Hey there.  Yeah I’m looking on my list of appointments and I don’t have another one for two and half hours, and since you don’t have football practice, I was thinking maybe we could...make the most of our time.  Sounds good.  I’ll wait here.
Lindsay hangs up and starts walking toward the water cooler, then she stops and grabs her stomach because she starts having pains.  As she winces, Michele approaches her.
Michele:  Oh my.  Are you okay?  You look like you’re in some kind of pain.
CAMERA PAN ON MICHELE...SLOW FADE TO THEME SONG

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PART 2
K.C.:  Who do you think you are?  You think you’re gonna tell me who I can and cannot talk to?
Allen:  You know what...I suppose you’re right.  I have no business telling you what to do.  
K.C.:  I’m glad you understand that.
Allen:  But it’s not my fault that we didn’t get a chance to have a relationship.
K.C.:  Oh no, don’t you put this on Toni and Etta Mae.  Seems like everyone played their part.  You left while Toni was pregnant.
Allen:  I can’t change the past.  I want a chance to be a father to you.
K.C.:  So is this how you’re gonna do it?  You’re gonna manhandle and tell me I can’t talk to certain people.
Allen:  Eric Stenbeck is not certain people.  He and his mother showed up at your cousin’s wedding unannounced.
K.C.:  Is there a point you’re trying to make?  Party crashers are everywhere.
Allen:  I don’t get a good vibe about him, or his mother.  I’m just sayin’ be careful.
Allen walks away from K.C. and out of the coffee shop.  
----------------------------------------------------------------------------
Meanwhile, Christy walks in and up to the counter.  Eric approaches Christy.
Christy:  Hi son.  How are you?
Eric:  Working.
He turns his back and starts wiping down the counter.
Christy:  Why do I sense a little attitude from you?
Eric:  Because I’m public enemy number one now because we went to Kirkland and Charlie’s wedding reception.
Christy:  Honey I thought you understood why we did that.
Eric:  I don’t wanna make enemies.  I don’t wanna be like my father.
Christy:  You are not James Stenbeck.  You’re your own person.
Eric:  I’m not so sure mom, and I think someone’s here to meet you.  
Christy turns around and sees Frankie (Alice Barrett) Attached Image .
Christy:  Mary Frances.  Thank you for coming.  Mind if we sit down?
Frankie:  I don’t have a lot of time Christy.
Christy:  Okay.  Listen I...I understand that you’d be angry with me.
Frankie:  Why did you do it?  Why did you crash my daughter’s wedding reception?
Christy:  I should’ve...used better judgment in showing everyone I was here.
Frankie:  Is that what you wanted to do?  Make a splash!  How could you do that?  I thought you we were friends.
Christy:  We are friends.  I apologize.  I hope you forgive me.
Felicia (Linda Dano) Attached Image  walks up to them.
Felicia:  I can’t believe this!  How could you even be talking to this woman Frankie?
Christy:  I don’t have leprosy Felicia.
Felicia:  No you don’t.  You have something far worse.
Frankie:  Felicia we’re having a conversation.
Felicia:  You shouldn’t be having anything with this woman!  What are you thinking?
Christy:  I think I’ll leave.
Felicia:  Leaving Bay City?  That would be great.
Christy walks away as Felicia continues with Frankie.  Eric tries to listen to their conversation as he sneaks over to wipe down a nearby table.
Frankie:  What are you doing?
Felicia:  I need to talk some sense into you.  Doesn’t it occur to you that she might up something?  I mean, she interrupted Charlie’s wedding reception.
Frankie:  I know exactly what she did, and she apologized.
Felicia:  My God!  Frankie don’t tell me you’re falling for her act!
Frankie:  I’ve known Christy since we went to college together.  
Felicia:  It wouldn’t be the first time she’s put on a performance.
Frankie:  I’m not gonna hear this right now.
Felicia:  You need to hear it Frankie.  Christy is not the woman you went to school with.  She is not the person she was before she met Cass.  She’s a snake, and if you don’t keep an eye on her, she will bite you.
K.C. walks up to Eric, inadvertently interrupting his attempt to eavesdrop, as Frankie walks out, and Felicia follows.
K.C.:  Hey there.
Eric:  Umm...hi.
K.C.:  I’m sorry about that my father interrupting.  I think I was…
Eric gives her his cell phone.
Eric:  Here.  Put your number in it.
K.C. smiles.
Eric:  So that guy is your father?
K.C.:  Yeah.  He thinks he gonna play daddy after all these years.
Eric (focused, not hearing what KC just said):  He’s uh...cousins with Kirkland’s mom right?
-----------------------------------------------------------------------------------------------------
Vicky:  Why is everyone so concerned about her?  
Donna:  Did it even occur to you why Michele tore up the living room and smashed Bridget’s picture?
Vicky:  Whatever Michele has done, Reginald is responsible.  He kept her away from us, God only knows what he did to her.
Jake:  I don’t think your grandfather has anything to do with this.
Michael:  They think Michele is harboring some type of anger.
Vicky:  Anger?  Toward whom?
Donna:  Bridget is the object of Michele’s anger.  Come on Victoria.  Wake up!  We’ve gotta do something!  Do you want Michele to lock Bridget in a cold basement like Marley did to you?
Jake:  I think you should listen to her.  Something is off about Michele.
Vicky:  Donna’s wrong!  And you’re wrong, too Jake.  If Michele’s  angry, it’s because Reginald brainwashed her!  
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HOSPITAL EXAM ROOM - Lindsay, is sitting on a cushioned bench as Michele brings her a cup of water.
Michele:  Here take this.  I hope it helps.
Lindsay:  Thank you.
Michele:  You looked like you were in a lot of pain.  Are you alright?
Lindsay:  I’m fine...just some gas that’s all.
Michele:  For some reason I don’t believe you.
Lindsay:  Thanks for your concern but I’ve got it handled.
Michele:  I’m sorry.  It just looked like you were in a lot of pain.  Maybe you should see a doctor.  My uncle John…
Michele turns away from Lindsay realizing she might have slipped up.
Lindsay:  ...is a doctor.  Dr. Hudson is your uncle?
Michele:  Well...you know...in the figurative sense.
Lindsay:  Where do you know John from?
Michele:  He’s...a friend of the family.
Lindsay:  Oh…
Gregory walks in and Michele nervously notices her cousin who hit her with his car.
Gregory:  There you are.  I was told I could find you here.
They kiss.
Lindsay:  Hi…
Gregory:  What are you doing in an exam room?
Lindsay:  You know...the gas was bothering my stomach again.  
Gregory:  The antacids must not have helped.  Maybe you can talk to my dad.
Lindsay:  I really don’t think it’s that serious.  Besides, I feel better, and this girl helped me.
Gregory and Lindsay turn and face Michele, but they don’t know who she is.
Gregory:  Thank you.
Michele:  She looked she was in a lot of pain.  I’m just glad I was here for you.
Lindsay:  And it was really sweet of you to stay with me.  Thank you.
Gregory:  Hey I’m Greg.
Lindsay:  And my name’s Lindsay.  It’s nice to meet you...uh…
Lindsay extends her right hand to Michele, not knowing she’s met her half sister for the first time...
FREEZE FRAME ON MICHELE...SLOW FADE OUT….END OF EPISODE 188
 

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B&B #53 - The Perfect Life Fit

Posted by Y&Rbiggestfan in The Bold and the Beautiful, 18 December 2014 - - - - - - · 41 views

The Bold and the Beautiful - Episode # 53

Created By: William J. and Lee Phillip Bell
Written By: Casey Hutchison
Executive Producer: ML Cooks
---

INT. TAYLOR'S HOME - AFTERNOON

Taylor is reading the local news on her I-PAD. There is a knock at the door. Taylor sets her I-PAD down and stands up.

Taylor:
I bet Thorne forgot his report.

Taylor walks to the door. She opens it.

Thomas:
Hey mom.

Taylor:
(Laughs) Honey!

Taylor gives Thomas a hug.

Taylor:
It is so good to see you.
---

INT. ERIC'S OFFICE - AFTERNOON

Donna is in the office on her I-Phone 6. She is pacing around the office.

Donna:
Listen Morgan, soon Ridge and Hope will be close. I hope you are keeping my sister on a tight leash. We cannot let this plan be ruined by one little slip up, one day. We gotta stay on track. I will see you soon. Bye.

As Donna hangs up, Thorne enters.

Thorne:
Hey Donna.

Donna stops pacing.

Donna:
Hey Thorne.

Thorne:
Have you seen my dad?

Donna:
No, I was just in here taking a call.

Thorne:
Oh yeah, I heard you. So, what are Hope and Rodge getting closer to finding out?
---
OPENING CREDITS:

Sketches of dresses on models fly across the screen; revealing THE BOLD AND THE BEAUTIFUL written in cursive, in gold.
---

INT. MORGAN'S CABIN - AFTERNOON

Morgan is in the kitchen doing the dishes. Brooke is working hard to untie the ropes. As she unties she sees a knife that Morgan left behind.

Brooke:
If I can get that knife, then I can work on getting free. I have to get that knife.
---

INT. FORRESTER MANSION - AFTERNOON

Hope is trying to process before she speaks. She is trying to take in to account the news that Ridge has delivered upon her.

Hope:
Oh my god. I am so stupid. I can't believe that I did not see this before. I knew my father couldn't just have gotten out of jail, without help. This whole time, my mom and I thought it was Bill... again. But it was Morgan DeWitt.

Ridge:
I know this may still be a shock to you.

Hope:
Actually, it no longer is a shock to me.

Ridge:
What do you mean?

Hope:
I knew he would mess up at some point. It is my dad. He always messes up. I am mostly shocked that he messed up with Morgan DeWitt. Out of all people he chose her to mess up his life with.

Ridge:
Do you want me to go to the warehouse alone?

Hope:
No, no I want to go too. I want to at least save my mother, from that physco bitch.
---

INT. TAYLOR'S HOME - AFTERNOON

Taylor hands her son a piece of cheesecake. They sit on the couch.

Taylor:
I made your favorite?

Thomas:
You made this?

Taylor:
(Laughs) Okay, so I bought it at the store.

Thomas:
That's what I thought.

Taylor:
You know, I am shocked you stopped by.

Thomas:
Why?

Taylor:
Well, I thought you would be at work. So what brought you by today? And do not play the sonb card.

Thomas:
Okay I'll come clean, I guess. I want to talk to you about Jack, right now.

Taylor:
What about him?

Thomas:
Why is he really back?
---

INT. ERIC'S OFFICE - AFTERNOON

Donna puts her hands on Thorne's shoulders.

Donna:
Thorne, I meant to say that Ridge and Hope are closer to finding Brooke.

Thorne:
I see, and who were you telling that too?

She removes her hands.

Donna:
Taylor.

Thorne:
Really?

Donna:
I know it is shocking. Taylor and Brooke still hate one another, but they do not hate one another enough to wish the other dead.

Thorne:
(Laughs) It sounds that way sometimes.

Donna:
Good point.

Thorne:
So what are you doing in here?

Donna:
I was just about to look for a fax Eric wanted me to send. Before that phone call, I looked in the place he asked. But, there was no fax.

Thorne:
Well, it's easy for dad to misplace things.

Donna:
Well, sure.

Thorne:
Anyways, I have to head back to my office. When he gets back, can you tell him that I finished that Langsing and Johnson report.

Donna:
Sure, no problem.

Thorne:
Thanks.

Thorne walks out.

Donna:
(Sighs) That was a close one.
---

EXT. WAREHOUSE PARKING LOT - AFTERNOON

Ridge and Hope are in Ridge's car. They pull up to the warehouse.

Ridge:
Here we are.

Hope:
(Sighs) Yeah.

Ridge:
Are you okay?

Hope:
It is just hard to believe that my mom is in that warehouse.

Ridge:
So, let's go save her.

Hope:
Ridge, wait.

Ridge:
What?

Hope:
Do you have a weapon to defend yourself with?

Ridge:
I have a gun in my suit jacket pocket.

Hope:
Let's just hope it does not lead to that.

They get out of the car and proceed to the building.
---

INT. MORGAN'S KITCHEN - AFTERNOON

Morgan drains the water and soap from the sink, and wipes her hands. Her phone rings. She answers.

Morgan:
Donna, what's up? Oh, Hope and Ridge found where the warehouse is located? Yes, there surprise has been set in motion.
---

INT. MORGAN'S CABIN - AFTERNOON

Brooke finally has the knife. She is trying to get one hand free from the ropes.

Brooke:
Almost there. Come on!

Brooke cuts harder and harder. She finally gets one hand free and starts to untie the other.

Brooke:
I expected Morgan to make these knots way more difficult.

Brooke gets the other one untied.

Brooke:
I am halfway there.
---

EXT. WAREHOUSE - AFTERNOON

Ridge is working on the lock.

Hope:
Are you almost done?

Ridge:
I'm almost there.

Hope:
(Sighs)

Ridge takes the lock out.

Ridge:
Got it.

Hope:
Good!

Ridge opens the door. When he does the warehouse EXPLODES! Hope and Ridge jump back, amd fall onto the ground.
---
THE LOGO APPEARS.

Announcer: This has been the emmy award winning drama "The Bold and the Beautiful."

THE SCREEN FADES TO BLACK.
---

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Episode 1 "The Pilot"

Posted by JM Fanfiction in Tomorrow Is A New Day, 15 December 2014 - - - - - - · 75 views

At the Callison Manor the Patriarch of the family Tom is sitting on the couch when his wife Maggie walks into the room with a big ole smile on her face.
 
Tom-Well what's got you in this great of a mood
Maggie- Our baby boy is coming home today. As a matter of fact I just seen his car pull up the drive way.
Tom- Well then I guess we need to make him feel welcomed back home
 
Tom and Maggie walks towards the front door as it opens and Ethan walks into the Manor carrying a duffle bag. He drops the bag and hugs both of his parents.
 
Ethan- Oh it feels great to be home again.
Maggie- and we are very happy to have you home again and hopefully this time for good.
Ethan- well as of right now I plan on making it my permanent home.
Tom- Good and if you need I can get you a job at the hospital.
Ethan- no need to do that dad Aaron has already gotten me a job at The Wild Spot.
Tom- that freak bar where all them freaks go.
Ethan- dad just because they're gay doesn't make them freaks and I think me working there will be a good thing.
----
 
At Destiny Cafe Sage and her fiance Brady are sitting at a table drinking coffee when Sage's best friend Hope Cooper walks into the cafe and sits down at their table.
 
Hope- You will never believe who I just seen back in town
Brady- Your Brain?
Hope- Haha very funny
Sage- Who did you see back in town?
Hope- Brian Jenkins!
Brady- Who's that?
Sage- he's an ex of mine that went away not long after we broke up
Hope- yeah I'm sure he's finally over you.
Sage- let's just hope he is
----
 
At the Police Department Edwin Callison is sitting behind his desk when his boss Commissioner Charity Summers walks out of her office and over to his desk.
 
Charity- we have one hell of a huge problem
Edwin- what do you mean?
Charity- Brian Jenkins! The man that torched your sister a couple years back who had been reportedly released from prison. Well I just got a call from the Mayor asking me why I haven't caught the escaped prisoner yet.
Edwin- So he wasn't set free?
Charity- No he wasn't suppose to get out the court screwed up their paper work and released him instead of the guy that was suppose to be released. So I need you to get out their on the street and start looking for him.
---
 
Across town in an abandon warehouse in a sound proof room Brian Jenkins is walking around the room looking at an 18 year old named Stephen Donovan who is tied down to the bed.
 
Brian- Oh do you not like the place that I've chosen for you. Well I thought it was really nice but yet you've never seen the inside of a prison have you? No! But I know your father has and he still is. The bad thing about you never being in prison is you really don't know how it works in there. You see if you want something from someone you have to give something for them to help you. Or in my case you just take it. See your father Mike is in prison for killing your mother which I'm pretty sure you already knew that. See I needed his help and he gay me an offer and I declined it which made him very mad. So for pay back he made me his bitch, which is exactly what I'm going to do to you.
---
 
At Memorial Hospital Tom Callison is the Chief of Staff. Tom is making his way around the hospital when he notices something very unusual by the ER doors. Tom walks over and sees that there is a baby in the basket. He picks up the baby.
 
Tom- Well aren't you just a precious little girl
 
Tom carry's the baby back into the hospital
---
 
 

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DAYS #57: Don't Spill The Beans, Kate!

Posted by beebs in Days of Our Lives, 14 December 2014 - - - - - - · 107 views
Days of our Lives, MySONtv

Posted Image
EPISODE 57
Written by A. Washington-Beeby
Story Consultants: ML Cooks & C. Nathaniel Richardson

 
Will walks into Club TBD, wearing his best (and only) suit. He looks around the room before spotting Tyler in the corner of the room. Tyler looks up from the drink menu and flags Will down. Will acknowledges Tyler, then heads his way. Before sitting down, the two shake hands firmly.
 
WILL: Mr. Houston is it?
TYLER: Indeed it is. How are you doing, Will?
WILL: I...umm...I'm...well, a bit nervous, if I'm being honest.
TYLER: Not a single reason in the world for that. Sit down, let's talk.
WILL: Certainly, Sir.
 
As Will sits down, Tyler motions to him as if to tell him to stop.
 
TYLER: No, no. Call me Tyler.
WILL: Uh, sure.
 
Posted Image
 
TYLER: Listen, Will. I have to admit I stumbled upon your work quite by accident.
WILL: Oh?
TYLER: Yes, I was introduced to...I think she's your aunt?
WILL: Oh, Maggie.
TYLER: Well, she showed me some of your writing, and...I've got to say, you have a real talent.
 
Will smiles nervously.
 
WILL: Well, thank you.
TYLER: You're more than welcome. I think it will be a huge asset to us over at EnerNext when you start next week.
 
Will stops suddenly, doing a double take.
 
---
 
EJ stands alone in the DiMera living room. Now dressed, he looks over his phone momentarily, quickly texting someone, a concentrating look on his face. He is interrupted by Harold stepping into the room.
 
HAROLD: Pardon me, Sir. But Miss Hernandez is here to see you.
EJ: Oh, send her in, Harold.
HAROLD: Certainly, Sir.
 
Harold steps aside, allowing Gabi to walk cautiously through the open double doors to the living room. Gabi steps in, and Harold closes the doors up behind her. Gabi immediately steps over to EJ and speaks in almost whisper tones.
 
GABI: Are we alone?
EJ: We are. Father went off to take care of some business. What happened?
GABI: Well...he took it.
EJ: And...?
 
Gabi gesticulates, looking for the right word to fill in what she's trying to express.
 
GABI: And...I don't know. He was...creepy as always.
EJ: Did he say anything about Kate and Samantha?
GABI: Nope. I mean...he's just...he thinks we slept together last night.
 
EJ looks to Gabi, shocked and displeased.
 
Posted Image
 
 
EJ: What? I mean...you didn't, did you?
 
Gabi looks to the side, unsure of an appropriate response.
 
GABI: Well...I mean...technically.
EJ: Gabriella. Seriously? Why would you be so damned stupid?
 
---
 
John stands outside Marlena's office at the hospital. He holds the manila envelope containing the divorce papers in his hands, hesitating to go in.
 
He stops, recalling the scene from the previous night that he spied between Roman and Marlena.
 
John flashes back to seeing Marlena and Roman hold each other on the bench at Horton Town Square, Marlena holding Roman tightly as Roman rubs her back tenderly.
 
John winces at the thought of the scene, but inhales deeply, attempting to keep his composure as he raises his one hand.
 
He knocks three times on Marlena's door.
 
---
 

 
---
 
Will blinks repeatedly, thinking that this will snap him back to reality and that misheard what Tyler, sitting across the table from him at Club TBD, has just offered him.
 
WILL: I'm sorry?
 
Tyler laughs as he speaks, knowing he's caught Will off guard.
 
TYLER: Well, don't just sit there saying two words at a time, tell me what you think about working for us!
 
Will stops and thinks for a second, barely having time to let it sink it.
 
WILL: Wait, you....I mean I'd love to but...here I am making a total jackass of myself, I just...did you just offer me a job?
TYLER: Will, you're a very persuasive, evocative writer. And the best part is, you're an outsider. You have a fresh, unjaded set of eyes. You're exactly what our company needs right now.
WILL: I...uh...thank you. I...don't know what to say. I mean, at the risk of ruining things...shouldn't I have to...interview for a job first? At least apply?
TYLER: No need.
 
Will smiles briefly, but almost immediately goes back into a state of stunned disbelief.
 
WILL: Well...my dad always taught me to read over a contract before signing.
TYLER: Glad you mentioned it.
 
Tyler pulls a manila envelope from his bag. He hands it to Will.
 
TYLER: Read this over. You have until tomorrow at midnight.
 
Tyler gets up, closes his briefcase, and leaves the club, patting Will on the back as he heads out. Will stays in his seat, still a bit stunned by what's just gone down.
 
---
 
Kate stands with Billie in Kate's office, arms folded, expecting an answer to her previous question.
 
KATE: Well? Are you going to vote in favour of Titan keep the TV station or not?
BILLIE: Mom, I don't know.
KATE: Well, you better know soon. Victor's doing the rounds trying to...I don't know, either gather support or threaten us all into it.
BILLIE: Well, I certainly don't need that. I mean, you already took care of that for Lucas and I.
KATE: I only told you what I recommend. Honey, you're an adult, but I cannot stress hard enough what a bad idea Titan holding onto that station is.
 
Billie sits down, adjusting her blouse and hair in her seat to try to distract her mind from her mom's unwanted intervention. Kate leans in to try to get her attention.
 
KATE: Do you get it? The station is a money pit. The only reason Victor wants to keep that station is so he can use it to manipulate everyone in Salem into thinking his hairbrained scheme to turn half the town into an oil fracking operation is a good idea.
BILLIE: I don't doubt that. But why don't you let him just...do it and watch him implode?
KATE: Because if he goes down, MadWorld goes down with it. And I'm not going to let that happen.
BILLIE: Fair enough.
 
Kate looks at Billie, a furrowed brow.
 
KATE: Why are you so reticent to go along with me. You know something I don't, don't you?
 
Billie breathes in, a hesitant look on her face that Kate sees right through.
 
KATE: Spit it out, Billie. It's about Jordan and Sheryl, isn't it?
 
Billie takes a second to think over her words before admitting anything to Kate.
 
BILLIE: I think we may need to let Titan keep the station and see what they do. If we move too fast, they may react in a volatile way. They are prone to lash out when things move too fast in a way they don't like.
KATE: All the more reason to let them shed the station. Look, Nic...
 
Kate stops herself midsentence, knowing that tying any of this to Nick may implicate herself.
 
BILLIE: Mom?
KATE: Nothing.
BILLIE: No, Mom. Not nothing. Does Nick Fallon have something to do with this?
 
---
 
Gabi holds up her hands, encouraging EJ to stop reacting.
 
GABI: No, no, no. Not....not sex. We didn't actually...have sex. Okay?
EJ: Then what DID you do?
GABI: Well, I had to make him THINK we did or else...
EJ: So you didn't actually have sex with him.
GABI: NO! My GOD, no! I would never touch that man again, not after what he did to me, are you mad?
 
EJ breathes a sigh of relief.
 
EJ: Thank God for that.
GABI: I had to stay with him to make him think we did. I did just like you asked. I took him out, I got him blind drunk and I....switched the pills for the ones your...guy gave me.
EJ: And you know for sure he took them, yes?
GABI: I watched him this morning, yes.
EJ: Good. And you're sure he doesn't know that you switched them?
GABI: Absolutely none.
EJ: Good. Okay.
 
EJ paces the room, as Gabi goes to sit on the couch.
 
GABI: So...what's our next move?
EJ: You will have to contact the police. The only person on the force that Nick will allow into his apartment is his cousin, Hope. So I would go to her.
GABI: Okay, so I have to ask her to go visit Nick and see that he's okay.
EJ: Yes. Tell her that you sense something is off about him, and has been for awhile. You suspect that he may be using pills again. Guide her to look for them, but don't be too obvious or she will get suspicious.
GABI: But...why Hope? I mean, wouldn't she have a vested interest in keeping him out of jail?
 
EJ laughs to himself, a cocky smile going across his face.
 
EJ: Hope is a cop first. She is so committed to doing things by the book of law, she'd build a bloody church around it if she could. The point of the matter is that if she knows that Nick has gone back to drugs, she will be the first to make an arrest, and she'd justify it, knowing that's what's "best for him".
GABI: I hope you're right. This...we can't afford to be wrong about this, EJ. If we let this escalate I...I'm afraid for our lives.
 
Gabi begins to visibly panic, and EJ rushes over to her to try to calm her down, putting his hands on her arms, almost shaking her into lucidity.
 
EJ: Just...trust me. Okay? This is the only way. I have already arranged everything. Okay? Once Hope makes the arrest, I've got it all set up so that Nick WILL go back to prison where he belongs, okay?
GABI: That's great but he'll make the connection that I'm the one who switched his pills and we'll all end up in prison.
EJ: No, he won't. The pills will discredit anything he has to say about it, and he has no evidence to back it up, so it's his fuzzied mind against all of you.
 
Gabi looks uncertainly at EJ. She sighs, trying to relax herself, but is unable to. EJ holds onto her, making sure Gabi's eyes are locked on his.
 
EJ: He won't able to hurt you or anybody else, I will make sure of that.
GABI: I hope you're right.
 
Gabi reaches around EJ and hugs him.
 
GABI: For Ari's sake, I hope you're right.
 
---
 
Marlena opens the door to her office and, upon seeing John, smiles warmly.
 
MARLENA: John! 
 
Marlena stops short of hugging him, though it's her first instinct.
 
She steps back, looking up with a now-slightly-subdued smile. 
 
MARLENA: It's good to see you. Come in.
 
Marlena steps aside, allowing John to walk into her office. She closes the door behind her. She walks awkwardly behind him toward her desk.
 
MARLENA; So! I'm surprised you're back in Salem.
JOHN: Well, I...only got back last night.
 
John sits down as Marlena finds a seat behind her desk, she looks down at John before sitting down.
 
MARLENA: I...I see. Well, it's good to see you back.
 
After a moment of awkward silence, she breaks the silence.
 
MARLENA: I...uh...I got your letter. I...
JOHN: Doc. I...
MARLENA: I was so pleased that...you were considering...
 
John interrupts her, holding up his hands to stop her before she says anything that will prevent him from doing what he came to do.
 
JOHN: I should never have sent that letter.
 
Marlena is immediately and visibly taken aback. As though a shot has been fired into her chest.
 
MARLENA: What? What do you mean?
JOHN: I mean exactly what I said, Doc.
 
John looks down to avoid looking Marlena in the eyes. He fumbles with the maila envelope before placing it on the desk in front of Marlena.
 
Marlena looks down at it. Not even sure she wants to know the answer.
 
She breathes in, but takes a moment to decide whether or not to ask the question.
 
MARLENA: W...What are those?
 
John looks up, almost stone-faced at her, before finally choking out his answer.
 
JOHN: Divorce papers.
 
Marlena looks to John, her eyes welling up almost immediately.
 
---

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INSIDE INFORMATION (S.O.N. STYLE)

Posted by Y&Rbiggestfan in S.O.N, TV SOAPS IN DEPTH, 23 November 2014 - - - - - - · 146 views

A NEW SOAP ON THE WAY FOR 2015???

 

 

For many months now, several writers have been in talks to give an old soap breath once again.

 

There have also been talks of a new soap creation.

 

The soap that might be returning................. ALL MY CHILDREN

 

The New Soap Creation Title: WORK OF ART

 

Stay Tuned For Information!!!!!



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James Warrick Arrives and vows to stop the Carter Plan #156

Posted by aMLCproduction in The Young and the Restless, 15 September 2014 - - - - - - · 405 views

Posted ImageDown the street from GC Nights a reunion and a confrontation between a mother and father takes place. Daniel is still knocked unconscious on the ground with no pants on from the camera blow to the head from James Warrick.
Posted ImageJames: I watched you this whole time young lady.
Posted ImageMary: Did you like what you saw you pervert?
James: You will not speak to me in that tone. Not after what I caught you doing. Having sex with your sister’s baby’s father. Why would you do such a thing? What has Sheila done to you? What is she doing to you?
Mary: Sheila is dead. That bitch Lauren killed her.
James: You know as well as I do that is not very true. I’ve been caring for Sheila for years. She’s not dead. But she did escape my care. I know she’s near Mary, or is it Vandalynn?
Mary: It’s only Vandalynn when I’m being naughty. I like Vandalynn, she let’s loose.
James: I don’t like Vandalynn. She seems she’s all about Vandalism’s.
Mary: Ha ha that’s cute. Vandalism.
James: Young lady we are going to your place right now so you can wash the stench of alley and sex off of you.
He grabs her arm and tries to drag her off but Mary resists.
Mary: Keep your hands off of me! I’m not going anywhere with you!
James aims his gun at Mary.
James: You wanna try that again Mary Margaret?
Mary: You’re aiming a gun at your own daughter?
James: And you were being a salacious slut in the back of an alley.
Mary: I don’t understand why you are calling me all these horrible names.
James: Because of all the horrible things you are doing. Now enough of this charade. This madness stops now! After you wash that whore off of you, we are going to go see dear mother, Sheila Carter.
He jams the gun in Mary’s back and she obliges to his demands. They walk off leaving Daniel in the alleyway.
Posted ImageHe slowly comes to. He regains his composure and looks around. He feels a cool draft on the lower part of his body and sees a pair of jeans lying next to him. He looks down and sees he is naked in his glory. He grabs his jeans and stumbles towards the door way of GC nights. He opens the door trying not to fall out as he is dizzy from the blow to his head. He stumbles inside the bar and then collapses. Daisy, Roxanne and Tyler all look on in shock. Daisy runs over to him as Tyler picks up the phone and dials 911.
Posted ImageRoxanne: Since when do naked ass men walk into bars? I don’t know if it’s a new trend or not but I like it.
Tyler chuckles at Roxanne.
 

Created by William J Bell and Lee Philip Bell
Episode 156: James Warrick Arrives and vows to stop the Carter Plan
Written by ML Cooks and Casey Hutchinson
Creative Consults: Cary Richardson, Alexander Washington-Beebs, Martin Sanez, and Rob Wolf
 
 
GC Nights Posted Image
Roxanne rushes over to Daisy and kneels down next to her as Daisy is checking for a pulse on Daniel. Tyler rushes over with a blanket. To cover him up.
Tyler than throws the blanket on Daniel.
Roxanne: I’m so stunned at penis walking into the club. Who does that?
Posted ImageTyler: Daniel surely doesn’t. Something is wrong. Blood is coming from his head. He was with some one earlier this evening.
Posted ImageDaisy: Like who? He was here before? A woman? I’ll kill her. Daniel is mine. We have a family.
Roxanne: Hold on girl. Can’t kill nobody remember you done with that crazy life. You not about that life no more.
Daisy: I love Daniel. We share a child and no woman or anything will keep us apart.
Tyler: I think I said too much.
The paramedics arrive and rush over to a still unresponsive Daniel. They put him on a gurney and hook him up to an IV. The ambulance then rushes off.
Daisy stands up. She then thinks of Lucy.
Daisy: My daughter… Daniel is injured then who has my daughter? I have to go find out.
Roxanne: You want me to come with you? I can’t have my new friend out here on the streets killing folks.
Daisy smiles.
Daisy: I’ll be ok. Thank you. I’ll call you soon.
Roxanne: Seeing all this makes me want to make things right with my new found father. So that’s where I’m headed if you need me.
They hug and they both leave the club.
Tyler continues to think of the blonde bombshell Daniel was with at the bar earlier and contemplates the fact she has something to do with Daniel’s injury.
 
 
 
 
 
 
Posted ImageHillary arrives home from work and is looking forward to relaxing after being in stilettos and business attire all day. Her smile turns into a frown when she sees her apartment door has been kicked in. She panics and runs up to the door and looks inside her place and sees it is totally trashed. From inside her apartment she looks across the hall at the door to Roxanne’s apartment. Hillary thinks to her self that Roxanne did this. She shakes her in disappointment and pulls out her cell phone to make a call.
Hillary: Hello is this a bad time?
Male Voice: No who is this?
Hillary: Oh come it’s been that long since you’ve heard from me you don’t know my own voice?
Voice: Hillary how great to hear from you, are you in town?
Hillary: I am. I came here to help you but instead I’m in need of some help.
Voice: 2212 Kingston dr. apartment 2b. Come right over.
Hillary: Thanks, I’ll be over in a bit.
Hillary hangs up her phone and is flustered still looking at her trashed place.
Hillary: Roxanne you are going to be sorry for this.
Hillary then leaves the apartment building.
 
 
 
 
 
 
GC MemorialPosted Image
Snapper with Jill, Nikki, Mac and Brock all rush into the hospital. Right behind them storms in Sister Patterson and her church bus full including Devon, Neil, Nina, Chance, and Philip.
They see Nate and walk over to him. Sister Patterson barges onto the front of the crowd.
Sister Patterson: We are hear my child to do the work that needs to done.
Nate: Come again?
Sister Patterson: We are ready, willing, abled and equipped with the tools to do the job that needs to be done Brother Hastings.
Nate: I’m assuming you are here about Esther, Karl and Karynn.
Posted ImageJill: No Dr. Hastings, Esther only.
Sister Patterson turns to Jill.
Sister Patterson: Now see that is the ugly I’m talking about. We don’t need all that evilness from you Jill. We need to care and pray for all God’s chillrens‘.
Jill: You’re getting so annoying and tired. Who are you really?
Sister Patterson takes out a bottle of cooking oil out of her oversized bag and unscrews the top.
Nate: Sister we are not frying nothing here this is a hospital.
Sister Patterson: Won’t be no cooking’s today brother. This oil is special. You see…
Sister Patterson pours some in her hand.
Sister Patterson: This oil here is special like I said.
Sister Patterson throws it on Jill’s for head then puts the palm on her hand on Jill’ head and pushes her back.
Sister Patterson: This is the lord’s oil. This praying oil. Jill has a nasty ass spirit in her and we need this oil here- you see to fight it. Drive this demon out my GOD! Yes! We ask of you to give Jill the strength she needs, oh lord yes, to fight that vile demon that makes her spew such careless remarks. This demon made her attack the elderly my god!! In the name of Jesus we pray. Amen.
Sister Patterson then pushes Jill backward and Snapper catches her.
Posted ImagePaul: Ok I’ve seen enough. Nate this woman needs a mental evaluation.
Nate: Paul it’s ok. She’s new at my church.
Sister Patterson: I am not insane. I am a commander of my army. We are soldiers for the lord and I got the tools right here. Brother Nate I got my prayer warriors right here. Lead us to the right areas of our loved ones and we will make it an oh happy day.
Then Sister Patterson jumps for joy.
Sister Patterson: YES HALLUEJIUAH!! AMEND!!!! Everyone needs healing Brother Nate, we can do this right here. Join me in song choir.
Sister Patterson pulls out her baton from her holy bag and turns to the crowd but in her mind the church choir. She begins to sing Oh, Happy Day, very loudly and out of pitch. Some wouldn’t even call it singing.Posted Image
Sister Patterson: (singing) Oh happy day. … Oh happy day…
Sister Patterson is angered when her choir doesn’t respond to her commands.
Sister Patterson: Hear me and hear me now! I am a commander on the battlefield of sin. I only do his work and I only know how to speak the truth. That’s all I can do. I am an agent of God and when I begin to sing this oh heavenly tune again I’m going to need all abled bodied souls, to join in. We need to sang this song, oh lord, to heal all this evilness and this sickness in this hospital.
Nate: Sister Patterson Please not right here.
Sister Patterson: Never mind all that Brother Nate, you hear? We are doing his work. We are at war and don’t you stop us. Now choir let me hear thy voices.
“Oh Happy day…..Oh Happy day.” Everyone slowly joins in with Sister Patterson. “ When Jesus washed…Oh yes you did lawd, you washed…You washed our sins away.”
Sister Patterson then steps up the song and she begins to clap. As the crowd sings she hollers over them
“ Yes sing it. Let me hear it!”
The emergency room has come to a complete halt as everyone looks on at the impromptu church vigil .
 
 
 
 
 
 
 
 
 
Daniel’s House
Daisy pounds on the front door. Phyllis opens and Daisy is shocked to see Phyllis there using a walker.
Posted ImagePhyllis: What in the hell are you doing here crazy Bitch?
Posted ImageDaisy: As old as you are and I should add crippled, why are you so childish?
Phyllis: I can do that, I don’t like you, you are a physco. Why are you here?
Daisy: Where is Lucy?
Phyllis: You are not getting any where near her!
Daisy: Well then you need to get over to memorial. Daniel has been hurt.
Phyllis: You are lying! This is a ploy to get Lucy. It’s not gonna work. You can do better than that surely.
Daisy: I’m not lying. I saw it. Roxanne and I were having drinks at GC Nights and then in walks Daniel with no pants on and blood coming from his head. He collapsed.
Phyllis: Do you know how crazy that sounds?
Lucy then begins to cry in the background.
Daisy: My daughter needs me. I can stay here while you go to Daniel to make sure he’s ok.
Phyllis: Daisy don’t let this walker fool you. You try to enter this house so help me God I’ll beat the hell out of you with this damn walker!
Daisy: Yea right you crippled bitch! One kick from me to you and it’s over. Now step aside or I’ll have to escalate this and we don’t want that.
Phyllis: I think we do so then you can go back to jail.
Daisy: Phyllis just move please. Can’t you hear my daughter crying? She wants her mother please I’m begging you I haven’t seen her in a couple of years. You are a mother you know what that is like.
Phyllis walks away from the door just enough with her walker so she can slam the door in Daisy’s face. Daisy is stunned and then hurt. She then pounds on the door. Phyllis walks over to Lucy and gives her a bottle. Daisy is still pounding on the door.
Daisy: I will break this door down Phyllis and then I’m going to shove that walker up your ass! I will get my daughter no one will stop me!
Daisy then begins to kick at the door trying to bust it down.
Phyllis picks up the phone and calls over to Memorial to find out if Daisy’s story checks out. Phyllis gasps when she learns it’s true.
Phyllis hangs up the phone and looks at the door realizing that Daisy has stopped attacking the door. She wonders if she’s left. She slowly walks over to it and opens it. She sees Daisy smiling and dangling a set of keys.
Daisy: It seems your son is having an emergency and you have no means to the hospital. As a good mother like myself you would want to get down there right?
Phyllis: I don’t care Daisy you are not going to be left alone with Lucy.
Daisy: To show you I’m the bigger woman here let me suggest a compromise. I’ll drive you to the hospital and you can bring Lucy. You can keep an eye on her or us. As long as I can see my daughter. Just until you are done.
Phyllis: Damn it Bitch! You try anything I swear you will regret it.
Daisy: I want to earn your trust.
Phyllis: Yea after acting like a big bad wolf trying to break the damn door down!
Phyllis sits in her wheel chair and she grabs Lucy. Daisy pushes them out to her car.
Phyllis is on edge and tense as she wonders if she can really trust Daisy.
 
 
 
 
Back at the Hospital
Nate is at the nurse’s station doing some charting when Devon walks up behind him
Posted ImageDevon: You make it all look so good don’t you?
Nate turns around to look at Devon.
Nate: I was waiting on this. You going to hit me again?
Devon: I wouldn’t want to mess up your pretty white doctor’s coat there”
Devon says brushing off Nate’s should and fixing his white coat.
Nate: Are you going to make a scene? This really isn’t the place nor the time.
Devon: It wasn’t your place to be sleeping with Roxanne. My woman. The woman I want to marry.
Nate: I never slept with Roxanne. Had you stayed that day you caught us in an embrace Roxanne would have explained that to you.
Devon: Actions speak louder than words family.
Nate: Yes we are family and that’s why I wouldn’t hurt you like that by sleeping with Roxanne behind your back.
Devon: Than what was it?
Nate: I had an attraction to Roxanne. We have been fighting it for months.
Devon: Months? So you’re saying Roxanne has feelings for you too then?
Nate: I don’t want to speak for Roxanne. I also won’t share with you the things Rox and I talk about.
Devon scoffs at Nate.
Devon: Rox? That’s a joke. So I caught you two at the park in an embrace and you both lied to me then. You told me that embrace was nothing. Yet since that time and I assume even before that you two had this attraction to one another. You and I even talked about it. You told me there was nothing between you and Roxanne. That was a lie to so why should I believe you now when you say you didn’t sleep with Roxanne?
Nate: You just have to take my word for it. Ask Roxanne.
Devon: Have you spoken to Roxanne since I caught you two?
Abby then walks over to Devon seeing the two getting more intense.
Posted ImageAbby: Devon come on let’s not do this here.
Devon: No no Abby I want to know. Nate answer the question. Have you spoken to Roxanne since the day I caught you two in an romantic embrace at your apartment?
Nate: Have you?
Devon is about to punch Nate but catches himself.
Abby pulls Devon away. Nate takes a deep breath turns around and gets back to his paper work.
 
 
 
 
 
 
Roxanne is about to knock on a door when she hears heels stomping towards her. She pauses and wonders who it could be walking so fast. Up the corridor is Hillary looking down on a business card. She looks up and sees Roxanne.
Hillary: What the hell are you doing here?
Roxanne: I got business bitch and you?
Hillary: No class at all. Is that how you really speak?
Roxanne: To a bitch I don’t like I sure do.
Hillary: And why don’t you like me Roxi?
Roxanne: Get my name right tramp! I’m only going to say it once.
Hillary: So petty. You’re mad because I slept with Nathan.
Roxanne: You mean Nate and no I’m not,.. I love Devon.
Hillary: If that makes you sleep better at night then by all means. And I bet it was you who trashed my place.
Roxanne: Prove it.
Hillary: You just seem like you would do something so low class. Your speech is low class.
Roxanne: Oh yea Bitch? So you put two and two together and you got four or what?
Hillary: No I got Nate and I know you want him. That’s why your acting like this,.. you’re mad. Sorry Roxi you can’t have both Devon and Nate.
Roxanne grabs Hillary’s neck and slams her head against a door. She does this several times.
Between each pound Roxanne speaks:
I told yo bitch ass (pound) to get (pound) my damn (pound) name right (pound)”
Hillary grabs Roxanne’s ponytail and yanks it very hard while using her other hand to claw Roxanne’s face. Roxanne screams and let’s go of Hillary’s neck. She backs away from Hillary unable to bear the stinging pain of open flesh wounds on her face. Hillary then stomps on Roxanne’s foot with the heel of her stiletto. Roxanne’s hollers out in pain and in anger grabs Hillary’s neck again to pound it against the door. Only this time the door swings open and they fly into an apartment. They crash onto the ground.
It just happens to be Spencer’s new apartment.
Posted ImageSpencer: Hillary, Roxanne. What the hell is this? I just moved here damn it you two going to get me put out!
Roxanne regains her composure and sits on top of Hillary still choking her. Hillary is trying to break out of Roxanne’s grip.
Spencer grabs Roxanne and pulls her off of Hillary. Hillary chokes and coughs catching her breath.
Roxanne: Let me go!! I’m going to whoop dat’ ass!!
Roxanne says as she struggles to free herself from Spencer’s hold.
Spencer: No Roxanne!! I can’t have you fighting your half sister.
Hillary and Roxanne both pause what they were doing and look at him.
Hillary: Say who?
Spencer: Roxanne this is my daughter Hillary and Hillary this is my new found daughter Roxanne. Now stop all this fighting and tell me what is going on?
RoxannePosted Image and HillaryPosted Image are stunned just learning they are half sisters….
 

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GENERAL HOSPITAL FANFIC EPISODE 14...Monica tells Tracy what she did.

Posted by cnathanielrichardson in GENERAL HOSPITAL, 23 August 2014 - - - - - - · 352 views

GENERAL HOSPITAL FANFIC EPISODE 14
Monica tells Tracy what she did
Created by: Frank and Doris Hursley
Written by: C. Nathaniel Richardson
Consultant: Beebs and YRbiggestfan
 
PART 1 - AT THE PARK
Sebastian WestAttached Image walks into the park with his book bag and sits on the bench.  He looks to the left, then to the right and is certain that nobody is there.  He takes out a small bag of marijuana, then looks for something else while focused on the bag.
Sebastian:  Dammit.
SydneyAttached Image offers him a lighter.  This breaks his focus on the bag and he looks up at her.
Sydney:  Looks like you need one of these.
Sebastian:  Thank you.
He reaches out for the lighter, but Sydney pulls it back.
Sydney:  So are you gonna smoke that all by yourself?
-----------------------------------------------------------------------------------------------------
MICHAEL’S APARTMENT - KikiAttached Image walks in with a gift bag, smiles, and takes a red teddy out of it.  She turns to the table, which is pristinely set with two candles, handkerchiefs, silverware, two champagne glasses, and a silver, ice filled bucket with a bottle of champagne in it.  She then gets a call on her cell phone.
Kiki:  Hmm if it isn’t my sexy fiance.  Wait till you get home.
MichaelAttached Image is at ELQ sitting at his desk staring at his computer.
Michael:  Hey babe.  I’m...gonna be home a little late tonight.
---
Kiki:  Let me guess...ELQ stuff.
---
Michael:  Yeah we just got word that they’re gonna announce the winning bid for the Waterfront Project.  I’m sorry.  I promise I’ll make it up to you.
---
Kiki (sighing):  Okay.  I can’t lie and say I’m not disappointed.
---
Michael:  I know I know.  I’ll see you later.  Love you.
---
Kiki:  Love you, too.
--------------------------------------------------------------------------------------------------------
AT THE QUARTERMAINES..
MonicaAttached Image steps away from the living room door as she talks to Tracy.
Monica:  I’m gonna do whatever it takes to keep Carly away from Jason.
Tracy:  And how do you plan on doing that?  It hasn’t worked all these years.  What makes you think it’s gonna be effective now?
Monica:  I brought down Sonny Corinthos didn’t I?
Monica flashes back to giving a recording of Sonny admitting that he shot A.J. to Anna Devane…
Anna:  What is this?
Monica:  Listen to it.  It’ll get you the fish you’ve been trying to catch for years.
Monica flashes back to the present.
Tracy:  I don’t know how you managed to pull that off, but Carly isn’t gonna be that simple.
Monica:  Trust me none of this is easy, but I’ll be damned if I let Carly destroy my other son.
Monica and Tracy turn around and there are CarlyAttached Image and JasonAttached Image
CAMERA PAN ON CARLY AND JASON, QUICK CUT TO THEME SONG.

---------------------------------------------------------------------------
PART 2
Sebastian and Sydney are sitting next to each other on the park bench, and they have just finished smoking a joint.
Sebastian:  You better not tell anyone about this.
Sydney:  Oh please.  It’s not the end of the world if someone finds you smoke weed.  Besides, can you tell me where I can get some more of this good stuff from?
Sebastian:  How do I know you’re not a narc?
Sydney immediately stands up.
Sydney:  Don’t be ridiculous.  Narcs normally don’t smoke joints!
Sebastian:  Find your own weed guy.
Sydney:  You’re a total ass!
Sebastian:  Thank you.
Sydney:  I’m hungry.  
Sebastian:  Go get something to eat then.
Sydney:  Ugh!
-------------------------------------------------------------------------------------------------------
MorganAttached Image is outside of Kelly’s sitting on a bench, and Kiki walks up.  Morgan notices her.
Morgan:  Hey Kiki.
Kiki:  Morgan what’s up?
Morgan:  Just went for a run.  What’s up with you?
Kiki:  Nothing, just getting something to eat.
Morgan:  Are you sure that’s it?
Kiki sighs.
Kiki:  No it’s not.
-------------------------------------------------------------------------------------------------------
Carly:  I would never hurt Jason.
Monica:  You...are poison.  I lost one son because of you and Sonny and I won’t stand by and watch that happen again!
Carly:  I’m sorry, Monica, for your loss.  I wouldn’t know what to do if I lost Michael or Morgan, but A.J. made his own choices.
Monica:  You’re a human tornado.  You leave destruction in your wake.
Jason:  Mom that’s enough.
Monica:  It’s true.  You need to stay away from Carly before she destroys you.
Tracy:  Jason we’ve gotta get to ELQ.  The winning bids are gonna be announced soon.
Tracy walks out the door, and as she closes the front door, she walks and looks in her purse for something.  Suddenly, Sydney bumps into her, and Tracy notices a lighter that falls out of Sydney’s purse.
Sydney:  My God!  Not only are you a bitch, you’re a clumsy bitch.
Tracy picks up the lighter.
Tracy:  Hmm what would this be for?
Sydney:  What is it to you?
Sydney tries to walk past Tracy but Tracy stops her.
Tracy:  You wreak!
Sydney:  Wreaks of what?
Tracy:  Are you really gonna try to play coy with me Syd?
Sydney:  I don’t know what you’re talking about.
Tracy:  Pot!
Sydney:  I can’t wait till Luke gets back.  It’s been a long time for you hasn’t it?  You really need to find a hobby.
Tracy:  Does Maya know that you light up joints?
Sydney:  She knows all about that.
Tracy:  Maybe where you lived before, but not here in Port Charles.
Sydney:  Is there a point you’re trying to make?
Tracy:  I bet Maya would ship you to an iron clad, maximum security, prison-like rehab facility.  In fact, why don’t we call her right now and let her know...
Sydney (grabbing Tracy’s phone):  Please...don’t tell my sister.
----------------------------------------------------------------------------------------------------
Jason:  Mom can you watch Danny while I go to the office?  Sam should be coming soon to get him.
Monica:  Of course I’d watch my grandson.
Carly:  I have to go to the MetroCourt.
Monica:  On your way out of Port Charles I hope.
Monica walks into the living room and sits on the couch as she watches Danny continue to play with his toys.
Monica:  Hey there my little grandson.  Oh I just so wish Alan were here to see you.   I’m gonna be in your life as much as possible.
RobinAttached Image walks in with a suitcase, and Monica does not hear or see her immediately.
Monica:  I never even got to know your brother Jake, but your big brother, Michael is thriving, and running ELQ.
Robin:  Big brother Michael?  Monica what are you talking about?  The only brother Danny had was Jake.
Monica turns around and is shocked.
CAMERA PAN ON MONICA...QUICK CUT OUT...END OF EPISODE 14

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goodbye

Posted by Y&Rbiggestfan in Code Blue, 22 July 2014 - - - - - - · 155 views

CANCELLED

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Welcome Back To Sprinfield

Posted by JM Fanfiction in Welcome Back To Springfield , 07 July 2014 - - - - - - · 151 views

Soon you guys will be back in the lives of everyone of your favorites from Springfield along with some new faces. I hope you will enjoy this classic soap opera as I did and still do.

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DOOL Epi. 1

Posted by JM Fanfiction in Days Of Our Lives My Version, 28 June 2014 - - - - - - · 228 views

NEW DAY
 
(Horton Town Square; by gated bench)
 
"Shows Paige walking past then bench talking on the phone, when is stopped by Bev"
 
Paige- hey mom I'll call you back I have something I need to take care of
 
"Paige hangs up"
 
Bev- it's so nice running into you here Paige, alone, away from everyone and no one can what I'm going to do to you
 
Paige- what are you talking about Bev?
 
"Bev pulls a gun from her purse"
 
Paige- um... Bev there's no need for you to have that gun
 
Bev- oh yeah there is, you see I'm going to use this gun to get you to do as I say so I can get what I want
 
Paige- Bev if you want to see JJ all I have to do is call him and tell him to meet me here and you can see him
 
Bev- oh I don't only want to see him I want to have him and I also want to have his baby. And the only way that will happen is if you are out of the picture for a while.
 
Paige- What do you mean by that?
 
Bev- It means you have disappear for a while, and I have to perfect place so get to moving
 
"Paige walks off followed by Bev pointing the gun at her"
-----------
 
(Daniel's Apartment)
 
"Shows Daniel walking around his apartment in just a towel; talking on the phone"
 
Daniel- yeah I can't wait Melanie, Yeah Parker and I plan on coming out there very soon to visit you
 
"doorbell rings and Daniel answers it"
 
Daniel- hey let me call you back I got something I need to take care of
 
JJ- hey you got a minute to talk
 
Daniel- um... yeah sure come on in. Just give me a few minutes to get dressed then I'm all yours
 
"Daniel walks off towards the hallway"
-------------
 
(DiMera Mansion; Living Room)
 
"Shows Sami sitting on the couch and movers walk into the living room"
 
Sami- it's about damn time you guys showed up. Listen all the stuff that is being moved is upstairs the first and second room on your left.
 
Moving Man- okay is there anything else from this place that needs to be moved
 
Sami- no oh wait while you are moving that could you please drop this off at the dumpster
 
"Shows the portrait of EJ and Sami sitting beside the couch; EJ walks in"
 
EJ- Samantha what the hell is all of this
 
Sami- well considering everything that has happened between us that you have caused you can put the pieces together. I'm moving out and so are the kids.
 
EJ- Samantha please stay and we can talk about this
 
Sami- talk about what? You cheated on me EJ with that slut Abigail. There is nothing to talk about.
 
EJ- Samantha please just hear me out. Please!
 
Sami- you have until the moving truck is loaded up so start talking.
------------
 
(Brady Pub)
 
"Shows Theresa and Anne sitting at the far booth in the corner"
 
Anne- so tell me how are things going with your niece Paige
 
Theresa- not very good at all thanks to my ignorant half-sister Eve
 
"Shows Theresa looking over at Eve sitting a the bar; Anne gets up"
 
Theresa- Anne where are you going?
 
Anne- to work some magic
 
"Anne sits down next to Eve"
 
Anne- oh I'm sorry was this seat taken
 
Eve- no not at all
 
Anne- the names Anne... Anne Milbauer
 
Eve- Eve Larson, nice to meet you
 
Anne- you too, so I have heard through the grapevine that you and Jennifer Horton go way back as being enemies
 
Eve- grapevine as in you mean my sister Theresa. I know what your doing and I'm not liking it at all. So you can go back over to that little corner booth and chit-chat with my sister
 
"Eve gets up and walks out of the pub, Anne walks back over to the booth"
 
Theresa- very smooth handling Anne, very well done
 
Anne- oh shut it
-------
 
(Daniel's Apartment)
 
"Shows Daniel walking back into the living room"
 
Daniel- okay kid what did you want to talk about
 
JJ- well um... Paige and I are having our first official date tonight and well lately when we have been hanging out we have been getting pretty close to some things.
 
Daniel- you mean sexual things right
 
JJ- yeah and well I was wondering if you could give me some pointers on that you know how a father would to his son. What I mean is I know the whole sex part but I want to make it as romantic as I can.
 
Daniel- this is your first time isn't it?
 
JJ- what no I've had sex before
 
Daniel- right and if you have then why are you asking me stuff on how to make it romantic.
 
JJ- alright look this will be my first time with a girl and I want to make sure it is special for both Paige and I and I just really don't want to screw this up
---------
 
(DiMera Mansion; Living Room)
 
Sami- you going to start talking or am I just going to leave
 
EJ- look I know what I did was just wrong, pathetic
 
Sami- how about degrading, or hurtful or oh my favorite it's cheating.
 
EJ- and I am truly sorry that I ever did that to you so please give me another chance please.
 
Sami- I've already given you to many damn chances. We are done EJ so you can go find your little slut and be with her now
 
EJ- so it's like that well I guess I'll hear about it tomorrow as to who you are shacking up with next.
 
"Sami slaps EJ"
--------
 
 
 
 
 

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Golden Days Epi. 6

Posted by JM Fanfiction in The Golden Days, 28 June 2014 - - - - - - · 148 views

(Grave Yard)
"Shows Jaxon looking at a woman"
Jaxon- Jaxon Donovan
Bridget is that really you?
Bridget- Bridget Donovan
The one and only, so get over here and give your sister a hug
"Jaxon hugs Bridget"
Jaxon- what are you doing back here in town?
Bridget- I came back for a visit but as soon as I get back in town I hear that you are getting married, Drake is in the hospital from an overdose and Donovan Enterprises has gone nuts. What the hell happened when I left?
Jaxon- I don't know I guess we are all going crazy
Bridget- I'd say, so have you been to the hospital to see Drake
Jaxon- I was there when they first brought him in but then I left to come here.
Bridget- come on lets go see our baby brother together
"Jaxon and Bridget walk off together and a shadow is seen standing behind a wall"
------------
 
(Linwood Memorial; Patient's Room)
"Shows Carla walking into the room and shows Drake lying on a hospital bed hooked up on IV and other machines; Carla walks over and sits down next to his bed"
Carla- Carla Sanders Donovan
oh sweetheart why did you have to go and do something so stupid. Why didn't you just call me, we could have talked or you could have called Jaxon or anyone. You didn't have to try and kill yourself. But not to worry because as soon as you wake up we are going to get you all the help that you need. Lila's here and so is Grandpa Sullivan, a lot of the family is here and Jaxon is on his way here. Oh please sweetie just wake up for me please.
-------------
 
(Linwood Memorial; Waiting Area)
"Shows Lila and Sullivan sitting in chair's; Claire walks up"
Claire- Claire Donovan
hey granddad where's Aunt Carla?
Sullivan- Sullivan Donovan
in there with Drake, why is something wrong
Claire- I need to talk to her
Sullivan- okay well I'll go get her
"Sullivan walks off"
Jaxon- Jaxon Donovan
Claire what's going on if it wasn't anything serious you would just wait until later to tell us, so what's going on?
"Claire sighs"
Bridget- Bridget Donovan
Has my brother gotten worse?
Claire- yes he has
Carla- Carla Sanders Donovan
what do you mean worse, how much worse?
Claire- We did a cat scan of Drake's brain and it shows a tumor on his left frontal lobe, but it get's worse
Jaxon- worse what could possibly be any worse that a tumor
Claire- Drake slipped into a coma
-----------
 
(Kinsey's Art Studio)
"Kinsey drops the pencil"
Kinsey- Kinsey Reeves
I think I've finally got it. This is going to be perfect.
Deacon- Deacon Walsh
let me see
Kinsey- what do you think, now be honest
Deacon-well.... it's perfect
Kinsey- really?
Deacon- yeah I think Jaxon and Maggie are going to love it
Kinsey- okay well since I am done with work are you ready to get out of here?
Deacon- oh you bet I am as long as you come with me
Kinsey- well of course I am silly
------------
 
(Linwood Memorial Hospital; Waiting Area)
Jaxon- Jaxon Donovan
Claire come on is this some kid of joke
Claire- Claire Donovan
I wish it was just a joke but no it's not
Carla- Carla Sanders Donovan
Wait a minute your standing there telling me that my baby boy is in a coma and not only that but has a tumor as well
Claire- yes Aunt Carla I am
Bridget- Bridget Donovan
Is there any possibility that the tumor caused Drake to go into a coma?
Claire- that is a possibility but we won't know for sure until we run more test
-----------
 
 

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Stuff To Know About This GH Version

Posted by JM Fanfiction in General Hospital My 2.0 Verson, 24 June 2014 - - - - - - · 161 views

The Manning's Are BACK in Port Charles for good!
 
 
*Character's- Kiki Jerome, Nina Clay and Silas Clay never existed
 
* Using Character's from OLTL John McBain, Starr Manning, Todd Manning, Blair Cramer, Tea Delgado, Dani Manning, Jack Manning and Sam Manning
 
* Franco stayed dead from when Jason shot and killed him

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Epi. 1 "The Pilot"

Posted by JM Fanfiction in Privileged, 23 June 2014 - - - - - - · 130 views

SEASON 1, EPISODE 1
 
(Park)
"Shows Josie walking in the park and up to a hotdog cart"
Frankie- Clay
Well hello there beautiful.
Josie- Josie Preston
Hello Frankie, Can I get one hotdog please
Frankie- anything for you. So tell me hows working at Barrington Global going for you.
Josie- Well I'll tell you after today's over with and thanks for the hotdog
Frankie- no problem
"Josie takes a bite of the hotdog and starts walking down the sidewalk in the park"
--------------
 
(Barrington Global)
"Shows Josie getting off the elevator and she sees Tyler Barrington yelling at a worker"
Tyler- Tyler Barrington
either you start doing your damn job right or you'll be out on your ass jobless
Woman- yes boss
"The Woman walks off and Tyler sees Josie"
Tyler- Josie what brings you by today on your day off
Josie- Josie Preston
I just came to clean out my office, you know after you told me to start being an ass like yourself or get lost. Well I chose to get lost. So if you'll excuse me I have an office I need to pack.
Tyler- wait just a minute. Josie do you at least have another job or something to do until you find another job because if not you can keep your job here.
Josie- Tyler you can pretend to be nice all you want but come on it's me I've worked here for 15 years and believe me I've hated it everyday and besides I've decided to open my own night club.
"Josie walks off to her office, Tyler follows"
Tyler- a night club, are you serious about this Josie?
Josie- yes I am because I know I don't have to come to work everyday and deal with an ass of a boss like you. So if you would please leave so I can get what I need to get done
Tyler- you're making a big mistake
"Tyler walks off"
Josie- we'll see about that
------------------
 
(Carla's Diner)
"Shows Ryder and Doug sitting at a booth when a waitress walks over"
Doug- Doug Sanders
Well hey there Carla
Carla- Beth
hello boys, let me guess you guys both want the usual that you all get
Doug- yes ma'am
Carla- okay coming right up
Ryder- Ryder Preston
My sister needs to hurry up and get here
"Diner door opens and a man walks in"
Doug- hey Sterling what brings you by
Sterling- Sterling Wells
Josie told me to stop by and that she had some big news to tell me and I take it as that's why you guys are here
"Diner door opens again; Josie walks in"
Doug- it's about time
"Josie walks over and sits down and Carla brings them their food"
Carla- so what's the big news Josie
Josie- Josie Preston
Well since you all must know... I quit my job today
Ryder- what are you serious?
Doug- that's the big news
Josie- no there's better news. ............. I have decided to open up my very own night club and I want all of you to work in it
"Josie grabs a French fry and eats it"
-----------
 
(Apartment Building)
"Shows a woman walking down the steps to outside"
Mona- Mona Sawyer
It's about time you got here. I thought I was going to fully melt before you ever got out here
Layla- Layla Blackwell
I'm here now aren't I.
"The both chuckle"
Mona- come on were late for the meeting
"Mona wraps her arm around Layla and the both walk off down the sidewalk"
---------
 
 
 
 
 

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EPISODE 106

Posted by juniorz1 in Return to Santa Barbara, 21 April 2013 - - - - - - · 726 views


 
(EXT: London, England- Edmund's Creepy Castle)
 
--Ashton sits in the living room, on the phone, and learns of Eden, Kirk, and Pearl's impending arrivals.  He smiles and says that it's time that everything be put in place so he, Kelly, and everyone else can live "happily" ever after.  Kelly enters the room, able to catch the last part of his sentence, and he hurries off the phone.
 
"Happily ever after huh?  I thought that was already decided on our wedding day, Mr. Lavery."
 
"Oh, it was, it was, Mrs. Lavery.   I just got some news that should delight you and perhaps give you some pleasure during your downtime on our extended stay here in London.  I'm sure you're about tired of my father, Christine, and all the construction on the East Wing by now."
 
"Actually, I find your father quite fascinating.  A bit mysterious, but he never ceases to hold my interest.  So......what is this happy news that is supposed to bring me such delight?"
 
"Your sister is actually on your father's jet, on her way to London right now.  I've invited her....and her friends to stay here with us.  At the castle."
 
"Oh?  And what friends are you talking about?  Julia?  Mary?"
 
"Actually, they're both men.  Pearl Bradford, that old friend of yours and my #1 fan, and Kirk Cranston."
 
"KIRK CRANSTON?  Eden is coming HERE.....with Kirk Cranston?  What the hell would possess her to bring that man here....let alone on daddy's jet?"
 
"I sense there's some sort of history there."
 
"Oh, not much.  Just that they were married years ago.  And he attempted to kill her.  Multiple times.  And gaslight her.   And kidnapped her...and Cruz....again, multiple times."
 
"Doesn't sound like the ideal travel companion."
 
"My point exactly.  It's all so strange.  Why would Eden leave her children, Cruz's parents, and daddy, to come to London with Kirk Cranston, of all people?"
 
"Sounds like you'll have plenty to discuss over dinner tonight.  They should be arriving before then and I've asked Christine to prepare a special meal for all of us....and our guests."
 
"Guests?" Edmund says, entering the room.
 
"Yes, father, guests.  Kelly's sister, Eden, and a couple of her friends will be arriving later.  I hope you don't mind that I've taken the liberty of inviting them to stay here.  I figure there's plenty of room for everyone.  It is a CASTLE, after all."
 
"Kelly, would you be so kind as to give my son and I a moment alone?"
 
"Of course.  Obviously my husband here should have discussed this with you first.  You've been very gracious to let us stay here as long as you have.  I hope you don't feel too put out that Ashton here has invited my sister and her.....friends to stay.  He's just trying to make me happy is all, as he always does.  I'll go and get a cup of tea from Christine in the kitchen.  Would either of you like anything?"
 
"Nothing at all my dear, the privacy will be quite enough."
 
Kelly exits the room, muttering to herself about Eden, Kirk, and :Pearl being the oddest of combinations.  Back in the living room, Edmund glares at his son.
 
"Just what are you up to?  It's been hard enough keeping Kelly away from her mother....now you've got her sister coming as well?   Just what in the devil are you up to?"
 
"I suggest you listen and listen good.  If you want this charade of a life that you've created for yourself and your pod in the East Wing to continue, you'll do everything that I ask of you tonight.  Otherwise, I'll expose you to the Capwell girls, who will surely go running to daddy...."
 
"You wouldn't dare.   You wouldn't risk your marriage to Kelly Capwell, that I know."
 
"You're right, I wouldn't.  And you'll understand things as they unfold today.  You just do exactly as I say or this whole thing will blow up in your face tonight father.  Do I make myself clear?"
 
"Why you little.....just who do you think you are speaking to me this way?   How dare you assume that I would go along with this, risk everything FOR...my God, if your mother were alive...."
 
"I thought she was.  Upstairs.  In her private bedroom.  Isn't that the double entendre you're leading right now?  You're just going to have to trust me for now father.  As for now, I must be going.  I have some business to attend to.  Please, keep Kelly entertained while I'm gone.   She seems to find you.....fascinating.  If only she knew just how interesting the life you're really leading right now really is...."
 
Ashton exits and as he leaves, Edmund takes out his phone and dials Pamela.
 
"We've got trouble.  Big trouble."
 
(EXT: Lionel and Augusta's London Flat)
 
--Augusta sits in her satin robe, staring at her husband across the breakfast table.  Clearly uncomfortable, she attempts to break the ice.
 
"Well that went rather smoothly yesterday."
 
"Those aren't the words I'd use if I were you, Augusta.  How dare you keep this from me for as long as you have.  How dare you!"
 
"How dare I?  After what that woman and your tawdry affairs with her have done to me over the years, you should consider yourself lucky I clued you in at all."
 
"Lucky?"
 
"Yes, lucky.  I couldn't care less about Sophia and the last thing I want is for you to go waltzing down memory lane with her.  But, I did the noble, unselfish thing and told you the truth.  I thought you'd be rather proud of me."
 
"Proud?"
 
"Yes, proud.  What is with these one word inquisitions you're spitting at me?   If I had my way, that woman would have stayed dead and buried where she belonged.  Ironic, though, isn't it.  Here we are, 34 years later, and it's 1979 all over again.  Sophia is operating under a false name, with no previous recollection of her old life, Marcello is her only confidante....it's de ja vous.  Only this time...well, I'm not quite sure I understand the logistics of it.  She didn't fall off a yacht for pete's sake, she was pronounced dead.  By Saint Mary Duvall of all people and there's no way Sister Mary would lie about this sort of thing.  You have to give credit where credit is due....Edmund has pulled off quite the caper here.  I think you'd rather enjoy his torturing of CC, if it didn't involve you're quintessential love, Sophia, that is.   And here I am, allowing you to play hero to the tawdry slut you cheated on me with and created that.....circus performing son of your's with.  And  the only reason he's even alive is because your mother switched the babies all those years ago.  Otherwise, Sophia would have shot your only child with her."
 
"Thank you, Augusta, for the refresher course and the lovely walk down memory lane.  Well one thing is clear- I couldn't get through to her.  And if  I can't get through to her...there's only one other man who can....CC!"
 
"Lionel, have you gone mad?  Did you not listen to the history course that Marcello gave you?  CC has a past with Loretta as well as Sophia.  His involvement could make this situation more chaotic than it already is and worsen Sophia's condition, which God knows is the lassst thing you'd want to do."
 
"He has a right to know that his wife is alive, Augusta.  Whether I like him, hate him, respect him, or not, he loves her and is grieving for her.  It isn't right that we keep this from him."
 
Augusta walks across the table and hits Lionel on the back of the head.
 
"Would you get your brain wired back in, Lionel?  We need to put Sophia first here and involving CC is only going to cause a bigger mess than this already is.  I suggest that we at least wait until we here from Marcello before we do anything rash.  Where is that "dame" of a mother of yours when I need her to talk some sense into you?  We at least need to wait until we hear from Marcello first.  At the very least, he did put that tracking device in the suitcase, so we'll know- Sophi--Loretta's--oh whatever the hell that tramp is calling herself's whereabouts are at any given time.  Patience, dear.  I doubt this is the last we've heard from Marcello."
 
(EXT: Lady DuMonde's Mansion)
 
--Ashton is greeted at the door by the butler and requests to see Marcello at once.  Marcello swiftly enters the room and wonders aloud what Ashton could want with him.  Ashton suggests that they talk somewhere in private.  He explains that he accidentally stumbled into Sophia's room and realizes what his father has done and wants to right the wrong.  Marcello admits to a knowing Ashton that he already knows about Sophia and is trying to jog her memory.  Ashton quizzically asks if anyone else knows and Marcello tells him only Lionel and Augusta.
 
"Doesn't Sophia have a history with the Lockridges?"
 
"A long one- she had a forbidden love affair with Lionel for a good portion of her life."
 
"Well couldn't you use that and your hypnosis techniques to kick start her memory?"
 
"I've already thought of that and I tried it yesterday, but Sophia and Augusta exchanged words and Loretta....Sophia got cold feet.  She's truly convinced that she's your mother."
 
"My mother-in-law is brainwashed into believing she's my mother.  Sounds like something out of a soap opera."
 
"You'd think so, but this has happened before, and the last time it did, it caused insurmountable, permanent damage to the Capwells, especially to Channing, Eden, and CC"
 
"Of course.  Well, if I could get you in to see her again tonight, do you think you could get Lionel to come alone?"
 
"I'm not sure.  Augusta can be a handful and she'll want to come but.... I can try."
 
"Try you will, if you want to bring Sophia back.  And you will succeed.  You seem a smart man, Marcello.  I'm sure you can come up with a good reason to bring Lionel to the castle on his own.  Here"
 
Ashton writes down his phone number.
 
"This is my cell number.  You call me when you're on the way.  Try to make it around 7:30, as we will all be at dinner at that time and it will be much easier to sneak you into the mansion."
 
"All of you?"
 
"Yes, my father, my wife, her sister..."
 
"Eden's going to be there?"
 
"Yes but she'll be at dinner.  I haven't told Kelly or any of the Capwells about Sophia because.....well, because my wife has told me the sordid family history and I'd hate to put any of them through that again before Sophia realizes that she's....Sophia.  I'm disgusted by what my father has done- it could damn well ruin my marriage and there's no way in hell I'm going to let that happen.  You just follow my instructions and I'll make sure you're able to see Sophia.  Now, I must be going, as my father will soon be wondering where I am.  I was very careful not to be followed.  I don't want him to have any idea that I know about this, nor that I'm helping you."
 
"I appreciate it Ashton  You're doing a good thing."
 
"Yes well, I hope so and I do hope that everything goes as planned.  Now as I said, I must be going."
 
Ashton sees himself out and immediately dials his phone.
 
"Ok, it's all set.  I hope you're ready for everything that's about to happen."
 
The camera pans to a man in a suit, sitting in an office, without his face being shown.  
 
A familiar, English accented voice is heard on the other line.
 
"Oh, I'm ready.  I'm more than ready."
 
They hang up and the camera pans up to the mystery man.....
 
 
 
 
 
 
 
 
 
 
 


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(THE END......For TODAY)
 



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EP 21 NEWS SPREADS FAST

Posted by Nothin'ButAttitude in As The World Turns , 21 March 2013 - - - - - - · 253 views
AS THE WORLD TURNS, ATWT, WORLD and 3 more...

Posted Image
 
INT. MONA LISA - DAY 
 
Carter grabs a faint Lisa before she falls do the ground. Scott rushes over to a table nearby and pulls out a chair while Carter drags Lisa to the chair, seating her. 
 
Lisa: (faint) Scott? Is it really you? 
Scott: Yes, Mom. 
 
Carter comes back to them with a glass of water. He hands it to Scott, who is now kneeled next to his mother. He holds the glass while Lisa takes a sip. 
 
Scott: You all right?
Lisa: I will be . . . (strokes his face gently) So glad to see you . . . 
 
Lisa then strikes her son across the face. Scott holds his face, which stings. Carter is stunned. Lisa jumps up and hovers over her son. 
 
Lisa: How dare you! How dare you do this to me!
 
On Scott totally shocked, 
 
CUT TO 
 
INT. BARBARA & HENRY'S HOUSE (KITCHEN) 
 
Henry, with a chef hat and apron that reads "I rub my meat for two mins," dances around the kitchen while the pots of the stove create a slight fog from the steam. 
 
Henry: (singing) Pour it up! Pour it up! That's how we ball out! . . . Strips clubs and dollar bills--
 
He is abruptly interrupted by a knock at the door. Aggravated, Henry opens the door to reveal his younger sister, CLARK COLEMAN
 
Henry is speechless. 
 
Clark: (distraught) I need your help. 
 
On Henry worried
 
CUT TO 
 
INT. TOM & MARGO'S COTTAGE - DAY 
 
Mo and Casey sit on the sofa making out. Tom then barges in slamming the door. The two break apart like two teens that have been caught in the act. As the rearrange their clothes: 
 
Tom: Where is your mother?!
Casey: She's at the station. What's wrong?
Tom: Emily!
Casey: What now?
 
Tom tosses the paper at Casey before he storms up stairs. Casey unballs the paper to see the headline (from last episode) featuring Tom, Carter, and Scott. 
 
On Casey cringing, 
 
FADE OUT 
 
 

 
FADE IN: 
 
INT. TOM & MARGO'S COTTAGE - DAY
 
Casey kisses Mo (before she leaves) and closes the door behind her. Tom comes down the stairs, undoing his tie and tossing it to the side. 
 
Casey: You sure you're fine? 
Tom: Do I look fine? (off Casey holding his hands up for mercy) Sorry. 
Casey: No problem but does this story even has any truth to it? I mean we haven't seen or heard from Uncle Scott since I was child. You sure Emily isn't fabricating this to p*ss you off? 
Tom: No she isn't. For once she isn't lying in that rag she calls a paper. 
Casey: (confused) So then I don't get while you're mad at Emily . . .
Tom: Because she's ruining my campaign! Don't you see it!
Casey: Dad, I doubt anyone is taking Emily or her paper seriously. Her past isn't squeaky clean either . . .
Tom: But when you're running up against someone with a stellar track record such as Carter Wallace--
Casey: Dad, you need to chill. 
 
Casey goes and sits on the sofa. He pats on it to indicate he wants Tom to join him, to relax. After fighting it, Tom gives in. 
 
Casey: Dad, you have a stellar track record too. 
Tom: I do but--
Casey: Not "buts." Who cares that you left mid office almost fifteen years ago? That was then. This is now. 
 
Margo rushes in breathing heavily. 
 
Margo: Oh honey! There you are. (rushes over and kisses Tom) I went by the campaign office and Bonnie told me everything. (calming down) You OK?
Tom: Not really. 
Margo: Don't worry, honey. We'll figure this out--me, you, Bonnie, Lisa--
 
Tom jumps up from the sofa
 
Tom: Mom! I gotta go see her. 
Margo: We're coming with you. 
 
On a shot of the Hughes rushing out, 
 
CUT TO 
 
INT. BARBARA & HENRY (KITCHEN) 

 
Henry and Clark are now seated at a table. We enter mid-convo. Henry is trying to pry some info out of her. 
 
Clark: Henry, can you stop!
Henry: No! You just come beating down my door and you want me to stop?
Clark: Yes.
Henry: We haven't heard from you in years! Maddie, me, Bernadette--
Clark: I'm fine. (swiping hair out of face) Can't you tell?
Henry: Not really but I'll drop it for now . . .
Clark: I just need a place to stay for a few nights--
Henry: What? Hold on--you just come in here and expect to provide you a haven when you can't tell me where the heck you've been for the past five years?! Really, Clark?
 
On Clark moaning, 
 
CUT TO 
 
INT. MONA LISA
 
Picking up where we left off of Lisa slapping Scott, and both he and Carter stunned: 
 
Scott: What was that for!
Lisa: For not picking up the phone and calling me! For not visiting me! Your brother--
Scott: Oh I've seen ole' Tom already. 
Lisa: What? So you've been in town for awhile now! (to Carter) And you knew?!
 
Carter searches for the right words, but before he can get them out, Lisa pops him in the face. Carter now holds his face, shocked.
 
Lisa: Now I see why you were using me--getting close to me. You wanted to stick it to me and Tom. (pointing to Scott) And he's the best way to do so? 
Scott: He didn't even know I was related you to until the night I arrived in Oakdale. 
Lisa: Oh really? So how do you two know each other?
Scott: We met awhile back in Somerset. I had a small practice there, he was there visiting--
Lisa: So you two became buddies and decided to come here and run for district attorney? 
Carter: No! I didn't even ask him to join me until weeks after I decided to come to Oakdale. 
Scott: Exactly. 
Lisa: (stewing) Oh OK . . . So Tom knew you were here?
Scott: Yes. I've been here since Christmas. 
Lisa: What!
 
Tom, Margo, & Casey come rushing in and up to Lisa, Carter, & Scott. 
 
Tom: Mom--
 
Lisa pops him across the face. 
 
Lisa: How could you! (to both of her boys) How could both of you! . . . (enraged, flailing around) How could all of you!
 
Casey and Margo step back, not wanting to feel the wrath of Lisa. 
 
On Tom holding his face, now stunned too. 
 
FADE OUT
 
 

 

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John Hu On Harley's Mind, John Hu Has Arrived

Posted by Nothin'ButAttitude in TGL: The Guiding Light , 15 March 2013 - - - - - - · 276 views
Guiding Light, soap, Guiding and 2 more...

Posted Image
 
EXT. DOCKS – NIGHT
 
A thick fog nearly consumes the setting when a boat pulls in. A pair of feet steps off the boat and it is revealed to be John Hu. He looks around and likes what he sees. Suddenly, a Don Chi, Hu’s henchman, steps off the boat from behind him. He has a briefcase in hand.
 
Don: Pretty foggy here tonight, huh?
 
 
Posted ImageJohn: Just how I like it.
 
Don: So you never told me why we’re here in Springfield.
John: Patience, patience. All good things to those who wait.
 
John digs into his pocket and reveals a small photo of Harley. He brightens up at the sight of her.
 
John: (putting it back in his pocket) We have to get things prepared for the shipment. Is all the money there.
Don: (tapping the briefcase) Yep. Counted it twice. Five million dollars.
John: Good. Let’s get back on the boat and circle around the bay until they arrive with our stash.
Don: Yes, sir.
 
Don heads back onto the boat. John starts to head back onto the boat, and takes one look back . . .
 
John: Springfield . . . my home away from home.
 
He gets back on the boat and it takes off.
 
CUT TO
 
INT. HARLEY’S COTTAGE (LIVING ROOM) – NIGHT
 
The room is pure darkness with the exception of the TV, which illuminates Harley. We slowly pan towards Harley, who is nestled up on the sofa, asleep. She’s so peaceful, and we
 
FADE INTO
 
EXT. YACHT – NIGHT— DREAM SEQUENCE
 
Harley is dressed to the “nines.” She is donning a beautiful haute couture gown while she sets on the deck of the yacht, which glides across the Danube River. The scenery—its so captivating and refreshing, mesmerizes her. A male hand then reaches into the frame and grabs her hand, placing a flute with champagne in it. She looks up (and we follow) to see the man is non other than John Hu.
 
Posted ImageHarley: John . . .
 
John: Ssh. Don’t say a word, my sweet.
Harley: But—
 
John leans in and kisses Harley passionately, silencing her. Then a shot of the boat drifting off into the night, and
 
BANG! BANG!
 
END OF DREAM SEQUENCE
 
BACK IN HARLEY’S LIVING ROOM
 
Harley jumps out the sound of someone beating at the door.
 
Phillip (O.C.): Harley! Harley, are you there.
Harley: Ugh.
 
Harley gets up, with her hair tossed everywhere, and heads to the door. She snatches the door open to Phillip, who jumps back at the sight of her. He can see the fury in her eyes.
 
Harley: What!
Phillip: We need to talk.
 
Phillip barges in without being invited. Harley astonished by this.
 
Harley: Umm . . . Phillip, I didn’t—
Phillip: What is about you not wanting Zach attend Lincoln Prep? It’s a good school!
Harley: With a lot of spoiled brats!
Phillip: Just say it, Harley! You don’t want Zach to attend Lincoln Prep or have anything to do with my family or me because you’re afraid he’ll end up just me like.
 
On Harley over it,
 
FADE OUT
 
http://www.youtube.c...h?v=LiVNjqhyeW8
 
FADE IN
 
INT. SPAULDING MANOR (HOPE’S SUITE)
 
The door to the room flings open and Alan Michael rushes into the room, frantic. He starts to scope out the room and Holly trails behind him.
 
AM: Mom! Mom!
Holly: Alan Michael, be quiet! Do you wanna be heard?
 
Alan Michael nods understandingly. He peeks in the closet and sees that it has been cleared. He looks to Holly, anxious.
 
AM: Where is she?
Holly: She couldn’t’ve gone too far.
AM: I wouldn’t put it past her.
 
The door closes and Alan Michael and Holly turn to see India leaning on the door.
 
India: Looking for Caroline or should I say Hope?
 
Alan Michael’s jaw drops. He charges towards India with rage in his eyes, but Holly grabs him, stopping him.
 
AM: You! I should’ve known it! You—
India: You better settle down. Not if you want me to remain silent.
AM: Remain silent? (trying to break free) That can be arranged!
Holly: (restraining him) Calm down! (to India) Where is Hope?
India: Oh Holly . . . (shaking head) you knew about Hope too? This gets better and better.
Holly: India . . .
India: I wonder how Ed is going to take the news—his main squeeze keeping such big secrets from him. (gloating) Bet he won’t like it.
 
On Holly’s reaction
 
CUT TO
 
EXT. BAUER HOME – NIGHT
 
Ed sits on the porch rocking, and its foggy also. He looks in the night sky.
 
Mom, Leslie, and Maureen, if you can hear me . . . (tearing up) please help Meta, Bruce, Mike, and Hope find peace.
 
Ed looks down to see someone standing within the fog.
 
Ed: Hello?
 
Hope emerges from the fog looking destroyed, mascara dripping down her eyes as if she’s been crying nonstop.
 
Ed: Caroline, you all right?
 
Ed steps off the porch and walks over towards her.
Ed: Do I need to call Alan?
Hope: No!
Ed: Did something happen? Did Alan harm you?
Hope: No.
Ed: Come with me.
 
Ed takes her by the arm and tries to take her by the arm, but she jerks away.
 
Hope: Don’t you even recognize me!
Ed: Caroline, are you sure you’re fine?
Hope: It’s me, Uncle Ed! It is me, Hope!
 
On Ed uncertain and shaken,
 
CUT TO
 
INT. HARLEY’S COTTAGE (LIVING ROOM)
 
We open up on Harley and Phillip in a stand off.
 
Harley: Phillip, are we seriously going to do this tonight?
Phillip: Yes!
 
Phillip storms over to the sofa and sits.
 
Phillip: (patting the sofa) Come sit.
Harley: No.
Phillip: I’m not leaving till we talk.
Harley: You sure about that?
Phillip: Harley . . . please.
 
Harley sighs heavily and complies with his wishes by sitting across from him.
 
Harley: What Phillip?
Phillip: This has to stop—this tension between you and me.
Harley: There is no tension.
Phillip: There is.
Harley: Phillip! (gets up and points to the door) Goodbye!
Phillip: No.
Harley: Leave!
Phillip: I said no.
 
Harley walks over and grabs the phone off the end table and starts to dial.
 
Phillip: (sighs) Who are you calling?
Harley: Frank. So he can come and whoop your ass and take you to jail.
 
Phillip crosses over and struggles the phone away from Harley. Then he tosses it across the room and shatters into pieces.
 
Harley: Phillip!
Phillip: Now lets sit and talk like adults.
Harley: Talk like adults? Screw you!
Phillip: Why do you hate me, Harley? Why! Is this because of how I took Zach from you? I thought you’ve forgiven me!
Harley: Well you thought wrong.
 
Harley grabs her keys. She goes to exit but Phillip grabs her by the arm, restraining her.
 
Harley: Let me go!
Phillip: No! Not until you listen to me!
 
Harley tries to pry free of Phillip’s grip.
 
Harley: My opinion isn’t changing, Phillip! Zach is not going to Lincoln Prep. End of story—
 
Harley breaks free but falls onto the floor. She holds her arm in pain while Phillip rushes to her side.
 
Phillip: (worried) Harley, you OK!
Harley: No!
 
Harley kicks Phillip away from her.
 
Harley: See! See! You see why I don’t want Zach anywhere near you! Your family! You’re a bully, Phillip! You’re sick!
Phillip: Harley, it was an acci—
 
Posted Image
 
Harley looks past Phillip to see Zach standing at the bottom of the stairs. Noticing Harley’s reaction, Phillip turns and sees Zach too. Guilt comes over Phillip.
 
Zach: What’s going on? Mom, are you OK?
Harley: (covering) Nothing. (getting back up) Nothing at all.
Zach: But I heard you two screaming.
Phillip: It was nothing, Zach. Just a simple disagreement. (devastated) I-I’m sorry, Harley. Forgive me. (fighting back tears) Forgive me.
 
Phillip rushes out of the house. Harley looks on concerned and,
 
CUT TO:
 
INT. BAUER HOME (LIVING ROOM)
 
Hope sits on the sofa in utter silence. She’s a total mess. Ed (standing up) watches on from a far, bothered.
 
KNOCK! KNOCK!
 
Ed rushes over and opens the door to reveal Holly & Alan Michael.
 
Posted ImageHolly: Is she here?
 
Ed points to Hope. Alan Michael rushes in and kneels down next to her. Holly enters and Ed closes the door. They both watch what’s about to happen.
 
Alan Michael: Caroline! I’m so sorry.
 
She doesn’t respond.
 
Alan Michael: I just wanna let you know that you’re not fired. Your job is still intact and I want you to come home with me. OK?
 
She still doesn’t respond.
 
Alan Michael: Caroline . . . (tearing up) please forgive me.
 
She slowly turns to see her son crying. She wipes the tears from his eyes.
 
Hope: Don’t cry, my sweet baby. I forgive you.
 
Posted Image
 
Alan Michael kisses her hand and bury his face in it. Ed is now convinced.
 
Ed: So I guess it’s true.
 
Holly and Alan Michael react.
 
Ed: So I guess she is Hope.
 
Holly and Alan Michael exchange looks, and on Ed unhappy,
 
CUT TO:
 
INT. BOAT (LOWER DECK) – NIGHT
 
John lies on the bed in a daze while he glances at the ceiling. He then gets up and head down the hall to another door. He cracks the door open, and we get a slight shot of Carmen lying in the bed with a medical ventilator strapped to her.
 
John: You’re home, Bonita. You’re home.
 
On a shot of Carmen soundless sleeping,
 
FADE OUT
 
http://www.youtube.c...h?v=mKZEgIi2Les
 
COMING SOON:
Phillip’s illness continues to go unchecked
Jason & Leah plan an attack on Phillip
Remy & Tierra grow closer
Mel struggles with keeping her pregnancy secret
Olivia's continues her quest to destroy Marah
A friend of Shayne's comes to town 
Dinah & Mallet are drawn together
Blake & Rick find love (not with each other)
Alan uses the Reardon boys as pawns to gain back Spaulding
Hope’s secret’s comes out
Laurel & Reva makes life-changing decisions
Cassie starts her search for her biological father & Frank helps
John Hu wreaks havoc
Michelle continues to fall victim to the Bauer curse
Pilar and Bill reestablish their friendship
James grows tired for Daisy . . . and wants Trista instead
 

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Promo: Week 3 + Whos Joining The Cast?

Posted by JackPeyton in Days of our Lives, 01 February 2013 - - - - - - · 217 views

This week on Days of our Lives
Posted Image
 
Marlena comes face to face with Don Craig for the first time in over 25 years!
Posted Image
Marlena: "I Never thought I would see you again"
 
Maggie questions her choices since Mickeys death...
Posted Image
Maggie: "Maybe i was fooling myself... about this life.. with Victor"
 
Will finds out hes more his mother than he would like to admit..
Posted Image
Will: "Oh god... what have I done?"
 
and Sami Brady stands trial for the Murder of EJ Dimera!!
Posted Image
 
Plus, Emmy Award winner Michael Park joins the cast as Judge Matthews
Posted Image
 
 

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Ocean's Crest Segment 6

Posted by chicklitsandfantasies in chicklitsandfantasies' Blog, 21 December 2012 - - - - - - · 178 views

Kiara’s heels clicked against the tile granite floor tiles of the kitchen as she walked to the refrigerator and took out a bottle of mineral water. Her long brown hair was in a neat bun at the top of her head and her olive skin was complimented with a cute white lace dress. Her makeup was fresh and her skin looked dewy.

“Oh, you’re back,” Ashley says in a sarcastic tone while walking into the living room dressed in a cami and daisy dukes her long hair loose down to her shoulders.

“Yes, London was quite enjoyable thank you for asking. I always get joy in further refining my craft,” Kiara tells her sister.

She walks out to the patio admiring the view of the city midday. Ashley follows behind plopping down on a black lounge.

“You know just because you’re a grad student at Yale and you had a small role on Broadway doesn’t mean you’re above the rest of us,” Ashley quips.

“Did you listen to the words that came out your mouth? I excelled all my life; while you choice local parochial school as an option I was thrilled to attend one of the top boarding schools in the country. I graduated top of my class and became the only member of this family to attend an Ivy League school. You may not have higher inhibitions but my goal is to be an actress and I never set a goal I can’t achieve,” Kiara says proudly.

“Did you practice that speech? Yes you were a good student but dad’s money and your last name got you into Yale’s School of Drama. And I thought you wanted to do movies and TV? Why are you doing wasting your youth in grad school?” Ashley inquires.

“I’m refining my craft,” Kiara retorts. She sits down on the couch and picks up her Ipad.

“You’re dating the son of a television producer; you’ve had your SAG card since you were 10. You know you could be the lead of a TV show right now. Are you afraid to move out of your comfort zone?” Ashley asks.

Kiara smiles a sly smile. “Let’s talk about you for a moment. What’s this I hear about sneaking into the club?”

“I just wanted to have a night out with the girls so we got dressed up and I went downstairs and partied. We were dancing and having a good time. Dad’s busy freaking out over what this supposedly means for his reputation,” Ashley explains. “I don’t know why he’s so worried about a little small town gossip.”

“Well considering his history as well as that of his father, it’s easy to see why they would be worried about another scandal. Grandma is justified for being distraught over the affairs,” Kiara expressed. She sets her Ipad down on the table.

“Please she got millions in that divorce settlement and then she got money from the tabloids for airing out our family business. She was being spiteful about something she knew about for over a decade,” Ashley said.

“I’m not sure what lies dad covered the story up with but she didn’t know her husband was sleeping with younger women who worked for his company. She would’ve left much sooner had she know. Grandma had class and dignity just like my mother,” Kiara said.

Ashley rolled her eyes. “Oh here it comes! More my mom versus your mom crap. I know dad left your mother for mine and you’re jealous.”

Kiara leaps from her seat. “That couldn’t be further from the truth,” she bellows. “Our father cheated on my mother with a younger version of her and he’s rumored to have slept with quite a few women in this town. I’m happy she was able to flee in time.”

“And just like grandma she took a nice chunk of change with her,” Ashley pointed out. “I don’t believe those rumors about dad having affairs despite how my parents got together.”

“You are more naive than I thought. Let’s hope you never discover any of our father’s hidden secrets. I knew I should’ve spent the rest of my break in New York with my mother,” Kiara turned and headed back inside.

"It's not too late for that," Ashley snaps.

Mr. Harrington walks in the living room.”Kiara, when did you get home?” he asks.

“Very early this morning, daddy. I was tired and wasn’t in the mood to talk,” she replies.

He can feel the tension in the room. “What’s going on here?” he inquires.

“Ashley tried to insinuate that my mother and your mother are nothing but gold digging whores,” Kiara says. “The daughter of one however has no place judge.”

“Because you’re just Little Miss Perfect,” Ashley derides.

“Kiara! You don’t talk about your family that way,” Mr. Harrington raises his voice in a stern tone.

“I’m sure others do. You and your wife can try and keep up the façade but I see right through it. I see something much more deep past the shallow surface,” Kiara says stomping off.

“What was that all about?” Mr. Harrington asked.

Ashley shrugs. “How should I know? She woke up in a bad mood, I guess. It was the usual back and forth until she brought up our family and reputations.”

“What did she say?” he asks.

“Something about not brushing off every rumor about you; that we’ll find some out to be true,” Ashley recalls.

“You weren’t buying into that were you?” he asks cautiously.

“Please, ain’t nobody got time for that,” Ashley laughs before adding. “Let her throw her little hissy fit. She lives here with us so she can’t be mad for long.”

“I hope you’re right. One thing I’ve learned from my own mother is to never mess with a Harrington woman when she’s angry,” Mr. Harrington noted.

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S01 - Episode Sixteen: "Strike Three, You're Out"

Posted by Mr. Vixen in Heaven's Meadow , 30 July 2012 - * * * * * · 366 views
and 1 more...

Posted Image

Heaven's Meadow

Season 1 - Episode Sixteen

"Strike Three, You're Out"

This episode features:

Susan Lucci as Erica Kane

Kassie DePaiva as Blair Cramer

Andrew Trischitta as Jack Manning

Christian Alexander as Billy Jackson

Peter Porte as James

Catherine Hickland as Lindsay Rappaport

Michael E. Knight as Tad Martin

Vail Bloom as Brianna Emerson

with

Jerry ver Dorn as Clint Buchanan

Kelly Ripa as Hayley Vaughan

and

Robin Chistopher as Skye Chandler

PREVIOUSLY on HEAVEN'S MEADOW:

  • Hayley realizes she had an alcohol-infused one night stand and finds herself on the ledge.
  • Jack told Blair he had a boyfriend.
  • Lucas has a prisoner.
  • Skye has a secret.
  • The mystery woman changes her plan.

_____________________________________________________________________________________________

Hayley: Posted Image James: Posted Image

(Hayley is standing on the ledge. Tears are streaming down her face. Her entire body shakes as she looks down at the road 23 stories below her. She inhales sharply and reaches one hand behind her, grabbing the railing. With her other hand, she raises the bottle of vodka to her lips and takes a sip. Her hands shaking uncontrollably, a large splash of vodka splashes onto her chin and robe. Sobbing, she throws the bottle behind her and hears as it smashes on the balcony. She wipes the makeup soaked tears from her eyes one last time, and lets go of the railing. Just as she begins to lose her balance, a hand reaches out and grabs her arm, steadying her.)

James: You can't do this, Hayley.

(She turns to look at him through her blurry, tear soaked eyes.)

Hayley: Oh, don't pretend to care.You don't even know me.

James: Maybe not, butI know damn well that I'm not about to let you jump off of this ledge.

(He reaches out and wraps his arms around her waist, lifting her over the railing and back onto the balcony.)

Hayley: Leave it to me to have a one night stand with someone that actually gives a damn.

James: You honestly expected me to let you jump?

Hayley: I didn't expect you to be awake.

James: Well, thank God I was.

Hayley: Just because you pulled me off of one ledge doesn't mean I won't find another.

James: Look, I don't know what's going on in your life, but I know that this isn't the answer.

Hayley: You're damn right. You don't know anything about my life. You have no idea what I go through every single day. And you have no business interfering in my personal life.

James: You can say whatever you want, but I don't have to know you. I don't have to know you, to know this isn't the answer. My mother killed herself when I was 5 years old, and it has haunted me for my entire life. And I know who you are, Hayley. I know you have children at home. And I'm not letting you do to them what my mother did to me. I'm not letting you take the coward's way out.

(Hayley slaps him across the face.)

Hayley: Don't you ever call me a coward. How dare you.

(At this point, tears are once again streaming down her face. She stumbles away from him, and inadvertently walks barefoot directly through the shattered glass on the ground. She winces in pain as blood begins trailing from her foot.)

(James moves towards her.)

James: Let me help you.

(Hayley looks up at him, a mixture of pain and hatred in her eyes.)

Hayley: You stay away from me.

(She limps backwards throw the doorway and into the hotel room. She grabs her purse from the chair, as well as her clothes from the ground, and stumbles from the room wearing nothing but a silk robe and her underwear.)

_________________________________________________________________________________________________________

OPENING CREDITS:

http://www.youtube.com/watch?v=cgmDeqx4inI&feature=player_embedded

_________________________________________________________________________________________________________

Blair: Posted Image Jack: Posted Image

Billy: Posted Image

(Inside Skye's club. Blair is standing with Jack and Billy.)

Blair: Excuse me?

Jack: This is Billy. He's my boyfriend.

Billy: It's nice to meet yo--

(Blair cuts him off.)

Blair: Jack, I don't have time for your games. I have a lot going on right now.

Jack: Mom, this isn't a game.

Blair: You were livid at me for sending you to boarding school, and even more angry that you had to stay for the summer program. And what do you do? You skip school and pull a stunt like this.

Jack: This isn't a joke, Mom.

Blair: You expect me to believe that you're gay? You expect me to believe that you skipped school and hitch-hiked to New Hampshire to tell me that you're gay?

Jack: Yes.

Blair: Well, I don't believe you.

(Her voice cracks. She turns and walks away from them, to the other side of the room. She picks up a stack of papers, and begins fumbling through them. Jack moves towards her.)

Jack: Mom, please. I need you to--

(Blair swivels around and cuts him off.)

Blair: Why now? If this is true - Why now? In the middle of your summer term, you show up and tell me you have a boyfriend? You could have waited a few weeks until I visited. But you expect me to believe your story, when you show up here and drop a bombshell like this? I know you, Jack. You're up to something.

(Jack is chocked up. He swallows the lump in his throat and chokes back tears.)

Jack: Mom, I couldn't take it anymore.

Blair: Take what?

Jack: The bullying.

(Blair is visibly taken aback by this. Blair and Jack lock eyes for a moment. Tears well up once more in Jack's eyes, and he turns away from his mother. He walks several feet to the other side of the room and sits at an empty table. Billy, still standing by the door, glances towards Jack, and then Blair. He moves across the room towards Blair.)

Billy: Jack and I met in chemistry class this past year. We became friends instantly, and eventually it progressed to more. I've been openly gay for about a year now, and once Jack and I became close, he felt comfortable enough with me to admit that he had been doubting his sexual orientation.

Blair: And you just swooped right in and took advantage of that?

(Jack stands, visibly angered by this remark.)

Jack: NO!

Billy: I never came onto Jack. But once he accepted it, we began to explore our feelings for one another.

Blair: Jack, when did you start having these...feelings?

Jack: Last year...For Shane. I know I treated him horribly, and that's why. When my friends started bullying him, I hated it. Because from the minute that I met him, I felt...something. Of course I was in denial about it, and so I started bullying him harder than anyone else so that no one would know. But I hated it, because I had...feelings for him. Everything that I did was to cover that up.

(Blair sighs and rests her head in her hand for a long moment.)

Blair: Well, what is this that you said about bullying?

Jack: It was late at night, and Billy and I were down by the water. We shared a kiss, but we didn't know anyone was around. Apparently one of the guys from the football team saw, and he told everyone. The next day I came back to my room after class and someone had broken in. My room had been completely trashed, and they spray painted...

(He stops.)

Blair: What, Jack? They spray painted what?

Jack: They spray painted the word fag on my wall.

(Blair is visibly horrified. A look of sheer heartbreak spreads across her face. In that moment, all denial that she had was wiped completely out of her.)

Blair: You're serious.

Billy: He is.

Blair: Why didn't you tell me this sooner?!

Jack: I didn't tell anyone, Mom. It would have only made things worse. But I couldn't handle it any more. The harassment was too much. Everywhere I went, they would call me names and mock me. I know I deserve it, after what I did to Shane...But I couldn't handle it, Mom.

(Blair stands. There are tears in her eyes now. She moves towards Jack, who also stands. She embraces him tightly for a long moment.)

Blair: I'm so, so sorry baby. Everything's going to be okay.

____________________________________________________________________________________________

Tad: Posted Image Lindsay: Posted Image

(Inside Lindsay's apartment. She is standing near the door, with Tad. There is a suitcase next to her.)

Tad: I can't believe I just got back, and now you have to leave.

Lindsay: I know, but there's just something that I need to take care of. And now that you're officially living here, we'll see each other so much more. No more back and forth to Pine Valley.

(Tad smiles.)

Tad: Thank God.

(The two kiss.)

Tad: Where are you going again?

Lindsay: To Seattle, to see my sister. She's had some crisis or another, and asked me to come see her. Always the drama queen, that Melanie.I'll be back in two days, okay? There's food in the refrigerator for you, and plenty of towels in the linen closet. Oh, and--

Tad: Lindsay, I'll be fine! Go! Before you miss your flight.

(The two kiss again. Lindsay grabs her suitcase from the ground. She opens the door, and steps into the hall, closing the door behind her. Tad moves across the room and has a seat on the couch. He reaches for the remote, but before he can turn the TV on, his phone rings. He picks his phone up off of the end table and looks at the caller ID: "Call from: Dixie Martin"

Lindsay stands in the hallway. She opens her purse and takes out her plane ticket. It reads: DESTINATION: Pine Valley, Pennsylvania. She speaks quietly to herself.)

Lindsay: I hate lying to you, Tad. But it's time I pay an old friend a visit.

_________________________________________________________________________________________________________

Hayley: Posted Image Brianna: Posted Image

Lucas: Posted Image Skye: Posted Image

Clint: Posted Image Erica: Posted Image

(Inside the WAVE Studios. Hayley sneaks in through a side entrance, still wearing nothing but underwear and the long silk robe - which is now tied. She creeps down the hallway and towards her dressing room. When she gets to her dressing room, she is surprised to see the door already open. She peers in and spots Brianna packing things into a large cardboard box. She enters the room.)

Hayley: What the hell are you doing?

(Brianna looks up, visibly stunned to see Hayley there.)

Brianna: Hayley...We didn't expect you to show up today. It's so late already.

Hayley: Don't deflect the subject Brianna. What the hell are you doing in my dressing room?

Brianna: I shouldn't be the one to tell you this...

(Before Brianna can finish, Hayley storms out of the room and down the hall into the large open room containing the set on which the show is filmed, as well as the camera crew, snack table and makeup touch up table. She spots Lucas on the other side of the room and marches towards him.)

Hayley: Lucas, what the hell is going on here? Why is Brianna packing things in my office?

Lucas: Hayley, I...I'm so sorry.

Hayley: Sorry for what? Lucas! What the hell are you talking about?

Lucas: You missed another day of taping, Hayley. I tried to defend you, I did. But...they've decided to let you go.

(A look of utter confusion spreads across Hayley's face for a long moment. Slowly, it morphs into realization, and then anger. Before she can continue speaking, Skye enters the room through a set of double doors across from where Hayley is standing.)

Hayley: You! You did this, didn't you?! You bitch. I asked you not to say anything.

(Skye looks genuinely sympathetic.)

Skye: I didn't do anything Hayley. This is out of my control.

Hayley: No, I don't believe you. No, you did this! You hypocritical bitch. I asked you. I begged you not to do this to me. I should have known you couldn't change.

(Before Skye can speak, Clint enters the room and begins speaking.)

Clint: Skye had nothing to do with it, Hayley. This was my decision.

(Hayley turns around slowly to face him.)

Hayley: Excuse me?

Clint: Your erratic behavior won't be tolerated anymore Hayley. It isn't benefiting the show or anyone involved, especially you. I'm very sorry, but you are being let go.

(Hayley slaps him across the face with all the force she has, leaving nail marks across his cheeks.)

Hayley: You bastard! You came to me. You came to me and told me you respected me, that you respected that this is MY show. But that was just a lie. It was nothing but a lie....You are just like the rest of them.

Clint: I know you're upset, Hayley. But this is your own doing.

(Tears well up in Hayley's eyes and cascade down her cheeks. She turns to storm out of the room but spots Erica Kane standing across the room. An evil glint fills her eyes as marches towards her. She shrieks.)

Hayley: YOU! This was your plan all along, wasn't it? Swoop in here and steal my show because you're such a complete failure yourself. I should have known better than to trust you. You truly are the shallow bitch everyone makes you out to be, Erica.

Erica: You should know I would never do that to you, Hayley.

Hayley: But you did. You did do it, Erica. You slutted your way through Pine Valley for 40 years, and once that well was dried up you decided to swoop in here and cash in on your own daughters death, at my expense.

(Tears well in Erica's eyes. Hayley opens her mouth to speak again, but Skye steps forward and in-between Erica and Hayley. She speaks.)

Skye: Don't do this, Hayley. Don't take this out on Erica, or anyone else. You've made some mistakes, but it's not to late to fix them.

(Hayley pushes Skye away from her and steps back.)

Hayley: ​Oh, shut UP Skye. I am so sick of your incessant preaching. You are an alcoholic, slut mob princess. And everyone in this family hates you. You may be a biological Chandler this week, but it doesn't mean anyone wants you. We have been pretending you didn't exist for decades, and you begging to be my safe place isn't going to get you back in the will, honey.

Skye: I've been where you are, Hayley. I know saying those things makes you feel better, but it isn't helping. You need to snap out of this denial --

(Hayley cuts her off.)

Hayley: Oh, honey. I'm not in denial!

(She opens her purse and pulls out a flask.)

Hayley: Ladies and gentleman, Hayley Vaughan is off the wagon! And I am loving every damn minute of it!

(She uncaps the flask and takes a swig before recapping it and putting it into her purse. She turns to walk away. She moves towards the stairs, but before she can walk down them, Skye chases after her. Skye grabs her arm.)

Hayley: Let go of me, Skye!

(Hayley jerks forward, attempting to break Skye's grasp. Skye loses her balance and stumbles forward, down the steps. After the fall, she lies unconscious at the bottom of the steps, a small pool of blood on the floor near her head. Hayley looks down at her for a moment, before beginning down the steps. She walks down the steps, her high heels clicking with each step. When she reaches the bottom, she steps directly over Skye's unconscious body and walks out the exit of the building.)

_________________________________________________________________________________________________________

Don't forget to check back TOMORROW

For an ALL NEW episode of

HEAVEN'S MEADOW!



Photo

Episode 3: Cocktails for Two...Hundred

Posted by beebs in Nine Lives, 03 April 2012 - - - - - - · 202 views

So it may not be my strongest episode, but I hope this helps set up some more of the drama ahead. Apologies if the tone seems a little disjointed at this point, I'm still trying to figure out the right mix of comedy and drama here, but I think it still turned out okay.

Thanks for reading!



EPISODE 3

It's buzzing at The Royal. The grand opening is upon us, and champagne is in every glass. Kian, Jason and Peter socialize with the local foodies and press, basking in the glory of their creation. Ryan passes by them, hors d'oevres artfully displayed on the tray in his hands. Jason pulls Ryan over momentarily.

JASON: Can you do me a favour and ask the kitchen to wait ten minutes before serving the mains? I'm gonna have Peter and Kian give speeches, then at my cue, get the staff ready and we'll parade everything out all at once, alright?
RYAN: Got it, boss.

Ryan is about to hastily scurry away, Jason stops him before he does so, and looks at him with a wry smile.

JASON: And don't call me boss. Got it?
RYAN: Yes, b..Jason.

Jason lets Ryan go, and wrinkles his nose, shaking his head.

Jason then goes back to mingling with the crowd, drinking far faster than anyone else in the room. He still manages to come off charming, if a little sloppy.

Kian and Peter shmooze with the press, Kian held close to Peter's side, but Kian's eyes are clearly following Jason instead. Peter's so caught up in having a sexy young guy on his side, he barely notices as he chats endlessly with the socialites around him.

Kian tunes it out and daydreams of he and Jason in bed together. Jason's kiss on his neck and heading south before Peter calling his name snaps him out of it.

PETER: Kian!
KIAN: Oh...hey.
PETER: You look like you're a thousand miles away, babe.
KIAN; Sorry, I just...I couldn't believe that all of this was for me. I had to soak it all in for a sec.
PETER: Well, get used to it, babe, cos this is just the start of it for you.

Kian smiles a wide smile and gives Peter a quick peck on the lips, more in appreciation than out of love. Regardless, the group talking with them still beam at them, mistaking their display as a sign of great romance.

As this happens, Jason gets up on the small stage in one corner of the room, clinking his glass with his fork to draw attention to himself.

JASON: Excuse me, everybody. Can I have everyone's attention for just a second, please.

The room grows mostly silent and turns to face Jason, a few members in the crowd still chatter.

JASON: Hey!

Jason points to the source the noise, a twinkle in his eye as he does so. The crowd laughs.

JASON: I wanted to thank you all for coming here, and I have something extremely important that I want to say about someone who is very important to everyone here, but especially to me.

Kian looks to Jason with eyes darting. Kian shakes his head at Jason hoping to avert a disaster, while Jason looks relaxed and ignores Kian's worries.





Down on Queen West, Darren chats with his friend, artist Calvin J at his art show. Out of the corner of his eye, Darren spots Alexis come into the gallery. Alexis' face drops and she turns sharply to the bar, avoiding contact with Darren as much as possible. Undeterred, Darren excuses himself and heads over to Alexis.

As Alexis picks up a glass of wine at the bar, Darren startles her with his greeting.

DARREN: HEY baby, what's up?
ALEXIS: You want me to spill this all over the place?
DARREN: Sorry, baby, if you spilled, i'ma buy you another.
ALEXIS (unimpressed): How gracious of you.
DARREN: Come to think of it, I might just buy you one anyway.
ALEXIS: *sigh* This may come as a huge shock to you, but you're actually nowhere near as suave as you think you are.

Darren grabs at his chest.

DARREN: MY HEART!

Alexis rolls her eyes, takes a sip of wine as she walks away.

DARREN: Wait wait wait, wait a minute, girl. Come here, I got someone I want you to meet.
ALEXIS: If it's your mother, I don't think we're at that stage of the relationship yet.
DARREN: Yet. Cha-ching! Progress.

Alexis follows him reluctantly, shaking her head at his theatrics as he takes her over to meet Calvin.






Back at the restaurant, a beautiful black woman in her early 40s enters the room in a dazzling red gown. Her hair done up in a tight bun, she looks every bit as beautiful as a woman in her 20s, but twice as graceful. She stands at the back of the room as Jason makes his speech.

JASON: I'm glad you're all here tonight for our grand opening. It really means a lot to me and Kian, and Peter of course, that you're here to help us celebrate the launch of this amazing new restaurant.

Kian winces at Jason's remark. He knows the comment was unintentional, and realizes he's overthinking things, but worries that there's a possibility some buried resentment at Jason's status as Kian's hidden lover will make its way into Jason's speech.

JASON: The Royal will be one of a kind in this community, a restaurant of fine food for everybody. And we have two very important people to thank for this...Kian and Peter.

The crowd applauds as Jason motions them to step up. Kian is unsure of what's going on, still deep in thought, while Peter, eager to grab the spotlight, races up to capture the glory of the moment.

PETER: Thank you, everybody. Thanks for coming out, and even greater thanks to my talented, and loving partner, in life and in business...Mr. Kian McClary.

The applause continues as Kian finally steps up on the stage.

PETER: Kian is probably the finest discovery I've ever made. Not only is he one of the best chefs in the country, but he also has quite possibly the best taste in the world. Not only for his food, but for choosing an old lug like me.

Peter jabs Kian in the side, as the audience laughs. Kian laughs along with them but a slight discomfort is still visible in his face.

As Peter continues to go on about how great he is, Ryan stands in the doorway of the kitchen, ready to lead the night's parade of great food with the wait staff. He notices the beautiful black woman in the doorway and can't take his eyes off her. She gives a seductive smile and turns back to Peter. Ryan smiles back clumsily, then looks back at the stage as well, waiting for Jason's cue.

PETER: ...and that is going to be the key to our success.
JASON: Now without further ado, let's all raise our glasses to The Royal.

As the call goes out to raise their glasses, Ryan's handed a glass of champagne by another member of the wait staff, Jason motions to Ryan to hand it over to the woman he was looking at before. Ryan quickly scurries over to her and hands her a glass.

RYAN: Here you are, Madam.
MARY: Call me Mary. And thank you, handsome.
RYAN: You're welcome.

Ryan shuffles back to his corner, as the room prepares to toast.

JASON: To The Royal
ALL: To The Royal!






Alexis toasts with Darren. She's had a few drinks by now, but still seems put off.

DARREN: You look like you could kill someone, and I don't think I've crossed that line yet.
ALEXIS: You're teetering on the edge, but no, you haven't.
DARREN: Then I guess I better watch my step.
ALEXIS: Trust me, you're nowhere near as bad as some people tonight.
DARREN: Oh?
ALEXIS: I wasn't supposed to be here alone tonight but--
DARREN: But you got stood up and now you wanna get your mind off it. I get it. I know the feeling.
ALEXIS: Why does that not surprise me?
DARREN: Now YOU'RE teetering on the edge.

Alexis laughs and orders another drink. Darren finishes his and sits a little closer.

DARREN: You really better slow down, you know.
ALEXIS: I'm a big girl, and I don't need some he-man looking out for me.
DARREN: Nah, it's not that. I just know a lot of girls who think they can handle their booze, then they end up trippin' over their heels and throwing up on some dude's Cadillac.
ALEXIS: I feel like there's a story there.
DARREN: You have no idea.
ALEXIS (laughing): Well come on, tell me!
DARREN: Only if you promise to let me walk you home.
ALEXIS: Hmmmm.....I think considering we're both going to the same place.
DARREN: Mmmhmm???
ALEXIS: I think I could handle that.
DARREN: Excellent.
ALEXIS: Now don't get too excited. I don't want you getting the wrong idea.
DARREN: Promise. I'm a gentleman. I treat you like a lady.
ALEXIS: Good. You know you're a lot less annoying after a few drinks.
DARREN: Well thanks a lot, lady. What you tryin' to say?

Darren gets in closer and tickles Alexis a bit. Alexis, whose defenses are now fully and clearly down, is actually enjoying the attention, which passive, distracted boyfriend Ryan never gives her.

ALEXIS: AH! Stop it. (laughs). Come on. TELL ME! Tell me the story.

Alexis looks up at Darren, who leans in to kiss her. Alexis at first recoils, but it's only momentary. She leans back in to reciprocate.



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