I really liked Ron's interview, which contained a fascinating story of being in the right place at the right time to get hired as a writer's assistant for OLTL. And I was glad he sounded contrite about his Twitter feuds.
I'd agree that by the end of his DOOL stint, he was running on fumes. But I think he does have a lot of good qualities, including a love for shows' veteran actors and old storylines, as well as a penchant for shocking twists that keep the audience engaged. That said, I think he benefits when he has strong EPs who are willing to veto some of his more self-indulgent ideas, and he also needs scriptwriters who are able to ground his campier plots in dialogue that still feels authentic to the characters (in the way that the Cullitons and David Kreizman were on DOOL).
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