Jump to content

Billboard's #1 Pop Singles


Max

Recommended Posts

  • Members

Carl, given that I know so little about folk music, I never knew this.

Alphanguy, the only person I know who shares a name with somebody famous was a former co-worked named James Buchanan (our 15th president and the one who immediately preceded Lincoln). Going a bit off-topic, what was it like working at a garden center? (I'm just curious because I have an interest in retail.)

For those who have been keeping track, it's been 15 months since a song ("Tammy" by Debbie Reynolds) that featured a female lead vocalist reached number one. This male-dominated streak finally ended when "To Know Him Is to Love Him" by The Teddy Bears spent three weeks at the peak position: the weeks ended 12/1/58, 12/8/58, & 12/15/58.

<iframe width="560" height="315" src="http://www.youtube.com/embed/tIUf6dOGc1c" frameborder="0" allowfullscreen></iframe>

The Teddy Bears were a vocal group from Los Angeles that consisted of lead singer Annette Kleinbard, as well as back-up singers Phil Spector (yes, the same Phil Spector who would become a huge name in rock and roll) and Marshall Leib. One of the most romantic songs of the late-50's, "To Know Him Is To Love Him" was inspired by an inscription on the tombstone of Spector's father that read "To Know Him Was to Love Him." Young Phil, just 17 years old at the time, not only wrote the song but produced it as well.

Like several other artists that had chart-toppers in 1958, the Teddy Bears wound up a one-hit wonder. Perhaps the group might have made the top 40 again, but the trio disbanded in 1959 because (1) Spector did not like performing and (2) Kleinbard got into a serious car accident. Fortunately, both individuals made comebacks: Anenette (after changing her name to Carol Connors) would write (or co-write) several big hits: "Hey Little Cobra" by The Rip Chords (#4 in 1964), "Gonna Fly Now (Theme from 'Rocky')" by Bill Conti (#1 in 1977), and "With You I'm Born Again" by Billy Preston & Syreeta (#4 in 1980). And as I alluded to earlier, Phil would become one of the most influential producers in the history of rock. After "To Know Him Is to Love Him," Phil would produce three songs that made the top 10 in 1961: Ray Peterson's "Corrina, Corrina;" Curtis Lee's "Pretty Little Angel Eyes;" and the Paris Sisters' "I Love How You Love Me." Late that year, he and partner Lester Sill would start their own label, Philles Records; shortly thereafter, Spector would focus his energies on the Crystals, who scored a number one hit of their own in 1962.

Link to comment
Share on other sites

  • Replies 891
  • Created
  • Last Reply
  • Members

Max... working at a Garden Center was nice... the best job i'd ever had working for someone else LOL, I was assistant manager, though. You got to be tough and work out in the heat and whatever, one time I had to unload a truck full of bushes in a hailstorm. "To Know Him Is to Love Him" is my favorite song of the 50's, just gorgeous in every way. Too bad that Phil Spector turned out to be a psychopath, he was so talented as a writer. the bridge of that song is the most beautiful bridge in pop music history, IMO. I had heard that Phil's parents were first cousins, something he was ashamed of and tried to hide, some think his craziness is a result of inbreeding, who knows. Annete has a lovely voice, and during that bridge we see she really has some POWER as well. Here is the song sung live,nobody seems to know what show this is from, however:

http://www.youtube.com/watch?v=4RVGmiBdhWA

Peter and Gordon also did a cover version of this song which was released as a single both in the United States and the UK in June of 1965. Peter Asher (who went on to be president of A&R at Apple Records 3 years later) had an unpleasant run-in with Phil Spector at a Los Angeles Party, so as revenge, he decided to record one of his songs, and to "Out-Spector Spector" in his words. It topped out in the US at #24, I can't find the chart position for the UK, though it's most likely higher. The intro is triple-tracked... meaning six voices singing, but just the two of them.

http://www.youtube.com/watch?v=I8edok_DPZo

Link to comment
Share on other sites

  • Members

Carl, thanks for explaining to me the story with Dylan. By the way, he never had a #1 hit, but scored a pair of #2s: "Like a Rolling Stone" (1965) & "Rainy Day Women #12 & 35" (1966). (Although the Byrds hit #1 with a cover of Dylan's "Mr. Tambourine Man" in 1965.)

Alphanguy, I really appreciate you telling me about your experiences at the garden center. Though almost every single job in retail is hard, the job you had sounds especially grueling. Regarding "To Know Him Is To Love Him," I agree that the song's bridge is its very best part.

Given the popularity of novelty songs in 1958, it's fitting that the final number one song of the year--"The Chipmunk Song" by David Seville & the Chipmunks--was also of this variety. "The Chipmunk Song" (sometimes referred to as "Christmas Don't Be Late") spent four weeks at the peak position: the weeks ended 12/22/58, 12/29/58, 1/5/59, & 1/12/59.

<iframe width="420" height="315" src="http://www.youtube.com/embed/StC8MhcgALc" frameborder="0" allowfullscreen></iframe>

David Seville (the stage name for Ross Bagdasarian) already had a #1 hit in 1958 with "Witch Doctor," and also had a follow up single ("The Bird on My Head") that barely made the top 40. After these two songs, however, Seville decided to exploit the recording techniques first used in those tunes by creating a cartoon character for each "different" voice. Thus, the Chipmunks--Alvin, Simon, and Theodore--were born, and subsequent recordings were billed as being performed by David Seville & the Chipmunks.

"The Chipmunk Song" was the first record credited to both Seville & the Chipmunks, and it was both a critical and commercial smash. The song won three Grammys: Best Comedy Performance, Best Recording for Children, and Best Engineered Record. The commercial success of the song is quite remarkable, given that Christmas tunes (or those about any other holiday) seldom do well on the chart. In fact, no Christmas recording has since gone to #1; perhaps the only Christmas song to be more popular was Bing Crosby's "White Christmas," which spent eleven weeks at #1 (from October 1942 to January 1943) and remains the best selling single of all-time.

Although David Seville & the Chipmunks only managed one more top 10 hit--"Alvin's Harmonica" (which peaked at #3 in 1959)--the furry creatures remained in the public eye due to "The Alvin Show," a prime-time cartoon that aired on CBS from 1961-62 (and was later re-run on syndication). Once the Chipmunks seemed to be a thing of the past, Seville focused his musical energies on other things until he died of a heart attack in 1972 (at age 52). Seville's son, Ross Bagdasarian, Jr., had always wanted to be a lawyer, and had little interest in cartoons and novelty recordings. However, as a result of his father's untimely death, he felt an obligation to continue the Chipmunk franchise. Ross Jr. and his wife, Janice Karman, managed to convince NBC to give the Chipmunks new life, and a new Saturday Morning cartoon--called "Alvin and the Chipmunks"--ran from 1983-91 and was a huge success. (In this cartoon, Ross Jr. provided the voices of Alvin, Simon, and the fictional David Seville, while Janice served as the voices for Theodore and the Chipettes.) In 2007, the first Alvin & the Chipmunks live-action film hit theaters, and it too was a big success.

Link to comment
Share on other sites

  • Members

Carl, I agree that "The Chipmunk Song" seems to get played so often every single Christmas. However, the song really is not that dated, other than the fact that Alvin wanted a hula hoop (which was the biggest fad of 1958).

My personal favorite "Chipmunk" song is "We're the Chipmunks" (which is the intro to the NBC Saturday Morning "Alvin and the Chipmunks" cartoon.) A line in that song--"It's been awhile, but we're back in style"--alluded to the fact the cartoon was a revival.

I am not going to post another number one hit today. Rather, I am going to take the time to clear up something that may be a source of confusion for some. As I mentioned previously, the Hot 100 did not debut until August 4, 1958. Prior to that time, "Billboard" Magazine had several different pop charts. According to Fred Bronson, author of "The 'Billboard' Book of Number One Hits," the Best Sellers in Stores chart was the most accurate, so that is the chart I referenced when posting the pre-August 1958 #1 hits. However, if you read another reference book, "The 'Billboard' Book of Top 40 Hits" by Joel Whitburn, that author assigns the highest chart performance to any single, regardless of which of Billboard's pop charts it came from. Thus, you may sometimes see/hear oldies classified as #1 hits even though they were not profiled in this thread. Below is a listing of every song that went to #1 on (at least) one of the other "Billboard" pop charts, as well as its peak position on the Best Sellers in Stores chart.

1955:

"Dance With Me Henry" by Georgia Gibbs (#2)

"Unchained Melody" by Les Baxter, His Chorus, & His Orchestra (#2)

"Learnin' the Blues" by Frank Sinatra (#2)

"Ain't That a Shame" by Pat Boone (#2)

1956:

"The Great Pretender" by The Platters (#2)

"Hot Diggity (Dog Ziggity Boom)" by Perry Como (#2)

"Moonglow and Theme from 'Picnic'" by Morris Stoloff & the Columbia Pictures Orchestra (#2)

"I Almost Lost My Mind" by Pat Boone (#2)

"The Green Door" by Jim Lowe (#2)

1957:

"Don't Forbid Me" by Pat Boone (#3)

"Young Love" by Sonny James (#2)

"Butterfly" by Andy Williams (#4)

"Butterfly" by Charlie Gracie (#3)

"Chances Are" by Johnny Mathis (#4)

1958:

"Sugartime" by The McGuire Sisters (#7)

"Get a Job" by The Silhouettes (#2)

"Catch a Falling Star" by Perry Como (#3)

"He's Got the Whole World (In His Hands)" by Laurie London (#2)

"Yakety Yak" by The Coasters (#2)

"Patricia" by Perez Prado & His Orchestra (#2)

Furthermore, I mentioned that even though the Hot 100 debuted on 8/4/58, the Best Sellers in Stores chart still appeared through 10/13/58. During that time, one single that was not profiled in this thread--"Bird Dog" by the Everly Brothers--reached #1 on the Best Sellers in Stores chart but only peaked at #2 on the Hot 100.

Though this may complicate matters even further, note that Whitburn (in his book) lists the weeks spent at #1 based upon which chart a song had its best performance, whereas Bronson (as well as myself) states only the weeks a single held the top spot on the Best Sellers in Stores chart (for the pre-August 1958 records). For instance, I previously stated that "All Shook Up" spent eight weeks at #1, but it actually held the peak position for nine weeks on one of the other charts.

Thankfully, there will be just one Billboard pop chart going forward.

Link to comment
Share on other sites

  • Members

The first of fifteen "new" #1 singles of 1959 was "Smoke Gets in Your Eyes" by The Platters, which spent three weeks at the top: the weeks ended 1/19/59, 1/26/59, & 2/2/59.

<iframe width="420" height="315" src="http://www.youtube.com/embed/YtTbPe0hcvY" frameborder="0" allowfullscreen></iframe>

If you exclude "The Great Pretender" (which did not reach #1 on the Best Sellers in Stores chart), "Smoke Gets in Your Eyes" was the Platters' third chart-topper. The origins of this classic song date to well before the advent of rock and roll, as it was written in 1933 by Otto Harbach and Jerome Kern for the musical "Roberta."

Despite the fact that "Smoke Gets in Your Eyes" became the group's most popular song, the chart fortunes of the Platters would soon take a turn for the worse. Two events caused this about-face: First, in August 1959, all four male members of the Platters were arrested in Cincinnati for using drugs and hiring prostitutes. Secondly, lead singer Tony Williams (who died on 8/14/92) left the group for an unsuccessful solo career in 1960. (Williams was replaced by Sonny Turner, and more personnel changes would come later in the decade.)

Before Williams left the group, The Platters scored one final top ten hit, "Harbor Lights" (#8 in 1960). The group disappeared from the top 40 after 1961, only to briefly re-emerge with two relatively minor hits that were sung in a post-doo-wop, soul style: "I Love You 1,000 Times" (#31 in 1966) and "With This Ring" (#14 in 1967). In 1990, the Platters were inducted into the Rock and Roll Hall of Fame.

Link to comment
Share on other sites

  • Members

Fred and Ginger were so talented.

It's beyond sad how much our morals have decayed over the past couple of decades.

Lloyd Price was one of the most prominent names to come out of the early New Orleans R&B scene. His biggest hit was the marvelous "Stagger Lee," which was #1 for four weeks: the weeks ended 2/9/59, 2/16/59, 2/23/59, & 3/2/59.

<iframe width="420" height="315" src="http://www.youtube.com/embed/mOcaNAePPwY" frameborder="0" allowfullscreen></iframe>

Though "Stagger Lee" is a very cheerful sounding and danceable record, the song is actually about the December 24, 1895 murder of William Lyons by Stagger Lee Shelton. Prior to World War II, this tune was actually known as "Stack O'Lee," and was a folk song that was first published by John Lomax in 1910. The most prominent pre-Lloyd Price recording of "Stack O'Lee" was made by Herb Wiedoeft and his band in 1924. And even after Price took "Stagger Lee" to number one, Wilson Pickett and Tommy Roe each scored a top 30 hit with the tune as well (in 1967 and 1971, respectively).

Lloyd Price first came unto the music scene when he scored a #1 R&B hit with "Lawdy Miss Clawdy" in 1952. While he scored four more top 10 R&B hits over the next 24 months, his career stalled when he spent two years in the Armed Forces. In 1957, he had a comeback single called "Just Because," which peaked at #3 on the R&B chart. (The song also peaked at #29 on one of the pre-Hot 100 pop charts, but failed to make the Best Sellers in Stores chart.) Price's most successful year by far was 1959, when--in addition to "Stagger Lee"--he had two other smash hits on the pop chart: "Personality" (#2) and "I'm Gonna Get Married" (#3). Sadly, he never again had a top 10 hit, and his last appearance on the top 40 was in 1963.

Price is currently 78 years old, and has long been nicknamed "Mr. Personality" after his second biggest hit. In 1998, he was inducted into the Rock and Roll Hall of Fame. (I personally have mixed feelings about his induction, given that more deserving artists such as Paul Anka, Neil Sedaka, and Connie Francis have yet to get in the Rock and Roll Hall of Fame. Certainly, Price would be a slam dunk if one was talking about induction into an R&B Hall of Fame.)

As a side note, "Stagger Lee" has a "feature" that I think is really cool: it starts out slowly, and then really picks up its tempo. Quite a few songs were/are like this, especially in the early years of rock and roll.

Link to comment
Share on other sites

  • Members

I just love the heck out of Lloyd Price's music. All of his hits are really good. "Personality" only topped out at #2, but I think it deserved to be #1:

http://www.youtube.com/watch?v=EBiJAxgZFFI

And as a side note, the best cover of a Lloyd Price song IMO, came from a very unexpected place, just really packs a punch:

http://www.youtube.com/watch?v=yYjL-0WPV4Y

Lloyd also had some mid level hits on the R&B charts as late as the 70's that were really good:

http://www.youtube.com/watch?v=ufBjiDDW8w8

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Download isn't working for me either.  With that said, thank you for all the work you have done!
    • @P.J. Well, it wasn't her first award. I am sure she has written books, and spoken at colleges, and gotten some notoriety from it. Most importantly, she is fulfilled. Something Dani is not.  @Paul Raven Exactly, it does not ring true to me. Dani has that big personality because she is masking pain. And she probably clung to Bill because he made her feel smart and important (at one point). There are ways to add more layers to her.
    • Absolutely. And IIRC Rose Alaio has mentioned production having it out for her.
    • That goes back to Chance/Abby-there was way more to explore with their marriage but the first problem that pops up that's pretty much it-moving on. And Kyle/Lola, years worth of story dropped so he can fall back in love with Summer. Sharon/Rey married off with no plans for their future so they kill him off. And so on...
    • All of that would be interesting. Why would JG ever do that?
    • GH 1976 Pt 2 Medical student Bobby Chandler’s bone-marrow test results are in, and Steve Hardy has the difficult task of telling him he has Malenkov’s Disease, a rare and fatal blood disease. Bobby, newly married Samantha, hears his one-year-maximum prognosis and insists that Steve not tell anyone, as he has to have time to work out his own feelings. To cover up the treatments he’ll be starting immediately, Bobby, with Steve, decides to tell his family he has mononucleosis. His wife and his mother, Caroline, accept this story, but attorney Lee Baldwin senses it’s much more and presses Bobby for the truth, then promising to keep Bobby’s secret. Even though Bobby moves into a state of remission, Lee realizes the gravity of the problem and moves his wedding to Caroline forward, assuring Bobby that he will always be there for both Caroline and Sammi. But Bobby’s remission is short-lived, and his symptoms are now more severe, requiring frequent whole-blood transfusions. And a new experimental drug he is taking holds the threat of serious side effects. Sammi learns that Bobby’s attempt to buy life insurance was turned down and, herself a nurse, realizes that his symptoms are more severe than mono. She tries to press Leslie for the truth, but Leslie can’t violate a patient’s confidence. She does, however, pressure Bobby to let Sammi share is with him. Bobby insists that he can’t; he won’t send her into mourning while he’s still there to watch. But Sammi, angry at being treated like a child, presses the issue and manages to find out the truth. She then asks Lee to convince Bobby that his mother must be told so they can all show him the love they have for him before it’s too late and they have only  regrets for what went unsaid. Lee agrees, and after the wedding he protectively tells Caroline the truth. Sammi then tells Bobby that she is pregnant, news that he receives with very mixed emotions. Steve hits an optimistic note when he tells Bobby that a new breakthrough in leukemia chemotherapy may help him in his fight for life. This new treatment calls for more extensive testing, and Steve is overjoyed to find that there has been a variation in Bobby’s condition which indicates that he -doesn’t have Malenkov’s Disease after all. His condition, while serious, can be successfully treated  extensive drug therapy in New York, and Lee quickly arranges for all of them to move there so they can support Bobby during the extensive treatment and long recovery.  Dr. Jim Hobart and his wife, Audrey, are continuing their therapy sessions, trying to decide if they have a future together. Audrey admits she has stayed with Jim only because he needed her while he was drinking, and he in turn admits that he knows Audrey married him not out of love but out of gratitude for saving her son Tommy’s life in surgery. When Jim finally tells Audrey that he created his own alcoholic abyss and blamed her only because she was conveniently close, she wonders what will happen to: her when he recovers. If he doesn’t need her, can she go on? Does she need so much to be needed? When Jim, improving, starts teaching at the local college, he finds his self-image improving. But Audrey, worn out from therapy, suggests that she take a short vacation alone. Jim sees this as a way of undermining his recent strides and is angry. He relates this situation to his recent impotence, caused by his emotional problems. Jim reacts to his own feelings of inadequacy by withdrawing from Audrey, treating her impersonally and coldly. She takes this as an indication of her own failure. But when Jim reacts enthusiastically to one of his students, lovely young Sally Grimes, Audrey questions her own responsibility for the situation and accepts a dinner invitation with Steve Hardy, her first husband. Steve’s reassurance that she’s been a paragon of tolerance is negated when Jim walks in late and showing signs of drinking. When she asks how he could do it, he bitterly replies, “It’s a way to help me escape from you,” and turns and leaves. He goes to Sally’s, where they make love. When Sally later expresses regret at interfering in his marriage, Jim assures her there was nothing left to spoil—his wife is frigid but has blamed their sexual failure on him; thanks to Sally, he now knows he’s not inadequate. Since Sally won’t have an affair with a married man, Jim decides to make the break with Audrey. He bit- _ terly tells her Sally proved to him that he never had a problem—all he needed was a real woman, not one who was all burned out. He scathingly says that she takes men and castrates them; cases in point, her three husbands: Steve Hardy, Tom Baldwin, and himself. Shocked and horribly hurt by his accusations, Audrey swallows sleeping pills but immediately realizes the folly of her actions and tries to get help. Steve, meanwhile, senses something wrong and on a hunch goes to her apartment, where he finds her unconscious. He rushes her to the hospital for treatment, and after sixteen hours she begins to come around. She tearfully repeats Jim’s accusations while still groggy, and Steve reassures her that nothing Jim said was in any way true. As she dozes in the security of his presence, he whispers to her, “There’s a lot of woman in you, there was and there is, my sweet, lovely Audrey.”  Nurse Beth Maynard, despite her frequent pronouncements that she’s immune to emotional involvement, has fallen in love with resident Kyle Bradley. Beth’s sister, Nurse Diana Taylor, feels that Kyle treats Beth as if she were a casual conquest, however, rather than a woman he loves. Kyle’s life is now complicated by the arrival of Nurse Kate Marshall in town. She is staying with her godmother, Jessie Brewer, R.N., while. she recovers from a painful divorce. She and Kyle had an affair a few years ago, and she knows he’s married but keeps his wife “under wraps.” Kyle, in turn, knows that the discovery of Kate’s affair with Dr. John McAllister drove his wife to suicide. Kyle and Kate resume their affair. Despite the fact that Kyle is now living with Beth, Diana has seen enough to convince her that Kyle is deceiving her sister. But Beth won’t believe this, until she sees them embracing herself. When she confronts Kate, Kate bitterly tells Beth everything past and present about herself and Kyle, including the interesting fact that he’s married. Beth, shocked and hurt, throws Kyle out, and Jessie, who overheard Kate’s vindictive diatribe to Beth, arranges her transfer to another hospital.     
    • This is so true - the instant love is annoying. Adam/Sally/Billy/Chelsea are the best evidence of why this rings hollow. While I can see Adam/Chelsea reuniting based on a long history and Connor, there's no way Sally would instantly declare love. While Billy is just a desperate soul, Sally would be far more cautious after what happened with Adam. The *real* Sally would not only scheme to get Adam back, but make Chelsea's life difficult. She just got over it and gave up. Please. Instead of insta-love why can't some of these characters more casual? I hope Claire flings with Holden after Kyle falls into Audra's trap. Abby turns to Nate when Devon obsesses over Amanda - even if she's not in town. Lauren turns to Jack during this Michael stress, who in turn lands in Diane's web. We need messy triangles/quads and more.
    • Literally looks like a damn VFA or bingo hall. But we’re supposed to believe high rollers go there.
    • More 1976 LOL Carrie is very afraid that Ian’s paying her bills will force Arlene into a relationship with him she doesn’t want. She asks Joe if there’s some way to give Ian  back the money. Joe tells Arlene that her mother’s afraid of the situation, but Arlene assures him that the only thing she fears is that Tom will find out and think she’s more than a friend to Ian. Betsy, understandably resentful of Arlene, can’t see what her brother sees in her and is upset to see Arlene with Ian, as she’s sure Tom will be hurt. Tom is initially quite angry when he happens to learn that Ian paid Carrie’s hospital bills in full but believes Arlene when she assures him Ian’s just a friend. Ian, meanwhile, after Arlene admits she has strong feelings for a young doctor and can therefore regard Ian only as a friend, puts the pieces together and makes an appointment to see Tom for a cardiac examination. Tom realizes why Ian has chosen him and refuses a considerable fee to become Ian’s personal physician. . Betsy has suggested that Tom not ask Arlene to Meg’s formal New Year’s Eve party for the sake of all concerned. Meg, while having Carrie alter her party dress, mentions she’s being escorted by a wealthy man but doesn’t mention Ian by name. Ian had asked  Arlene to fly to Mexico with him for the New Year, but she declined, explaining she had another date. Tom, seeing how left out she feels, tells Arlene they are going to Meg’s party after all, and she begins looking for a dress, unable to afford the type of smashing creation she really wants. Ian, learning that Arlene’s  looking for a dress suitable for Meg’s party, arranges to have a designer creation sent in place of the off the rack dress she selected. When it arrives, Arlene and Carrie immediately plan to return it, but, on second thought, Arlene decides it wouldn’t hurt if she wore it just this once.  Ben Harper is released from prison, and Betsy tries - to show him they have nothing left between them by dating Jamie. However, her feelings for Ben get in the way of her enjoying Jamie’s company. Jamie has decided to accept an out-of-town law firm’s offer and, before leaving, helps Diana arrange the passport requirements for her newly arranged missionary trainee post in Peru. Diana tells Jamie she’s finally found peace except for her sadness at having to leave Johnny  behind. Beaver Ridge has continued to deteriorate since Rick left Meg in control, and Jamie warns Rick that since he owns fifty-one percent of the club, he’ll have to come up with fifty-one percent of the money needed to put the place back on its feet. Cal has mentioned to Rick that she would rather have a smaller, more informal home than his imposing house, and when she learns he’s put the house on the market she assumes he’s considering her desire for an easier home to run. Rick is determined that Cal not know the full extent of his financial problems. Since she wants it so badly, Rick promises Cal he’ll buy the mill house as their home, but he refuses adamantly to accept money from her trust fund toward the purchase, recalling the trouble resulting from the last time he borrowed  money from a woman—her mother, Meg.  Ian informs Ray that he'll get his cut of Beaver Ridge only when he, Ian, has the controlling interest.  When Rick can’t raise his share of the Beaver Ridge capital, he approaches Ray for help. Ray sends him to Ian, who refusés to make a loan, explaining it’s his firm policy, but suggests he pay one hundred thousand ~ dollars for two percent of Rick’s holdings in Beaver Ridge, thus transferring majority ownership to himself. Rick thinks it over and realizes he has no choice but to accept. He hates losing control of Beaver Ridge but  feels his first responsibility is Cal and he must protect her from his financial worries. Ben has moved in with Van and Bruce, explaining to Meg that he wants no help and no coddling, he has to make it on his own. He manages to find a job as a salesman in a sporting-goods shop, despite his parole. Betsy hires Carrie as Suzanne’s baby sitter in order to be absent when Ben visits his daughter. Ben finally tells Betsy he’d hoped there was still a chance for them despite everything but her dating Jamie and avoiding him seems to mean he was mistaken. Betsy admits she’s no longer seeing Jamie and agrees to be home when Ben visits. They then call a truce and decide to attend Meg’s party together.  
    • A few years after my grandfather and great aunt passed away, my grandmother married her widowed brother-in-law. You could have knocked us all over with a feather when they told us. My point is: it happens in RL, a lot more often than people think. In the Jack/Siobhan case, it would have been super messy, which is exactly what you want on a soap. Putting Siobhan with Joe forced them to write her as very naive and gullible, which seemed totally wrong for the character they initially introduced. I liked Rose, too, but that story also got derailed by the stupid mob stuff.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy