Jump to content

Suggestions For Y&R's Next EP, For Barbara Bloom


Recommended Posts

  • Members

Since there's rumblings that Bloom is looking for a new EP for Y&R and was actively courting possible EP's at the Emmy's, it's suggestion time.

From what rain1 told us, she was talking to that vision-less hack, Julie Hanan Carruthers for the position. BIG MISTAKE, BLOOM...

Y&R needs someone with an actual vision and one that we know can do the show justice.

David Shaughnessy is my obvious first choice. However, it seems that Bloom is intent on hiring her old ABC friends and not the people who made Y&R a daytime sensation.

My choices would be:

#1. Wendy Riche, who worked with Bloom at ABC. Why isn't this woman on daytime? You'd think that after her 5 Emmy wins at GH in the 90's, someone would want her. Here's your chance Bloom, make the woman an offer that she can't ignore. She knows how to do melodramatic soap, a Y&R staple. I think she could help bring the show back to its former glory.

#2. Shelley Curtis, who was one of Riche's right-hand people at GH in the 90's. I'd like to see what she would do if she was an EP of a show. I think she understands soaps, but has never been given the chance to show it as an EP. Unlike Julie Hanan Carruthers, I think she's a Riche protege that we can trust.

#3. Someone totally new from outside of the genre. Face it, Y&R needs some innovative refocusing. We have bad younger actors, bad storylines, and bad execution. I'd love to see what a soap fan, from outside of the daytime arena that hasn't worked on daytime before could do with the show.

Link to comment
Share on other sites

  • Replies 141
  • Created
  • Last Reply
  • Members

How about Edward Scott?? :) Choice #3 I would say no.....thats what got Y&R in the mess they are in right now...getting someone new like LML and Co.....They need to hire someone from Y&R's past...who knows the show.

Link to comment
Share on other sites

  • Members

From my understanding, it's Kay Alden and Scott who HATED one another. There was that very public struggle for creative control of the show when Bell left the day to day duties. When Shaughnessy was promoted and Scott was fired the first time, Bill Bell did side with Kay Alden and released a statement thanking Scott for his years of service to Y&R, but saying that Shaughnessy would do great things. Kay released a statement too, but didn't even mention Scott and talked about how wonderful the Shaughnessy promotion was.

Alden and Scott disagreed a lot over actors and storyline decisons. The Bell's ultimately sided with Alden though. However, Scott did return in 2004 as Supervising Producer...

Link to comment
Share on other sites

  • Members

Ed Scott.

Promoted up to "Senior Executive Producer".

Maybe with David Shaughnessy as Supervising Producer.

The show needs some story consultants with history. The current apparently-forgotten vasectomy is such a glaring problem (I acknowledge the writers may have a plan to resolve it--Victor laying a trap for Sabrina) that a strong historically grounded consultant is needed. I'd let Kay Alden and Jack Smith play those consultant roles, and release them from B&B (though they could do both, but they're doing NOTHING for B&B right now).

Link to comment
Share on other sites

  • Members

Yep, and she and Bloom were close during their days at GH/ABC. I notice Wendy thanked Bloom a lot in her Emmy speeches in the 90's. It seems obvious that Bloom wants to hire her friends, which I'm totally against, but if there's anyone I trust, it has to be Wendy Riche.

I hope Bloom sees this thread...

Link to comment
Share on other sites

  • Members

I could get behind Riche...very much. It would be a combination of "new blood" with experience...but also someone who got relationship-driven soap, and could help the HW keep it in that direction. She got some outstanding moments out of her team...which is exactly what Y&R needs right now...OUTSTANDING moments.

It means though that she needs a Claire Labine style "big" writer. I'm not arguing for Labine, but someone who can script those huge moments that tear your heart out. Someone who REALLY gets the operatic part of soap opera.

Link to comment
Share on other sites

  • Administrator

My first pick would be someone from the old Y&R: Ed Scott, David Shaughnessy. What about Tom Langan since he was Producer at Y&R for years. Sure I didn't like his stuff at DAYS, but that was mostly for his HW "abilities."

I definitely love the Wendy Riche and Shelley Curtis picks. But my wish is for them to return to GH.

Link to comment
Share on other sites

  • Members

No Langan, please. LOL! If his vision is anything like his HW stint at DAYS, he needs not work in daytime EVER AGAIN.

Wendy Riche and Shelley Curtis are never going back to GH, and I can't see them putting up with Frons' BS. Y&R is very much in the shape GH was in when Riche inherited it in 1992. There was a series of bad storylines, bad actors, and atrotious writing. If any outsider can whip Y&R into shape, it would be Riche, IMO and she's a friend of Barbara Bloom's.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • @AbcNbc247 No Will?

      Please register in order to view this content

    • yes. today Monday's episode started with words displayed "part 1" and ended with "to be continued"
    • I find Missy Reeve's views offensive and I don't want to defend her, but I don't think she ever said anything publicly about Days "gay content".   In fact, I don't think she's ever said anything negative about Days at all.  There's no indication Missy is difficult or unprofessional on set-except for the whole affair thing years ago lol-but that's a whole different topic. I can dislike Missy as a person and still think she's the perfect fit for Jen.  Cady tried and it didn't work for me.  Whenever Missy steps into the role it works.  It's a two things can be true situation.  Missy has some bad opinions, but she's great at playing Jennifer.
    • Doesn't the funeral go into Tuesday 
    • Christian Streaty wrote her second freelance script today on Days. Surprised they gave the first funeral episode to a newbie.  
    • And the third thing, which I have no cite for, and I may look to see if one is findable, but supposedly she said that the show had too much gay content in it. And, to be fair, that could be someone making a criticism about balance & not be bigotry but when it's added to the other, that's why it bugs people.
    • Please register in order to view this content

      The greatest tv series season finale in history.   
    • Mick Savage was sooo unbearable. And more unbearable was the reaction from the female characters to him - they were acting like he is God's gift to women and sooo irresistible. To a point of unbelievable cringe. 
    • Today was a short one. Only 33 minutes.  The ‘Part One’ graphic at the beginning was pretty interesting though. I didn’t expect them to do something like that.  I like how everything was focused around John and his family and friends. Again, the acting and the dialogue was very well done and well written. And I love that they were able to incorporate Drake’s, “swing for the fences” phrase into the script. It was nice seeing everyone interact with each other, especially characters who don’t often share scenes together. It felt like every character was part of a big family or community. Plus, an outdoor funeral in June makes a lot more sense than an outdoor funeral in December.  But yeah, it’s very, very strange that Will isn’t at the funeral, especially since we know that 

      Please register in order to view this content

      I would much rather he had been there today. And, where’s Anna too? And Jack and Jennifer? What was the point of bringing them all back if they weren’t going to attend the funeral? I expected Steve to want to close down BlackPatch, though I’d rather he just retire and let Paul take it over. But I like that Kayla was there to comfort him. I wonder if he’s going to change his mind at some point.  It was nice seeing Shane again too. Now, he just needs to have more scenes with his son lol but I enjoyed seeing him comfort Marlena. I’m not really sure about his interaction with Cat though? Was it really necessary for this to happen now, at John’s funeral? They could’ve waited a little longer to introduce this story arc.  Btw, was Tate bleeding from his head in his first scene with Arianna? 
    • This is the coldest early June in my life. It's like it's January. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy