Jump to content

Undoing the daytime soap stigma


Recommended Posts

  • Members

The daytime soap opera has historically had a poor artistic reputation.  To this day, it still has a stigma attached to it.  Curiously, a number of recent dramatic series with good artistic reputations have had serialized formats, continuing as a soap opera would.  How can the daytime soap stigma be undone?  Can the daytime soap stigma be undone?

Link to comment
Share on other sites

  • Replies 8
  • Created
  • Last Reply
  • Members

At this point, 87 years into the genre's existence with the best of those years way behind us, I say that we, collectively, should not give a f.uck about what people outside of the community think. I've done a lot of talking about the stigma on these boards and what I believe exists the "daytime ghetto," but none of the things associated with said stigma can ever stop me from relaxing in front of old school AMC on YouTube after a long day. So, again, who gives a sh!t?

Link to comment
Share on other sites

  • Members

 

 

 

First, GSGfan, I'd like to congratulate you for staying on board this long.  Your green as sh!t but once you get the swing of it you'll be pumping in hot posts left and right.  It took me a while to figure out my 'voice' here.

 

Anyway, as AMS said, its the 'Ghetto'.  I'm, as many here know, am writing a book of essays on daytime serials.  Its coming around slowly.  Anyway, a lot of the stigma hasn't been relevant in DECADES.  For instance,  daytime being a source of 'Escapism' and 'Fluff'. No.  The 'glam' was a hook--then [!@#$%^&*] got real.  Kinda like Norman Lear sitcomes were it wold start out fluffy but then, outta nowhere, sh!it gets real.

 

The Escapism fluff was around during the radio years when you had shows like Our Gal Sunday.  That show was about a poor young women, an orphan, who married a member of the royal family while he was visiting on Holliday.

Though, even they had a hard-boiled melodramatic tone which was 'in vogue' in it's day.  On a semi-unrelated note--I never found soaps inherently melodramatic.  Its more of a writing style.

 

Organ Music is my classic example though.  It hasn't been a thing since the 70s, yet, people still associate daytime with the organ.  It's been over 40 fuc#k!ing years. 

 

I'm not in the cam' who feel we deserve it, or, the industry deserves it because of how it evolved.

 

Nah.  In all honesty, I feel that both the stigma has inclinded but also I feel its a good sign.  The stigma for radio started towrds the tail-end--around 1950.  Then, it started to get a bad rap for being escapism fluff used for selling soap prodcuts, meanwhile, TV was being praised---TV not only was an advertising venture, as it is today, but they forced it down your thorught.  ONe such show, George Burns and Gracy Allen, was sponsored by Carnation Milk.  Each episode a door salesmen selling it would visit Gracie and tell her how wonderus it was.  At least daytime soaps had the product only in the break.

 

So, eventually, mainly with World Turns, tv soaps kinda threw out what they were known for with shows like ATWT, LOL, and SS by focusing on realism.  Yet, the stigma still remained.  Its almost like that area of viewing hours is cursed somehow.  Its almost like things shown during that period has been 'meant' to be stigmatized.

 

It wasn't always like that. The 'daily serials' in the 30s were considered to be highest form of radio drama (Opera--as it was still considered the higest form of entertaiment), yet, used to sell everyday products (Soap--because it is an everyday product).  For most of the radio yars it was rarley called 'Soap Opera' as many of them, most really, were sponsored by food companies. 

 

 

Overall, the point I'm trying to make is this:  Embrace the medium as we all had to learn, and learn about the medium, as you learn you will empower yourself.  You wouldn't feel so self-conscious. Its the same [!@#$%^&*] sci-fi fans have to endure.  In fact, I often called our medium the 'Anti Science Fiction'.  If your curious, and I don't get back to you, I"m sure AMS would know what I  mean.  S/he (I don't know if your a guy or gal, yup, not after all these years

Please register in order to view this content

) has a similar view.

Link to comment
Share on other sites

  • Members

 

 

Let me put it another way:

 

1.  Soap start in 1930.

2.  General Public repsonds well but not the art elite.

3.A.  A saturation similar to the '.com bubble' occures--Everyone was making daytime serials to boost there

revenue.  Then, somewhere down the line, the 'bubble burst'.

3.B.  The bubble burst because of TV. People dumped there TV, ad revune became stronger on TV, radio had a hard time moving.

4.  Quality deminshes so the art elite is taken seriously.

5.  ATWT reinvents the genre by playing to TV streanghts instead of trying to translate radio streanthgs to the TV.

6.  During the late 60s and throughout the 70s daytime is achieved acclaim from the academic sector, thanks to Agnes Nixon and Bell, in humanities courses. 

7.  The 80s happen.  Shows like Dynasty and campy stuff from GH appeal to a lot of folks of that era as camp was the zeitgeist of the time. 

8.  The 90s started strong but then they fetished on age demos.  This caused good people to leave and folks like Dina Higley and Megan McTavish to stay.

9.  Daytime started to suck.

10.  Folks would tune in priodically to see, sometimes during lunch break or sick days, and be like, "What!  Why did I like this crap!"

 

 

I'll expand and refine some other time

Please register in order to view this content

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Thanks so much @JAS0N47To give more context here's the schedule for Jan/Feb 73.   NBC CBS ABC 10:00am Dinah's Place The Joker's Wild LOCAL 10:30am Concentration The New Price is Right 11:00am Sale of the Century Gambit 11:30am Hollywood Squares Love of Life Bewitched (R) 12:00 Noon Jeopardy! Where the Heart Is Password 12:25pm CBS News 12:30pm The Who, What or Where Game Search for Tomorrow Split Second 12:55pm NBC News 1:00pm LOCAL LOCAL All My Children 1:30pm Three on a Match As the World Turns Let's Make a Deal 2:00pm Days of our Lives The Guiding Light The Newlywed Game 2:30pm The Doctors The Edge of Night The Dating Game 3:00pm Another World Love is a Many Splendored Thing General Hospital 3:30pm Return to Peyton Place The Secret Storm One Life to Live 4:00pm Somerset The Vin Scully Show Love, American Style (R)
    • Well, no new episode tomorrow, but you should do a catch up. It's worth it!
    • *Gavrilo Princip has entered the chat* I haven't watched BTG in approximately two months because of the busy season at work, but now it's summer, and I'll have time to get back into it. Do y'all think that I should do the 21st century binge-watching thing and attempt to catch up on everything I missed or should I do the traditional soap thing and just start watching again tomorrow and figure everything out from there?
    • A few days late but this made me holler so bad and immediately took.me back 29 years when I first saw this. I still remember thinking Rick and Phillip were going hold each other and dance together LOL. Rick being there at least makes some sense as he was A-M’s second cousin and the show still at least recognized he was half Bauer, at least until Hearst left.  The whole Universal Studios wedding was over the top. I think someone wanted A-M and Lucy to be the next GL super couple but once Hearst left the A-M recast flopped and both were gone by early ‘97 with Lucy never appearing ever again.    Love the rest of your post, summer 1996 was the first time GL left me feeing…greatly underwhelmed until it inspired righteous indignation on my behalf once we get to the Gilly twist.
    • You're right. I think she was seen as too subtle or reserved.  As @soapfan770I liked Sheila on LA Law but she wasn't needed here, especially as Charley as a character only made sense with a more reserved and less conventionally attractive actress.
    • That's certainly one way to put it!  What blather. Kind of tells you they knew it was going to fail. I guess they were just throwing anything at the schedule and hoping they would be pleasantly surprised. Thanks for the article.
    • I would guess it's down to Kate Oates. Bowden is very much her type of leading man. She repeated all the stories she did on Emmerdale with his Ben.  I also think EE has become conservative enough that only a white, straight-acting gay man is going to get story.
    • Desert Sun, 13 April 1985 ABC’s 'Dark Mansions’ Loretta Young quits movie LOS ANGELES (AP) - Loretta Young, citing “creative differences,” has withdrawn from her role as the family matriarch in “Dark Mansions,” an ABC movie and projected series, a spokesman for the actress said. The Academy Award-winning actress had been due to come out of retirement to begin work on the two-hour movie on April 22. The movie goes into production on Monday. “Loretta Young will not be rendering services because of creative differences over the story,” her agent, Norman Brokaw of the William Morris Agency said in a statement. “The parting between Miss Young and Aaron Spelling was amiable despite the story differences,” the statement said. Miss Young had been scheduled to play the role of Margaret Drake, the matriarch of a Seattle shipping family in “Dark Mansions,” a contemporary Gothic drama. There was no immediate word from either Aaron Spelling Productions or ABC who would replace Miss Young in the role. “It’s true that we had creative differences over the way her character was developing,” Spelling said in a statement released by a spokesman, David Horowitz. “She's a great star and a great friend and I hope she always remains both.” Miss Young won an Academy Award as best actress in 1948 for “The Farmer’s Daughter.” She was the star of 94 motion pictures and was the creator, producer and star of “The Loretta Young Show” during television’s so-called Golden Age Miss Young had been scheduled to work eight days out of the four week shooting schedule. The movie, a pilot for an ABC prime-time soap opera, also stars Michael York, who would make his series debut, Linda Purl, Paul Shenar, Melissa Sue Anderson, Raymond St. Jacques and Dan O’Herlihy. Miss Young s last film was “It Happens Every Thursday” in 1953. She then took the unprecedented step of retiring from films to produce and star in "The Loretta Young Show" on television. She won three Emmy awards as best dramatic actress in 1954, 1956 and 1958. She was also nominated five other times. The anthology show ran on NBC from 1953 to 1961. In the 1962-63 season she starred on NBC in a dramatic show called “The New Loretta Young Show.” As we know Joan Fontaine took on the role 
    • If Claybon is married to a woman I'm the Archduke Ferdinand.
    • I do think Ben should come back. I think Max Bowden is all wrong for Ben.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy