Jump to content

Recommended Posts

  • Members

As Vee mentioned in the OLTL episode thread, Doris Belack has passed away. On October 4, to be exact.

Doris had so many theater, film, and primetime credits, but she should also be remembered for her groundbreaking roles on soap opera. Doris was one of the first actresses who transitioned off the beaten path characters into mainstream soap roles. When Agnes Nixon took over writing AW, she reinvigorated the show with poor, struggling, but still relateable and entertaining characters like Ada, Rachel, Lahoma, and Madge, played by Doris Belack. When Agnes left for OLTL, Doris followed, and played Anna Wolek for almost a decade. Anna was poor but proud, again someone viewers could know and understand, in contrast to the rich Lord family. Viewers watched Anna, Larry, and Vince struggle for every dime, find a place in the world, and earn love and success on their own merits. No character like Anna Wolek would be allowed on soaps today.

I'm not sure I can embed this as the user said they didn't want it uploaded anywhere else, but there's a 1969 episode on Youtube which has Doris.

http://www.imdb.com/name/nm0067497/

http://en.wikipedia.org/wiki/Doris_Belack

http://www.igs.net/~awhp/1madge.html

Link to comment
Share on other sites

  • Replies 36
  • Created
  • Last Reply
  • Members

And as I mentioned in the other thread, she has a cameo in one of the 1970 AMC episodes, as her OLTL character, on agnesnixon.com RIP

Actress Doris Belack dies at 85

Appeared in 'One Life to Live,' 'Tootsie'

By Variety Staff

Actress Doris Belack, who appeared as the original Anna Wolek Craig on "One Life to Live" and recurred as a judge on "Law and Order" during a long career in television and film, died of natural causes in Manhattan on Tuesday, Oct. 4. She was 85.

Belack's feature film credits included "Tootsie," in which she played the exasperated producer of the soap opera within the movie, and "What About Bob?" She often played professional or authority figures, frequently in comedy.

Her husband, theatrical producer Philip Rose, to whom she was married for 65 years, died just four months ago.

In 1955 she performed with Sidney Poitier on the record "Poetry of the Negro," produced by Rose.

Belack appeared in an episode of "Treasury Men in Action" in 1951, but her TV career really got going with a 1963 appearance on "East Side/West Side," a guest role on two episodes of "The Patty Duke Show" and subsequent work in daytime soap operas. She recurred on "One Life to Live" from 1968-77 and also appeared on "The Edge of Night," "Another World" and "The Doctors."

Belack appeared in a 1975 episode of "Barney Miller" as Fish's wife Bernice and had a starring role as a police captain in brief CBS sitcom "Baker's Dozen" in 1982.

The actress made her feature debut with a leading role in the 1977 family drama Looking Up," and she made an impression in 1982's "Tootsie," where her performance as a strong female leader echoed and reinforced some of the film's themes.

Other movies during the 1980s included "Fast Forward," "*Batteries Not Included," and "She-Devil."

On TV she was busy guested on the likes of "Family Ties," "The Cosby Show," "Cagney and Lacey," "Remington Steele" and "The Golden Girls" during this period.

She was a series regular on ABC's brief 1992 series "Laurie Hill," and the next year she starred in another brief comedy, CBS' "Family Album." Belack played Judge Margaret Barry on 10 episodes of "Law and Order" from 1990-2001 and two episode of "Law and Order: SVU" in 2000-01.

She guested on "Picket Fences," "Chicago Hope," "Sisters" and "Ellen," among other shows, during the '90s.

Her last TV appearance was in an episode of "Sex and the City" in 2003.

Film work in the 1990s included the comedies "Opportunity Knocks," "What About Bob?," "Naked Gun 33 1/3: The Final Insult" and

"Krippendorf's Tribe." In 1999 she did voicework for "Doug's 1st Movie" after having done so for the Disney Channel series.

Belack's last films were "Prime," with Uma Thurman and Meryl Streep; "Delirious," with Steve Buscemi; and "Arranged."

The actress even contributed to videogames, voicing characters in "True Crime: New York City" and, in her final credit, "Grand Theft Auto IV" in 2008.

A joint memorial for Belack and Rose will be held Oct. 17 at noon at the Ambassador Theater. It will be open to the public.

Link to comment
Share on other sites

  • Members

I'll have to check that AMC episode. I had a tough time navigating the site a while back.

I didn't remember her being on Sex and the City.

I have a few articles with her too if I can ever find them. If you want to see some old cast photos of her here's one set.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • 1976 Pt 12 Final part Laurie agrees with Stuart that Peggy is rushing into marriage to prove that the rape didn’t ruin her life.  She points out that the only way Peg can be sure is to make love with Jack before the wedding. Stuart admits she’s right but points out that he can’t suggest that to Peggy. As the wedding approaches, Peg seems happy that Jack’s become close to the family. However, her happiness is shattered by a nightmare in which her loving bridegroom turns into a leering Ron Becker, forcing her to cancel the wedding. Jack reassures her he’ll wait as long as it takes, and Chris confides that she and Snapper didn’t consummate their marriage on their wedding night because of her own rape experience, but Peggy tells Chris she might never be ready.  Despite her desire to keep Karen as her own daughter, Chris helps a police artist create a sketch of Nancy so it can be printed in the newspaper as part of a search for her. When the attempt proves fruitless, however, Chris asks Greg to file application for permanent custody of the child. Greg points out that adoption is the only way to prevent Ron from returning and claiming the child, and that it will take quite a while. Meanwhile, a nurse in the psychiatric ward sees a resemblance  between the newspaper drawing and her autistic patient, Mrs. Jackson, but since “Fran” doesn’t respond to the name Nancy and no one else sees the similarity, she fears she’s mistaken. Jill is horrified to overhear Kay, when brihging baby Phillip a Christmas gift, telling the child she remembers the night he was conceived. Kay has to then admit to Jill she saw her with Phillip in the bunkhouse that night. Jill is aghast to realize that Kay new the truth all along and put her through such agony in spite of it, denying her baby his father’s name. Lance tells Laurie they’ll marry on Valentine’s Day. He laughs that it’s corny but agrees, secretly wishing it were sooner, as Vanessa has vowed to prevent it. Indeed, Vanessa makes an unprecedented venture out of the house to visit Brad, telling him to rebuff any advance Leslie might make to him, as she’s reaching out to him only from a sense of duty. But Laurie then makes a concerted effort to reach Vanessa. Without being sure why she’s trying so hard, she tries to assure the woman she’s not losing Lance and she, Laurie, will help her find a plastic surgeon somewhere who can help her. Grudgingly, Vanessa seems to be reconsidering her view of Laurie, and Laurie is delighted when Lance offers her a choice between two diamond necklaces, explaining that her preference will be Vanessa’s Christmas gift. Learning from Les about Brad’s blindness, Stuart tells Brad he could have turned Leslie away only out of great love. Knowing that Les is going to see Brad again, Laurie warns him not to bring the baby into their discussion, as Leslie will come back only she’s convinced he loves her, not for the babies sake. Leslie finds Brad disheveled and sloppy, and proceeds to straighten the apartment, stating that she can't respect him if he lets himself go. Realizing that neither Brad nor Les will make the first move, Laurie hurries things along by refusing to help Brad with his grooming, saying he should ask his wife. Then, having learned  that Brad offered Les the use of their piano, Laurie untunes the Brooks' piano forcing Leslie to accept his offer. By refusing to cater to his  blindness, Les manages to get Brad to stop wallowing in pity, and by the time Leslie’s Christmas braille message of her love and her need for him arrives, they are husband and wife again Lance takes Laurie on a business trip on New Year's Eve, and tells her, on board his plane, she won't be  won't be able to call him “Mr. All Talk and No action” after tonight. When Laurie protests that waited this long and will continue to wait until married, Lance delights her by instructing his pilot to land in Las Vegas, where they are married immediately.
    • Yeah, not sure why Jack and Jen didn’t rush to Marlena - or even Carrie - to offer their condolences. A few flashbacks would've been a nice touch too. Instead, we got a whole episode of them talking about Chad and Abby? Come on. On the bright side, I loved Anna’s scenes with Marlena and Carrie - sweet and heartfelt, felt like a real 80s throwback.
    • Martin and Smitty were designed to avoid the stereotype of gay men sleeping around (which to an extent is true). If you recall Martin had a line about them not being open when Chelsea came to talk to him. The producers are walking a very fine line right now and it might not be popular to say but I can understand it. Establishing enough footing to ward off complaints will let them showcase gay characters more openly later.
    • The week was decent. They have started to rotate their stories and finally got a rhythm going. I disagree about them allowing every character to have a moment to shine though. Nicole really hasn't been given anything to do. I completely agree with all this. I adore Doug and hope he makes it through.
    • https://www.instagram.com/p/DKlE4GrJQHs/ michelevaljean When I Was Shelly #Prism #Funtimes #Chicksinger #Rockband #BTG #BeyondTheGates              
    • https://x.com/greg_vaughan/status/1930648376724336852  
    • There was the one appearance in '96, but otherwise, that's correct as far as I know.
    •   It's working fine now.

      Please register in order to view this content

        Question for the B&B group: I see @rsclassicfanforever has uploaded multiple seasons from Videoland  (in the folders that are to be put away). They are huge folders and difficult to download so I started breaking them down into months but I realized they are by season so for example, Season 4 spans from March 1990 to March 1991. Now I'm wondering where to actually place them, since we have the Full Episodes section divided by year, not seasons. And most of these seasons we already have in full, so these are duplicates. Not sure if it's necessary to keep the older versions. I could just make another new section for Seasons, so the main folders would be "Behind the Scenes and Interviews," "Clips," "Full Episodes," "Full Seasons," "Music CDs," and "photo archive Marquise" but I'm not sure that really makes sense. Also wondering since we have almost every full episode now if "Clips" can be deleted in its entirety, as it's nearly 300GB.
    • CBS moving Murder, She Wrote from Sunday to Thursday was straight up sabotage. Les Moonves knew exactly what he was doing.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy