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ANOTHER WORLD 182 Kirkland and Charlie's wedding day Part 7

Posted by cnathanielrichardson in BACK TO ANOTHER WORLD, 21 September 2014 - - - - - - · 31 views

ANOTHER WORLD 182

Kirkland and Charlie’s Wedding Day Part 7

Created by:  William J. Bell and Irna Phillips

Written By:  C. Nathaniel Richardson

Consultants:  aMLCproduction, beebs

 

AT THE MCKINNONS...CoryAttached Image and BridgetAttached Image have unknowingly encountered MicheleAttached Image , who just ransacked the living room.
Cory:  You did this?
Bridget:  Who are you?  Why did you do this to my picture?
Two police officers enter, and Bridget directs them to Michele.
Bridget:  Officer.  Arrest her.  She broke in here and ransacked the living room.
Officer #1:  Did you do this?
Michele:  Yes.
Officer #2:  We gotta take you to the station.  You’re under arrest.
Officer #2 reads Michele her Miranda rights as Bridget turns to Cory.
Bridget:  I’m getting that feeling again.
Cory:  The same one you got before.
Bridget:  Yeah.  
----------------------------
TOPS...DonnaAttached Image talks to VickyAttached Image at Donna and Michael’sAttached Image table as they look at Kirkland and Charlie.  Vicky’s cell phone is on the table.
Donna:  Look at them.
Vicky:  I’m so happy for my son.
Donna:  Those two have been through so much in their lives, and now they’re married.  It’s amazing.  People can get through anything.
Vicky:  Look, don’t mention it.
Donna:  Mention what?
Vicky:  You’re about to make a Jake reference.
Donna:  I simply said people can get through anything.  If it applies to you and Jake, then so be it.
Vicky:  Oh Donna whatever.
Donna:  While we’re on the subject…
Vicky:  No…
Donna:  I told you to tell Jake the truth about Lindsay, but you decided to keep it to yourself.
Vicky:  I did what I had to do to protect my family.  If he doesn’t understand that, then I don’t know what else to say.
Vicky’s cell phone vibrates with a text message, and it gets Vicky’s attention.
Vicky:  What’s this?  From Bridget.
Vicky reads the text message that says “Someone broke into the house.  They caught the person who did it.  Meet us at the police station.”
Vicky:  Oh my God.
Donna:  What is it?
Vicky:  Someone broke into the house.
Donna:  Oh no.
Vicky:  I’m going to the police station.
Meanwhile, JakeAttached Image is over with CassAttached Image at Cass and Frankie’sAttached Image table.  
Jake:  So how long did it take you to give your blessing to this wedding?
Cass:  It took me a little while, but I saw how happy my daughter was, and I couldn’t deny her that.
Jake:  I mean, I...I understand.  I’m gonna give a hard time to any man who wants marry any of my girls.
Cass:  Any father would, but you gotta be careful not to alienate your daughters.
Jake:  Of course not.  Bridget and Lindsay are two strong minded girls.
Cass:  So you’ve...talked to Lindsay?
Jake:  I did, right before the wedding.
Cass:  What about my sister?
Jake:  I...haven’t spoken to her.
Cass:  Stacey didn’t want hurt anybody.  Not you, not Vicky, not anyone.
Jake:  They had no right to keep the truth from me, though, Cass.  
Cass:  Look I get that you’re angry about it, but you need to try to look at it from another point of view.  You had your family, and Stacey didn’t want to disrupt it.
Vicky walks up to them with Donna.
Cass:  Hey Vicky.
Vicky:  Cass hi.  Jake we gotta get to the police station.  
Jake:  What?  Is everything alright?  
Vicky:  Bridget texted me.  Someone broke into our house.  They have the perpetrator at the station.
Donna:  I’ll go tell Michael.
Meanwhile, JohnAttached Image is sitting at a table by himself when Michael walks over to him and puts his left hand on the chair opposite John.
Michael:  Hey bro.
John:  Michael.
Michael:  Mind if I sit?
John:  Not at all, especially since you’ve pulled out the chair.
Michael:  I see you haven’t lost your sense of humor after all these years.
John:  I’m gonna need it.  
Michael:  I heard Sharlene got released today.  That’s great news isn’t it?
SharleneAttached Image taps Michael on his left shoulder.
Sharlene:  Yes it sure is!
Michael:  Hey, Sharlene.
Sharlene:  Hey...Michael!
Michael and Sharlene hug, but Michael pulls away as he slightly winces his face.
Michael:  How many have you had?
Sharlene:  A few.  It’s a celebration isn’t it?  My niece and your grandson got married, and I got to see it, but do you wanna know what happened on our way here?
John gets up.
John:  Sharlene.
Sharlene raises her voice and draws everyone’s attention, particularly Mitch and Felicia’s.
Sharlene:  All three of us rode to the wedding together.  John, me, and his homewrecking slut!
Felicia,Attached Image and MitchAttached Image and GregoryAttached Image come over to his Sharlene, as he realizes she’s drunk.
Felicia:  You watch your mouth!
Sharlene:  You shut up!  You should know what it’s like to be drunk!  
Felicia:  I get that you’ve been through hell, because I am not gonna sit here and let you embarrass me.
Sharlene:  You’re an embarrassment and a disgrace!
Felicia:  John you need to do something about your wife.
Mitch gets between Felicia and Sharlene as Gregory comes along.
Mitch:  That’s enough.
Gregory:  Come on mom.  Let me take you home.
Sharlene:  I’m not going anywhere until I’m ready!  Attention everybody!  My husband told me he’s not sleeping with Felicia.  If any of you know the real truth, you need to tell me now!
Meanwhile, Jake and Vicky are with KirklandAttached Image and CharlieAttached Image .
Jake:  Sharlene seems like she’s had one too many.
Vicky:  Yeah I can see that.
Kirkland:  What’s up mom?
Vicky:  I got a text from Bridget.
Jake:  Someone broke in the house.
Kirkland:  What?  Someone must known you were gone.
Charlie:  Oh no.  I’m gonna get my mom.  I’ve never seen Aunt Sharlene like that.  Vicky let us know if there’s anything we can do.
Vicky:  You stay here and...enjoy your wedding day.
Kirkland:  Do they know who did it?
Vicky:  Bridget said yes.  They’re on their way to the station.
Kirkland:  Go ahead.  Let us know what happens.
Jake:  We will.
Jake and Vicky walk up to the elevator.  As the door opens, there are RachelAttached Image and CarlAttached Image .
Carl:  Victoria.
Rachel:  I’m glad we found you.
Vicky:  Oh my God.  Carl?  You look great.  When did you get out?
Carl:  I’ll tell you another time, but there’s something we have to tell you.
Rachel:  It’s about your daughter.
Vicky:  We already know.
Rachel and Carl look at Jake and Vicky with confusion.
-----------------------------------------------------------------------------------------------------
As the officers are escorting a handcuffed Michele to the door, Bridget confronts her.
Bridget:  Wait a minute.  There’s something...so familiar about you.
Michele:  Of course there is.  If you haven’t figured it out by now, then you really are stupid.
CAMERA PAN ON MICHELE....SLOW FADE TO THEME SONG...

------------------------------------------------------------------------------
PART 2
AT TOPS…Rachel and Carl are shocked at what Jake and Vicky tell them.
Rachel:  You know?  
Jake:  Yeah Bridget said that someone broke into the house, and they’re at the police station.
Vicky:  We’ve gotta go.  I’m getting worried about Bridget.
Rachel:  We’ll go with you.
As the four of them enter the elevator and subsequently leave, Frankie goes over to Sharlene.
Frankie:  Aunt Sharlene, this isn’t the time.  
Sharlene:  It’s the perfect time Frankie.  I’m exposing to the whole town the cheater that my husband really is.  I want a divorce!
Frankie:  Gregory can you take your mom home please?
Gregory:  Of course.
Sharlene:  I’ll get myself home.
Frankie:  Not when you’re drunk.  You shouldn’t be alone right now.  Please take your mother home Gregory.
As Gregory escorts Sharlene to the elevator so they can leave, Frankie turns to John.
Frankie:  What happened?
John:  I don’t know Frankie, but whatever it is, it’s between me and Sharlene.  Let us work it out.
Frankie then turns to Felicia.
Frankie:  Is it true?  Are you having an affair with John again?
Felicia:  I’m so tired of having to explain myself to everyone.  
Mitch:  She’s not.
Frankie:  I sure hope that’s true.  Hasn’t my aunt been through enough?
Frankie walks past Donna and Michael.
Donna:  Michael, we gotta go to the police station.  Something’s happened to Bridget.  
Michael:  Where are Jake and Victoria?
Donna:  They’ve already gone down there.
Meanwhile, Kirkland and Charlie sit at their table.
Kirkland:  Wow.  What a day this has been.
Charlie:  I hope Aunt Sharlene’s gonna be okay.
Kirkland:  I’m sure she will.  
Charlie:  Ever since we got to the reception it’s been one thing after another.
Kirkland:  Makes you wonder what other surprises are gonna happen.
Charlie:  I hope your mom and Jake find out what happened at their house.
---------------------------------------------------------------------------------------------------
POLICE STATION
ToniAttached Image is with Michele at a desk in the front area.
Toni:  Why did you break in the McKinnon’s house?
Michele:  I didn’t break in.  I got the key.
Toni:  There were signs of forced entry.  Is there something you wanted in there?
Michele:  I’m not gonna tell you.
Toni:  You know, you’re in a lot of trouble.  Breaking and entering and vandalism are very serious.  You still haven’t told me your name.
Michele:  I’m not telling you that.
Toni:  You’re not being very cooperative and that’s not helping your case young lady.
Michele:  Why don’t you call my parents?
Toni:  Who are they?
Bridget and Cory walk in...
Toni:  Bridget, Cory.  Are you guys here to give a statement?
Bridget:  Yes.  She told us that she broke in.
Toni:  You saw her in the house?
Cory:  Yeah we did.  It was totally trashed.
Bridget:  My parents are on their way.
Toni turns to Michele, and at this point, still nobody knows that this girl that ransacked the McKinnons is Michele.
Toni:  So you care to stop playing games and tell us who you are?
Michele pauses and continues…
Michele:  I’ll tell you when my parents get here.
This statement catches Bridget’s attention, and Bridget flashes back to an earlier moments of the day…
EPISODE 181
Bridget shows (Cory) her picture with the broken glass portrait.
Bridget:  Look at this.  My picture.
-----
Bridget:  I got that feeling again.
Cory:  The one you were talking about at the church?
Bridget:  Yep.  It’s like I feel Michele.  Almost as if she’s here.
-------
Back to the present, Bridget shakes her head in apparent disbelief…
Cory:  Bridget what’s wrong?
Bridget:  No...this can’t be.  
She then goes up to Michele, whom she still does not know that she’s Michele.
Bridget:  Did my great-grandfather send you?  You aren’t...you...aren’t who I think you are.
Michele:  Is that right?  Who am I then?
Bridget:  No...no it isn’t true.  You’re an impostor.  Reginald changed your face.
Toni:  Bridget what are you saying?
Bridget:  She’s impersonating my dead sister Michele.
Michele:  There’s only one problem with that.  I’m very much alive.
Bridget:  You’re a fake!
Jake, Vicky, Rachel and Carl walk in, and Cory is shocked.
Cory:  Mom?  Dad?  Dad when did you…?
Carl:  Son.
Rachel:  I’ll tell you later son I promise.
Rachel notices Michele, and Toni approaches Jake and Vicky.
Toni:  Jake, Vicky, this is the girl who broke into your house.
Bridget:  She’s impersonating Michele.  I think grandpa Reginald sent her.
Vicky:  What?  Michele?  She’s dead.
Bridget:  She’s insinuating that she’s my sister.
Vicky:  How dare you say that you’re Michele?  She would never break in anyone’s house!   I say we press charges.
Jake:  Why did you do it?
Michele:  I didn’t break in dad.  I got the key from underneath the middle flower pot outside.
Vicky:  How did you know where it was?  Did Reginald tell you?   
Michele:  No.  He doesn’t even know about it.
Jake:  Michele and Bridget were identical.  You don’t look anything like her.  There’s no way you’re my daughter.  Michele died in a car accident.
Michele:  Mr. and Mrs. Hutchins.  Please tell them.  
Rachel interrupts.
Rachel:  Jake, Vicky, I have something to tell you both.
Rachel gives them the paper, and Jake and Vicky both read it over.
Vicky:  No...I’m with Bridget.  This is Reginald’s doing!
Carl:  Jake the results from your paternity test with Steven was cross referenced with Michele’s DNA.  
Rachel:  We stopped in Oakdale and Dr. Hughes ran the test.  It came back positive.  This girl is your daughter.  
Jake, Vicky, Bridget, Cory and Toni are all shocked.
FREEZE FRAME ON A SPLIT SCREEN OF JAKE, VICKY, BRIDGET, and MICHELE...SLOW FADE OUT...END OF EPISODE 182

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DAYS #51: EJ confronts Abigail about her pregnancy

Posted by beebs in Days of Our Lives, 19 September 2014 - - - - - - · 92 views
Days of our Lives, MySONtv and 3 more...

Posted Image
EPISODE 51
Written by A. Washington-Beeby
Story Consultants: ML Cooks & C. Nathaniel Richardson


Gabi guides a drunk Nick through the door to the loft. They stumble in, with Nick's arm around her shoulder, though Gabi's the one lifting his wobbly body down to the living room.

Once they reach the sofa, Gabi flops Nick down on it, nearly falling on top of him in the process. After an awkward moment, which surely could be taken for sexual tension, Nick looks at Gabi and asks her a question.

NICK: You never answered me before...was this like...date tonight...did you agree to go with me because you're afraid of me?

Gabi pulls herself up off the couch quickly, then heads over to the kitchenette to grab Nick a glass of water.

GABI: No. Nick, I went out tonight because I feel like you and I needed to...reconnect. That's all.
NICK: Well, good. I don't...want to scare you, Gabi. I loveyou.

Gabi cringes a bit at Nick's admission. She turns around, glass of water in hand. She hands it to him.

GABI: Here, drink up. You'll thank me in the morning.
NICK: Thank you, Gabi. I reeeally approa...appre...thank you.

Nick goes to drink the water, and dribbles all over his shirt. Gabi jumps into action and pulls the glass away from him.

GABI: You're slobbering all over yourself. Here, here, here.

Gabi unbuttons his shirt, which Nick takes a sign of interest. Gabi stops dead in her tracks, unsure what to do next. Nick leans in to kiss her, but passes out just before their lips touch. Gabi breathes a sigh of relief, as she lets Nick flop down on the sofa.

She jumps up, heading for her purse. She pulls out the bottle of pills she got from Liam.

GABI: Time for action, Gabi.

---

In her room at University Hospital, Abigail looks to EJ from her bed, shocked at what he just accused her of.

ABBY: I....what?

EJ steps closer to the bed, leaning against the front of it, staring directly into her eyes.

EJ: Abigail, I expect a straight answer from you. Is that my baby you're carrying?

Abigail's jaw drops, in disbelief that EJ knows about her pregnancy.

---



---

Gabi struggles to get Nick into his bed. Pulling off his wet shirt and taking off his pants, she grunts and grumbles in exasperation, trying to remove his clothes from his limp body.

GABI: My God, it's like mothering a 150lb baby. UGH!

Gabi falls back as Nick's trousers come off. She rolls her eyes, then lifts Nick's limp legs into his bed. She then takes off her own dress, before walking slowly over to her purse. Looking behind her repeatedly, afraid of beign caught, she pulls the bottle of pills back out from her bag, and makes her way quietly over to the bathroom.

Gabi closes the door behind her, and then immediately opens the medicine cabinet. Once inside, she finds Nick's bottle of Ibuprofen. Looking inside the bottle, she immediately dumps the bottle into the toilet and flushes them down it.

Quickly thereafter, she replaces the Ibuprofen with her lookalike pills. Putting the cap back on the bottle, she hastily shoves them back into the medicine cabinet, closes it, then hustles back into Nick's room, where she, uncomfortably, lays herself down next to him in his bed.

GABI: My God, this better work. I need to get Nick out of our lives, for good. This is the only way.

---

Sami walks over to Marlena and Kim, as Kayla steps out of Theresa's room. Kayla hesitates to smile as she steps out from the room.

SAMI: How's everything, is Theresa okay?

Posted Image

KAYLA: Well, she's still in a coma, but the surgery was a success. We managed to stop the bleeding, so...she'll be able to recover slowly.
KIM: But...how soon before she wakes up?
KAYLA: That's...the thing, Kim. We aren't sure how long it will take. She may recover in a matter of days, weeks, months. However long it takes for her body to recover from the trauma. She fell out of that car at a pretty high speed.
KIM: Oh God.
MARLENA: So, Kayla, you mean, there's a chance she may not wake up.

Kayla takes a moment before responding, hoping to retain her composure while answering.

KAYLA: It's a distinct possibility.
KIM: No...NO! Not my baby girl.

Kim leans into Marlena, who gives her a warm hug. Sami puts a hand on Kim's arm in comfort as well.

KAYLA: Look, we will keep you in the loop if anything changes, and you can come visit her whenever you want, Kimmy.

Kay gives Kim a hug, as Kim cries on her shoulder.

KIM: Can I....May I see her now?
KAYLA: Sure.
KIM: Thank you.

Kayla and Kim separate from their embrace, as Kim shuffles over to the door of Theresa's hospital room.



Once inside, Kim sees her daughter, just brought back into her life, once again ripped away from her. She tears up and rests her head on her daughter's shoulder, crying painful tears.


Outside the room, Marlena and Sami begin to talk.

MARLENA: So, what did EJ want?

Posted Image

SAMI: Oh, he and I were just discussing work stuff.
MARLENA: You sure about that? You seemed a bit rattled a moment ago. I nearly went over there but you seemed to hold it together.
SAMI: Eventually. It's not easy, but...I can't fall apart every time I see him, you know?
MARLENA: Just don't push yourself too hard.
SAMI: Mom, I won't. But thank you.
MARLENA: Anytime, Sweetie. Where is EJ now?
SAMI: I'm not sure, he sort of...just...ran out of here in a hurry to tell Abigail about the new project he wants her to work on in Europe. So...I guess he's in there.
MARLENA: Oh?
SAMI: Yeah, looks like she'll be working from Italy for the next few months. Wish I could get away from him so easily.

---

Abigail backs herself up in her bed, afraid of EJ's reaction.

ABBY: I...okay, yes, it's yours.

EJ looks down and shakes his head. He walks back from the front of the bed, soaking in the realization that Abigail's baby is his. That Abigail even has a baby, for that matter. He explodes in anger suddenly, causing Abigail to sit bolt upright in fear.

EJ: Do you mean to tell me that you were just going to pretend you weren't pregnant and then whoops! One day you pop a baby out? Is that seriously what you were going to do?
ABBY: No! I was not...I--
EJ: So what was it then? Were you planning to abort the baby and not tell anyone?
ABBY: NO! I would never do that! EJ, I only found out a few weeks ago.

EJ turns, his voice dropping to a quiet, menacing tone.

EJ: And you never thought to tell me about it? You've had weeks, Abigail. Weeks! I don't know about you, but I think I have a right to know about something like this.
ABBY: I never said you didn't have a right to know. I just...I wanted to make this decision on my own, I wanted to tell you in my own time. After I'd made a decision and took care of it all myself.
EJ: Well, guess what? You waited too long, sweetheart.
ABBY: What do you mean?
EJ: There is too much at stake here. We haven't had sex since Feburary? March? That means you're now 6 months pregnant? Oh, you're doing quite well not showing but I see the signs now. And people are asking questions. Ones you'll need to answer for.
ABBY: So what do I do, EJ?
EJ: I'll tell you what you'll do.

EJ pulls a plane ticket he was going to give Anne from his jacket pocket.

EJ: You're going to take this, and you're going to get on a plane to Italy--
ABBY: ...What?
EJ: No questions! Sami and I have arranged for you to do some work for DiMera in Rome. You will do this work from the condominium we have in Rome. You will not go to DiMera's offices. Someone will come to you. When that baby is born, it will be adopted. You will return to Salem, refreshed, a new woman. And you will never speak of this again. Do you hear me?
ABBY: I...what?? How dare you?? How did you get Sami to agree to this? I don't get to even...see my baby? I'll never be able to...know them? What?? No, EJ. That's insane.
EJ: No, what's insane, Abigail, is you thinking that you could just cover your ears and pretend that nothing is happening when you're 6 months pregnant with the child of man that's to be married to another woman. This is the only way you and I will be able to keep our secret. Do you understand that? I'm not doing this TO you, I'm doing it for you.

Abigail, visibly angered by EJ's overbearing swift action, looks away, tears forming in her eyes. She breathes in deep, then sighs, throwing her hands up.

ABBY: Then I guess I have no other choice, now do I?
EJ: I knew you'd make the right decision.
ABBY: But here's the thing, EJ. After this, I never EVER want to speak to you ever again. Stay the Hell away from me. Forever. Got it?

EJ wordlessly turns toward the door, and walks out of the room, closing the door casually behind him. Abigail looks on in disgust.

---
 

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James Warrick Arrives and vows to stop the Carter Plan #156

Posted by aMLCproduction in The Young and the Restless, 15 September 2014 - - - - - - · 177 views

Posted ImageDown the street from GC Nights a reunion and a confrontation between a mother and father takes place. Daniel is still knocked unconscious on the ground with no pants on from the camera blow to the head from James Warrick.
Posted ImageJames: I watched you this whole time young lady.
Posted ImageMary: Did you like what you saw you pervert?
James: You will not speak to me in that tone. Not after what I caught you doing. Having sex with your sister’s baby’s father. Why would you do such a thing? What has Sheila done to you? What is she doing to you?
Mary: Sheila is dead. That bitch Lauren killed her.
James: You know as well as I do that is not very true. I’ve been caring for Sheila for years. She’s not dead. But she did escape my care. I know she’s near Mary, or is it Vandalynn?
Mary: It’s only Vandalynn when I’m being naughty. I like Vandalynn, she let’s loose.
James: I don’t like Vandalynn. She seems she’s all about Vandalism’s.
Mary: Ha ha that’s cute. Vandalism.
James: Young lady we are going to your place right now so you can wash the stench of alley and sex off of you.
He grabs her arm and tries to drag her off but Mary resists.
Mary: Keep your hands off of me! I’m not going anywhere with you!
James aims his gun at Mary.
James: You wanna try that again Mary Margaret?
Mary: You’re aiming a gun at your own daughter?
James: And you were being a salacious slut in the back of an alley.
Mary: I don’t understand why you are calling me all these horrible names.
James: Because of all the horrible things you are doing. Now enough of this charade. This madness stops now! After you wash that whore off of you, we are going to go see dear mother, Sheila Carter.
He jams the gun in Mary’s back and she obliges to his demands. They walk off leaving Daniel in the alleyway.
Posted ImageHe slowly comes to. He regains his composure and looks around. He feels a cool draft on the lower part of his body and sees a pair of jeans lying next to him. He looks down and sees he is naked in his glory. He grabs his jeans and stumbles towards the door way of GC nights. He opens the door trying not to fall out as he is dizzy from the blow to his head. He stumbles inside the bar and then collapses. Daisy, Roxanne and Tyler all look on in shock. Daisy runs over to him as Tyler picks up the phone and dials 911.
Posted ImageRoxanne: Since when do naked ass men walk into bars? I don’t know if it’s a new trend or not but I like it.
Tyler chuckles at Roxanne.
 

Created by William J Bell and Lee Philip Bell
Episode 156: James Warrick Arrives and vows to stop the Carter Plan
Written by ML Cooks and Casey Hutchinson
Creative Consults: Cary Richardson, Alexander Washington-Beebs, Martin Sanez, and Rob Wolf
 
 
GC Nights Posted Image
Roxanne rushes over to Daisy and kneels down next to her as Daisy is checking for a pulse on Daniel. Tyler rushes over with a blanket. To cover him up.
Tyler than throws the blanket on Daniel.
Roxanne: I’m so stunned at penis walking into the club. Who does that?
Posted ImageTyler: Daniel surely doesn’t. Something is wrong. Blood is coming from his head. He was with some one earlier this evening.
Posted ImageDaisy: Like who? He was here before? A woman? I’ll kill her. Daniel is mine. We have a family.
Roxanne: Hold on girl. Can’t kill nobody remember you done with that crazy life. You not about that life no more.
Daisy: I love Daniel. We share a child and no woman or anything will keep us apart.
Tyler: I think I said too much.
The paramedics arrive and rush over to a still unresponsive Daniel. They put him on a gurney and hook him up to an IV. The ambulance then rushes off.
Daisy stands up. She then thinks of Lucy.
Daisy: My daughter… Daniel is injured then who has my daughter? I have to go find out.
Roxanne: You want me to come with you? I can’t have my new friend out here on the streets killing folks.
Daisy smiles.
Daisy: I’ll be ok. Thank you. I’ll call you soon.
Roxanne: Seeing all this makes me want to make things right with my new found father. So that’s where I’m headed if you need me.
They hug and they both leave the club.
Tyler continues to think of the blonde bombshell Daniel was with at the bar earlier and contemplates the fact she has something to do with Daniel’s injury.
 
 
 
 
 
 
Posted ImageHillary arrives home from work and is looking forward to relaxing after being in stilettos and business attire all day. Her smile turns into a frown when she sees her apartment door has been kicked in. She panics and runs up to the door and looks inside her place and sees it is totally trashed. From inside her apartment she looks across the hall at the door to Roxanne’s apartment. Hillary thinks to her self that Roxanne did this. She shakes her in disappointment and pulls out her cell phone to make a call.
Hillary: Hello is this a bad time?
Male Voice: No who is this?
Hillary: Oh come it’s been that long since you’ve heard from me you don’t know my own voice?
Voice: Hillary how great to hear from you, are you in town?
Hillary: I am. I came here to help you but instead I’m in need of some help.
Voice: 2212 Kingston dr. apartment 2b. Come right over.
Hillary: Thanks, I’ll be over in a bit.
Hillary hangs up her phone and is flustered still looking at her trashed place.
Hillary: Roxanne you are going to be sorry for this.
Hillary then leaves the apartment building.
 
 
 
 
 
 
GC MemorialPosted Image
Snapper with Jill, Nikki, Mac and Brock all rush into the hospital. Right behind them storms in Sister Patterson and her church bus full including Devon, Neil, Nina, Chance, and Philip.
They see Nate and walk over to him. Sister Patterson barges onto the front of the crowd.
Sister Patterson: We are hear my child to do the work that needs to done.
Nate: Come again?
Sister Patterson: We are ready, willing, abled and equipped with the tools to do the job that needs to be done Brother Hastings.
Nate: I’m assuming you are here about Esther, Karl and Karynn.
Posted ImageJill: No Dr. Hastings, Esther only.
Sister Patterson turns to Jill.
Sister Patterson: Now see that is the ugly I’m talking about. We don’t need all that evilness from you Jill. We need to care and pray for all God’s chillrens‘.
Jill: You’re getting so annoying and tired. Who are you really?
Sister Patterson takes out a bottle of cooking oil out of her oversized bag and unscrews the top.
Nate: Sister we are not frying nothing here this is a hospital.
Sister Patterson: Won’t be no cooking’s today brother. This oil is special. You see…
Sister Patterson pours some in her hand.
Sister Patterson: This oil here is special like I said.
Sister Patterson throws it on Jill’s for head then puts the palm on her hand on Jill’ head and pushes her back.
Sister Patterson: This is the lord’s oil. This praying oil. Jill has a nasty ass spirit in her and we need this oil here- you see to fight it. Drive this demon out my GOD! Yes! We ask of you to give Jill the strength she needs, oh lord yes, to fight that vile demon that makes her spew such careless remarks. This demon made her attack the elderly my god!! In the name of Jesus we pray. Amen.
Sister Patterson then pushes Jill backward and Snapper catches her.
Posted ImagePaul: Ok I’ve seen enough. Nate this woman needs a mental evaluation.
Nate: Paul it’s ok. She’s new at my church.
Sister Patterson: I am not insane. I am a commander of my army. We are soldiers for the lord and I got the tools right here. Brother Nate I got my prayer warriors right here. Lead us to the right areas of our loved ones and we will make it an oh happy day.
Then Sister Patterson jumps for joy.
Sister Patterson: YES HALLUEJIUAH!! AMEND!!!! Everyone needs healing Brother Nate, we can do this right here. Join me in song choir.
Sister Patterson pulls out her baton from her holy bag and turns to the crowd but in her mind the church choir. She begins to sing Oh, Happy Day, very loudly and out of pitch. Some wouldn’t even call it singing.Posted Image
Sister Patterson: (singing) Oh happy day. … Oh happy day…
Sister Patterson is angered when her choir doesn’t respond to her commands.
Sister Patterson: Hear me and hear me now! I am a commander on the battlefield of sin. I only do his work and I only know how to speak the truth. That’s all I can do. I am an agent of God and when I begin to sing this oh heavenly tune again I’m going to need all abled bodied souls, to join in. We need to sang this song, oh lord, to heal all this evilness and this sickness in this hospital.
Nate: Sister Patterson Please not right here.
Sister Patterson: Never mind all that Brother Nate, you hear? We are doing his work. We are at war and don’t you stop us. Now choir let me hear thy voices.
“Oh Happy day…..Oh Happy day.” Everyone slowly joins in with Sister Patterson. “ When Jesus washed…Oh yes you did lawd, you washed…You washed our sins away.”
Sister Patterson then steps up the song and she begins to clap. As the crowd sings she hollers over them
“ Yes sing it. Let me hear it!”
The emergency room has come to a complete halt as everyone looks on at the impromptu church vigil .
 
 
 
 
 
 
 
 
 
Daniel’s House
Daisy pounds on the front door. Phyllis opens and Daisy is shocked to see Phyllis there using a walker.
Posted ImagePhyllis: What in the hell are you doing here crazy Bitch?
Posted ImageDaisy: As old as you are and I should add crippled, why are you so childish?
Phyllis: I can do that, I don’t like you, you are a physco. Why are you here?
Daisy: Where is Lucy?
Phyllis: You are not getting any where near her!
Daisy: Well then you need to get over to memorial. Daniel has been hurt.
Phyllis: You are lying! This is a ploy to get Lucy. It’s not gonna work. You can do better than that surely.
Daisy: I’m not lying. I saw it. Roxanne and I were having drinks at GC Nights and then in walks Daniel with no pants on and blood coming from his head. He collapsed.
Phyllis: Do you know how crazy that sounds?
Lucy then begins to cry in the background.
Daisy: My daughter needs me. I can stay here while you go to Daniel to make sure he’s ok.
Phyllis: Daisy don’t let this walker fool you. You try to enter this house so help me God I’ll beat the hell out of you with this damn walker!
Daisy: Yea right you crippled bitch! One kick from me to you and it’s over. Now step aside or I’ll have to escalate this and we don’t want that.
Phyllis: I think we do so then you can go back to jail.
Daisy: Phyllis just move please. Can’t you hear my daughter crying? She wants her mother please I’m begging you I haven’t seen her in a couple of years. You are a mother you know what that is like.
Phyllis walks away from the door just enough with her walker so she can slam the door in Daisy’s face. Daisy is stunned and then hurt. She then pounds on the door. Phyllis walks over to Lucy and gives her a bottle. Daisy is still pounding on the door.
Daisy: I will break this door down Phyllis and then I’m going to shove that walker up your ass! I will get my daughter no one will stop me!
Daisy then begins to kick at the door trying to bust it down.
Phyllis picks up the phone and calls over to Memorial to find out if Daisy’s story checks out. Phyllis gasps when she learns it’s true.
Phyllis hangs up the phone and looks at the door realizing that Daisy has stopped attacking the door. She wonders if she’s left. She slowly walks over to it and opens it. She sees Daisy smiling and dangling a set of keys.
Daisy: It seems your son is having an emergency and you have no means to the hospital. As a good mother like myself you would want to get down there right?
Phyllis: I don’t care Daisy you are not going to be left alone with Lucy.
Daisy: To show you I’m the bigger woman here let me suggest a compromise. I’ll drive you to the hospital and you can bring Lucy. You can keep an eye on her or us. As long as I can see my daughter. Just until you are done.
Phyllis: Damn it Bitch! You try anything I swear you will regret it.
Daisy: I want to earn your trust.
Phyllis: Yea after acting like a big bad wolf trying to break the damn door down!
Phyllis sits in her wheel chair and she grabs Lucy. Daisy pushes them out to her car.
Phyllis is on edge and tense as she wonders if she can really trust Daisy.
 
 
 
 
Back at the Hospital
Nate is at the nurse’s station doing some charting when Devon walks up behind him
Posted ImageDevon: You make it all look so good don’t you?
Nate turns around to look at Devon.
Nate: I was waiting on this. You going to hit me again?
Devon: I wouldn’t want to mess up your pretty white doctor’s coat there”
Devon says brushing off Nate’s should and fixing his white coat.
Nate: Are you going to make a scene? This really isn’t the place nor the time.
Devon: It wasn’t your place to be sleeping with Roxanne. My woman. The woman I want to marry.
Nate: I never slept with Roxanne. Had you stayed that day you caught us in an embrace Roxanne would have explained that to you.
Devon: Actions speak louder than words family.
Nate: Yes we are family and that’s why I wouldn’t hurt you like that by sleeping with Roxanne behind your back.
Devon: Than what was it?
Nate: I had an attraction to Roxanne. We have been fighting it for months.
Devon: Months? So you’re saying Roxanne has feelings for you too then?
Nate: I don’t want to speak for Roxanne. I also won’t share with you the things Rox and I talk about.
Devon scoffs at Nate.
Devon: Rox? That’s a joke. So I caught you two at the park in an embrace and you both lied to me then. You told me that embrace was nothing. Yet since that time and I assume even before that you two had this attraction to one another. You and I even talked about it. You told me there was nothing between you and Roxanne. That was a lie to so why should I believe you now when you say you didn’t sleep with Roxanne?
Nate: You just have to take my word for it. Ask Roxanne.
Devon: Have you spoken to Roxanne since I caught you two?
Abby then walks over to Devon seeing the two getting more intense.
Posted ImageAbby: Devon come on let’s not do this here.
Devon: No no Abby I want to know. Nate answer the question. Have you spoken to Roxanne since the day I caught you two in an romantic embrace at your apartment?
Nate: Have you?
Devon is about to punch Nate but catches himself.
Abby pulls Devon away. Nate takes a deep breath turns around and gets back to his paper work.
 
 
 
 
 
 
Roxanne is about to knock on a door when she hears heels stomping towards her. She pauses and wonders who it could be walking so fast. Up the corridor is Hillary looking down on a business card. She looks up and sees Roxanne.
Hillary: What the hell are you doing here?
Roxanne: I got business bitch and you?
Hillary: No class at all. Is that how you really speak?
Roxanne: To a bitch I don’t like I sure do.
Hillary: And why don’t you like me Roxi?
Roxanne: Get my name right tramp! I’m only going to say it once.
Hillary: So petty. You’re mad because I slept with Nathan.
Roxanne: You mean Nate and no I’m not,.. I love Devon.
Hillary: If that makes you sleep better at night then by all means. And I bet it was you who trashed my place.
Roxanne: Prove it.
Hillary: You just seem like you would do something so low class. Your speech is low class.
Roxanne: Oh yea Bitch? So you put two and two together and you got four or what?
Hillary: No I got Nate and I know you want him. That’s why your acting like this,.. you’re mad. Sorry Roxi you can’t have both Devon and Nate.
Roxanne grabs Hillary’s neck and slams her head against a door. She does this several times.
Between each pound Roxanne speaks:
I told yo bitch ass (pound) to get (pound) my damn (pound) name right (pound)”
Hillary grabs Roxanne’s ponytail and yanks it very hard while using her other hand to claw Roxanne’s face. Roxanne screams and let’s go of Hillary’s neck. She backs away from Hillary unable to bear the stinging pain of open flesh wounds on her face. Hillary then stomps on Roxanne’s foot with the heel of her stiletto. Roxanne’s hollers out in pain and in anger grabs Hillary’s neck again to pound it against the door. Only this time the door swings open and they fly into an apartment. They crash onto the ground.
It just happens to be Spencer’s new apartment.
Posted ImageSpencer: Hillary, Roxanne. What the hell is this? I just moved here damn it you two going to get me put out!
Roxanne regains her composure and sits on top of Hillary still choking her. Hillary is trying to break out of Roxanne’s grip.
Spencer grabs Roxanne and pulls her off of Hillary. Hillary chokes and coughs catching her breath.
Roxanne: Let me go!! I’m going to whoop dat’ ass!!
Roxanne says as she struggles to free herself from Spencer’s hold.
Spencer: No Roxanne!! I can’t have you fighting your half sister.
Hillary and Roxanne both pause what they were doing and look at him.
Hillary: Say who?
Spencer: Roxanne this is my daughter Hillary and Hillary this is my new found daughter Roxanne. Now stop all this fighting and tell me what is going on?
RoxannePosted Image and HillaryPosted Image are stunned just learning they are half sisters….
 

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B&B #40 - It Takes Two

Posted by Y&Rbiggestfan in The Bold and the Beautiful, 15 September 2014 - - - - - - · 66 views

The Bold and the Beautiful - Episode #40

NOTE: SPECIAL EPISODE
Created By: William J. and Lee Phillip Bell
Written By: Casey Hutchison
Executive Producer: ML Cooks
---
OPENING CREDITS:

Sketches of dresses on models fly across the screen; revealing THE BOLD AND THE BEAUTIFUL written in cursive, in gold.
---

INT. HOTEL ROOM - NIGHT

Jennifer opens a bottle of red wine and pours herself a glass.

Jennifer:
Would you like a glass?

Eric:
Sure.

Jennifer pours another and hands it to Eric.

Eric:
So, you said that you know who got Deacon out of jail. Are you sure this is the first part?

Jennifer:
(Sighs) Yes.

Eric:
Who got Deacon out of jail, then?

Jennifer:
Morgan DeWitt.

Eric:
Morgan DeWitt? Impossible, she has been locked up in a mental institution since 2005.

Jennifer:
No, no she has not been. Well, she was, but then she got out.

Eric:
How?

Jennifer:
Eric, Morgan got out around 2010. She has been plotting against you and the rest of your family for quite sometime. When she heard Stephanie died from cancer, she brought her plan to the next level. She began to gather people.

Eric:
Who?

Jennifer:
Jackie, Massimo, Clark, Taylor, Deacon, Donna, Omar, and even...

Eric:
You.

Jennifer:
Yes.

Eric:
Oh my god! You are apart of this!

Jennifer:
Yes.

Eric:
And the others? How did she get them to go along with her?

Jennifer:
I really do not know. Morgan is a world class manipulator.

Eric:
You can say that again.

Jennifer:
Eric... maybe you should sit down.

Eric:
I really do not know about that.

Jennifer:
Why won't you sit?

Eric:
Because I feel I can deal with these shocks better if I am standing.

Jennifer:
Okay, that is your choice. Would you like me to continue?

Eric:
Of course.

Jennifer:
Okay, so next Morgan got us all back to L.A. She knew we had to get a move on with this whole plan. Her next phase was to make a hit list.

Eric:
A hit list? Who was on it?

Jennifer:
Ridge, Thorne, and you. You guys were the people who harmed her the most, she felt.

Eric:
Oh my god.

Jennifer:
This leads to why you were poisoned. She thought that could get rid of you.

Eric:
Morgan poisoned me?

Jennifer:
Yes. But, she was shocked to know that you survived. So, she wanted me to go over to the hospital to kind of distract you.

Eric:
That is why you spilled your guts about our past together.

Jennifer:
Yes.

Eric:
Jennifer, are you telling me that Morgan sent you back into my life to distract me, so she could carry out this operation? Is that why we are looking for our son?

Jennifer:
Sending me back into your life was supposed to be the distraction. But, finding our son was my choice. I wanted to do that all on my own.

Eric:
I am not sure I can believe you.

Jennifer:
Oh come on! Yes you can. What else do you want to know? I will give you any information.

Eric:
How long have I been lied to?

Jennifer:
Since April.

Eric:
Does anyone know about this?

Jennifer:
There are two people who have come kind of close to figuring it all out.

Eric:
And who are these two people?

Jennifer:
Brooke and Ridge.

Eric:
Brooke and Ridge know about all of this?

Jennifer:
Some of it.

Eric:
Why did they not tell me?

Jennifer:
Because... they did not want you too worry Eric. Plus, they did not have all the facts.

Eric:
I am just sick to my stomach right now. You tricked me along with everyone else.

Jennifer:
I know and I am starting to feel sorry.

Eric:
Why? Why all of the sudden are you telling me this? Why are you all of the sudden feeling sorry?

Jennifer:
Because, I think I still love you.

Eric:
What did you just say?

Jennifer:
I still love you!

Eric:
How can you love me? You are supposed to be against me. You have my name on a hit list for God sakes. Wait?

Jennifer:
What?

Eric:
Is that why you brought me to Chicago with you? So you could kill me?

Jennifer:
Eric... no.

Eric:
Has Morgan contacted you?

Jennifer:
Yes, she wants me to kill you before we leave to go back to L.A., but I cannot do that.

Eric:
And why not?

Jennifer:
Because... I am too invested in this relationship we have formed now.

Eric:
I see.

Jennifer:
(Sighs) I am sorry it had to come out this way. But, I am not finished yet.

Eric:
What? What else could you possibly need to tell me? (Laughs) Does Morgan have some one kidnapped? Is that it?

Jennifer:
Eric..., that is not funny.

Eric:
Why not? It sounds like something she would do. Why is that not funny?

Jennifer:
She has kidnapped some one.

Eric:
What the hell? Who?

Jennifer:
Brooke.

Eric:
Brooke?

Jennifer:
Yes.

Eric puts his coat on.

Jennifer:
Where are you going?

Eric:
Back to L.A. People need to know about this.

Jennifer:
Eric... you have to take me with you. I have to protect you.

Eric:
I have dealt with Morgan before. I can protect my own damn self. And Jennifer, at the moment I really do not trust you.

Eric rushes out of the hotel room. Jennifer stands still for a moment. She is thinking about the events that just took place.

Jennifer:
What just happened?

She then snaps out of her thinking mode and rushes after Eric. She sees Eric down the hall, pressing the elevator button.

Jennifer:
Eric! Eric! Wait! Wait!

The doors open and he goes in. They close.

Jennifer:
Damn!

Jennifer glares over and sees an emergency stair well.

Jennifer:
I have to save him from making the worst mistake of his life.

Jennifer runs to the stairwell. She runs down the stairs. She manages to meet Eric in the lobby.

Jennifer:
Eric!

Eric stops and turns to her.

Eric:
Leave me alone Jennifer.

Jennifer:
No! Eric, look at me. I cannot leave you alone.

Eric:
And why not?

Jennifer:
I need to be with you. I am not just going to let you go head-to-head with Morgan, without any back-up. We will take care of her as a team.

Eric:
Go design a gown, or something.

Eric walks out of the hotel.

Jennifer:
(Crying) Eric... Eric... come back. Oh Jen... it is no use.

As Jennifer is about to walk away, she hears breaks screech and then people scream. She runs outside and discovers that Eric has been hit by a car. She then hears her phone buzz. She gets it out of her pocket and looks at it. It is a text from Morgan. The text reads:

"YOU FAILED SO I TOOK CARE OF IT FOR YOU."

Jennifer screams and runs over to Eric as we hear sirens in the background.
---
THE LOGO APPEARS.

Announcer: This has been the emmy award winning drama "The Bold and the Beautiful."

THE SCREEN FADES TO BLACK.
---

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Favorite Soap Opera Characters and Hunks

Posted by Bright Eyes in Amello's Blog, 30 August 2014 - - - - - - · 136 views

Days of Our Lives
1. Julie Williams 2. Doug Williams 3. Kate Roberts 4. Kristen DiMera 5. Lucas Horton
 
Hollyoaks
1. Darren Osborne 2. Mercedes McQueen 3. Nancy Osborne 4. John Paul McQueen 5. Cindy Cunningham
 
Emmerdale
1. Betty Eagleton 2. Sandy Thomas 3. Charity Macey 4. David Metcalfe 5. Victoria Sugden
 
Shortland Street
1. Rachel McKenna 2. Bella Durville 3. Dr. Harper Whitley 4. Dr. Garrett Whitley 5. Dr. Chris Warner
 
Hunks
1. Ashley Taylor Dawson (Darren Osborne, HOLLYOAKS) 2. Matthew Wolfenden (David Metcalfe, EMMERDALE) 3. Steve Peacocke (Darryl 'Brax' Braxton, HOME & AWAY) 4. James Sutton (John Paul McQueen, HOLLYOAKS) 5. Kyle Pryor (Dr. Nate Cooper, HOME & AWAY)

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GENERAL HOSPITAL FANFIC EPISODE 14...Monica tells Tracy what she did.

Posted by cnathanielrichardson in GENERAL HOSPITAL, 23 August 2014 - - - - - - · 232 views

GENERAL HOSPITAL FANFIC EPISODE 14
Monica tells Tracy what she did
Created by: Frank and Doris Hursley
Written by: C. Nathaniel Richardson
Consultant: Beebs and YRbiggestfan
 
PART 1 - AT THE PARK
Sebastian WestAttached Image walks into the park with his book bag and sits on the bench.  He looks to the left, then to the right and is certain that nobody is there.  He takes out a small bag of marijuana, then looks for something else while focused on the bag.
Sebastian:  Dammit.
SydneyAttached Image offers him a lighter.  This breaks his focus on the bag and he looks up at her.
Sydney:  Looks like you need one of these.
Sebastian:  Thank you.
He reaches out for the lighter, but Sydney pulls it back.
Sydney:  So are you gonna smoke that all by yourself?
-----------------------------------------------------------------------------------------------------
MICHAEL’S APARTMENT - KikiAttached Image walks in with a gift bag, smiles, and takes a red teddy out of it.  She turns to the table, which is pristinely set with two candles, handkerchiefs, silverware, two champagne glasses, and a silver, ice filled bucket with a bottle of champagne in it.  She then gets a call on her cell phone.
Kiki:  Hmm if it isn’t my sexy fiance.  Wait till you get home.
MichaelAttached Image is at ELQ sitting at his desk staring at his computer.
Michael:  Hey babe.  I’m...gonna be home a little late tonight.
---
Kiki:  Let me guess...ELQ stuff.
---
Michael:  Yeah we just got word that they’re gonna announce the winning bid for the Waterfront Project.  I’m sorry.  I promise I’ll make it up to you.
---
Kiki (sighing):  Okay.  I can’t lie and say I’m not disappointed.
---
Michael:  I know I know.  I’ll see you later.  Love you.
---
Kiki:  Love you, too.
--------------------------------------------------------------------------------------------------------
AT THE QUARTERMAINES..
MonicaAttached Image steps away from the living room door as she talks to Tracy.
Monica:  I’m gonna do whatever it takes to keep Carly away from Jason.
Tracy:  And how do you plan on doing that?  It hasn’t worked all these years.  What makes you think it’s gonna be effective now?
Monica:  I brought down Sonny Corinthos didn’t I?
Monica flashes back to giving a recording of Sonny admitting that he shot A.J. to Anna Devane…
Anna:  What is this?
Monica:  Listen to it.  It’ll get you the fish you’ve been trying to catch for years.
Monica flashes back to the present.
Tracy:  I don’t know how you managed to pull that off, but Carly isn’t gonna be that simple.
Monica:  Trust me none of this is easy, but I’ll be damned if I let Carly destroy my other son.
Monica and Tracy turn around and there are CarlyAttached Image and JasonAttached Image
CAMERA PAN ON CARLY AND JASON, QUICK CUT TO THEME SONG.

---------------------------------------------------------------------------
PART 2
Sebastian and Sydney are sitting next to each other on the park bench, and they have just finished smoking a joint.
Sebastian:  You better not tell anyone about this.
Sydney:  Oh please.  It’s not the end of the world if someone finds you smoke weed.  Besides, can you tell me where I can get some more of this good stuff from?
Sebastian:  How do I know you’re not a narc?
Sydney immediately stands up.
Sydney:  Don’t be ridiculous.  Narcs normally don’t smoke joints!
Sebastian:  Find your own weed guy.
Sydney:  You’re a total ass!
Sebastian:  Thank you.
Sydney:  I’m hungry.  
Sebastian:  Go get something to eat then.
Sydney:  Ugh!
-------------------------------------------------------------------------------------------------------
MorganAttached Image is outside of Kelly’s sitting on a bench, and Kiki walks up.  Morgan notices her.
Morgan:  Hey Kiki.
Kiki:  Morgan what’s up?
Morgan:  Just went for a run.  What’s up with you?
Kiki:  Nothing, just getting something to eat.
Morgan:  Are you sure that’s it?
Kiki sighs.
Kiki:  No it’s not.
-------------------------------------------------------------------------------------------------------
Carly:  I would never hurt Jason.
Monica:  You...are poison.  I lost one son because of you and Sonny and I won’t stand by and watch that happen again!
Carly:  I’m sorry, Monica, for your loss.  I wouldn’t know what to do if I lost Michael or Morgan, but A.J. made his own choices.
Monica:  You’re a human tornado.  You leave destruction in your wake.
Jason:  Mom that’s enough.
Monica:  It’s true.  You need to stay away from Carly before she destroys you.
Tracy:  Jason we’ve gotta get to ELQ.  The winning bids are gonna be announced soon.
Tracy walks out the door, and as she closes the front door, she walks and looks in her purse for something.  Suddenly, Sydney bumps into her, and Tracy notices a lighter that falls out of Sydney’s purse.
Sydney:  My God!  Not only are you a bitch, you’re a clumsy bitch.
Tracy picks up the lighter.
Tracy:  Hmm what would this be for?
Sydney:  What is it to you?
Sydney tries to walk past Tracy but Tracy stops her.
Tracy:  You wreak!
Sydney:  Wreaks of what?
Tracy:  Are you really gonna try to play coy with me Syd?
Sydney:  I don’t know what you’re talking about.
Tracy:  Pot!
Sydney:  I can’t wait till Luke gets back.  It’s been a long time for you hasn’t it?  You really need to find a hobby.
Tracy:  Does Maya know that you light up joints?
Sydney:  She knows all about that.
Tracy:  Maybe where you lived before, but not here in Port Charles.
Sydney:  Is there a point you’re trying to make?
Tracy:  I bet Maya would ship you to an iron clad, maximum security, prison-like rehab facility.  In fact, why don’t we call her right now and let her know...
Sydney (grabbing Tracy’s phone):  Please...don’t tell my sister.
----------------------------------------------------------------------------------------------------
Jason:  Mom can you watch Danny while I go to the office?  Sam should be coming soon to get him.
Monica:  Of course I’d watch my grandson.
Carly:  I have to go to the MetroCourt.
Monica:  On your way out of Port Charles I hope.
Monica walks into the living room and sits on the couch as she watches Danny continue to play with his toys.
Monica:  Hey there my little grandson.  Oh I just so wish Alan were here to see you.   I’m gonna be in your life as much as possible.
RobinAttached Image walks in with a suitcase, and Monica does not hear or see her immediately.
Monica:  I never even got to know your brother Jake, but your big brother, Michael is thriving, and running ELQ.
Robin:  Big brother Michael?  Monica what are you talking about?  The only brother Danny had was Jake.
Monica turns around and is shocked.
CAMERA PAN ON MONICA...QUICK CUT OUT...END OF EPISODE 14

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SUMMER ISSUE!

Posted by Y&Rbiggestfan in S.O.N, TV SOAPS IN DEPTH, 24 July 2014 - - - - - - · 127 views

S.O.N. SOAPS IN DEPTH
Volume 1; Issue 1
---
CONTENTS:
*S.O.N. TV SOAP OPERA EMMY AWARDS
*Ratings
*Preview For Future Shows (ALL SHOWS)
*Interview
*Performer of the Week
*Thumbs Up/Thumbs Down
----
Ratings Take 8 Weeks To Be Finalized:

CURRENT RATINGS (Week Of 5/25/14):
1. General Hospital 5.9
2. The Young and the Restless 5.0
3. Back To Another World 2.9
4. The Bold and the Beautiful 2.1
5. Days of our Lives 1.7
----

S.O.N. TV SOAP OPERA EMMY AWARDS!

About three weeks ago "The First Annual S.O.N. TV Soap Opera Emmy Awards" aired live on the SON Face Book page. All the outstanding dramas competed (2013-2014) season. The dramas included "The Young and the Restless," "Days of our Lives," "Back To Another World," and the newly created soap "The Bold and the Beautiful."

Below is what each show won and the credits for the live ceremony!

HOST:
ML Cooks

Supporting Actress: Lauren Koslow as Kate Roberts
(Days of our Lives)

Supporting Actor: John McCook as Eric Forrester (The Bold and the Beautiful)

Scene Stealer: Elizabeth Hubbard as Karynn Shepard
(The Young and the Restless)

Storyline: Jake is Lindsay's Father
(Back to Another World)

Directing Team: The Young and the Restless!

Writing Team: Days of our Lives

Younger Actress: Jen Lilley as Teresa Donovan
(Days of our Lives)

Younger Actor: Josh Kelly as Kirkland Harrison
(Back to Another World)

Lead Actress: Katherine Kelly as Brooke Logan
(The Bold and the Beautiful)

Lead Actor: Sean Kanan as Deacon Sharpe
(The Bold and the Beautiful)

Outstanding Episode: Shepards/Kay's Siblings
(The Young and the Restless)

Outstanding Drama: Back to Another World!
---

Thumbs Up (Days of our Lives):

Days of our Lives is not above making us wait. But the past two weeks that wait has paid off in major bucks. Anne was almost hit by a car that we thought was something E.J. set up. Abigail is getting more nervous. Stefano knows about the affair! This affair storyline is overheating computers across the world!

Another great story that deserves a thumbs up is Liam/Jennifer! On television Liam went on one date with Jennifer and he was the male version of Sheila Carter! The thing is Alex (Head Writer) has taken his time to slow things down and let us all savor the talent!

And then Roman, Billie's return drama, everything is heating up on the hit sudser!
---
Thumbs Down (The Young and the Restless):

Alright I will hand it to ML for recreating the glory days of Y&R but is the changes too much? Yes there are changes. Avery is no longer the sweet little baker/lawyer chick we met her as. Cane is no longer the family man he came to be known as... they exchanged it all for drugs!

Next thing is did Nikki and Jill really need to fight? Yes, it was freaking hilarious and I was laughing so hard that I almost peed my pants but it was Kay's will reading. You think these two women could have sat aside their differences for the Duchesses last choices.
---

PERFORMER OF THE WEEK:

Meredith Scott Lynn (Anne;DAYS)

What a WONDERFUL story that Meredith Lynm has been given on DAYS! Among toturing sweet little Jennifer Horton, she has now dug her grave with E.J. DiMera. She has evidence that Abigail/E.J. had sex together! But, how will Sami find out? That is the question that fans really want to know!

We recently caught up with the actress at her home to see if she could share any secrets. She said that her story will really kick off and take many unexpected turns.

This sounds really juicy! I am sooo ready to see where the story takes us over the summer and the rest of the year! What will happen to Anne now that E.J. has threatened her life? How will Sami feel once the truth is revealed? What will Abigail do with her secret? These are burning questions that will hopefully come to light!
---

PREVIEW:

Days of our Lives: Not An Easy Road For Roman's Memory!

The Young and the Restless: Daisy/Mary Stalker Will Be Revealed!

The Bold and the Beautiful: Season 2 Premieres In 11 Days!

Back To Another World: Wedding Shocker!

General Hospital: Morgan's Feelings For KiKi!
---

INTERVIEW:

Cary Richardson (Head Writer; Back to Another World/General Hospital)

1. How do you feel that your stories have really taken off with BTAW?

Cary: Well, everyone has to remind themselves that it is just the begining! We still have a lot to cover. Especially with Reginald, the wedding, everything is just starting if you really think about it!

2. Who is your favorite character to write?

Cary: Well I have a lot to choose from. I gotta say that I love writing for Iris. She is such a rich and powerful and historical character. She really is a character you can dig into every chance you can possibly get. It is quite the rush!

3. How are you doing with all the buzz you have gotten with writing General Hospital?

Cary: That was extremely unexpected. I mean starting a new soap opera is hard. You want to call new and old viewers. So, you just have to be careful. But I do feel good that I have called all sorts people to listen to my side of things.

4. What is your favorite part about writing?

Cary: All of it! The escape, the story. I really dive in to all of this storytelling and it is a great hobby! And I hope you guys continue to read!
---

WHERE YOU CAN CATCH THEM:

Days of our Lives: Weekends/Weekdays
The Young and the Restless: Sundays
The Bold and the Beautiful: Monday/Wednesday
Back To Another World: Saturday/Sunday
General Hospital: Sunday
---

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goodbye

Posted by Y&Rbiggestfan in Code Blue, 22 July 2014 - - - - - - · 106 views

CANCELLED

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Welcome Back To Sprinfield

Posted by JM Fanfiction in Welcome Back To Springfield , 07 July 2014 - - - - - - · 103 views

Soon you guys will be back in the lives of everyone of your favorites from Springfield along with some new faces. I hope you will enjoy this classic soap opera as I did and still do.

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DOOL Epi. 1

Posted by JM Fanfiction in Days Of Our Lives My Version, 28 June 2014 - - - - - - · 154 views

NEW DAY
 
(Horton Town Square; by gated bench)
 
"Shows Paige walking past then bench talking on the phone, when is stopped by Bev"
 
Paige- hey mom I'll call you back I have something I need to take care of
 
"Paige hangs up"
 
Bev- it's so nice running into you here Paige, alone, away from everyone and no one can what I'm going to do to you
 
Paige- what are you talking about Bev?
 
"Bev pulls a gun from her purse"
 
Paige- um... Bev there's no need for you to have that gun
 
Bev- oh yeah there is, you see I'm going to use this gun to get you to do as I say so I can get what I want
 
Paige- Bev if you want to see JJ all I have to do is call him and tell him to meet me here and you can see him
 
Bev- oh I don't only want to see him I want to have him and I also want to have his baby. And the only way that will happen is if you are out of the picture for a while.
 
Paige- What do you mean by that?
 
Bev- It means you have disappear for a while, and I have to perfect place so get to moving
 
"Paige walks off followed by Bev pointing the gun at her"
-----------
 
(Daniel's Apartment)
 
"Shows Daniel walking around his apartment in just a towel; talking on the phone"
 
Daniel- yeah I can't wait Melanie, Yeah Parker and I plan on coming out there very soon to visit you
 
"doorbell rings and Daniel answers it"
 
Daniel- hey let me call you back I got something I need to take care of
 
JJ- hey you got a minute to talk
 
Daniel- um... yeah sure come on in. Just give me a few minutes to get dressed then I'm all yours
 
"Daniel walks off towards the hallway"
-------------
 
(DiMera Mansion; Living Room)
 
"Shows Sami sitting on the couch and movers walk into the living room"
 
Sami- it's about damn time you guys showed up. Listen all the stuff that is being moved is upstairs the first and second room on your left.
 
Moving Man- okay is there anything else from this place that needs to be moved
 
Sami- no oh wait while you are moving that could you please drop this off at the dumpster
 
"Shows the portrait of EJ and Sami sitting beside the couch; EJ walks in"
 
EJ- Samantha what the hell is all of this
 
Sami- well considering everything that has happened between us that you have caused you can put the pieces together. I'm moving out and so are the kids.
 
EJ- Samantha please stay and we can talk about this
 
Sami- talk about what? You cheated on me EJ with that slut Abigail. There is nothing to talk about.
 
EJ- Samantha please just hear me out. Please!
 
Sami- you have until the moving truck is loaded up so start talking.
------------
 
(Brady Pub)
 
"Shows Theresa and Anne sitting at the far booth in the corner"
 
Anne- so tell me how are things going with your niece Paige
 
Theresa- not very good at all thanks to my ignorant half-sister Eve
 
"Shows Theresa looking over at Eve sitting a the bar; Anne gets up"
 
Theresa- Anne where are you going?
 
Anne- to work some magic
 
"Anne sits down next to Eve"
 
Anne- oh I'm sorry was this seat taken
 
Eve- no not at all
 
Anne- the names Anne... Anne Milbauer
 
Eve- Eve Larson, nice to meet you
 
Anne- you too, so I have heard through the grapevine that you and Jennifer Horton go way back as being enemies
 
Eve- grapevine as in you mean my sister Theresa. I know what your doing and I'm not liking it at all. So you can go back over to that little corner booth and chit-chat with my sister
 
"Eve gets up and walks out of the pub, Anne walks back over to the booth"
 
Theresa- very smooth handling Anne, very well done
 
Anne- oh shut it
-------
 
(Daniel's Apartment)
 
"Shows Daniel walking back into the living room"
 
Daniel- okay kid what did you want to talk about
 
JJ- well um... Paige and I are having our first official date tonight and well lately when we have been hanging out we have been getting pretty close to some things.
 
Daniel- you mean sexual things right
 
JJ- yeah and well I was wondering if you could give me some pointers on that you know how a father would to his son. What I mean is I know the whole sex part but I want to make it as romantic as I can.
 
Daniel- this is your first time isn't it?
 
JJ- what no I've had sex before
 
Daniel- right and if you have then why are you asking me stuff on how to make it romantic.
 
JJ- alright look this will be my first time with a girl and I want to make sure it is special for both Paige and I and I just really don't want to screw this up
---------
 
(DiMera Mansion; Living Room)
 
Sami- you going to start talking or am I just going to leave
 
EJ- look I know what I did was just wrong, pathetic
 
Sami- how about degrading, or hurtful or oh my favorite it's cheating.
 
EJ- and I am truly sorry that I ever did that to you so please give me another chance please.
 
Sami- I've already given you to many damn chances. We are done EJ so you can go find your little slut and be with her now
 
EJ- so it's like that well I guess I'll hear about it tomorrow as to who you are shacking up with next.
 
"Sami slaps EJ"
--------
 
 
 
 
 

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Golden Days Epi. 6

Posted by JM Fanfiction in The Golden Days, 28 June 2014 - - - - - - · 80 views

(Grave Yard)
"Shows Jaxon looking at a woman"
Jaxon- Jaxon Donovan
Bridget is that really you?
Bridget- Bridget Donovan
The one and only, so get over here and give your sister a hug
"Jaxon hugs Bridget"
Jaxon- what are you doing back here in town?
Bridget- I came back for a visit but as soon as I get back in town I hear that you are getting married, Drake is in the hospital from an overdose and Donovan Enterprises has gone nuts. What the hell happened when I left?
Jaxon- I don't know I guess we are all going crazy
Bridget- I'd say, so have you been to the hospital to see Drake
Jaxon- I was there when they first brought him in but then I left to come here.
Bridget- come on lets go see our baby brother together
"Jaxon and Bridget walk off together and a shadow is seen standing behind a wall"
------------
 
(Linwood Memorial; Patient's Room)
"Shows Carla walking into the room and shows Drake lying on a hospital bed hooked up on IV and other machines; Carla walks over and sits down next to his bed"
Carla- Carla Sanders Donovan
oh sweetheart why did you have to go and do something so stupid. Why didn't you just call me, we could have talked or you could have called Jaxon or anyone. You didn't have to try and kill yourself. But not to worry because as soon as you wake up we are going to get you all the help that you need. Lila's here and so is Grandpa Sullivan, a lot of the family is here and Jaxon is on his way here. Oh please sweetie just wake up for me please.
-------------
 
(Linwood Memorial; Waiting Area)
"Shows Lila and Sullivan sitting in chair's; Claire walks up"
Claire- Claire Donovan
hey granddad where's Aunt Carla?
Sullivan- Sullivan Donovan
in there with Drake, why is something wrong
Claire- I need to talk to her
Sullivan- okay well I'll go get her
"Sullivan walks off"
Jaxon- Jaxon Donovan
Claire what's going on if it wasn't anything serious you would just wait until later to tell us, so what's going on?
"Claire sighs"
Bridget- Bridget Donovan
Has my brother gotten worse?
Claire- yes he has
Carla- Carla Sanders Donovan
what do you mean worse, how much worse?
Claire- We did a cat scan of Drake's brain and it shows a tumor on his left frontal lobe, but it get's worse
Jaxon- worse what could possibly be any worse that a tumor
Claire- Drake slipped into a coma
-----------
 
(Kinsey's Art Studio)
"Kinsey drops the pencil"
Kinsey- Kinsey Reeves
I think I've finally got it. This is going to be perfect.
Deacon- Deacon Walsh
let me see
Kinsey- what do you think, now be honest
Deacon-well.... it's perfect
Kinsey- really?
Deacon- yeah I think Jaxon and Maggie are going to love it
Kinsey- okay well since I am done with work are you ready to get out of here?
Deacon- oh you bet I am as long as you come with me
Kinsey- well of course I am silly
------------
 
(Linwood Memorial Hospital; Waiting Area)
Jaxon- Jaxon Donovan
Claire come on is this some kid of joke
Claire- Claire Donovan
I wish it was just a joke but no it's not
Carla- Carla Sanders Donovan
Wait a minute your standing there telling me that my baby boy is in a coma and not only that but has a tumor as well
Claire- yes Aunt Carla I am
Bridget- Bridget Donovan
Is there any possibility that the tumor caused Drake to go into a coma?
Claire- that is a possibility but we won't know for sure until we run more test
-----------
 
 

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Stuff To Know About This GH Version

Posted by JM Fanfiction in General Hospital My 2.0 Verson, 24 June 2014 - - - - - - · 125 views

The Manning's Are BACK in Port Charles for good!
 
 
*Character's- Kiki Jerome, Nina Clay and Silas Clay never existed
 
* Using Character's from OLTL John McBain, Starr Manning, Todd Manning, Blair Cramer, Tea Delgado, Dani Manning, Jack Manning and Sam Manning
 
* Franco stayed dead from when Jason shot and killed him

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Epi. 1 "The Pilot"

Posted by JM Fanfiction in Privileged, 23 June 2014 - - - - - - · 83 views

SEASON 1, EPISODE 1
 
(Park)
"Shows Josie walking in the park and up to a hotdog cart"
Frankie- Clay
Well hello there beautiful.
Josie- Josie Preston
Hello Frankie, Can I get one hotdog please
Frankie- anything for you. So tell me hows working at Barrington Global going for you.
Josie- Well I'll tell you after today's over with and thanks for the hotdog
Frankie- no problem
"Josie takes a bite of the hotdog and starts walking down the sidewalk in the park"
--------------
 
(Barrington Global)
"Shows Josie getting off the elevator and she sees Tyler Barrington yelling at a worker"
Tyler- Tyler Barrington
either you start doing your damn job right or you'll be out on your ass jobless
Woman- yes boss
"The Woman walks off and Tyler sees Josie"
Tyler- Josie what brings you by today on your day off
Josie- Josie Preston
I just came to clean out my office, you know after you told me to start being an ass like yourself or get lost. Well I chose to get lost. So if you'll excuse me I have an office I need to pack.
Tyler- wait just a minute. Josie do you at least have another job or something to do until you find another job because if not you can keep your job here.
Josie- Tyler you can pretend to be nice all you want but come on it's me I've worked here for 15 years and believe me I've hated it everyday and besides I've decided to open my own night club.
"Josie walks off to her office, Tyler follows"
Tyler- a night club, are you serious about this Josie?
Josie- yes I am because I know I don't have to come to work everyday and deal with an ass of a boss like you. So if you would please leave so I can get what I need to get done
Tyler- you're making a big mistake
"Tyler walks off"
Josie- we'll see about that
------------------
 
(Carla's Diner)
"Shows Ryder and Doug sitting at a booth when a waitress walks over"
Doug- Doug Sanders
Well hey there Carla
Carla- Beth
hello boys, let me guess you guys both want the usual that you all get
Doug- yes ma'am
Carla- okay coming right up
Ryder- Ryder Preston
My sister needs to hurry up and get here
"Diner door opens and a man walks in"
Doug- hey Sterling what brings you by
Sterling- Sterling Wells
Josie told me to stop by and that she had some big news to tell me and I take it as that's why you guys are here
"Diner door opens again; Josie walks in"
Doug- it's about time
"Josie walks over and sits down and Carla brings them their food"
Carla- so what's the big news Josie
Josie- Josie Preston
Well since you all must know... I quit my job today
Ryder- what are you serious?
Doug- that's the big news
Josie- no there's better news. ............. I have decided to open up my very own night club and I want all of you to work in it
"Josie grabs a French fry and eats it"
-----------
 
(Apartment Building)
"Shows a woman walking down the steps to outside"
Mona- Mona Sawyer
It's about time you got here. I thought I was going to fully melt before you ever got out here
Layla- Layla Blackwell
I'm here now aren't I.
"The both chuckle"
Mona- come on were late for the meeting
"Mona wraps her arm around Layla and the both walk off down the sidewalk"
---------
 
 
 
 
 

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EPISODE 106

Posted by juniorz1 in Return to Santa Barbara, 21 April 2013 - - - - - - · 580 views


 
(EXT: London, England- Edmund's Creepy Castle)
 
--Ashton sits in the living room, on the phone, and learns of Eden, Kirk, and Pearl's impending arrivals.  He smiles and says that it's time that everything be put in place so he, Kelly, and everyone else can live "happily" ever after.  Kelly enters the room, able to catch the last part of his sentence, and he hurries off the phone.
 
"Happily ever after huh?  I thought that was already decided on our wedding day, Mr. Lavery."
 
"Oh, it was, it was, Mrs. Lavery.   I just got some news that should delight you and perhaps give you some pleasure during your downtime on our extended stay here in London.  I'm sure you're about tired of my father, Christine, and all the construction on the East Wing by now."
 
"Actually, I find your father quite fascinating.  A bit mysterious, but he never ceases to hold my interest.  So......what is this happy news that is supposed to bring me such delight?"
 
"Your sister is actually on your father's jet, on her way to London right now.  I've invited her....and her friends to stay here with us.  At the castle."
 
"Oh?  And what friends are you talking about?  Julia?  Mary?"
 
"Actually, they're both men.  Pearl Bradford, that old friend of yours and my #1 fan, and Kirk Cranston."
 
"KIRK CRANSTON?  Eden is coming HERE.....with Kirk Cranston?  What the hell would possess her to bring that man here....let alone on daddy's jet?"
 
"I sense there's some sort of history there."
 
"Oh, not much.  Just that they were married years ago.  And he attempted to kill her.  Multiple times.  And gaslight her.   And kidnapped her...and Cruz....again, multiple times."
 
"Doesn't sound like the ideal travel companion."
 
"My point exactly.  It's all so strange.  Why would Eden leave her children, Cruz's parents, and daddy, to come to London with Kirk Cranston, of all people?"
 
"Sounds like you'll have plenty to discuss over dinner tonight.  They should be arriving before then and I've asked Christine to prepare a special meal for all of us....and our guests."
 
"Guests?" Edmund says, entering the room.
 
"Yes, father, guests.  Kelly's sister, Eden, and a couple of her friends will be arriving later.  I hope you don't mind that I've taken the liberty of inviting them to stay here.  I figure there's plenty of room for everyone.  It is a CASTLE, after all."
 
"Kelly, would you be so kind as to give my son and I a moment alone?"
 
"Of course.  Obviously my husband here should have discussed this with you first.  You've been very gracious to let us stay here as long as you have.  I hope you don't feel too put out that Ashton here has invited my sister and her.....friends to stay.  He's just trying to make me happy is all, as he always does.  I'll go and get a cup of tea from Christine in the kitchen.  Would either of you like anything?"
 
"Nothing at all my dear, the privacy will be quite enough."
 
Kelly exits the room, muttering to herself about Eden, Kirk, and :Pearl being the oddest of combinations.  Back in the living room, Edmund glares at his son.
 
"Just what are you up to?  It's been hard enough keeping Kelly away from her mother....now you've got her sister coming as well?   Just what in the devil are you up to?"
 
"I suggest you listen and listen good.  If you want this charade of a life that you've created for yourself and your pod in the East Wing to continue, you'll do everything that I ask of you tonight.  Otherwise, I'll expose you to the Capwell girls, who will surely go running to daddy...."
 
"You wouldn't dare.   You wouldn't risk your marriage to Kelly Capwell, that I know."
 
"You're right, I wouldn't.  And you'll understand things as they unfold today.  You just do exactly as I say or this whole thing will blow up in your face tonight father.  Do I make myself clear?"
 
"Why you little.....just who do you think you are speaking to me this way?   How dare you assume that I would go along with this, risk everything FOR...my God, if your mother were alive...."
 
"I thought she was.  Upstairs.  In her private bedroom.  Isn't that the double entendre you're leading right now?  You're just going to have to trust me for now father.  As for now, I must be going.  I have some business to attend to.  Please, keep Kelly entertained while I'm gone.   She seems to find you.....fascinating.  If only she knew just how interesting the life you're really leading right now really is...."
 
Ashton exits and as he leaves, Edmund takes out his phone and dials Pamela.
 
"We've got trouble.  Big trouble."
 
(EXT: Lionel and Augusta's London Flat)
 
--Augusta sits in her satin robe, staring at her husband across the breakfast table.  Clearly uncomfortable, she attempts to break the ice.
 
"Well that went rather smoothly yesterday."
 
"Those aren't the words I'd use if I were you, Augusta.  How dare you keep this from me for as long as you have.  How dare you!"
 
"How dare I?  After what that woman and your tawdry affairs with her have done to me over the years, you should consider yourself lucky I clued you in at all."
 
"Lucky?"
 
"Yes, lucky.  I couldn't care less about Sophia and the last thing I want is for you to go waltzing down memory lane with her.  But, I did the noble, unselfish thing and told you the truth.  I thought you'd be rather proud of me."
 
"Proud?"
 
"Yes, proud.  What is with these one word inquisitions you're spitting at me?   If I had my way, that woman would have stayed dead and buried where she belonged.  Ironic, though, isn't it.  Here we are, 34 years later, and it's 1979 all over again.  Sophia is operating under a false name, with no previous recollection of her old life, Marcello is her only confidante....it's de ja vous.  Only this time...well, I'm not quite sure I understand the logistics of it.  She didn't fall off a yacht for pete's sake, she was pronounced dead.  By Saint Mary Duvall of all people and there's no way Sister Mary would lie about this sort of thing.  You have to give credit where credit is due....Edmund has pulled off quite the caper here.  I think you'd rather enjoy his torturing of CC, if it didn't involve you're quintessential love, Sophia, that is.   And here I am, allowing you to play hero to the tawdry slut you cheated on me with and created that.....circus performing son of your's with.  And  the only reason he's even alive is because your mother switched the babies all those years ago.  Otherwise, Sophia would have shot your only child with her."
 
"Thank you, Augusta, for the refresher course and the lovely walk down memory lane.  Well one thing is clear- I couldn't get through to her.  And if  I can't get through to her...there's only one other man who can....CC!"
 
"Lionel, have you gone mad?  Did you not listen to the history course that Marcello gave you?  CC has a past with Loretta as well as Sophia.  His involvement could make this situation more chaotic than it already is and worsen Sophia's condition, which God knows is the lassst thing you'd want to do."
 
"He has a right to know that his wife is alive, Augusta.  Whether I like him, hate him, respect him, or not, he loves her and is grieving for her.  It isn't right that we keep this from him."
 
Augusta walks across the table and hits Lionel on the back of the head.
 
"Would you get your brain wired back in, Lionel?  We need to put Sophia first here and involving CC is only going to cause a bigger mess than this already is.  I suggest that we at least wait until we here from Marcello before we do anything rash.  Where is that "dame" of a mother of yours when I need her to talk some sense into you?  We at least need to wait until we hear from Marcello first.  At the very least, he did put that tracking device in the suitcase, so we'll know- Sophi--Loretta's--oh whatever the hell that tramp is calling herself's whereabouts are at any given time.  Patience, dear.  I doubt this is the last we've heard from Marcello."
 
(EXT: Lady DuMonde's Mansion)
 
--Ashton is greeted at the door by the butler and requests to see Marcello at once.  Marcello swiftly enters the room and wonders aloud what Ashton could want with him.  Ashton suggests that they talk somewhere in private.  He explains that he accidentally stumbled into Sophia's room and realizes what his father has done and wants to right the wrong.  Marcello admits to a knowing Ashton that he already knows about Sophia and is trying to jog her memory.  Ashton quizzically asks if anyone else knows and Marcello tells him only Lionel and Augusta.
 
"Doesn't Sophia have a history with the Lockridges?"
 
"A long one- she had a forbidden love affair with Lionel for a good portion of her life."
 
"Well couldn't you use that and your hypnosis techniques to kick start her memory?"
 
"I've already thought of that and I tried it yesterday, but Sophia and Augusta exchanged words and Loretta....Sophia got cold feet.  She's truly convinced that she's your mother."
 
"My mother-in-law is brainwashed into believing she's my mother.  Sounds like something out of a soap opera."
 
"You'd think so, but this has happened before, and the last time it did, it caused insurmountable, permanent damage to the Capwells, especially to Channing, Eden, and CC"
 
"Of course.  Well, if I could get you in to see her again tonight, do you think you could get Lionel to come alone?"
 
"I'm not sure.  Augusta can be a handful and she'll want to come but.... I can try."
 
"Try you will, if you want to bring Sophia back.  And you will succeed.  You seem a smart man, Marcello.  I'm sure you can come up with a good reason to bring Lionel to the castle on his own.  Here"
 
Ashton writes down his phone number.
 
"This is my cell number.  You call me when you're on the way.  Try to make it around 7:30, as we will all be at dinner at that time and it will be much easier to sneak you into the mansion."
 
"All of you?"
 
"Yes, my father, my wife, her sister..."
 
"Eden's going to be there?"
 
"Yes but she'll be at dinner.  I haven't told Kelly or any of the Capwells about Sophia because.....well, because my wife has told me the sordid family history and I'd hate to put any of them through that again before Sophia realizes that she's....Sophia.  I'm disgusted by what my father has done- it could damn well ruin my marriage and there's no way in hell I'm going to let that happen.  You just follow my instructions and I'll make sure you're able to see Sophia.  Now, I must be going, as my father will soon be wondering where I am.  I was very careful not to be followed.  I don't want him to have any idea that I know about this, nor that I'm helping you."
 
"I appreciate it Ashton  You're doing a good thing."
 
"Yes well, I hope so and I do hope that everything goes as planned.  Now as I said, I must be going."
 
Ashton sees himself out and immediately dials his phone.
 
"Ok, it's all set.  I hope you're ready for everything that's about to happen."
 
The camera pans to a man in a suit, sitting in an office, without his face being shown.  
 
A familiar, English accented voice is heard on the other line.
 
"Oh, I'm ready.  I'm more than ready."
 
They hang up and the camera pans up to the mystery man.....
 
 
 
 
 
 
 
 
 
 
 


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(THE END......For TODAY)
 



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EP 21 NEWS SPREADS FAST

Posted by Nothin'ButAttitude in As The World Turns , 21 March 2013 - - - - - - · 204 views
AS THE WORLD TURNS, ATWT, WORLD and 3 more...

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INT. MONA LISA - DAY 
 
Carter grabs a faint Lisa before she falls do the ground. Scott rushes over to a table nearby and pulls out a chair while Carter drags Lisa to the chair, seating her. 
 
Lisa: (faint) Scott? Is it really you? 
Scott: Yes, Mom. 
 
Carter comes back to them with a glass of water. He hands it to Scott, who is now kneeled next to his mother. He holds the glass while Lisa takes a sip. 
 
Scott: You all right?
Lisa: I will be . . . (strokes his face gently) So glad to see you . . . 
 
Lisa then strikes her son across the face. Scott holds his face, which stings. Carter is stunned. Lisa jumps up and hovers over her son. 
 
Lisa: How dare you! How dare you do this to me!
 
On Scott totally shocked, 
 
CUT TO 
 
INT. BARBARA & HENRY'S HOUSE (KITCHEN) 
 
Henry, with a chef hat and apron that reads "I rub my meat for two mins," dances around the kitchen while the pots of the stove create a slight fog from the steam. 
 
Henry: (singing) Pour it up! Pour it up! That's how we ball out! . . . Strips clubs and dollar bills--
 
He is abruptly interrupted by a knock at the door. Aggravated, Henry opens the door to reveal his younger sister, CLARK COLEMAN
 
Henry is speechless. 
 
Clark: (distraught) I need your help. 
 
On Henry worried
 
CUT TO 
 
INT. TOM & MARGO'S COTTAGE - DAY 
 
Mo and Casey sit on the sofa making out. Tom then barges in slamming the door. The two break apart like two teens that have been caught in the act. As the rearrange their clothes: 
 
Tom: Where is your mother?!
Casey: She's at the station. What's wrong?
Tom: Emily!
Casey: What now?
 
Tom tosses the paper at Casey before he storms up stairs. Casey unballs the paper to see the headline (from last episode) featuring Tom, Carter, and Scott. 
 
On Casey cringing, 
 
FADE OUT 
 
 

 
FADE IN: 
 
INT. TOM & MARGO'S COTTAGE - DAY
 
Casey kisses Mo (before she leaves) and closes the door behind her. Tom comes down the stairs, undoing his tie and tossing it to the side. 
 
Casey: You sure you're fine? 
Tom: Do I look fine? (off Casey holding his hands up for mercy) Sorry. 
Casey: No problem but does this story even has any truth to it? I mean we haven't seen or heard from Uncle Scott since I was child. You sure Emily isn't fabricating this to p*ss you off? 
Tom: No she isn't. For once she isn't lying in that rag she calls a paper. 
Casey: (confused) So then I don't get while you're mad at Emily . . .
Tom: Because she's ruining my campaign! Don't you see it!
Casey: Dad, I doubt anyone is taking Emily or her paper seriously. Her past isn't squeaky clean either . . .
Tom: But when you're running up against someone with a stellar track record such as Carter Wallace--
Casey: Dad, you need to chill. 
 
Casey goes and sits on the sofa. He pats on it to indicate he wants Tom to join him, to relax. After fighting it, Tom gives in. 
 
Casey: Dad, you have a stellar track record too. 
Tom: I do but--
Casey: Not "buts." Who cares that you left mid office almost fifteen years ago? That was then. This is now. 
 
Margo rushes in breathing heavily. 
 
Margo: Oh honey! There you are. (rushes over and kisses Tom) I went by the campaign office and Bonnie told me everything. (calming down) You OK?
Tom: Not really. 
Margo: Don't worry, honey. We'll figure this out--me, you, Bonnie, Lisa--
 
Tom jumps up from the sofa
 
Tom: Mom! I gotta go see her. 
Margo: We're coming with you. 
 
On a shot of the Hughes rushing out, 
 
CUT TO 
 
INT. BARBARA & HENRY (KITCHEN) 

 
Henry and Clark are now seated at a table. We enter mid-convo. Henry is trying to pry some info out of her. 
 
Clark: Henry, can you stop!
Henry: No! You just come beating down my door and you want me to stop?
Clark: Yes.
Henry: We haven't heard from you in years! Maddie, me, Bernadette--
Clark: I'm fine. (swiping hair out of face) Can't you tell?
Henry: Not really but I'll drop it for now . . .
Clark: I just need a place to stay for a few nights--
Henry: What? Hold on--you just come in here and expect to provide you a haven when you can't tell me where the heck you've been for the past five years?! Really, Clark?
 
On Clark moaning, 
 
CUT TO 
 
INT. MONA LISA
 
Picking up where we left off of Lisa slapping Scott, and both he and Carter stunned: 
 
Scott: What was that for!
Lisa: For not picking up the phone and calling me! For not visiting me! Your brother--
Scott: Oh I've seen ole' Tom already. 
Lisa: What? So you've been in town for awhile now! (to Carter) And you knew?!
 
Carter searches for the right words, but before he can get them out, Lisa pops him in the face. Carter now holds his face, shocked.
 
Lisa: Now I see why you were using me--getting close to me. You wanted to stick it to me and Tom. (pointing to Scott) And he's the best way to do so? 
Scott: He didn't even know I was related you to until the night I arrived in Oakdale. 
Lisa: Oh really? So how do you two know each other?
Scott: We met awhile back in Somerset. I had a small practice there, he was there visiting--
Lisa: So you two became buddies and decided to come here and run for district attorney? 
Carter: No! I didn't even ask him to join me until weeks after I decided to come to Oakdale. 
Scott: Exactly. 
Lisa: (stewing) Oh OK . . . So Tom knew you were here?
Scott: Yes. I've been here since Christmas. 
Lisa: What!
 
Tom, Margo, & Casey come rushing in and up to Lisa, Carter, & Scott. 
 
Tom: Mom--
 
Lisa pops him across the face. 
 
Lisa: How could you! (to both of her boys) How could both of you! . . . (enraged, flailing around) How could all of you!
 
Casey and Margo step back, not wanting to feel the wrath of Lisa. 
 
On Tom holding his face, now stunned too. 
 
FADE OUT
 
 

 

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John Hu On Harley's Mind, John Hu Has Arrived

Posted by Nothin'ButAttitude in TGL: The Guiding Light , 15 March 2013 - - - - - - · 212 views
Guiding Light, soap, Guiding and 2 more...

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EXT. DOCKS – NIGHT
 
A thick fog nearly consumes the setting when a boat pulls in. A pair of feet steps off the boat and it is revealed to be John Hu. He looks around and likes what he sees. Suddenly, a Don Chi, Hu’s henchman, steps off the boat from behind him. He has a briefcase in hand.
 
Don: Pretty foggy here tonight, huh?
 
 
Posted ImageJohn: Just how I like it.
 
Don: So you never told me why we’re here in Springfield.
John: Patience, patience. All good things to those who wait.
 
John digs into his pocket and reveals a small photo of Harley. He brightens up at the sight of her.
 
John: (putting it back in his pocket) We have to get things prepared for the shipment. Is all the money there.
Don: (tapping the briefcase) Yep. Counted it twice. Five million dollars.
John: Good. Let’s get back on the boat and circle around the bay until they arrive with our stash.
Don: Yes, sir.
 
Don heads back onto the boat. John starts to head back onto the boat, and takes one look back . . .
 
John: Springfield . . . my home away from home.
 
He gets back on the boat and it takes off.
 
CUT TO
 
INT. HARLEY’S COTTAGE (LIVING ROOM) – NIGHT
 
The room is pure darkness with the exception of the TV, which illuminates Harley. We slowly pan towards Harley, who is nestled up on the sofa, asleep. She’s so peaceful, and we
 
FADE INTO
 
EXT. YACHT – NIGHT— DREAM SEQUENCE
 
Harley is dressed to the “nines.” She is donning a beautiful haute couture gown while she sets on the deck of the yacht, which glides across the Danube River. The scenery—its so captivating and refreshing, mesmerizes her. A male hand then reaches into the frame and grabs her hand, placing a flute with champagne in it. She looks up (and we follow) to see the man is non other than John Hu.
 
Posted ImageHarley: John . . .
 
John: Ssh. Don’t say a word, my sweet.
Harley: But—
 
John leans in and kisses Harley passionately, silencing her. Then a shot of the boat drifting off into the night, and
 
BANG! BANG!
 
END OF DREAM SEQUENCE
 
BACK IN HARLEY’S LIVING ROOM
 
Harley jumps out the sound of someone beating at the door.
 
Phillip (O.C.): Harley! Harley, are you there.
Harley: Ugh.
 
Harley gets up, with her hair tossed everywhere, and heads to the door. She snatches the door open to Phillip, who jumps back at the sight of her. He can see the fury in her eyes.
 
Harley: What!
Phillip: We need to talk.
 
Phillip barges in without being invited. Harley astonished by this.
 
Harley: Umm . . . Phillip, I didn’t—
Phillip: What is about you not wanting Zach attend Lincoln Prep? It’s a good school!
Harley: With a lot of spoiled brats!
Phillip: Just say it, Harley! You don’t want Zach to attend Lincoln Prep or have anything to do with my family or me because you’re afraid he’ll end up just me like.
 
On Harley over it,
 
FADE OUT
 
http://www.youtube.c...h?v=LiVNjqhyeW8
 
FADE IN
 
INT. SPAULDING MANOR (HOPE’S SUITE)
 
The door to the room flings open and Alan Michael rushes into the room, frantic. He starts to scope out the room and Holly trails behind him.
 
AM: Mom! Mom!
Holly: Alan Michael, be quiet! Do you wanna be heard?
 
Alan Michael nods understandingly. He peeks in the closet and sees that it has been cleared. He looks to Holly, anxious.
 
AM: Where is she?
Holly: She couldn’t’ve gone too far.
AM: I wouldn’t put it past her.
 
The door closes and Alan Michael and Holly turn to see India leaning on the door.
 
India: Looking for Caroline or should I say Hope?
 
Alan Michael’s jaw drops. He charges towards India with rage in his eyes, but Holly grabs him, stopping him.
 
AM: You! I should’ve known it! You—
India: You better settle down. Not if you want me to remain silent.
AM: Remain silent? (trying to break free) That can be arranged!
Holly: (restraining him) Calm down! (to India) Where is Hope?
India: Oh Holly . . . (shaking head) you knew about Hope too? This gets better and better.
Holly: India . . .
India: I wonder how Ed is going to take the news—his main squeeze keeping such big secrets from him. (gloating) Bet he won’t like it.
 
On Holly’s reaction
 
CUT TO
 
EXT. BAUER HOME – NIGHT
 
Ed sits on the porch rocking, and its foggy also. He looks in the night sky.
 
Mom, Leslie, and Maureen, if you can hear me . . . (tearing up) please help Meta, Bruce, Mike, and Hope find peace.
 
Ed looks down to see someone standing within the fog.
 
Ed: Hello?
 
Hope emerges from the fog looking destroyed, mascara dripping down her eyes as if she’s been crying nonstop.
 
Ed: Caroline, you all right?
 
Ed steps off the porch and walks over towards her.
Ed: Do I need to call Alan?
Hope: No!
Ed: Did something happen? Did Alan harm you?
Hope: No.
Ed: Come with me.
 
Ed takes her by the arm and tries to take her by the arm, but she jerks away.
 
Hope: Don’t you even recognize me!
Ed: Caroline, are you sure you’re fine?
Hope: It’s me, Uncle Ed! It is me, Hope!
 
On Ed uncertain and shaken,
 
CUT TO
 
INT. HARLEY’S COTTAGE (LIVING ROOM)
 
We open up on Harley and Phillip in a stand off.
 
Harley: Phillip, are we seriously going to do this tonight?
Phillip: Yes!
 
Phillip storms over to the sofa and sits.
 
Phillip: (patting the sofa) Come sit.
Harley: No.
Phillip: I’m not leaving till we talk.
Harley: You sure about that?
Phillip: Harley . . . please.
 
Harley sighs heavily and complies with his wishes by sitting across from him.
 
Harley: What Phillip?
Phillip: This has to stop—this tension between you and me.
Harley: There is no tension.
Phillip: There is.
Harley: Phillip! (gets up and points to the door) Goodbye!
Phillip: No.
Harley: Leave!
Phillip: I said no.
 
Harley walks over and grabs the phone off the end table and starts to dial.
 
Phillip: (sighs) Who are you calling?
Harley: Frank. So he can come and whoop your ass and take you to jail.
 
Phillip crosses over and struggles the phone away from Harley. Then he tosses it across the room and shatters into pieces.
 
Harley: Phillip!
Phillip: Now lets sit and talk like adults.
Harley: Talk like adults? Screw you!
Phillip: Why do you hate me, Harley? Why! Is this because of how I took Zach from you? I thought you’ve forgiven me!
Harley: Well you thought wrong.
 
Harley grabs her keys. She goes to exit but Phillip grabs her by the arm, restraining her.
 
Harley: Let me go!
Phillip: No! Not until you listen to me!
 
Harley tries to pry free of Phillip’s grip.
 
Harley: My opinion isn’t changing, Phillip! Zach is not going to Lincoln Prep. End of story—
 
Harley breaks free but falls onto the floor. She holds her arm in pain while Phillip rushes to her side.
 
Phillip: (worried) Harley, you OK!
Harley: No!
 
Harley kicks Phillip away from her.
 
Harley: See! See! You see why I don’t want Zach anywhere near you! Your family! You’re a bully, Phillip! You’re sick!
Phillip: Harley, it was an acci—
 
Posted Image
 
Harley looks past Phillip to see Zach standing at the bottom of the stairs. Noticing Harley’s reaction, Phillip turns and sees Zach too. Guilt comes over Phillip.
 
Zach: What’s going on? Mom, are you OK?
Harley: (covering) Nothing. (getting back up) Nothing at all.
Zach: But I heard you two screaming.
Phillip: It was nothing, Zach. Just a simple disagreement. (devastated) I-I’m sorry, Harley. Forgive me. (fighting back tears) Forgive me.
 
Phillip rushes out of the house. Harley looks on concerned and,
 
CUT TO:
 
INT. BAUER HOME (LIVING ROOM)
 
Hope sits on the sofa in utter silence. She’s a total mess. Ed (standing up) watches on from a far, bothered.
 
KNOCK! KNOCK!
 
Ed rushes over and opens the door to reveal Holly & Alan Michael.
 
Posted ImageHolly: Is she here?
 
Ed points to Hope. Alan Michael rushes in and kneels down next to her. Holly enters and Ed closes the door. They both watch what’s about to happen.
 
Alan Michael: Caroline! I’m so sorry.
 
She doesn’t respond.
 
Alan Michael: I just wanna let you know that you’re not fired. Your job is still intact and I want you to come home with me. OK?
 
She still doesn’t respond.
 
Alan Michael: Caroline . . . (tearing up) please forgive me.
 
She slowly turns to see her son crying. She wipes the tears from his eyes.
 
Hope: Don’t cry, my sweet baby. I forgive you.
 
Posted Image
 
Alan Michael kisses her hand and bury his face in it. Ed is now convinced.
 
Ed: So I guess it’s true.
 
Holly and Alan Michael react.
 
Ed: So I guess she is Hope.
 
Holly and Alan Michael exchange looks, and on Ed unhappy,
 
CUT TO:
 
INT. BOAT (LOWER DECK) – NIGHT
 
John lies on the bed in a daze while he glances at the ceiling. He then gets up and head down the hall to another door. He cracks the door open, and we get a slight shot of Carmen lying in the bed with a medical ventilator strapped to her.
 
John: You’re home, Bonita. You’re home.
 
On a shot of Carmen soundless sleeping,
 
FADE OUT
 
http://www.youtube.c...h?v=mKZEgIi2Les
 
COMING SOON:
Phillip’s illness continues to go unchecked
Jason & Leah plan an attack on Phillip
Remy & Tierra grow closer
Mel struggles with keeping her pregnancy secret
Olivia's continues her quest to destroy Marah
A friend of Shayne's comes to town 
Dinah & Mallet are drawn together
Blake & Rick find love (not with each other)
Alan uses the Reardon boys as pawns to gain back Spaulding
Hope’s secret’s comes out
Laurel & Reva makes life-changing decisions
Cassie starts her search for her biological father & Frank helps
John Hu wreaks havoc
Michelle continues to fall victim to the Bauer curse
Pilar and Bill reestablish their friendship
James grows tired for Daisy . . . and wants Trista instead
 

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Promo: Week 3 + Whos Joining The Cast?

Posted by JackPeyton in Days of our Lives, 01 February 2013 - - - - - - · 165 views

This week on Days of our Lives
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Marlena comes face to face with Don Craig for the first time in over 25 years!
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Marlena: "I Never thought I would see you again"
 
Maggie questions her choices since Mickeys death...
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Maggie: "Maybe i was fooling myself... about this life.. with Victor"
 
Will finds out hes more his mother than he would like to admit..
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Will: "Oh god... what have I done?"
 
and Sami Brady stands trial for the Murder of EJ Dimera!!
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Plus, Emmy Award winner Michael Park joins the cast as Judge Matthews
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Ocean's Crest Segment 6

Posted by chicklitsandfantasies in chicklitsandfantasies' Blog, 21 December 2012 - - - - - - · 142 views

Kiara’s heels clicked against the tile granite floor tiles of the kitchen as she walked to the refrigerator and took out a bottle of mineral water. Her long brown hair was in a neat bun at the top of her head and her olive skin was complimented with a cute white lace dress. Her makeup was fresh and her skin looked dewy.

“Oh, you’re back,” Ashley says in a sarcastic tone while walking into the living room dressed in a cami and daisy dukes her long hair loose down to her shoulders.

“Yes, London was quite enjoyable thank you for asking. I always get joy in further refining my craft,” Kiara tells her sister.

She walks out to the patio admiring the view of the city midday. Ashley follows behind plopping down on a black lounge.

“You know just because you’re a grad student at Yale and you had a small role on Broadway doesn’t mean you’re above the rest of us,” Ashley quips.

“Did you listen to the words that came out your mouth? I excelled all my life; while you choice local parochial school as an option I was thrilled to attend one of the top boarding schools in the country. I graduated top of my class and became the only member of this family to attend an Ivy League school. You may not have higher inhibitions but my goal is to be an actress and I never set a goal I can’t achieve,” Kiara says proudly.

“Did you practice that speech? Yes you were a good student but dad’s money and your last name got you into Yale’s School of Drama. And I thought you wanted to do movies and TV? Why are you doing wasting your youth in grad school?” Ashley inquires.

“I’m refining my craft,” Kiara retorts. She sits down on the couch and picks up her Ipad.

“You’re dating the son of a television producer; you’ve had your SAG card since you were 10. You know you could be the lead of a TV show right now. Are you afraid to move out of your comfort zone?” Ashley asks.

Kiara smiles a sly smile. “Let’s talk about you for a moment. What’s this I hear about sneaking into the club?”

“I just wanted to have a night out with the girls so we got dressed up and I went downstairs and partied. We were dancing and having a good time. Dad’s busy freaking out over what this supposedly means for his reputation,” Ashley explains. “I don’t know why he’s so worried about a little small town gossip.”

“Well considering his history as well as that of his father, it’s easy to see why they would be worried about another scandal. Grandma is justified for being distraught over the affairs,” Kiara expressed. She sets her Ipad down on the table.

“Please she got millions in that divorce settlement and then she got money from the tabloids for airing out our family business. She was being spiteful about something she knew about for over a decade,” Ashley said.

“I’m not sure what lies dad covered the story up with but she didn’t know her husband was sleeping with younger women who worked for his company. She would’ve left much sooner had she know. Grandma had class and dignity just like my mother,” Kiara said.

Ashley rolled her eyes. “Oh here it comes! More my mom versus your mom crap. I know dad left your mother for mine and you’re jealous.”

Kiara leaps from her seat. “That couldn’t be further from the truth,” she bellows. “Our father cheated on my mother with a younger version of her and he’s rumored to have slept with quite a few women in this town. I’m happy she was able to flee in time.”

“And just like grandma she took a nice chunk of change with her,” Ashley pointed out. “I don’t believe those rumors about dad having affairs despite how my parents got together.”

“You are more naive than I thought. Let’s hope you never discover any of our father’s hidden secrets. I knew I should’ve spent the rest of my break in New York with my mother,” Kiara turned and headed back inside.

"It's not too late for that," Ashley snaps.

Mr. Harrington walks in the living room.”Kiara, when did you get home?” he asks.

“Very early this morning, daddy. I was tired and wasn’t in the mood to talk,” she replies.

He can feel the tension in the room. “What’s going on here?” he inquires.

“Ashley tried to insinuate that my mother and your mother are nothing but gold digging whores,” Kiara says. “The daughter of one however has no place judge.”

“Because you’re just Little Miss Perfect,” Ashley derides.

“Kiara! You don’t talk about your family that way,” Mr. Harrington raises his voice in a stern tone.

“I’m sure others do. You and your wife can try and keep up the façade but I see right through it. I see something much more deep past the shallow surface,” Kiara says stomping off.

“What was that all about?” Mr. Harrington asked.

Ashley shrugs. “How should I know? She woke up in a bad mood, I guess. It was the usual back and forth until she brought up our family and reputations.”

“What did she say?” he asks.

“Something about not brushing off every rumor about you; that we’ll find some out to be true,” Ashley recalls.

“You weren’t buying into that were you?” he asks cautiously.

“Please, ain’t nobody got time for that,” Ashley laughs before adding. “Let her throw her little hissy fit. She lives here with us so she can’t be mad for long.”

“I hope you’re right. One thing I’ve learned from my own mother is to never mess with a Harrington woman when she’s angry,” Mr. Harrington noted.

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S01 - Episode Sixteen: "Strike Three, You're Out"

Posted by Mr. Vixen in Heaven's Meadow , 30 July 2012 - * * * * * · 247 views
and 1 more...

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Heaven's Meadow

Season 1 - Episode Sixteen

"Strike Three, You're Out"

This episode features:

Susan Lucci as Erica Kane

Kassie DePaiva as Blair Cramer

Andrew Trischitta as Jack Manning

Christian Alexander as Billy Jackson

Peter Porte as James

Catherine Hickland as Lindsay Rappaport

Michael E. Knight as Tad Martin

Vail Bloom as Brianna Emerson

with

Jerry ver Dorn as Clint Buchanan

Kelly Ripa as Hayley Vaughan

and

Robin Chistopher as Skye Chandler

PREVIOUSLY on HEAVEN'S MEADOW:

  • Hayley realizes she had an alcohol-infused one night stand and finds herself on the ledge.
  • Jack told Blair he had a boyfriend.
  • Lucas has a prisoner.
  • Skye has a secret.
  • The mystery woman changes her plan.

_____________________________________________________________________________________________

Hayley: Posted Image James: Posted Image

(Hayley is standing on the ledge. Tears are streaming down her face. Her entire body shakes as she looks down at the road 23 stories below her. She inhales sharply and reaches one hand behind her, grabbing the railing. With her other hand, she raises the bottle of vodka to her lips and takes a sip. Her hands shaking uncontrollably, a large splash of vodka splashes onto her chin and robe. Sobbing, she throws the bottle behind her and hears as it smashes on the balcony. She wipes the makeup soaked tears from her eyes one last time, and lets go of the railing. Just as she begins to lose her balance, a hand reaches out and grabs her arm, steadying her.)

James: You can't do this, Hayley.

(She turns to look at him through her blurry, tear soaked eyes.)

Hayley: Oh, don't pretend to care.You don't even know me.

James: Maybe not, butI know damn well that I'm not about to let you jump off of this ledge.

(He reaches out and wraps his arms around her waist, lifting her over the railing and back onto the balcony.)

Hayley: Leave it to me to have a one night stand with someone that actually gives a damn.

James: You honestly expected me to let you jump?

Hayley: I didn't expect you to be awake.

James: Well, thank God I was.

Hayley: Just because you pulled me off of one ledge doesn't mean I won't find another.

James: Look, I don't know what's going on in your life, but I know that this isn't the answer.

Hayley: You're damn right. You don't know anything about my life. You have no idea what I go through every single day. And you have no business interfering in my personal life.

James: You can say whatever you want, but I don't have to know you. I don't have to know you, to know this isn't the answer. My mother killed herself when I was 5 years old, and it has haunted me for my entire life. And I know who you are, Hayley. I know you have children at home. And I'm not letting you do to them what my mother did to me. I'm not letting you take the coward's way out.

(Hayley slaps him across the face.)

Hayley: Don't you ever call me a coward. How dare you.

(At this point, tears are once again streaming down her face. She stumbles away from him, and inadvertently walks barefoot directly through the shattered glass on the ground. She winces in pain as blood begins trailing from her foot.)

(James moves towards her.)

James: Let me help you.

(Hayley looks up at him, a mixture of pain and hatred in her eyes.)

Hayley: You stay away from me.

(She limps backwards throw the doorway and into the hotel room. She grabs her purse from the chair, as well as her clothes from the ground, and stumbles from the room wearing nothing but a silk robe and her underwear.)

_________________________________________________________________________________________________________

OPENING CREDITS:

http://www.youtube.com/watch?v=cgmDeqx4inI&feature=player_embedded

_________________________________________________________________________________________________________

Blair: Posted Image Jack: Posted Image

Billy: Posted Image

(Inside Skye's club. Blair is standing with Jack and Billy.)

Blair: Excuse me?

Jack: This is Billy. He's my boyfriend.

Billy: It's nice to meet yo--

(Blair cuts him off.)

Blair: Jack, I don't have time for your games. I have a lot going on right now.

Jack: Mom, this isn't a game.

Blair: You were livid at me for sending you to boarding school, and even more angry that you had to stay for the summer program. And what do you do? You skip school and pull a stunt like this.

Jack: This isn't a joke, Mom.

Blair: You expect me to believe that you're gay? You expect me to believe that you skipped school and hitch-hiked to New Hampshire to tell me that you're gay?

Jack: Yes.

Blair: Well, I don't believe you.

(Her voice cracks. She turns and walks away from them, to the other side of the room. She picks up a stack of papers, and begins fumbling through them. Jack moves towards her.)

Jack: Mom, please. I need you to--

(Blair swivels around and cuts him off.)

Blair: Why now? If this is true - Why now? In the middle of your summer term, you show up and tell me you have a boyfriend? You could have waited a few weeks until I visited. But you expect me to believe your story, when you show up here and drop a bombshell like this? I know you, Jack. You're up to something.

(Jack is chocked up. He swallows the lump in his throat and chokes back tears.)

Jack: Mom, I couldn't take it anymore.

Blair: Take what?

Jack: The bullying.

(Blair is visibly taken aback by this. Blair and Jack lock eyes for a moment. Tears well up once more in Jack's eyes, and he turns away from his mother. He walks several feet to the other side of the room and sits at an empty table. Billy, still standing by the door, glances towards Jack, and then Blair. He moves across the room towards Blair.)

Billy: Jack and I met in chemistry class this past year. We became friends instantly, and eventually it progressed to more. I've been openly gay for about a year now, and once Jack and I became close, he felt comfortable enough with me to admit that he had been doubting his sexual orientation.

Blair: And you just swooped right in and took advantage of that?

(Jack stands, visibly angered by this remark.)

Jack: NO!

Billy: I never came onto Jack. But once he accepted it, we began to explore our feelings for one another.

Blair: Jack, when did you start having these...feelings?

Jack: Last year...For Shane. I know I treated him horribly, and that's why. When my friends started bullying him, I hated it. Because from the minute that I met him, I felt...something. Of course I was in denial about it, and so I started bullying him harder than anyone else so that no one would know. But I hated it, because I had...feelings for him. Everything that I did was to cover that up.

(Blair sighs and rests her head in her hand for a long moment.)

Blair: Well, what is this that you said about bullying?

Jack: It was late at night, and Billy and I were down by the water. We shared a kiss, but we didn't know anyone was around. Apparently one of the guys from the football team saw, and he told everyone. The next day I came back to my room after class and someone had broken in. My room had been completely trashed, and they spray painted...

(He stops.)

Blair: What, Jack? They spray painted what?

Jack: They spray painted the word fag on my wall.

(Blair is visibly horrified. A look of sheer heartbreak spreads across her face. In that moment, all denial that she had was wiped completely out of her.)

Blair: You're serious.

Billy: He is.

Blair: Why didn't you tell me this sooner?!

Jack: I didn't tell anyone, Mom. It would have only made things worse. But I couldn't handle it any more. The harassment was too much. Everywhere I went, they would call me names and mock me. I know I deserve it, after what I did to Shane...But I couldn't handle it, Mom.

(Blair stands. There are tears in her eyes now. She moves towards Jack, who also stands. She embraces him tightly for a long moment.)

Blair: I'm so, so sorry baby. Everything's going to be okay.

____________________________________________________________________________________________

Tad: Posted Image Lindsay: Posted Image

(Inside Lindsay's apartment. She is standing near the door, with Tad. There is a suitcase next to her.)

Tad: I can't believe I just got back, and now you have to leave.

Lindsay: I know, but there's just something that I need to take care of. And now that you're officially living here, we'll see each other so much more. No more back and forth to Pine Valley.

(Tad smiles.)

Tad: Thank God.

(The two kiss.)

Tad: Where are you going again?

Lindsay: To Seattle, to see my sister. She's had some crisis or another, and asked me to come see her. Always the drama queen, that Melanie.I'll be back in two days, okay? There's food in the refrigerator for you, and plenty of towels in the linen closet. Oh, and--

Tad: Lindsay, I'll be fine! Go! Before you miss your flight.

(The two kiss again. Lindsay grabs her suitcase from the ground. She opens the door, and steps into the hall, closing the door behind her. Tad moves across the room and has a seat on the couch. He reaches for the remote, but before he can turn the TV on, his phone rings. He picks his phone up off of the end table and looks at the caller ID: "Call from: Dixie Martin"

Lindsay stands in the hallway. She opens her purse and takes out her plane ticket. It reads: DESTINATION: Pine Valley, Pennsylvania. She speaks quietly to herself.)

Lindsay: I hate lying to you, Tad. But it's time I pay an old friend a visit.

_________________________________________________________________________________________________________

Hayley: Posted Image Brianna: Posted Image

Lucas: Posted Image Skye: Posted Image

Clint: Posted Image Erica: Posted Image

(Inside the WAVE Studios. Hayley sneaks in through a side entrance, still wearing nothing but underwear and the long silk robe - which is now tied. She creeps down the hallway and towards her dressing room. When she gets to her dressing room, she is surprised to see the door already open. She peers in and spots Brianna packing things into a large cardboard box. She enters the room.)

Hayley: What the hell are you doing?

(Brianna looks up, visibly stunned to see Hayley there.)

Brianna: Hayley...We didn't expect you to show up today. It's so late already.

Hayley: Don't deflect the subject Brianna. What the hell are you doing in my dressing room?

Brianna: I shouldn't be the one to tell you this...

(Before Brianna can finish, Hayley storms out of the room and down the hall into the large open room containing the set on which the show is filmed, as well as the camera crew, snack table and makeup touch up table. She spots Lucas on the other side of the room and marches towards him.)

Hayley: Lucas, what the hell is going on here? Why is Brianna packing things in my office?

Lucas: Hayley, I...I'm so sorry.

Hayley: Sorry for what? Lucas! What the hell are you talking about?

Lucas: You missed another day of taping, Hayley. I tried to defend you, I did. But...they've decided to let you go.

(A look of utter confusion spreads across Hayley's face for a long moment. Slowly, it morphs into realization, and then anger. Before she can continue speaking, Skye enters the room through a set of double doors across from where Hayley is standing.)

Hayley: You! You did this, didn't you?! You bitch. I asked you not to say anything.

(Skye looks genuinely sympathetic.)

Skye: I didn't do anything Hayley. This is out of my control.

Hayley: No, I don't believe you. No, you did this! You hypocritical bitch. I asked you. I begged you not to do this to me. I should have known you couldn't change.

(Before Skye can speak, Clint enters the room and begins speaking.)

Clint: Skye had nothing to do with it, Hayley. This was my decision.

(Hayley turns around slowly to face him.)

Hayley: Excuse me?

Clint: Your erratic behavior won't be tolerated anymore Hayley. It isn't benefiting the show or anyone involved, especially you. I'm very sorry, but you are being let go.

(Hayley slaps him across the face with all the force she has, leaving nail marks across his cheeks.)

Hayley: You bastard! You came to me. You came to me and told me you respected me, that you respected that this is MY show. But that was just a lie. It was nothing but a lie....You are just like the rest of them.

Clint: I know you're upset, Hayley. But this is your own doing.

(Tears well up in Hayley's eyes and cascade down her cheeks. She turns to storm out of the room but spots Erica Kane standing across the room. An evil glint fills her eyes as marches towards her. She shrieks.)

Hayley: YOU! This was your plan all along, wasn't it? Swoop in here and steal my show because you're such a complete failure yourself. I should have known better than to trust you. You truly are the shallow bitch everyone makes you out to be, Erica.

Erica: You should know I would never do that to you, Hayley.

Hayley: But you did. You did do it, Erica. You slutted your way through Pine Valley for 40 years, and once that well was dried up you decided to swoop in here and cash in on your own daughters death, at my expense.

(Tears well in Erica's eyes. Hayley opens her mouth to speak again, but Skye steps forward and in-between Erica and Hayley. She speaks.)

Skye: Don't do this, Hayley. Don't take this out on Erica, or anyone else. You've made some mistakes, but it's not to late to fix them.

(Hayley pushes Skye away from her and steps back.)

Hayley: ​Oh, shut UP Skye. I am so sick of your incessant preaching. You are an alcoholic, slut mob princess. And everyone in this family hates you. You may be a biological Chandler this week, but it doesn't mean anyone wants you. We have been pretending you didn't exist for decades, and you begging to be my safe place isn't going to get you back in the will, honey.

Skye: I've been where you are, Hayley. I know saying those things makes you feel better, but it isn't helping. You need to snap out of this denial --

(Hayley cuts her off.)

Hayley: Oh, honey. I'm not in denial!

(She opens her purse and pulls out a flask.)

Hayley: Ladies and gentleman, Hayley Vaughan is off the wagon! And I am loving every damn minute of it!

(She uncaps the flask and takes a swig before recapping it and putting it into her purse. She turns to walk away. She moves towards the stairs, but before she can walk down them, Skye chases after her. Skye grabs her arm.)

Hayley: Let go of me, Skye!

(Hayley jerks forward, attempting to break Skye's grasp. Skye loses her balance and stumbles forward, down the steps. After the fall, she lies unconscious at the bottom of the steps, a small pool of blood on the floor near her head. Hayley looks down at her for a moment, before beginning down the steps. She walks down the steps, her high heels clicking with each step. When she reaches the bottom, she steps directly over Skye's unconscious body and walks out the exit of the building.)

_________________________________________________________________________________________________________

Don't forget to check back TOMORROW

For an ALL NEW episode of

HEAVEN'S MEADOW!



Photo

Episode 3: Cocktails for Two...Hundred

Posted by beebs in Nine Lives, 03 April 2012 - - - - - - · 155 views

So it may not be my strongest episode, but I hope this helps set up some more of the drama ahead. Apologies if the tone seems a little disjointed at this point, I'm still trying to figure out the right mix of comedy and drama here, but I think it still turned out okay.

Thanks for reading!



EPISODE 3

It's buzzing at The Royal. The grand opening is upon us, and champagne is in every glass. Kian, Jason and Peter socialize with the local foodies and press, basking in the glory of their creation. Ryan passes by them, hors d'oevres artfully displayed on the tray in his hands. Jason pulls Ryan over momentarily.

JASON: Can you do me a favour and ask the kitchen to wait ten minutes before serving the mains? I'm gonna have Peter and Kian give speeches, then at my cue, get the staff ready and we'll parade everything out all at once, alright?
RYAN: Got it, boss.

Ryan is about to hastily scurry away, Jason stops him before he does so, and looks at him with a wry smile.

JASON: And don't call me boss. Got it?
RYAN: Yes, b..Jason.

Jason lets Ryan go, and wrinkles his nose, shaking his head.

Jason then goes back to mingling with the crowd, drinking far faster than anyone else in the room. He still manages to come off charming, if a little sloppy.

Kian and Peter shmooze with the press, Kian held close to Peter's side, but Kian's eyes are clearly following Jason instead. Peter's so caught up in having a sexy young guy on his side, he barely notices as he chats endlessly with the socialites around him.

Kian tunes it out and daydreams of he and Jason in bed together. Jason's kiss on his neck and heading south before Peter calling his name snaps him out of it.

PETER: Kian!
KIAN: Oh...hey.
PETER: You look like you're a thousand miles away, babe.
KIAN; Sorry, I just...I couldn't believe that all of this was for me. I had to soak it all in for a sec.
PETER: Well, get used to it, babe, cos this is just the start of it for you.

Kian smiles a wide smile and gives Peter a quick peck on the lips, more in appreciation than out of love. Regardless, the group talking with them still beam at them, mistaking their display as a sign of great romance.

As this happens, Jason gets up on the small stage in one corner of the room, clinking his glass with his fork to draw attention to himself.

JASON: Excuse me, everybody. Can I have everyone's attention for just a second, please.

The room grows mostly silent and turns to face Jason, a few members in the crowd still chatter.

JASON: Hey!

Jason points to the source the noise, a twinkle in his eye as he does so. The crowd laughs.

JASON: I wanted to thank you all for coming here, and I have something extremely important that I want to say about someone who is very important to everyone here, but especially to me.

Kian looks to Jason with eyes darting. Kian shakes his head at Jason hoping to avert a disaster, while Jason looks relaxed and ignores Kian's worries.





Down on Queen West, Darren chats with his friend, artist Calvin J at his art show. Out of the corner of his eye, Darren spots Alexis come into the gallery. Alexis' face drops and she turns sharply to the bar, avoiding contact with Darren as much as possible. Undeterred, Darren excuses himself and heads over to Alexis.

As Alexis picks up a glass of wine at the bar, Darren startles her with his greeting.

DARREN: HEY baby, what's up?
ALEXIS: You want me to spill this all over the place?
DARREN: Sorry, baby, if you spilled, i'ma buy you another.
ALEXIS (unimpressed): How gracious of you.
DARREN: Come to think of it, I might just buy you one anyway.
ALEXIS: *sigh* This may come as a huge shock to you, but you're actually nowhere near as suave as you think you are.

Darren grabs at his chest.

DARREN: MY HEART!

Alexis rolls her eyes, takes a sip of wine as she walks away.

DARREN: Wait wait wait, wait a minute, girl. Come here, I got someone I want you to meet.
ALEXIS: If it's your mother, I don't think we're at that stage of the relationship yet.
DARREN: Yet. Cha-ching! Progress.

Alexis follows him reluctantly, shaking her head at his theatrics as he takes her over to meet Calvin.






Back at the restaurant, a beautiful black woman in her early 40s enters the room in a dazzling red gown. Her hair done up in a tight bun, she looks every bit as beautiful as a woman in her 20s, but twice as graceful. She stands at the back of the room as Jason makes his speech.

JASON: I'm glad you're all here tonight for our grand opening. It really means a lot to me and Kian, and Peter of course, that you're here to help us celebrate the launch of this amazing new restaurant.

Kian winces at Jason's remark. He knows the comment was unintentional, and realizes he's overthinking things, but worries that there's a possibility some buried resentment at Jason's status as Kian's hidden lover will make its way into Jason's speech.

JASON: The Royal will be one of a kind in this community, a restaurant of fine food for everybody. And we have two very important people to thank for this...Kian and Peter.

The crowd applauds as Jason motions them to step up. Kian is unsure of what's going on, still deep in thought, while Peter, eager to grab the spotlight, races up to capture the glory of the moment.

PETER: Thank you, everybody. Thanks for coming out, and even greater thanks to my talented, and loving partner, in life and in business...Mr. Kian McClary.

The applause continues as Kian finally steps up on the stage.

PETER: Kian is probably the finest discovery I've ever made. Not only is he one of the best chefs in the country, but he also has quite possibly the best taste in the world. Not only for his food, but for choosing an old lug like me.

Peter jabs Kian in the side, as the audience laughs. Kian laughs along with them but a slight discomfort is still visible in his face.

As Peter continues to go on about how great he is, Ryan stands in the doorway of the kitchen, ready to lead the night's parade of great food with the wait staff. He notices the beautiful black woman in the doorway and can't take his eyes off her. She gives a seductive smile and turns back to Peter. Ryan smiles back clumsily, then looks back at the stage as well, waiting for Jason's cue.

PETER: ...and that is going to be the key to our success.
JASON: Now without further ado, let's all raise our glasses to The Royal.

As the call goes out to raise their glasses, Ryan's handed a glass of champagne by another member of the wait staff, Jason motions to Ryan to hand it over to the woman he was looking at before. Ryan quickly scurries over to her and hands her a glass.

RYAN: Here you are, Madam.
MARY: Call me Mary. And thank you, handsome.
RYAN: You're welcome.

Ryan shuffles back to his corner, as the room prepares to toast.

JASON: To The Royal
ALL: To The Royal!






Alexis toasts with Darren. She's had a few drinks by now, but still seems put off.

DARREN: You look like you could kill someone, and I don't think I've crossed that line yet.
ALEXIS: You're teetering on the edge, but no, you haven't.
DARREN: Then I guess I better watch my step.
ALEXIS: Trust me, you're nowhere near as bad as some people tonight.
DARREN: Oh?
ALEXIS: I wasn't supposed to be here alone tonight but--
DARREN: But you got stood up and now you wanna get your mind off it. I get it. I know the feeling.
ALEXIS: Why does that not surprise me?
DARREN: Now YOU'RE teetering on the edge.

Alexis laughs and orders another drink. Darren finishes his and sits a little closer.

DARREN: You really better slow down, you know.
ALEXIS: I'm a big girl, and I don't need some he-man looking out for me.
DARREN: Nah, it's not that. I just know a lot of girls who think they can handle their booze, then they end up trippin' over their heels and throwing up on some dude's Cadillac.
ALEXIS: I feel like there's a story there.
DARREN: You have no idea.
ALEXIS (laughing): Well come on, tell me!
DARREN: Only if you promise to let me walk you home.
ALEXIS: Hmmmm.....I think considering we're both going to the same place.
DARREN: Mmmhmm???
ALEXIS: I think I could handle that.
DARREN: Excellent.
ALEXIS: Now don't get too excited. I don't want you getting the wrong idea.
DARREN: Promise. I'm a gentleman. I treat you like a lady.
ALEXIS: Good. You know you're a lot less annoying after a few drinks.
DARREN: Well thanks a lot, lady. What you tryin' to say?

Darren gets in closer and tickles Alexis a bit. Alexis, whose defenses are now fully and clearly down, is actually enjoying the attention, which passive, distracted boyfriend Ryan never gives her.

ALEXIS: AH! Stop it. (laughs). Come on. TELL ME! Tell me the story.

Alexis looks up at Darren, who leans in to kiss her. Alexis at first recoils, but it's only momentary. She leans back in to reciprocate.



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