Jump to content

January 11-15, 2010


Toups

Recommended Posts

  • Replies 54
  • Created
  • Last Reply
  • Members

So simple but yet apparently so hard to do. I am one of those 355,000 that did not watch all of that week and I was home sick..but thank heavens for cable and other interesting and entertaining things to watch. I read about the show now and then decide if it is worth watching. They played quite a bit of the vets this past week (still crappy stories) so I hope it trends up a bit.

Link to comment
Share on other sites

  • Members

Those demos are so close with all the shows aside from Y&R. I wonder if CBS will reconsider cancelling ATWT or may it actually have a chance elsewhere.

Does anyone know approximately how much ATWT is making for CBS compared to Y&R and B&B? And if NBC and Days could not come to terms for renewal, with CBS cancelling ATWT would they actually consider replacing one soap with another?

And I really wish I believed quality had a thing to do with ratings. It's 90 percent promotion and I'm sure that's what led to AMC's recent ratings surge.

Link to comment
Share on other sites

  • Members

It's not so much about quality as about telling a story. You can tell a not great story with good pacing. Y&R's stories are rotgut in pacing. They tell bad stories at a bad pace. Major reveals are rushed and treated as meaningless.

The show is starting to go near the levels they were at in mid-2008 again. I'm sure they will go up again but with all the constant stunts Y&R does, it's pathetic that they are not doing better, even in demos.

Link to comment
Share on other sites

  • Members

True about Y&R's demo holding steady which in light of everything that's rather good. I agree with your comment about quality...but the fact that we can say with such ease that quality does not have much to do with ratings is a rather jarring reality to face. If one puts out a product where you have competition, I don't see how it can survive in the long run if Quality is not a main factor.

I always thought that because the show doesn't promote very well (which they don't)is one of the reasons but IMO why would they even bother, I don't believe the genre is that much of a draw that could pull in a lot of new viewers to the genre to sustain itself.

And I just saw your last comment..I myself am shocked that the ratings are not going through the roof either but then again I haven't found any of the stunts the least bit entertaining or exciting which probably explains why the ratings are not going through the roof LOL!! I think this show has forgotten what type of viewing audience Y&R has.

Link to comment
Share on other sites

  • Members

What we have seen is that promotion doesn't bring in viewers unless it is directly related to a stunt or sweeps event and if the viewers do come, they generally don't stay. While quality contributes to the demo slippage that we see, I think that it is mostly external events beyond the control of the soaps. For instance, Allison Sweeney's hosting the popular Biggest Loser likely helps Days' ratings.

Link to comment
Share on other sites

  • Members

Quality also has little to do with it. Soaps have varied in quality ("golden eras" and such), but even AMC (which just went apparently through a down period) really didn't decline at a faster rate than the average soap--not meaningfully so, anyway. Other factors drive the trend, and quality/pacing/storytelling/promotion all just influence short-term and weekly up-and-down trends. The main downward trend has NOTHING to do with these factors. (It's demographic, and it's driven by what is happening to broadcast TV overall).

Link to comment
Share on other sites

  • Members

I think pacing and storytelling do a lot more than just influence weekly trends. If not for Bill Bell's ability to tell a story, DAYS probably would have not had a big ratings increase which saved it from cancellation in 66-67, and Y&R probably would have never lasted. Good pacing and storytelling is key to a show's survival. If Bell had not phased out the Fosters and the Brooks so expertly while increasing the roles of other families, the ratings may never have gone back up and hit #1.

Writing long term is the antithesis of trends, and when the long term plans are good enough, they can sometimes bring in the numbers and sustain them. Y&R gained a lot of viewers back during the time so many were hyping the show as having some glorious revival (summer 2008/early 2009).

Good pacing and storytelling is a key part of anything, not just daytime. There's a reason why shows like Heroes fall off a cliff and keep falling further, and it's not just changing demographics or primetime is dying or any of that. This also influences cable, and film (notice how quickly box office takings for The Matrix sequels fell off a cliff).

Link to comment
Share on other sites

  • Members

But on daytime, do you really think these factors can matter?

Look at DOOL. They are the "miracle". Sure enough, they won back hundreds of thousands of viewers. So I think that credits the kind of phenomenon you talk about.

But it is ONLY hundreds of thousands. Over past decades, they have lost millions, and those folks are never coming back.

So this is my point. If Bill Bell were to "save" DOOL today, he might gain a half-million viewers. But the numbers would keep falling and falling from there, because the bottom is dropping out of commercial TV and out of daytime.

I don't doubt at all that good writing and promotion can lead to gains of several hundred thousand viewers, and those viewers can stick around. But it is ultimately meaningless because the bigger "meta" trend is the steady-state decline of the genre. A show could change its rank order from last to first (and that would be remarkable), but it doesn't mean that the broader enterprise isn't dying off.

Link to comment
Share on other sites

  • Members

I knew the ratings were going to go down. Still not bad for ATWT. I am surprised they only went down 1,000 viewers and stayed steady a 1.1 in the demo. YES!! AMC dropped in HH's and Women 18-49. AMC dead last in Viewers and Ratings in that category where they belong!

Come on ATWT beat AMC next week in HH's too!!

Link to comment
Share on other sites

  • Members

The main ussue with ATWT has always been demos. I'm thrilled to see them besting two ABC shows. Remember when ATWT always came in dead last? The funny thing is that they show isn't even youth-focused any more. Back when Will and Gwen were 'SuperCouple' the show was at .9.

Link to comment
Share on other sites

  • Members

So true!! And where did those viewers come from..from other soaps. They have nothing compelling to offer a new viewer to a soap to watch and slowly or sometimes quickly losing their long time audience in the process. They cannot sustain themselves this way and I don't think the standard viewer at home who doesn't frequent a message board analyze this stuff. Viewers nowadays are very fickle as they have so many other things to choose from. The rating fluctuate way too much and more often than not on the downside.

I am so so curious to seeing what a popular soap actor like SN could do for Y&R but not only that what type of s/l does he get. They may need a few months to determine the impact.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Cady had a fairly posh accent or manner as Rosanna - the character was a 180 from Dixie when she went to ATWT, and it was a huge success initially. As someone mostly only familiar with the nagging, miserable or clueless Dixie of the mid-late '90s and early 2000s it was what convinced me Cady could act. I thought she was incredible in her first run. Later, in future stints, her hair and story and performances were all over the place but a lot of that was down to the show for me. She brought some of Rosanna back with her to Dixie in her ill-fated return and a lot of people didn't like it, which I understood but I did think the character needed some change. I think she's had a little bit of the same persona and arch performance in every role she's played since, including Jennifer Horton at DAYS or Kelly at Y&R, who later became a maniac and was easily the worst work I've ever seen Cady do. It has kind of infected her overall mannerisms, I'll allow that, but I do think she brought Dixie back together as herself while still evolving the character when she returned to AMC again in 2012-13. Nonetheless, for me the upshot is that this is a character where Cady's kookier recent performance style suits the role. But I can understand it grating for people.
    • Yeah, Loretta Swit's passing stings. My late dad LOVED the show (he died last November) and watched it religiously. In first run and repeats.  And I was literally born the day after the show's premiere, so I grew up with it! I know many loved later, softer Margaret, but I loved Early Hot Lips. In real life, I'm all for less misogyny, but to me, the early years of M*A*S*H were just funnier. May Loretta Swit rest in peace. Thanks for all the memories connected to my dad!
    • FROM THE VAULT: WEEKLY DAYTIME NIELSEN RATINGS: WEEKS OF 10/29/73-11/2/73 & 11/5/73-11/9/73:  

      Please register in order to view this content

    • I agree that she isn't Dixie or Rosanna and shouldn't be acting like either. I just found it strange that she had a naive Southern character and a wealthy urbane character in the past and didn't experiment with accents before (unless I missed it, correct me if I'm wrong). She used to do improv characters on YouTube. She's probably doing something similar here.

      Please register in order to view this content

       
    • And here I thought I'd never think about Lauren Tewes again after her brief appearance in Twin Peaks Season 3.
    • I may be the single person who does not mind Transatlantic Campy Pamela. I think it perfectly suits this sort of Absolutely Fabulous-esque supporting character she's playing much more than it did when Cady tried weird and often broad stuff at AMC* or Y&R, or later stints at ATWT. She's not Dixie and she's not trying to be. I will freely admit some of the other chances she took at other shows often came off stiff, hammy or downright mortifying (Kelly Andrews, come on down). (* - and I say that as one of the few who was somewhat into Cady trying to make Dixie more cosmopolitan in the Rosanna Cabot mold in mid-2000s AMC, just to liven the character up again)
    • There’s absolutely nothing exciting happening storyline wise but I’m always happy to see the vets on my screen so I’ll take what I can get. It’s also just nice to see them all dressed up in the same room, it always gives classic Y&R vibes. The best part? No Phyllis. 
    • Please register in order to view this content

       
    • Well now we had Ashley's reaction-and weren't we all gasping when she appeared to hate it-but she was just joking!! She loved it. Now we have to see Abby's reaction, and maybe Mamie could come back to say she loves it. How about Jill via Zoom giving her opinion (she'll love it) and bring in a day player to play Mrs Martinez to say she loves it also... I feel bad to keep dumping on this show (not really) but when the choices they make are so inane, it's the only entertainment value the show has. Let's unpack the Nikki birthday story. So Claire wants to throw her Nana a birthday bash as away of endearing Kyle to Victor. Don't quite get the logic there,but OK. She hires a party planner who makes ridiculous suggestions. Slightly annoyed that Y&R are hiring someone for this role for 5 episodes when we never see doctors, co- workers etc. But OK to that to. With all the talk we are expecting something special. What we get is the Jazz Lounge hideously decorated with some ugly tablecloths and a few tacky decorations. They needed a planner for this? Then the guest list consists of family members (no grandchildren)and a few others. Hardly a party. As usual the costuming is pretty awful. A red and black theme ? And our guest of honor is sporting a do that looks like a cross between Cameron Diaz in Something about Mary and Marie from Roxette. They should have had an intimate dinner and ditched all the fanfare. Would have been way more believable.
    • Please register in order to view this content

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy