Jump to content

BTG: History, Behind the Scenes Articles & Photos


Errol

Recommended Posts

  • Replies 5.7k
  • Created
  • Last Reply

Top Posters In This Topic

  • Webmaster

Pandemic taught them they can't sell soap to an audience at home by simply advertising in the supermarkets. They need to get their brand back in the minds of everyday consumers. Seriously though, this is great. Already reached out to a contact at the studios to see if I might get more info on this and what else is cooking up behind the scenes. As I said last summer, pandemic and strikes were eye openers to the industry. During both occasions, the only genre or daypart still chucking along was daytime and soaps in particular. It didn't go unnoticed.

Now, that Net Code contract will be even more valuable when it's up for renewal soon. Hopefully, SAG-AFTRA pays attention and secures a good deal the AMPTP can live with. It'll only help spearhead more developments.

Link to comment
Share on other sites

  • Members

Yeah, that's what I was discussing earlier in the thread some pages back. Glad I wasn't crazy for noticing them enduring for people in front of and behind the camera (and the networks) during strikes and the streamer implosion.

Edited by Vee
Link to comment
Share on other sites

  • Webmaster

Also, so with Sheila Ducksworth as co-EP from CBS Studios/NAACP Venture, Kimberly Doebereiner from P&G as VP of advertising, what part of CBS, NAACP and P&G are the other two from?

Talking of Leon Russell and Derrick Johnson

Yup. You not crazy.

Just believe in THRIVING! Haha.

Link to comment
Share on other sites

  • Webmaster

One thing I can't wait to see, and I really enjoyed being part of during the AMC/OLTL reboots, is the casting releases! Finding out who is joining this show and what character they play as news trickles in will give me (and the Community) LIFE!!!!

Link to comment
Share on other sites

  • Members

Having worked on projects that were led by Marc Pritchard for P&G, he’s a smart and tough cookie that isn’t afraid to spend money to make money. I know he wouldn’t have signed off on this endeavour back to scripted content across multiple mediums if he didn’t have a good reason to. Extremely intelligent, and tough man who is not afraid to call people out on their bullsh!t. As I said before, he’s one person I am sure will not put his name or P&G’s name on a crap product (unless it’s beyond his control). 

Link to comment
Share on other sites

  • Webmaster

Outside of episode count and differences in pay, five years isn't actually something I'd worry about. Primetime shows required seven season deals and even with shorter filming schedules, it gave actors limited chances of doing a movie and a series simultaneously. A soap could still manage this similar to how GH is now doing with NIcholas Chavez. The only problem is the actor should remember soaps ARE NOT a stepping stone for "bigger and better things." They are just as much a TV show as "9-1-1" or "This is Us."

Link to comment
Share on other sites

  • Webmaster

Right! And there was no SON. At best, there was SoapZone (forget it's name before it was called that, btw) and the AMC Pages (now called Soap Central). Soap Opera Network launched in October 2001, more than two years after "Passions." Theoretically, none of us were alive in the social media/message board instance in terms of our respective user names. Heck, I didn't even go by my real name back in those early days. How far we've come in the last 22-25 years.

Link to comment
Share on other sites

  • Webmaster

I wouldn't worry about B&B. I don't doubt this is why CBS opted to just give the show an extension for another year instead of negotiating a new deal as it leaves the network to worry about other areas across its lineup while enabling it to put its focus on developing this show.

B&B is not in danger despite those demos.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I do think Ben should come back. I think Max Bowden is all wrong for Ben.
    • Thank you, been waiting so long for this, and I appreciate how much work it is typing this all out and creating the charts for us!

      Please register in order to view this content

    • FROM THE VAULT: WEEKLY DAYTIME NIELSEN RATINGS: WEEKS OF 1/15/73-1/19/73 & 1/22/73-1/26/73:

      Please register in order to view this content

    • Up to episode 340. Jason Vinley has been at the helm for just under around a month and has quickly whipped the show into shape. He has made many smart cuts to the show's large canvas including writing out Jason Prescott, Deena Greely, the Cummings family, and phasing out Carla Redlon. Carla and Gene's failing marriage is an interesting idea, but I'm not always overjoyed by the execution. Elain Graham comes back later and another actress plays the part for a bit. I'm not really sure the angle they are going here, but it's probably one of the only decisions I am not too thrilled with.  Vineley has narrowed the canvas into several stories and allowing events to spider out and impact a series of people. The stalking of Lori Martin has climaxed into the revelation that Blue Knowles, the Cinderella Rapist, has been follwoing Lori for weeks on end. The build to this with a group of different men being around Lori at the time of the incidents is very low key and allows the viewer to draw their own conclusion even though we can also see the man in the sun glasses. Lori's attack on her final night at the Monroe School is a compelling action sequence playing out parallel with a much smaller scale heist in the school by two of Lori's pupils. The end where Blue traps her in the classroom and Ben stumbles upon her lifeless body is wildly engaging for a show that has rarely been able to tell a story without having a deus ex machina style ending.  The fallout is equally compelling. Ben was stabbed in the hand in a fight with Blue which leaves the ability to use his hand in jeopardy. Peter, who was suppose to pick Lori up if Ben couldn't, feels guilty because he was out with older woman Vicki Lang at the Greenbriar and later back at her place where she attempted to coerce him into bed. Placing both Davidson children in sexually suggestive situationsthat the same time was an interesting choice. With the identity of the rapist unknown to the canvas, Gil Prescott suggests to his sister Marianne that her boyfriend Russ Weaver might be the rapist, which seems both logical and calculated on Gil's part.  Episode 340 is just very intense and high interest viewing from beginning to end as the story spirals in several directions for several characters. There is a really nice moment with Ione and Gene Redlon visiting Terry at the hospital that cements the ties between the two families. Gene later comments to his mother wondering how a man can become a monster. Later, Terry talks to a catatonic Lori that she is both relieved Scott isn't here and deeply missing his presence. Comparing this sequence of Lori in the hospital to the year prior when Lori was also in the hospital is night and day. The show is tight. The balance of religion and drama is perfectly balanced and comes off less as preachy and more as deeper characterization. When Gil attacks Marianne's faith after Lori's attempted rape, Marianne delves further into what trily turned Gil away from God, Corrine Prescott's painful demise at the hand of cigarette induced lung cancer.  In 341, the show has changed the opening and reflects the show's new era is a nice symbolic move. I appreciate that Vinley also maintains the rich canvas of side characters (offscreen) with references to Jill, Gary, and others who have come and gone while building up what is to come with references to Ronnie Washington and Hugo Lancelot. I am looking forward to the next year or so of episodes.  
    • FROM THE VAULT: WEEKLY DAYTIME NIELSEN RATINGS: WEEKS OF 1/1/73-1/5/73 & 1/8/73-1/12/73:

      Please register in order to view this content

    • It would have been great if CBS had worked things out with P&G and brought SFT back to the network in 1987 when they knew Capitol was going to be axed. Then hired good writers to do their thing to revitalize the show. No offense to the late great Bill Bell, but B&B has been a mess. 
    • Thanks. Wish those appearances were available.
    • FROM THE VAULT: WEEKLY DAYTIME NIELSEN RATINGS: WEEKS OF 1/14/74-1/18/74 & 1/21/74-1/25/74:

      Please register in order to view this content

    • Regarding the NBC years of SFT. Joanna Lee did a good job. She gave Jo a great story and ratings rised but Joanna left because she hated the pace of daytime. I remember seeing Joanna Lee’s great big red hair one day outside the studio. lol Her hair exited the studio before she did. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy