Vee

Trump has a (doomed) blog now:

They really do, lol. In other lighthearted news:

Yeah, I posted it above. Disgusting.

Looking forward to being almost two full seasons behind! I will catch up.

No? Let's go to your post history. Literally all you are known for here is the countless examples of you excoriating literally everyone on the board for not liking the shows, actors or stories you do. Consider alternative methods or perhaps, a nap!

@DRW50

The public demands more of @DRW50's Eastenders bible.

Again - Coons was soundly ignored re: the last big bill despite a ton of hype from the Beltway press when he put his voice in. And so far, none of the Beltway agita over infrastructure seems to have derailed the bill or changed Biden's approach atm. Signal =/= noise.

Chris Coons' last big attempt at a bipartisan compromise got nowhere with this WH. I'm not super worried about him.

I grew up absolutely worshipping Janet - I lipsynced and danced to songs way too old for me as a kid over and over. But I've always had complicated feelings about the later years. I think Janet got very spooked by the commercial response to Velvet Rope, and retreated to making very light, superficial pop for years afterwards - chasing other people's trends (not as badly as Madonna has in recent years, though). I can listen to "All For You" now and enjoy it, but at the time I was very disappointed by that entire album for retreating from the kind of relevant, innovative work she'd spent the late '80s and '90s doing. The 2000s hit her and a lot of artists hard, and I have never hesitated to say I find most of her albums after TVR to be bad (and her Tyler Perry work even more embarrassing). There's the occasional good song or fun single in the mix, but the old Datalounge joke about her contemporary albums being overstuffed compilations of songs about her junk, giggling interludes, and "edit!" is not far off. That being said: I thought Unbreakable was a considerable improvement, and I liked "Made For Now" a lot. Janet is over 50 and there's no shame in her not being able to move like she used to and leaving the serious dancing to the entourage. I was really thrilled she had not only a great new single that didn't seem tacky or repetitious like so many of her other attempts at the charts in the 21st century. Madonna has become a total joke who can't face the future or her aging, but Janet has clawed her way back to some relevance and appreciation. I hope she keeps it up.

Dude, you have spent years on this board being the moral scold for people not liking the soaps you like or having issues with performers you don't have issues with. People have explained their feelings on countless issues backwards, forwards and sideways and instead of taking their feelings into account you continue to belittle everyone as though you have any standing whatsoever or anyone has to listen to you. Please understand: This is not your house. You are not the adult here. If you've spent 70-80% of your posts in the last 16 years decrying the board and its members, the problem is you.

Trigger warning: Maureen Dowd. It is largely a kind piece about Carter and Biden's relationship.

There has to be more!

The Kellie Martin exit story is a classic. But it's what came later that were a bunch of spiraling stunts trying to emulate that shock. And a lot of misery.